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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7651F3 it is the complementary color #89AE0C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7651F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7651F3 shade: #7B51EE, #8C63FF, #9D75FF, #AE87FF and #BF99FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7651F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7651F3 shade: #7651F3, #653FE0, #542DCD, #431BBA and #3209A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7651F3 shade: #7853F3, #A353F3, #CE53F3, #F353ED and #F353C2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7651F3 shade: #7853F3 and #5353F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7651F3 shade matches the following richer shades: #7853F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7651F3 shade: #7853F3, #8062E4, #8871D5, #9080C7 and #988FB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7651F3 shade: #5386F3, #535BF3, #7653F3, #A153F3 and #CB53F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7651F3 shade: #4010E4, #592DF0, #7853F3, #967AF6 and #B5A0F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7651F3 shade: #7651F3, #F353B1 and #71F353

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7651F3 shade: #7651F3, #F37653 and #53F376

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7651F3 shade: #7651F3, #F353B1, #D0F353 and #53F396

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7651F3 shade: #7651F3, #F35381, #D0F353 and #53F3C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 67 / 0 / 5

HEX #7651F3

RGB 118 81 243

HSL 253.7, 0.87%, 0.64%

LAB 47.25, 54.41, -76.2

 

Complementary color

CMYK 21 / 0 / 93 / 32

HEX #89AE0C

RGB 137 174 12

HSL 73.7, 0.87%, 0.36%

LAB 66.23, -31.86, 66.18

 

CMYK 48 / 66 / 0 / 7

HEX #7B51EE

RGB 123 81 238

HSL 256.05, 0.82%, 0.63%

LAB 47.33, 53.87, -73.25

 

CMYK 45 / 61 / 0 / 0

HEX #8C63FF

RGB 140 99 255

HSL 255.77, 1%, 0.69%

LAB 53.73, 52.03, -72.25

 

CMYK 38 / 54 / 0 / 0

HEX #9D75FF

RGB 157 117 255

HSL 257.39, 1%, 0.73%

LAB 59.08, 45.75, -63.54

 

CMYK 32 / 47 / 0 / 0

HEX #AE87FF

RGB 174 135 255

HSL 259.5, 1%, 0.76%

LAB 64.6, 39.87, -54.63

 

CMYK 25 / 40 / 0 / 0

HEX #BF99FF

RGB 191 153 255

HSL 262.35, 1%, 0.8%

LAB 70.23, 34.42, -45.64

 

CMYK 51 / 67 / 0 / 5

HEX #7651F3

RGB 118 81 243

HSL 253.7, 0.87%, 0.64%

LAB 47.25, 54.41, -76.2

 

CMYK 55 / 72 / 0 / 12

HEX #653FE0

RGB 101 63 224

HSL 254.16, 0.72%, 0.56%

LAB 40.74, 55.76, -76.17

 

CMYK 59 / 78 / 0 / 20

HEX #542DCD

RGB 84 45 205

HSL 254.63, 0.64%, 0.49%

LAB 34.33, 56.89, -75.82

 

CMYK 64 / 85 / 0 / 27

HEX #431BBA

RGB 67 27 186

HSL 255.09, 0.75%, 0.42%

LAB 28.17, 57.39, -74.89

 

CMYK 70 / 95 / 0 / 35

HEX #3209A7

RGB 50 9 167

HSL 255.57, 0.9%, 0.35%

LAB 22.53, 56.55, -72.92

 

CMYK 51 / 66 / 0 / 5

HEX #7853F3

RGB 120 83 243

HSL 253.88, 0.87%, 0.64%

LAB 47.82, 53.68, -75.26

 

CMYK 33 / 66 / 0 / 5

HEX #A353F3

RGB 163 83 243

HSL 270, 0.87%, 0.64%

LAB 52.34, 61.69, -67.72

 

CMYK 15 / 66 / 0 / 5

HEX #CE53F3

RGB 206 83 243

HSL 286.13, 0.87%, 0.64%

LAB 57.83, 70.68, -58.59

 

CMYK 0 / 66 / 2 / 5

HEX #F353ED

RGB 243 83 237

HSL 302.25, 0.87%, 0.64%

LAB 62.81, 77.83, -47.01

 

CMYK 0 / 66 / 20 / 5

HEX #F353C2

RGB 243 83 194

HSL 318.38, 0.87%, 0.64%

LAB 60.9, 71.6, -25.76

 

CMYK 51 / 66 / 0 / 5

HEX #7853F3

RGB 120 83 243

HSL 253.88, 0.87%, 0.64%

LAB 47.82, 53.68, -75.26

 

CMYK 66 / 66 / 0 / 5

HEX #5353F3

RGB 83 83 243

HSL 240, 0.87%, 0.64%

LAB 44.94, 48.19, -80.09

 

CMYK 51 / 66 / 0 / 5

HEX #7853F3

RGB 120 83 243

HSL 253.88, 0.87%, 0.64%

LAB 47.82, 53.68, -75.26

 

CMYK 51 / 66 / 0 / 5

HEX #7853F3

RGB 120 83 243

HSL 253.88, 0.87%, 0.64%

LAB 47.82, 53.68, -75.26

 

CMYK 44 / 57 / 0 / 11

HEX #8062E4

RGB 128 98 228

HSL 253.85, 0.71%, 0.64%

LAB 50.6, 42.72, -62.28

 

CMYK 36 / 47 / 0 / 16

HEX #8871D5

RGB 136 113 213

HSL 253.8, 0.54%, 0.64%

LAB 53.87, 31.82, -48.54

 

CMYK 28 / 36 / 0 / 22

HEX #9080C7

RGB 144 128 199

HSL 253.52, 0.39%, 0.64%

LAB 57.55, 21.61, -34.75

 

CMYK 17 / 22 / 0 / 28

HEX #988FB8

RGB 152 143 184

HSL 253.17, 0.22%, 0.64%

LAB 61.46, 11.83, -20.16

 

CMYK 66 / 45 / 0 / 5

HEX #5386F3

RGB 83 134 243

HSL 220.88, 0.87%, 0.64%

LAB 57.42, 17.27, -59.84

 

CMYK 66 / 63 / 0 / 5

HEX #535BF3

RGB 83 91 243

HSL 237, 0.87%, 0.64%

LAB 46.7, 43.5, -77.2

 

CMYK 51 / 66 / 0 / 5

HEX #7653F3

RGB 118 83 243

HSL 253.13, 0.87%, 0.64%

LAB 47.64, 53.34, -75.57

 

CMYK 34 / 66 / 0 / 5

HEX #A153F3

RGB 161 83 243

HSL 269.25, 0.87%, 0.64%

LAB 52.1, 61.29, -68.11

 

CMYK 16 / 66 / 0 / 5

HEX #CB53F3

RGB 203 83 243

HSL 285, 0.87%, 0.64%

LAB 57.42, 70.03, -59.27

 

CMYK 72 / 93 / 0 / 11

HEX #4010E4

RGB 64 16 228

HSL 253.58, 0.87%, 0.48%

LAB 31.95, 71.14, -93.1

 

CMYK 63 / 81 / 0 / 6

HEX #592DF0

RGB 89 45 240

HSL 253.54, 0.87%, 0.56%

LAB 38.36, 66.93, -89.21

 

CMYK 51 / 66 / 0 / 5

HEX #7853F3

RGB 120 83 243

HSL 253.88, 0.87%, 0.64%

LAB 47.82, 53.68, -75.26

 

CMYK 39 / 50 / 0 / 4

HEX #967AF6

RGB 150 122 246

HSL 253.55, 0.87%, 0.72%

LAB 59.03, 38.95, -58.69

 

CMYK 27 / 35 / 0 / 3

HEX #B5A0F8

RGB 181 160 248

HSL 254.32, 0.86%, 0.8%

LAB 70.69, 26.07, -41.17

 

CMYK 51 / 67 / 0 / 5

HEX #7651F3

RGB 118 81 243

HSL 253.7, 0.87%, 0.64%

LAB 47.25, 54.41, -76.2

 

CMYK 0 / 66 / 27 / 5

HEX #F353B1

RGB 243 83 177

HSL 324.75, 0.87%, 0.64%

LAB 60.26, 69.43, -16.99

 

CMYK 53 / 0 / 66 / 5

HEX #71F353

RGB 113 243 83

HSL 108.75, 0.87%, 0.64%

LAB 86.12, -64.18, 63.88

 

CMYK 51 / 67 / 0 / 5

HEX #7651F3

RGB 118 81 243

HSL 253.7, 0.87%, 0.64%

LAB 47.25, 54.41, -76.2

 

CMYK 0 / 51 / 66 / 5

HEX #F37653

RGB 243 118 83

HSL 13.13, 0.87%, 0.64%

LAB 63.87, 45.46, 41.51

 

CMYK 66 / 0 / 51 / 5

HEX #53F376

RGB 83 243 118

HSL 133.13, 0.87%, 0.64%

LAB 85.63, -66.87, 47.93

 

CMYK 51 / 67 / 0 / 5

HEX #7651F3

RGB 118 81 243

HSL 253.7, 0.87%, 0.64%

LAB 47.25, 54.41, -76.2

 

CMYK 0 / 66 / 27 / 5

HEX #F353B1

RGB 243 83 177

HSL 324.75, 0.87%, 0.64%

LAB 60.26, 69.43, -16.99

 

CMYK 14 / 0 / 66 / 5

HEX #D0F353

RGB 208 243 83

HSL 73.13, 0.87%, 0.64%

LAB 90.84, -32.5, 70.29

 

CMYK 66 / 0 / 38 / 5

HEX #53F396

RGB 83 243 150

HSL 145.13, 0.87%, 0.64%

LAB 86.08, -61.82, 32.95

 

CMYK 51 / 67 / 0 / 5

HEX #7651F3

RGB 118 81 243

HSL 253.7, 0.87%, 0.64%

LAB 47.25, 54.41, -76.2

 

CMYK 0 / 66 / 47 / 5

HEX #F35381

RGB 243 83 129

HSL 342.75, 0.87%, 0.64%

LAB 58.81, 64.37, 8.8

 

CMYK 14 / 0 / 66 / 5

HEX #D0F353

RGB 208 243 83

HSL 73.13, 0.87%, 0.64%

LAB 90.84, -32.5, 70.29

 

CMYK 66 / 0 / 19 / 5

HEX #53F3C6

RGB 83 243 198

HSL 163.13, 0.87%, 0.64%

LAB 87.01, -51.96, 9.6

 

Description

Color code: HEX #7651F3 | qconv.com Color code: HEX #7651F3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 81 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 81 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 67 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 67% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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