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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74EA3B it is the complementary color #8B15C4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74EA3B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #74EA3B shade: #79EA36, #8AFC49, #9BFF5C, #ACFF6F and #BDFF82

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74EA3B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #74EA3B shade: #74EA3B, #63D828, #52C615, #41B402 and #30A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #74EA3B shade: #72EA39, #A2EA39, #D2EA39, #EAD239 and #EAA239

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #74EA3B shade: #72EA39, #42EA39, #39EA5E, #39EA8E and #39EABE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #74EA3B shade matches the following richer shades: #72EA39 and #6CFC27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #74EA3B shade: #72EA39, #79D84A, #7FC75C, #85B56E and #8BA37F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #74EA3B shade: #D2EA39, #A3EA39, #74EA39, #44EA39 and #39EA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #74EA3B shade: #4BBC14, #59E218, #72EA39, #8DEE5E and #A7F283

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #74EA3B shade: #74EA3B, #39EAD2 and #EA39BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #74EA3B shade: #74EA3B, #3974EA and #EA3974

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #74EA3B shade: #74EA3B, #39EAD2, #AF39EA and #EA3950

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #74EA3B shade: #74EA3B, #39CDEA, #AF39EA and #EA5639

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 75 / 8

HEX #74EA3B

RGB 116 234 59

HSL 100.46, 0.81%, 0.57%

LAB 83.38, -61.9, 69.67

 

Complementary color

CMYK 29 / 89 / 0 / 23

HEX #8B15C4

RGB 139 21 196

HSL 280.46, 0.81%, 0.43%

LAB 37.86, 69.53, -64.52

 

CMYK 48 / 0 / 77 / 8

HEX #79EA36

RGB 121 234 54

HSL 97.67, 0.81%, 0.56%

LAB 83.54, -60.77, 71.44

 

CMYK 45 / 0 / 71 / 1

HEX #8AFC49

RGB 138 252 73

HSL 98.21, 0.97%, 0.64%

LAB 89.63, -61.33, 71.49

 

CMYK 39 / 0 / 64 / 0

HEX #9BFF5C

RGB 155 255 92

HSL 96.81, 1%, 0.68%

LAB 91.35, -55.87, 66.46

 

CMYK 33 / 0 / 56 / 0

HEX #ACFF6F

RGB 172 255 111

HSL 94.58, 1%, 0.72%

LAB 92.33, -48.65, 59.85

 

CMYK 26 / 0 / 49 / 0

HEX #BDFF82

RGB 189 255 130

HSL 91.68, 1%, 0.75%

LAB 93.43, -40.92, 52.82

 

CMYK 50 / 0 / 75 / 8

HEX #74EA3B

RGB 116 234 59

HSL 100.46, 0.81%, 0.57%

LAB 83.38, -61.9, 69.67

 

CMYK 54 / 0 / 81 / 15

HEX #63D828

RGB 99 216 40

HSL 99.89, 0.69%, 0.5%

LAB 77.23, -61.11, 69.2

 

CMYK 59 / 0 / 89 / 22

HEX #52C615

RGB 82 198 21

HSL 99.32, 0.81%, 0.43%

LAB 71.03, -59.95, 67.69

 

CMYK 64 / 0 / 99 / 29

HEX #41B402

RGB 65 180 2

HSL 98.76, 0.98%, 0.36%

LAB 64.78, -58.36, 64.9

 

CMYK 70 / 0 / 100 / 36

HEX #30A200

RGB 48 162 0

HSL 102.22, 1%, 0.32%

LAB 58.48, -56.1, 59.97

 

CMYK 51 / 0 / 76 / 8

HEX #72EA39

RGB 114 234 57

HSL 100.68, 0.81%, 0.57%

LAB 83.29, -62.58, 70.2

 

CMYK 31 / 0 / 76 / 8

HEX #A2EA39

RGB 162 234 57

HSL 84.41, 0.81%, 0.57%

LAB 85.41, -47.25, 72.97

 

CMYK 10 / 0 / 76 / 8

HEX #D2EA39

RGB 210 234 57

HSL 68.14, 0.81%, 0.57%

LAB 88.37, -28.88, 76.8

 

CMYK 0 / 10 / 76 / 8

HEX #EAD239

RGB 234 210 57

HSL 51.86, 0.81%, 0.57%

LAB 83.9, -7.21, 73.37

 

CMYK 0 / 31 / 76 / 8

HEX #EAA239

RGB 234 162 57

HSL 35.59, 0.81%, 0.57%

LAB 71.98, 17.81, 62.11

 

CMYK 51 / 0 / 76 / 8

HEX #72EA39

RGB 114 234 57

HSL 100.68, 0.81%, 0.57%

LAB 83.29, -62.58, 70.2

 

CMYK 72 / 0 / 76 / 8

HEX #42EA39

RGB 66 234 57

HSL 116.95, 0.81%, 0.57%

LAB 82, -73.11, 68.5

 

CMYK 76 / 0 / 60 / 8

HEX #39EA5E

RGB 57 234 94

HSL 132.54, 0.81%, 0.57%

LAB 82.12, -71.06, 54.5

 

CMYK 76 / 0 / 39 / 8

HEX #39EA8E

RGB 57 234 142

HSL 148.81, 0.81%, 0.57%

LAB 82.74, -63.85, 32.46

 

CMYK 76 / 0 / 19 / 8

HEX #39EABE

RGB 57 234 190

HSL 165.08, 0.81%, 0.57%

LAB 83.67, -53.66, 8.95

 

CMYK 51 / 0 / 76 / 8

HEX #72EA39

RGB 114 234 57

HSL 100.68, 0.81%, 0.57%

LAB 83.29, -62.58, 70.2

 

CMYK 57 / 0 / 85 / 1

HEX #6CFC27

RGB 108 252 39

HSL 100.56, 0.97%, 0.57%

LAB 88.43, -71.22, 79.53

 

CMYK 51 / 0 / 76 / 8

HEX #72EA39

RGB 114 234 57

HSL 100.68, 0.81%, 0.57%

LAB 83.29, -62.58, 70.2

 

CMYK 44 / 0 / 66 / 15

HEX #79D84A

RGB 121 216 74

HSL 100.14, 0.65%, 0.57%

LAB 78.27, -52.53, 59.1

 

CMYK 36 / 0 / 54 / 22

HEX #7FC75C

RGB 127 199 92

HSL 100.37, 0.49%, 0.57%

LAB 73.63, -41.77, 46.02

 

CMYK 27 / 0 / 39 / 29

HEX #85B56E

RGB 133 181 110

HSL 100.56, 0.32%, 0.57%

LAB 68.87, -29.16, 31.17

 

CMYK 15 / 0 / 22 / 36

HEX #8BA37F

RGB 139 163 127

HSL 100, 0.16%, 0.57%

LAB 64.34, -15.27, 15.98

 

CMYK 10 / 0 / 76 / 8

HEX #D2EA39

RGB 210 234 57

HSL 68.14, 0.81%, 0.57%

LAB 88.37, -28.88, 76.8

 

CMYK 30 / 0 / 76 / 8

HEX #A3EA39

RGB 163 234 57

HSL 84.07, 0.81%, 0.57%

LAB 85.47, -46.9, 73.04

 

CMYK 50 / 0 / 76 / 8

HEX #74EA39

RGB 116 234 57

HSL 100, 0.81%, 0.57%

LAB 83.37, -62.02, 70.29

 

CMYK 71 / 0 / 76 / 8

HEX #44EA39

RGB 68 234 57

HSL 116.27, 0.81%, 0.57%

LAB 82.04, -72.78, 68.55

 

CMYK 76 / 0 / 61 / 8

HEX #39EA5C

RGB 57 234 92

HSL 131.86, 0.81%, 0.57%

LAB 82.1, -71.29, 55.34

 

CMYK 60 / 0 / 89 / 26

HEX #4BBC14

RGB 75 188 20

HSL 100.36, 0.81%, 0.41%

LAB 67.66, -58.28, 64.91

 

CMYK 61 / 0 / 89 / 11

HEX #59E218

RGB 89 226 24

HSL 100.69, 0.81%, 0.49%

LAB 79.94, -67.61, 74.81

 

CMYK 51 / 0 / 76 / 8

HEX #72EA39

RGB 114 234 57

HSL 100.68, 0.81%, 0.57%

LAB 83.29, -62.58, 70.2

 

CMYK 41 / 0 / 61 / 7

HEX #8DEE5E

RGB 141 238 94

HSL 100.42, 0.81%, 0.65%

LAB 85.82, -53.31, 59.36

 

CMYK 31 / 0 / 46 / 5

HEX #A7F283

RGB 167 242 131

HSL 100.54, 0.81%, 0.73%

LAB 88.62, -42.57, 46.17

 

CMYK 50 / 0 / 75 / 8

HEX #74EA3B

RGB 116 234 59

HSL 100.46, 0.81%, 0.57%

LAB 83.38, -61.9, 69.67

 

CMYK 76 / 0 / 10 / 8

HEX #39EAD2

RGB 57 234 210

HSL 171.86, 0.81%, 0.57%

LAB 84.16, -48.64, -0.86

 

CMYK 0 / 76 / 20 / 8

HEX #EA39BB

RGB 234 57 187

HSL 315.93, 0.81%, 0.57%

LAB 56.09, 77.1, -29.29

 

CMYK 50 / 0 / 75 / 8

HEX #74EA3B

RGB 116 234 59

HSL 100.46, 0.81%, 0.57%

LAB 83.38, -61.9, 69.67

 

CMYK 76 / 50 / 0 / 8

HEX #3974EA

RGB 57 116 234

HSL 220, 0.81%, 0.57%

LAB 51.04, 21.64, -65.16

 

CMYK 0 / 76 / 50 / 8

HEX #EA3974

RGB 234 57 116

HSL 340, 0.81%, 0.57%

LAB 53.69, 69.73, 9.02

 

CMYK 50 / 0 / 75 / 8

HEX #74EA3B

RGB 116 234 59

HSL 100.46, 0.81%, 0.57%

LAB 83.38, -61.9, 69.67

 

CMYK 76 / 0 / 10 / 8

HEX #39EAD2

RGB 57 234 210

HSL 171.86, 0.81%, 0.57%

LAB 84.16, -48.64, -0.86

 

CMYK 25 / 76 / 0 / 8

HEX #AF39EA

RGB 175 57 234

HSL 280, 0.81%, 0.57%

LAB 49.47, 72.7, -67.23

 

CMYK 0 / 76 / 66 / 8

HEX #EA3950

RGB 234 57 80

HSL 352.2, 0.81%, 0.57%

LAB 52.95, 67.38, 29.55

 

CMYK 50 / 0 / 75 / 8

HEX #74EA3B

RGB 116 234 59

HSL 100.46, 0.81%, 0.57%

LAB 83.38, -61.9, 69.67

 

CMYK 76 / 12 / 0 / 8

HEX #39CDEA

RGB 57 205 234

HSL 189.83, 0.81%, 0.57%

LAB 76.36, -28.56, -25.32

 

CMYK 25 / 76 / 0 / 8

HEX #AF39EA

RGB 175 57 234

HSL 280, 0.81%, 0.57%

LAB 49.47, 72.7, -67.23

 

CMYK 0 / 63 / 76 / 8

HEX #EA5639

RGB 234 86 57

HSL 9.83, 0.81%, 0.57%

LAB 56.53, 55.71, 46.54

 

Description

Color code: HEX #74EA3B | qconv.com Color code: HEX #74EA3B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 234 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 234 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 75 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 75% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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