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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #755EF1CE it is the complementary color #8AA10ECE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #755EF1CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #755EF1CE shade: #7A5EECCE, #8B70FFCE, #9C82FFCE, #AD94FFCE and #BEA6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #755EF1CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #755EF1CE shade: #755EF1CE, #644CDECE, #533ACBCE, #4228B8CE and #3116A5CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #755EF1CE shade: #765FF1, #9E5FF1, #C55FF1, #EC5FF1 and #F15FCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #755EF1CE shade: #765FF1 and #5F5FF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #755EF1CE shade matches the following richer shades: #765FF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #755EF1CE shade: #765FF1, #806EE3, #8A7CD5, #938AC7 and #9D98B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #755EF1CE shade: #5F97F1, #5F70F1, #755FF1, #9C5FF1 and #C35FF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #755EF1CE shade: #3614EA, #563AEE, #765FF1, #9785F4 and #B7ABF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #755EF1CE shade: #755EF1, #F15FBE and #84F15F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #755EF1CE shade: #755EF1, #F1755F and #5FF175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #755EF1CE shade: #755EF1, #F15FBE, #DBF15F and #5FF192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #755EF1CE shade: #755EF1, #F15F92, #DBF15F and #5FF1BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 49 / 0 / 4

HEX #755EF1CE

RGBA 117 94 241 0.81

HSLA 249.39, 0.84%, 0.66%, 0.81

LABA 49.66, 46.53, -71.15, 0.81

 

Complementary color

CMYK 12 / 0 / 74 / 30

HEX #8AA10ECE

RGBA 138 161 14 0.81

HSLA 69.39, 0.84%, 0.34%, 0.81

LABA 62.44, -25.17, 62.89, 0.81

 

CMYK 39 / 49 / 0 / 6

HEX #7A5EECCE

RGBA 122 94 236 0.81

HSLA 251.83, 0.79%, 0.65%, 0.81

LABA 49.74, 46.02, -68.21, 0.81

 

CMYK 37 / 45 / 0 / 0

HEX #8B70FFCE

RGBA 139 112 255 0.81

HSLA 251.33, 1%, 0.72%, 0.81

LABA 56.38, 44.64, -67.96, 0.81

 

CMYK 31 / 40 / 0 / 0

HEX #9C82FFCE

RGBA 156 130 255 0.81

HSLA 252.48, 1%, 0.75%, 0.81

LABA 61.87, 38.23, -59.07, 0.81

 

CMYK 26 / 34 / 0 / 0

HEX #AD94FFCE

RGBA 173 148 255 0.81

HSLA 254.02, 1%, 0.79%, 0.81

LABA 67.49, 32.33, -50.06, 0.81

 

CMYK 21 / 28 / 0 / 0

HEX #BEA6FFCE

RGBA 190 166 255 0.81

HSLA 256.18, 1%, 0.83%, 0.81

LABA 73.18, 26.94, -41.03, 0.81

 

CMYK 42 / 49 / 0 / 4

HEX #755EF1CE

RGBA 117 94 241 0.81

HSLA 249.39, 0.84%, 0.66%, 0.81

LABA 49.66, 46.53, -71.15, 0.81

 

CMYK 45 / 53 / 0 / 10

HEX #644CDECE

RGBA 100 76 222 0.81

HSLA 249.86, 0.69%, 0.58%, 0.81

LABA 42.99, 48.12, -71.35, 0.81

 

CMYK 48 / 58 / 0 / 17

HEX #533ACBCE

RGBA 83 58 203 0.81

HSLA 250.34, 0.58%, 0.51%, 0.81

LABA 36.32, 49.74, -71.39, 0.81

 

CMYK 52 / 63 / 0 / 23

HEX #4228B8CE

RGBA 66 40 184 0.81

HSLA 250.83, 0.64%, 0.44%, 0.81

LABA 29.75, 51.2, -71.09, 0.81

 

CMYK 57 / 70 / 0 / 29

HEX #3116A5CE

RGBA 49 22 165 0.81

HSLA 251.33, 0.76%, 0.37%, 0.81

LABA 23.48, 52.04, -70.12, 0.81

 

CMYK 51 / 61 / 0 / 5

HEX #765FF1

RGB 118 95 241

HSL 249.45, 0.84%, 0.66%

LAB 49.96, 46.14, -70.66

 

CMYK 34 / 61 / 0 / 5

HEX #9E5FF1

RGB 158 95 241

HSL 265.89, 0.84%, 0.66%

LAB 53.82, 54.24, -64.23

 

CMYK 18 / 61 / 0 / 5

HEX #C55FF1

RGB 197 95 241

HSL 281.92, 0.84%, 0.66%

LAB 58.42, 63.05, -56.6

 

CMYK 2 / 61 / 0 / 5

HEX #EC5FF1

RGB 236 95 241

HSL 297.95, 0.84%, 0.66%

LAB 63.65, 72.24, -47.98

 

CMYK 0 / 61 / 14 / 5

HEX #F15FCF

RGB 241 95 207

HSL 313.97, 0.84%, 0.66%

LAB 62.84, 68.16, -30.18

 

CMYK 51 / 61 / 0 / 5

HEX #765FF1

RGB 118 95 241

HSL 249.45, 0.84%, 0.66%

LAB 49.96, 46.14, -70.66

 

CMYK 61 / 61 / 0 / 5

HEX #5F5FF1

RGB 95 95 241

HSL 240, 0.84%, 0.66%

LAB 48.22, 42.21, -73.57

 

CMYK 51 / 61 / 0 / 5

HEX #765FF1

RGB 118 95 241

HSL 249.45, 0.84%, 0.66%

LAB 49.96, 46.14, -70.66

 

CMYK 51 / 61 / 0 / 5

HEX #765FF1

RGB 118 95 241

HSL 249.45, 0.84%, 0.66%

LAB 49.96, 46.14, -70.66

 

CMYK 44 / 52 / 0 / 11

HEX #806EE3

RGB 128 110 227

HSL 249.23, 0.68%, 0.66%

LAB 53.26, 35.5, -57.44

 

CMYK 35 / 42 / 0 / 16

HEX #8A7CD5

RGB 138 124 213

HSL 249.44, 0.51%, 0.66%

LAB 56.71, 25.9, -44.02

 

CMYK 26 / 31 / 0 / 22

HEX #938AC7

RGB 147 138 199

HSL 248.85, 0.35%, 0.66%

LAB 60.34, 16.7, -30.39

 

CMYK 15 / 18 / 0 / 27

HEX #9D98B9

RGB 157 152 185

HSL 249.09, 0.19%, 0.66%

LAB 64.26, 8.59, -16.43

 

CMYK 61 / 37 / 0 / 5

HEX #5F97F1

RGB 95 151 241

HSL 216.99, 0.84%, 0.66%

LAB 62.44, 8.52, -50.72

 

CMYK 61 / 54 / 0 / 5

HEX #5F70F1

RGB 95 112 241

HSL 233.01, 0.84%, 0.66%

LAB 52.26, 31.99, -67.02

 

CMYK 51 / 61 / 0 / 5

HEX #755FF1

RGB 117 95 241

HSL 249.04, 0.84%, 0.66%

LAB 49.88, 45.96, -70.8

 

CMYK 35 / 61 / 0 / 5

HEX #9C5FF1

RGB 156 95 241

HSL 265.07, 0.84%, 0.66%

LAB 53.6, 53.8, -64.59

 

CMYK 19 / 61 / 0 / 5

HEX #C35FF1

RGB 195 95 241

HSL 281.1, 0.84%, 0.66%

LAB 58.17, 62.58, -57.02

 

CMYK 77 / 91 / 0 / 8

HEX #3614EA

RGB 54 20 234

HSL 249.53, 0.84%, 0.5%

LAB 32.31, 71.36, -95.93

 

CMYK 64 / 76 / 0 / 7

HEX #563AEE

RGB 86 58 238

HSL 249.33, 0.84%, 0.58%

LAB 39.88, 60.38, -85.58

 

CMYK 51 / 61 / 0 / 5

HEX #765FF1

RGB 118 95 241

HSL 249.45, 0.84%, 0.66%

LAB 49.96, 46.14, -70.66

 

CMYK 38 / 45 / 0 / 4

HEX #9785F4

RGB 151 133 244

HSL 249.73, 0.83%, 0.74%

LAB 61.56, 32.36, -53.55

 

CMYK 26 / 31 / 0 / 3

HEX #B7ABF8

RGB 183 171 248

HSL 249.35, 0.85%, 0.82%

LAB 73.53, 20.5, -36.75

 

CMYK 51 / 61 / 0 / 5

HEX #755EF1

RGB 117 94 241

HSL 249.39, 0.84%, 0.66%

LAB 49.66, 46.53, -71.15

 

CMYK 0 / 61 / 21 / 5

HEX #F15FBE

RGB 241 95 190

HSL 320.96, 0.84%, 0.66%

LAB 62.17, 65.77, -21.56

 

CMYK 45 / 0 / 61 / 5

HEX #84F15F

RGB 132 241 95

HSL 104.79, 0.84%, 0.66%

LAB 86.33, -57.12, 59.41

 

CMYK 51 / 61 / 0 / 5

HEX #755EF1

RGB 117 94 241

HSL 249.39, 0.84%, 0.66%

LAB 49.66, 46.53, -71.15

 

CMYK 0 / 51 / 61 / 5

HEX #F1755F

RGB 241 117 95

HSL 9.04, 0.84%, 0.66%

LAB 63.55, 45.96, 34.56

 

CMYK 61 / 0 / 51 / 5

HEX #5FF175

RGB 95 241 117

HSL 129.04, 0.84%, 0.66%

LAB 85.32, -63.94, 48.09

 

CMYK 51 / 61 / 0 / 5

HEX #755EF1

RGB 117 94 241

HSL 249.39, 0.84%, 0.66%

LAB 49.66, 46.53, -71.15

 

CMYK 0 / 61 / 21 / 5

HEX #F15FBE

RGB 241 95 190

HSL 320.96, 0.84%, 0.66%

LAB 62.17, 65.77, -21.56

 

CMYK 9 / 0 / 61 / 5

HEX #DBF15F

RGB 219 241 95

HSL 69.04, 0.84%, 0.66%

LAB 91.14, -26.48, 66.09

 

CMYK 61 / 0 / 39 / 5

HEX #5FF192

RGB 95 241 146

HSL 140.96, 0.84%, 0.66%

LAB 85.72, -59.52, 34.53

 

CMYK 51 / 61 / 0 / 5

HEX #755EF1

RGB 117 94 241

HSL 249.39, 0.84%, 0.66%

LAB 49.66, 46.53, -71.15

 

CMYK 0 / 61 / 39 / 5

HEX #F15F92

RGB 241 95 146

HSL 339.04, 0.84%, 0.66%

LAB 60.75, 60.49, 1.63

 

CMYK 9 / 0 / 61 / 5

HEX #DBF15F

RGB 219 241 95

HSL 69.04, 0.84%, 0.66%

LAB 91.14, -26.48, 66.09

 

CMYK 61 / 0 / 21 / 5

HEX #5FF1BE

RGB 95 241 190

HSL 159.04, 0.84%, 0.66%

LAB 86.53, -50.91, 13.14

 

Description

Color code: HEX #755EF1CE | qconv.com Color code: HEX #755EF1CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 94 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 94 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 49 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 49% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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