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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #52D12E it is the complementary color #AD2ED1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #52D12E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #52D12E: #57D129, #68E33C, #79F54F, #8AFF62 and #9BFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #52D12E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #52D12E: #52D12E, #41BF1B, #30AD08, #1F9B00 and #0E8900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 78 / 18

HEX #52D12E

RGB 82 209 46

HSL 106.75, 0.64%, 0.5%

LAB 74.57, -62.61, 64.84

 

Complementary color

CMYK 17 / 78 / 0 / 18

HEX #AD2ED1

RGB 173 46 209

HSL 286.75, 0.64%, 0.5%

LAB 46.23, 71.12, -58.24

 

CMYK 58 / 0 / 80 / 18

HEX #57D129

RGB 87 209 41

HSL 103.57, 0.67%, 0.49%

LAB 74.69, -61.69, 66.45

 

CMYK 54 / 0 / 74 / 11

HEX #68E33C

RGB 104 227 60

HSL 104.19, 0.75%, 0.56%

LAB 80.85, -62.56, 66.73

 

CMYK 51 / 0 / 68 / 4

HEX #79F54F

RGB 121 245 79

HSL 104.82, 0.89%, 0.64%

LAB 86.96, -63.13, 66.38

 

CMYK 46 / 0 / 62 / 0

HEX #8AFF62

RGB 138 255 98

HSL 104.71, 1%, 0.69%

LAB 90.69, -60.47, 63.1

 

CMYK 39 / 0 / 54 / 0

HEX #9BFF75

RGB 155 255 117

HSL 103.48, 1%, 0.73%

LAB 91.58, -53.5, 56.13

 

CMYK 61 / 0 / 78 / 18

HEX #52D12E

RGB 82 209 46

HSL 106.75, 0.64%, 0.5%

LAB 74.57, -62.61, 64.84

 

CMYK 66 / 0 / 86 / 25

HEX #41BF1B

RGB 65 191 27

HSL 106.1, 0.75%, 0.43%

LAB 68.36, -61.32, 64

 

CMYK 72 / 0 / 95 / 32

HEX #30AD08

RGB 48 173 8

HSL 105.45, 0.91%, 0.35%

LAB 62.11, -59.43, 61.79

 

CMYK 80 / 0 / 100 / 39

HEX #1F9B00

RGB 31 155 0

HSL 108, 1%, 0.3%

LAB 55.82, -56.76, 57.71

 

CMYK 90 / 0 / 100 / 46

HEX #0E8900

RGB 14 137 0

HSL 113.87, 1%, 0.27%

LAB 49.48, -53.27, 52.55

 

CMYK 61 / 0 / 78 / 18

HEX #52D12E

RGB 82 209 46

HSL 106.75, 0.64%, 0.5%

LAB 74.57, -62.61, 64.84

 

CMYK 73 / 0 / 78 / 18

HEX #38D12D

RGB 56 209 45

HSL 115.98, 0.65%, 0.5%

LAB 73.95, -67.78, 64.35

 

CMYK 78 / 0 / 70 / 18

HEX #2DD13E

RGB 45 209 62

HSL 126.22, 0.65%, 0.5%

LAB 73.87, -68.09, 58.46

 

CMYK 78 / 0 / 57 / 18

HEX #2DD159

RGB 45 209 89

HSL 136.1, 0.65%, 0.5%

LAB 74.11, -65.16, 47.37

 

CMYK 78 / 0 / 44 / 18

HEX #2DD174

RGB 45 209 116

HSL 145.98, 0.65%, 0.5%

LAB 74.46, -61.08, 34.73

 

CMYK 61 / 0 / 78 / 18

HEX #52D12E

RGB 82 209 46

HSL 106.75, 0.64%, 0.5%

LAB 74.57, -62.61, 64.84

 

CMYK 60 / 0 / 80 / 98

HEX #020501

RGB 2 5 1

HSL 105, 0.67%, 0.01%

LAB 1.12, -1.34, 1.24

 

CMYK 61 / 0 / 79 / 78

HEX #16380C

RGB 22 56 12

HSL 106.36, 0.65%, 0.13%

LAB 20.15, -22.24, 22.77

 

CMYK 61 / 0 / 78 / 58

HEX #2A6B18

RGB 42 107 24

HSL 106.99, 0.63%, 0.26%

LAB 39.7, -36.93, 37.97

 

CMYK 61 / 0 / 78 / 38

HEX #3E9E23

RGB 62 158 35

HSL 106.83, 0.64%, 0.38%

LAB 57.65, -50.21, 51.89

 

CMYK 61 / 0 / 78 / 18

HEX #52D12E

RGB 82 209 46

HSL 106.75, 0.64%, 0.5%

LAB 74.57, -62.61, 64.84

 

CMYK 78 / 0 / 3 / 18

HEX #2DD1CB

RGB 45 209 203

HSL 177.8, 0.65%, 0.5%

LAB 76.36, -40.87, -8.66

 

CMYK 0 / 78 / 29 / 18

HEX #D12D95

RGB 209 45 149

HSL 321.95, 0.65%, 0.5%

LAB 49.01, 69.99, -18.21

 

CMYK 61 / 0 / 78 / 18

HEX #52D12E

RGB 82 209 46

HSL 106.75, 0.64%, 0.5%

LAB 74.57, -62.61, 64.84

 

CMYK 78 / 60 / 0 / 18

HEX #2D53D1

RGB 45 83 209

HSL 226.1, 0.65%, 0.5%

LAB 40.16, 32.18, -68.66

 

CMYK 0 / 78 / 60 / 18

HEX #D12D53

RGB 209 45 83

HSL 346.1, 0.65%, 0.5%

LAB 47.05, 64.05, 19.18

 

CMYK 61 / 0 / 78 / 18

HEX #52D12E

RGB 82 209 46

HSL 106.75, 0.64%, 0.5%

LAB 74.57, -62.61, 64.84

 

CMYK 78 / 0 / 3 / 18

HEX #2DD1CB

RGB 45 209 203

HSL 177.8, 0.65%, 0.5%

LAB 76.36, -40.87, -8.66

 

CMYK 18 / 78 / 0 / 18

HEX #AB2DD1

RGB 171 45 209

HSL 286.1, 0.65%, 0.5%

LAB 45.82, 71.06, -58.91

 

CMYK 0 / 78 / 76 / 18

HEX #D12D33

RGB 209 45 51

HSL 357.8, 0.65%, 0.5%

LAB 46.54, 62.45, 37.72

 

CMYK 61 / 0 / 78 / 18

HEX #52D12E

RGB 82 209 46

HSL 106.75, 0.64%, 0.5%

LAB 74.57, -62.61, 64.84

 

CMYK 78 / 21 / 0 / 18

HEX #2DA5D1

RGB 45 165 209

HSL 196.1, 0.65%, 0.5%

LAB 63.4, -17.48, -31.62

 

CMYK 18 / 78 / 0 / 18

HEX #AB2DD1

RGB 171 45 209

HSL 286.1, 0.65%, 0.5%

LAB 45.82, 71.06, -58.91

 

CMYK 0 / 57 / 78 / 18

HEX #D1592D

RGB 209 89 45

HSL 16.1, 0.65%, 0.5%

LAB 52.83, 45.04, 47.46

 

Description

Color code: HEX #52D12E | qconv.com Color code: HEX #52D12E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 209 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 209 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 78 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 78% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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