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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74F554 it is the complementary color #8B0AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74F554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74F554 shade: #79F54F, #8AFF62, #9BFF75, #ACFF88 and #BDFF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74F554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74F554 shade: #74F554, #63E341, #52D12E, #41BF1B and #30AD08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74F554 shade: #76F556, #A1F556, #CCF556, #F5F456 and #F5C956

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74F554 shade: #76F556, #56F562, #56F58C, #56F5B7 and #56F5E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74F554 shade matches the following richer shades: #76F556

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74F554 shade: #76F556, #7FE765, #87D873, #90CA82 and #99BB90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74F554 shade: #CBF556, #A0F556, #76F556, #56F561 and #56F58B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74F554 shade: #3AEB0E, #56F32F, #76F556, #96F77D and #B5FAA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74F554 shade: #74F554, #56F5F5 and #F556B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74F554 shade: #74F554, #5676F5 and #F55676

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74F554 shade: #74F554, #56F5F5, #D556F5 and #F55656

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74F554 shade: #74F554, #56C6F5, #D556F5 and #F58656

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 66 / 4

HEX #74F554

RGB 116 245 84

HSL 108.07, 0.89%, 0.65%

LAB 86.83, -64.04, 64.27

 

Complementary color

CMYK 19 / 94 / 0 / 33

HEX #8B0AAB

RGB 139 10 171

HSL 288.07, 0.89%, 0.35%

LAB 35.29, 66.6, -53.89

 

CMYK 51 / 0 / 68 / 4

HEX #79F54F

RGB 121 245 79

HSL 104.82, 0.89%, 0.64%

LAB 86.96, -63.13, 66.38

 

CMYK 46 / 0 / 62 / 0

HEX #8AFF62

RGB 138 255 98

HSL 104.71, 1%, 0.69%

LAB 90.69, -60.47, 63.1

 

CMYK 39 / 0 / 54 / 0

HEX #9BFF75

RGB 155 255 117

HSL 103.48, 1%, 0.73%

LAB 91.58, -53.5, 56.13

 

CMYK 33 / 0 / 47 / 0

HEX #ACFF88

RGB 172 255 136

HSL 101.85, 1%, 0.77%

LAB 92.6, -45.94, 48.8

 

CMYK 26 / 0 / 39 / 0

HEX #BDFF9B

RGB 189 255 155

HSL 99.6, 1%, 0.8%

LAB 93.76, -37.92, 41.31

 

CMYK 53 / 0 / 66 / 4

HEX #74F554

RGB 116 245 84

HSL 108.07, 0.89%, 0.65%

LAB 86.83, -64.04, 64.27

 

CMYK 56 / 0 / 71 / 11

HEX #63E341

RGB 99 227 65

HSL 107.41, 0.74%, 0.57%

LAB 80.72, -63.48, 64.82

 

CMYK 61 / 0 / 78 / 18

HEX #52D12E

RGB 82 209 46

HSL 106.75, 0.64%, 0.5%

LAB 74.57, -62.61, 64.84

 

CMYK 66 / 0 / 86 / 25

HEX #41BF1B

RGB 65 191 27

HSL 106.1, 0.75%, 0.43%

LAB 68.36, -61.32, 64

 

CMYK 72 / 0 / 95 / 32

HEX #30AD08

RGB 48 173 8

HSL 105.45, 0.91%, 0.35%

LAB 62.11, -59.43, 61.79

 

CMYK 52 / 0 / 65 / 4

HEX #76F556

RGB 118 245 86

HSL 107.92, 0.89%, 0.65%

LAB 86.91, -63.35, 63.6

 

CMYK 34 / 0 / 65 / 4

HEX #A1F556

RGB 161 245 86

HSL 91.7, 0.89%, 0.65%

LAB 88.71, -50.34, 66.06

 

CMYK 17 / 0 / 65 / 4

HEX #CCF556

RGB 204 245 86

HSL 75.47, 0.89%, 0.65%

LAB 91.15, -34.77, 69.38

 

CMYK 0 / 0 / 65 / 4

HEX #F5F456

RGB 245 244 86

HSL 59.62, 0.89%, 0.65%

LAB 93.79, -18.1, 73.03

 

CMYK 0 / 18 / 65 / 4

HEX #F5C956

RGB 245 201 86

HSL 43.4, 0.89%, 0.65%

LAB 82.84, 3.42, 61.53

 

CMYK 52 / 0 / 65 / 4

HEX #76F556

RGB 118 245 86

HSL 107.92, 0.89%, 0.65%

LAB 86.91, -63.35, 63.6

 

CMYK 65 / 0 / 60 / 4

HEX #56F562

RGB 86 245 98

HSL 124.53, 0.89%, 0.65%

LAB 86.09, -69.46, 57.47

 

CMYK 65 / 0 / 43 / 4

HEX #56F58C

RGB 86 245 140

HSL 140.38, 0.89%, 0.65%

LAB 86.59, -63.73, 38.6

 

CMYK 65 / 0 / 25 / 4

HEX #56F5B7

RGB 86 245 183

HSL 156.6, 0.89%, 0.65%

LAB 87.34, -55.63, 17.86

 

CMYK 65 / 0 / 8 / 4

HEX #56F5E2

RGB 86 245 226

HSL 172.83, 0.89%, 0.65%

LAB 88.34, -45.53, -3.06

 

CMYK 52 / 0 / 65 / 4

HEX #76F556

RGB 118 245 86

HSL 107.92, 0.89%, 0.65%

LAB 86.91, -63.35, 63.6

 

CMYK 52 / 0 / 65 / 4

HEX #76F556

RGB 118 245 86

HSL 107.92, 0.89%, 0.65%

LAB 86.91, -63.35, 63.6

 

CMYK 45 / 0 / 56 / 9

HEX #7FE765

RGB 127 231 101

HSL 108, 0.73%, 0.65%

LAB 83.23, -54.05, 53.19

 

CMYK 38 / 0 / 47 / 15

HEX #87D873

RGB 135 216 115

HSL 108.12, 0.56%, 0.65%

LAB 79.33, -43.72, 41.98

 

CMYK 29 / 0 / 36 / 21

HEX #90CA82

RGB 144 202 130

HSL 108.33, 0.4%, 0.65%

LAB 75.94, -32.34, 30.13

 

CMYK 18 / 0 / 23 / 27

HEX #99BB90

RGB 153 187 144

HSL 107.44, 0.24%, 0.65%

LAB 72.45, -19.67, 18.09

 

CMYK 17 / 0 / 65 / 4

HEX #CBF556

RGB 203 245 86

HSL 75.85, 0.89%, 0.65%

LAB 91.09, -35.15, 69.29

 

CMYK 35 / 0 / 65 / 4

HEX #A0F556

RGB 160 245 86

HSL 92.08, 0.89%, 0.65%

LAB 88.66, -50.68, 65.99

 

CMYK 52 / 0 / 65 / 4

HEX #76F556

RGB 118 245 86

HSL 107.92, 0.89%, 0.65%

LAB 86.91, -63.35, 63.6

 

CMYK 65 / 0 / 60 / 4

HEX #56F561

RGB 86 245 97

HSL 124.15, 0.89%, 0.65%

LAB 86.08, -69.57, 57.89

 

CMYK 65 / 0 / 43 / 4

HEX #56F58B

RGB 86 245 139

HSL 140, 0.89%, 0.65%

LAB 86.58, -63.89, 39.07

 

CMYK 75 / 0 / 94 / 8

HEX #3AEB0E

RGB 58 235 14

HSL 108.05, 0.89%, 0.49%

LAB 82.03, -76.4, 77.58

 

CMYK 65 / 0 / 81 / 5

HEX #56F32F

RGB 86 243 47

HSL 108.06, 0.89%, 0.57%

LAB 85.14, -72.85, 74.49

 

CMYK 52 / 0 / 65 / 4

HEX #76F556

RGB 118 245 86

HSL 107.92, 0.89%, 0.65%

LAB 86.91, -63.35, 63.6

 

CMYK 39 / 0 / 49 / 3

HEX #96F77D

RGB 150 247 125

HSL 107.7, 0.88%, 0.73%

LAB 89.15, -50.85, 49.49

 

CMYK 28 / 0 / 34 / 2

HEX #B5FAA4

RGB 181 250 164

HSL 108.14, 0.9%, 0.81%

LAB 92.08, -37.06, 34.58

 

CMYK 53 / 0 / 66 / 4

HEX #74F554

RGB 116 245 84

HSL 108.07, 0.89%, 0.65%

LAB 86.83, -64.04, 64.27

 

CMYK 65 / 0 / 0 / 4

HEX #56F5F5

RGB 86 245 245

HSL 180, 0.89%, 0.65%

LAB 88.86, -40.53, -12.21

 

CMYK 0 / 65 / 26 / 4

HEX #F556B6

RGB 245 86 182

HSL 323.77, 0.89%, 0.65%

LAB 61.17, 69.44, -18.45

 

CMYK 53 / 0 / 66 / 4

HEX #74F554

RGB 116 245 84

HSL 108.07, 0.89%, 0.65%

LAB 86.83, -64.04, 64.27

 

CMYK 65 / 52 / 0 / 4

HEX #5676F5

RGB 86 118 245

HSL 227.92, 0.89%, 0.65%

LAB 53.52, 28.19, -67.22

 

CMYK 0 / 65 / 52 / 4

HEX #F55676

RGB 245 86 118

HSL 347.92, 0.89%, 0.65%

LAB 59.32, 62.87, 16

 

CMYK 53 / 0 / 66 / 4

HEX #74F554

RGB 116 245 84

HSL 108.07, 0.89%, 0.65%

LAB 86.83, -64.04, 64.27

 

CMYK 65 / 0 / 0 / 4

HEX #56F5F5

RGB 86 245 245

HSL 180, 0.89%, 0.65%

LAB 88.86, -40.53, -12.21

 

CMYK 13 / 65 / 0 / 4

HEX #D556F5

RGB 213 86 245

HSL 287.92, 0.89%, 0.65%

LAB 59.34, 71.36, -57.24

 

CMYK 0 / 65 / 65 / 4

HEX #F55656

RGB 245 86 86

HSL 0, 0.89%, 0.65%

LAB 58.73, 60.71, 33.72

 

CMYK 53 / 0 / 66 / 4

HEX #74F554

RGB 116 245 84

HSL 108.07, 0.89%, 0.65%

LAB 86.83, -64.04, 64.27

 

CMYK 65 / 19 / 0 / 4

HEX #56C6F5

RGB 86 198 245

HSL 197.74, 0.89%, 0.65%

LAB 75.43, -17.79, -32.6

 

CMYK 13 / 65 / 0 / 4

HEX #D556F5

RGB 213 86 245

HSL 287.92, 0.89%, 0.65%

LAB 59.34, 71.36, -57.24

 

CMYK 0 / 45 / 65 / 4

HEX #F58656

RGB 245 134 86

HSL 18.11, 0.89%, 0.65%

LAB 67.38, 38.4, 44.15

 

Description

Color code: HEX #74F554 | qconv.com Color code: HEX #74F554 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 245 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 245 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 66 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 66% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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