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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75ADF5 it is the complementary color #8A520A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75ADF5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #75ADF5: #7AADF0, #8BBFFF, #9CD1FF, #ADE3FF and #BEF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75ADF5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #75ADF5: #75ADF5, #649BE2, #5389CF, #4277BC and #3165A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 29 / 0 / 4

HEX #75ADF5

RGB 117 173 245

HSL 213.75, 0.86%, 0.71%

LAB 69.66, 1.58, -41.47

 

Complementary color

CMYK 0 / 41 / 93 / 46

HEX #8A520A

RGB 138 82 10

HSL 33.75, 0.86%, 0.29%

LAB 40.34, 18.36, 46.34

 

CMYK 49 / 28 / 0 / 6

HEX #7AADF0

RGB 122 173 240

HSL 214.07, 0.8%, 0.71%

LAB 69.69, 1.21, -38.68

 

CMYK 45 / 25 / 0 / 0

HEX #8BBFFF

RGB 139 191 255

HSL 213.1, 1%, 0.77%

LAB 76.05, -0.47, -36.83

 

CMYK 39 / 18 / 0 / 0

HEX #9CD1FF

RGB 156 209 255

HSL 207.88, 1%, 0.81%

LAB 81.78, -5.91, -27.93

 

CMYK 32 / 11 / 0 / 0

HEX #ADE3FF

RGB 173 227 255

HSL 200.49, 1%, 0.84%

LAB 87.51, -10.77, -19.14

 

CMYK 25 / 4 / 0 / 0

HEX #BEF5FF

RGB 190 245 255

HSL 189.23, 1%, 0.87%

LAB 93.22, -15.12, -10.48

 

CMYK 52 / 29 / 0 / 4

HEX #75ADF5

RGB 117 173 245

HSL 213.75, 0.86%, 0.71%

LAB 69.66, 1.58, -41.47

 

CMYK 56 / 31 / 0 / 11

HEX #649BE2

RGB 100 155 226

HSL 213.81, 0.68%, 0.64%

LAB 63.05, 2.36, -41.47

 

CMYK 60 / 34 / 0 / 19

HEX #5389CF

RGB 83 137 207

HSL 213.87, 0.56%, 0.57%

LAB 56.32, 3.31, -41.48

 

CMYK 65 / 37 / 0 / 26

HEX #4277BC

RGB 66 119 188

HSL 213.93, 0.48%, 0.5%

LAB 49.48, 4.49, -41.52

 

CMYK 71 / 40 / 0 / 34

HEX #3165A9

RGB 49 101 169

HSL 214, 0.55%, 0.43%

LAB 42.5, 6.01, -41.57

 

CMYK 52 / 29 / 0 / 4

HEX #75ADF5

RGB 117 173 245

HSL 213.75, 0.86%, 0.71%

LAB 69.66, 1.58, -41.47

 

CMYK 52 / 37 / 0 / 4

HEX #7599F4

RGB 117 153 244

HSL 222.99, 0.85%, 0.71%

LAB 64.24, 12.72, -49.44

 

CMYK 52 / 46 / 0 / 4

HEX #7584F4

RGB 117 132 244

HSL 232.91, 0.85%, 0.71%

LAB 58.8, 25.1, -58.08

 

CMYK 50 / 52 / 0 / 4

HEX #7B75F4

RGB 123 117 244

HSL 242.83, 0.85%, 0.71%

LAB 55.55, 35.25, -63.28

 

CMYK 41 / 52 / 0 / 4

HEX #9175F4

RGB 145 117 244

HSL 253.23, 0.85%, 0.71%

LAB 57.34, 40.08, -60.31

 

CMYK 52 / 29 / 0 / 4

HEX #75ADF5

RGB 117 173 245

HSL 213.75, 0.86%, 0.71%

LAB 69.66, 1.58, -41.47

 

CMYK 51 / 29 / 0 / 84

HEX #141D29

RGB 20 29 41

HSL 214.29, 0.34%, 0.12%

LAB 10.47, -0.02, -9.4

 

CMYK 52 / 29 / 0 / 64

HEX #2C415C

RGB 44 65 92

HSL 213.75, 0.35%, 0.27%

LAB 26.99, 0.31, -18.61

 

CMYK 52 / 29 / 0 / 44

HEX #44658F

RGB 68 101 143

HSL 213.6, 0.36%, 0.41%

LAB 42.03, 0.67, -26.78

 

CMYK 52 / 29 / 0 / 24

HEX #5D89C2

RGB 93 137 194

HSL 213.86, 0.45%, 0.56%

LAB 56.2, 1.25, -34.28

 

CMYK 52 / 29 / 0 / 4

HEX #75ADF5

RGB 117 173 245

HSL 213.75, 0.86%, 0.71%

LAB 69.66, 1.58, -41.47

 

CMYK 13 / 52 / 0 / 4

HEX #D475F4

RGB 212 117 244

HSL 284.88, 0.85%, 0.71%

LAB 64.36, 56.81, -48.71

 

CMYK 8 / 0 / 52 / 4

HEX #E1F475

RGB 225 244 117

HSL 68.98, 0.85%, 0.71%

LAB 92.57, -23.85, 58.3

 

CMYK 52 / 29 / 0 / 4

HEX #75ADF5

RGB 117 173 245

HSL 213.75, 0.86%, 0.71%

LAB 69.66, 1.58, -41.47

 

CMYK 0 / 52 / 29 / 4

HEX #F475AE

RGB 244 117 174

HSL 333.07, 0.85%, 0.71%

LAB 65.76, 54.72, -7.01

 

CMYK 29 / 0 / 52 / 4

HEX #AEF475

RGB 174 244 117

HSL 93.07, 0.85%, 0.71%

LAB 89.39, -42.66, 53.75

 

CMYK 52 / 29 / 0 / 4

HEX #75ADF5

RGB 117 173 245

HSL 213.75, 0.86%, 0.71%

LAB 69.66, 1.58, -41.47

 

CMYK 13 / 52 / 0 / 4

HEX #D475F4

RGB 212 117 244

HSL 284.88, 0.85%, 0.71%

LAB 64.36, 56.81, -48.71

 

CMYK 0 / 23 / 52 / 4

HEX #F4BB75

RGB 244 187 117

HSL 33.07, 0.85%, 0.71%

LAB 79.65, 12.53, 43.13

 

CMYK 39 / 0 / 52 / 4

HEX #95F475

RGB 149 244 117

HSL 104.88, 0.85%, 0.71%

LAB 88.15, -50.87, 51.97

 

CMYK 52 / 29 / 0 / 4

HEX #75ADF5

RGB 117 173 245

HSL 213.75, 0.86%, 0.71%

LAB 69.66, 1.58, -41.47

 

CMYK 0 / 52 / 2 / 4

HEX #F475EE

RGB 244 117 238

HSL 302.83, 0.85%, 0.71%

LAB 68.12, 64.2, -39.22

 

CMYK 0 / 23 / 52 / 4

HEX #F4BB75

RGB 244 187 117

HSL 33.07, 0.85%, 0.71%

LAB 79.65, 12.53, 43.13

 

CMYK 52 / 0 / 50 / 4

HEX #75F47B

RGB 117 244 123

HSL 122.83, 0.85%, 0.71%

LAB 86.95, -59.15, 47.43

 

Description

Color code: HEX #75ADF5 | qconv.com Color code: HEX #75ADF5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 173 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 173 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 29 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 29% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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