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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #765CE8 it is the complementary color #89A317. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #765CE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #765CE8: #7B5CE3, #8C6EF6, #9D80FF, #AE92FF and #BFA4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #765CE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #765CE8: #765CE8, #654AD5, #5438C2, #4326AF and #32149C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 60 / 0 / 9

HEX #765CE8

RGB 118 92 232

HSL 251.14, 0.75%, 0.64%

LAB 48.68, 45.23, -67.69

 

Complementary color

CMYK 16 / 0 / 86 / 36

HEX #89A317

RGB 137 163 23

HSL 71.14, 0.75%, 0.36%

LAB 62.99, -26.35, 61.53

 

CMYK 46 / 59 / 0 / 11

HEX #7B5CE3

RGB 123 92 227

HSL 253.78, 0.71%, 0.63%

LAB 48.77, 44.8, -64.69

 

CMYK 43 / 55 / 0 / 4

HEX #8C6EF6

RGB 140 110 246

HSL 253.24, 0.88%, 0.7%

LAB 55.46, 43.48, -64.46

 

CMYK 38 / 50 / 0 / 0

HEX #9D80FF

RGB 157 128 255

HSL 253.7, 1%, 0.75%

LAB 61.5, 39.6, -59.65

 

CMYK 32 / 43 / 0 / 0

HEX #AE92FF

RGB 174 146 255

HSL 255.41, 1%, 0.79%

LAB 67.11, 33.72, -50.66

 

CMYK 25 / 36 / 0 / 0

HEX #BFA4FF

RGB 191 164 255

HSL 257.8, 1%, 0.82%

LAB 72.79, 28.33, -41.63

 

CMYK 49 / 60 / 0 / 9

HEX #765CE8

RGB 118 92 232

HSL 251.14, 0.75%, 0.64%

LAB 48.68, 45.23, -67.69

 

CMYK 53 / 65 / 0 / 16

HEX #654AD5

RGB 101 74 213

HSL 251.65, 0.62%, 0.56%

LAB 41.95, 46.74, -67.89

 

CMYK 57 / 71 / 0 / 24

HEX #5438C2

RGB 84 56 194

HSL 252.17, 0.55%, 0.49%

LAB 35.22, 48.27, -67.94

 

CMYK 62 / 78 / 0 / 31

HEX #4326AF

RGB 67 38 175

HSL 252.7, 0.64%, 0.42%

LAB 28.58, 49.63, -67.67

 

CMYK 68 / 87 / 0 / 39

HEX #32149C

RGB 50 20 156

HSL 253.24, 0.77%, 0.35%

LAB 22.23, 50.32, -66.71

 

CMYK 49 / 60 / 0 / 9

HEX #765CE8

RGB 118 92 232

HSL 251.14, 0.75%, 0.64%

LAB 48.68, 45.23, -67.69

 

CMYK 39 / 59 / 0 / 9

HEX #8E5EE8

RGB 142 94 232

HSL 260.87, 0.75%, 0.64%

LAB 51.36, 49.03, -63.24

 

CMYK 29 / 59 / 0 / 9

HEX #A55EE8

RGB 165 94 232

HSL 270.87, 0.75%, 0.64%

LAB 53.85, 54.17, -59.11

 

CMYK 19 / 59 / 0 / 9

HEX #BC5EE8

RGB 188 94 232

HSL 280.87, 0.75%, 0.64%

LAB 56.61, 59.55, -54.53

 

CMYK 9 / 59 / 0 / 9

HEX #D35EE8

RGB 211 94 232

HSL 290.87, 0.75%, 0.64%

LAB 59.6, 65.08, -49.59

 

CMYK 49 / 60 / 0 / 9

HEX #765CE8

RGB 118 92 232

HSL 251.14, 0.75%, 0.64%

LAB 48.68, 45.23, -67.69

 

CMYK 50 / 61 / 0 / 89

HEX #0E0B1C

RGB 14 11 28

HSL 250.59, 0.44%, 0.08%

LAB 3.76, 4.69, -9.83

 

CMYK 49 / 61 / 0 / 69

HEX #281F4F

RGB 40 31 79

HSL 251.25, 0.44%, 0.22%

LAB 15.46, 18.36, -28.23

 

CMYK 49 / 60 / 0 / 49

HEX #423482

RGB 66 52 130

HSL 250.77, 0.43%, 0.36%

LAB 27.37, 27.56, -42.11

 

CMYK 49 / 60 / 0 / 29

HEX #5C48B5

RGB 92 72 181

HSL 251.01, 0.43%, 0.5%

LAB 38.28, 36.66, -55.28

 

CMYK 49 / 60 / 0 / 9

HEX #765CE8

RGB 118 92 232

HSL 251.14, 0.75%, 0.64%

LAB 48.68, 45.23, -67.69

 

CMYK 0 / 59 / 23 / 9

HEX #E85EB3

RGB 232 94 179

HSL 323.04, 0.75%, 0.64%

LAB 60.26, 62.18, -18.3

 

CMYK 47 / 0 / 59 / 9

HEX #7CE85E

RGB 124 232 94

HSL 106.96, 0.75%, 0.64%

LAB 83.34, -56.05, 56.37

 

CMYK 49 / 60 / 0 / 9

HEX #765CE8

RGB 118 92 232

HSL 251.14, 0.75%, 0.64%

LAB 48.68, 45.23, -67.69

 

CMYK 0 / 49 / 59 / 9

HEX #E8775E

RGB 232 119 94

HSL 10.87, 0.75%, 0.64%

LAB 62.64, 41.56, 33.7

 

CMYK 59 / 0 / 49 / 9

HEX #5EE877

RGB 94 232 119

HSL 130.87, 0.75%, 0.64%

LAB 82.61, -60.6, 43.79

 

CMYK 49 / 60 / 0 / 9

HEX #765CE8

RGB 118 92 232

HSL 251.14, 0.75%, 0.64%

LAB 48.68, 45.23, -67.69

 

CMYK 0 / 59 / 23 / 9

HEX #E85EB3

RGB 232 94 179

HSL 323.04, 0.75%, 0.64%

LAB 60.26, 62.18, -18.3

 

CMYK 11 / 0 / 59 / 9

HEX #CEE85E

RGB 206 232 94

HSL 71.3, 0.75%, 0.64%

LAB 87.8, -27.41, 62.59

 

CMYK 59 / 0 / 37 / 9

HEX #5EE893

RGB 94 232 147

HSL 143.04, 0.75%, 0.64%

LAB 83.02, -56.09, 30.45

 

CMYK 49 / 60 / 0 / 9

HEX #765CE8

RGB 118 92 232

HSL 251.14, 0.75%, 0.64%

LAB 48.68, 45.23, -67.69

 

CMYK 0 / 59 / 41 / 9

HEX #E85E89

RGB 232 94 137

HSL 341.3, 0.75%, 0.64%

LAB 58.94, 57.19, 4.08

 

CMYK 11 / 0 / 59 / 9

HEX #CEE85E

RGB 206 232 94

HSL 71.3, 0.75%, 0.64%

LAB 87.8, -27.41, 62.59

 

CMYK 59 / 0 / 19 / 9

HEX #5EE8BC

RGB 94 232 188

HSL 160.87, 0.75%, 0.64%

LAB 83.82, -47.77, 10.32

 

Description

Color code: HEX #765CE8 | qconv.com Color code: HEX #765CE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 92 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 92 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 60 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 60% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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