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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7568E7 it is the complementary color #8A9718. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7568E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7568E7: #7A68E2, #8B7AF5, #9C8CFF, #AD9EFF and #BEB0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7568E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7568E7: #7568E7, #6456D4, #5344C1, #4232AE and #31209B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 55 / 0 / 9

HEX #7568E7

RGB 117 104 231

HSL 246.14, 0.73%, 0.66%

LAB 51.21, 37.8, -63.03

 

Complementary color

CMYK 9 / 0 / 84 / 41

HEX #8A9718

RGB 138 151 24

HSL 66.14, 0.73%, 0.34%

LAB 59.53, -19.9, 58.37

 

CMYK 46 / 54 / 0 / 11

HEX #7A68E2

RGB 122 104 226

HSL 248.85, 0.68%, 0.65%

LAB 51.3, 37.39, -60.05

 

CMYK 43 / 50 / 0 / 4

HEX #8B7AF5

RGB 139 122 245

HSL 248.29, 0.86%, 0.72%

LAB 58.04, 36.12, -59.77

 

CMYK 39 / 45 / 0 / 0

HEX #9C8CFF

RGB 156 140 255

HSL 248.35, 1%, 0.77%

LAB 64.2, 32.54, -55.37

 

CMYK 32 / 38 / 0 / 0

HEX #AD9EFF

RGB 173 158 255

HSL 249.28, 1%, 0.81%

LAB 69.87, 26.71, -46.32

 

CMYK 25 / 31 / 0 / 0

HEX #BEB0FF

RGB 190 176 255

HSL 250.63, 1%, 0.85%

LAB 75.59, 21.41, -37.28

 

CMYK 49 / 55 / 0 / 9

HEX #7568E7

RGB 117 104 231

HSL 246.14, 0.73%, 0.66%

LAB 51.21, 37.8, -63.03

 

CMYK 53 / 59 / 0 / 17

HEX #6456D4

RGB 100 86 212

HSL 246.67, 0.59%, 0.58%

LAB 44.4, 39.34, -63.33

 

CMYK 57 / 65 / 0 / 24

HEX #5344C1

RGB 83 68 193

HSL 247.2, 0.5%, 0.51%

LAB 37.52, 41.05, -63.59

 

CMYK 62 / 71 / 0 / 32

HEX #4232AE

RGB 66 50 174

HSL 247.74, 0.55%, 0.44%

LAB 30.63, 42.87, -63.69

 

CMYK 68 / 79 / 0 / 39

HEX #31209B

RGB 49 32 155

HSL 248.29, 0.66%, 0.37%

LAB 23.84, 44.6, -63.42

 

CMYK 49 / 55 / 0 / 9

HEX #7568E7

RGB 117 104 231

HSL 246.14, 0.73%, 0.66%

LAB 51.21, 37.8, -63.03

 

CMYK 40 / 55 / 0 / 9

HEX #8A69E7

RGB 138 105 231

HSL 255.71, 0.72%, 0.66%

LAB 53.25, 41.78, -59.66

 

CMYK 31 / 55 / 0 / 9

HEX #9F69E7

RGB 159 105 231

HSL 265.71, 0.72%, 0.66%

LAB 55.32, 46.72, -56.22

 

CMYK 22 / 55 / 0 / 9

HEX #B469E7

RGB 180 105 231

HSL 275.71, 0.72%, 0.66%

LAB 57.63, 51.92, -52.4

 

CMYK 13 / 55 / 0 / 9

HEX #CA69E7

RGB 202 105 231

HSL 286.19, 0.72%, 0.66%

LAB 60.27, 57.53, -48.04

 

CMYK 49 / 55 / 0 / 9

HEX #7568E7

RGB 117 104 231

HSL 246.14, 0.73%, 0.66%

LAB 51.21, 37.8, -63.03

 

CMYK 48 / 56 / 0 / 89

HEX #0E0C1B

RGB 14 12 27

HSL 248, 0.38%, 0.08%

LAB 3.93, 3.95, -8.79

 

CMYK 49 / 55 / 0 / 69

HEX #28234E

RGB 40 35 78

HSL 246.98, 0.38%, 0.22%

LAB 16.52, 15.19, -25.85

 

CMYK 50 / 55 / 0 / 49

HEX #413A81

RGB 65 58 129

HSL 245.92, 0.38%, 0.37%

LAB 28.73, 23.11, -39.29

 

CMYK 49 / 55 / 0 / 29

HEX #5B51B4

RGB 91 81 180

HSL 246.06, 0.4%, 0.51%

LAB 40.25, 30.67, -51.5

 

CMYK 49 / 55 / 0 / 9

HEX #7568E7

RGB 117 104 231

HSL 246.14, 0.73%, 0.66%

LAB 51.21, 37.8, -63.03

 

CMYK 0 / 55 / 16 / 9

HEX #E769C1

RGB 231 105 193

HSL 318.1, 0.72%, 0.66%

LAB 62.46, 58.97, -22.95

 

CMYK 39 / 0 / 55 / 9

HEX #8EE769

RGB 142 231 105

HSL 102.38, 0.72%, 0.66%

LAB 83.93, -49.03, 52.36

 

CMYK 49 / 55 / 0 / 9

HEX #7568E7

RGB 117 104 231

HSL 246.14, 0.73%, 0.66%

LAB 51.21, 37.8, -63.03

 

CMYK 0 / 49 / 55 / 9

HEX #E77569

RGB 231 117 105

HSL 5.71, 0.72%, 0.66%

LAB 62.28, 43.02, 27.08

 

CMYK 55 / 0 / 49 / 9

HEX #69E775

RGB 105 231 117

HSL 125.71, 0.72%, 0.66%

LAB 82.61, -57.98, 44.83

 

CMYK 49 / 55 / 0 / 9

HEX #7568E7

RGB 117 104 231

HSL 246.14, 0.73%, 0.66%

LAB 51.21, 37.8, -63.03

 

CMYK 0 / 55 / 16 / 9

HEX #E769C1

RGB 231 105 193

HSL 318.1, 0.72%, 0.66%

LAB 62.46, 58.97, -22.95

 

CMYK 6 / 0 / 55 / 9

HEX #DAE769

RGB 218 231 105

HSL 66.19, 0.72%, 0.66%

LAB 88.48, -21.35, 58.82

 

CMYK 55 / 0 / 39 / 9

HEX #69E78E

RGB 105 231 142

HSL 137.62, 0.72%, 0.66%

LAB 82.97, -54.15, 32.97

 

CMYK 49 / 55 / 0 / 9

HEX #7568E7

RGB 117 104 231

HSL 246.14, 0.73%, 0.66%

LAB 51.21, 37.8, -63.03

 

CMYK 0 / 55 / 33 / 9

HEX #E7699B

RGB 231 105 155

HSL 336.19, 0.72%, 0.66%

LAB 61.18, 53.87, -3.12

 

CMYK 6 / 0 / 55 / 9

HEX #DAE769

RGB 218 231 105

HSL 66.19, 0.72%, 0.66%

LAB 88.48, -21.35, 58.82

 

CMYK 55 / 0 / 22 / 9

HEX #69E7B4

RGB 105 231 180

HSL 155.71, 0.72%, 0.66%

LAB 83.68, -46.89, 14.36

 

Description

Color code: HEX #7568E7 | qconv.com Color code: HEX #7568E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 104 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 104 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 55 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 55% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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