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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 54 / 0 / 81 / 15 it is the complementary color CMYK 28 / 82 / 0 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 54 / 0 / 81 / 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 54 / 0 / 81 / 15: CMYK 52 / 0 / 83 / 15, CMYK 48 / 0 / 77 / 8, CMYK 45 / 0 / 71 / 1, CMYK 39 / 0 / 64 / 0 and CMYK 32 / 0 / 56 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 54 / 0 / 81 / 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 54 / 0 / 81 / 15: CMYK 54 / 0 / 81 / 15, CMYK 58 / 0 / 89 / 22, CMYK 64 / 0 / 98 / 29, CMYK 70 / 0 / 100 / 36 and CMYK 78 / 0 / 100 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 81 / 15

HEX #64D929

RGB 100 217 41

HSL 99.89, 0.7%, 0.51%

LAB 77.58, -61.15, 69.26

 

Complementary color

CMYK 28 / 82 / 0 / 16

HEX #9B26D6

RGB 155 38 214

HSL 279.89, 0.7%, 0.49%

LAB 43.08, 71.37, -66.35

 

CMYK 52 / 0 / 83 / 15

HEX #69D924

RGB 105 217 36

HSL 97.13, 0.72%, 0.5%

LAB 77.73, -60, 70.71

 

CMYK 48 / 0 / 77 / 8

HEX #7AEB37

RGB 122 235 55

HSL 97.67, 0.82%, 0.57%

LAB 83.88, -60.8, 71.47

 

CMYK 45 / 0 / 71 / 1

HEX #8BFD4A

RGB 139 253 74

HSL 98.21, 0.98%, 0.64%

LAB 89.97, -61.35, 71.5

 

CMYK 39 / 0 / 64 / 0

HEX #9CFF5D

RGB 156 255 93

HSL 96.67, 1%, 0.68%

LAB 91.41, -55.47, 66.13

 

CMYK 32 / 0 / 56 / 0

HEX #ADFF70

RGB 173 255 112

HSL 94.41, 1%, 0.72%

LAB 92.39, -48.22, 59.5

 

CMYK 54 / 0 / 81 / 15

HEX #64D929

RGB 100 217 41

HSL 99.89, 0.7%, 0.51%

LAB 77.58, -61.15, 69.26

 

CMYK 58 / 0 / 89 / 22

HEX #53C716

RGB 83 199 22

HSL 99.32, 0.8%, 0.43%

LAB 71.38, -60.02, 67.82

 

CMYK 64 / 0 / 98 / 29

HEX #42B503

RGB 66 181 3

HSL 98.76, 0.97%, 0.36%

LAB 65.13, -58.44, 65.07

 

CMYK 70 / 0 / 100 / 36

HEX #31A300

RGB 49 163 0

HSL 101.96, 1%, 0.32%

LAB 58.83, -56.23, 60.26

 

CMYK 78 / 0 / 100 / 43

HEX #209100

RGB 32 145 0

HSL 106.76, 1%, 0.28%

LAB 52.46, -53.51, 55.04

 

CMYK 54 / 0 / 81 / 15

HEX #64D929

RGB 100 217 41

HSL 99.89, 0.7%, 0.51%

LAB 77.58, -61.15, 69.26

 

CMYK 66 / 0 / 81 / 15

HEX #4AD92A

RGB 74 217 42

HSL 109.03, 0.7%, 0.51%

LAB 76.83, -67.22, 68.03

 

CMYK 79 / 0 / 81 / 15

HEX #2DD92A

RGB 45 217 42

HSL 118.97, 0.7%, 0.51%

LAB 76.28, -71.9, 67.33

 

CMYK 81 / 0 / 69 / 15

HEX #2AD944

RGB 42 217 68

HSL 128.91, 0.7%, 0.51%

LAB 76.4, -70.35, 58.82

 

CMYK 81 / 0 / 55 / 15

HEX #2AD961

RGB 42 217 97

HSL 138.86, 0.7%, 0.51%

LAB 76.67, -67.03, 46.7

 

CMYK 54 / 0 / 81 / 15

HEX #64D929

RGB 100 217 41

HSL 99.89, 0.7%, 0.51%

LAB 77.58, -61.15, 69.26

 

CMYK 54 / 0 / 85 / 95

HEX #060D02

RGB 6 13 2

HSL 98.18, 0.73%, 0.03%

LAB 2.99, -3.46, 3.59

 

CMYK 55 / 0 / 81 / 75

HEX #1D400C

RGB 29 64 12

HSL 100.38, 0.68%, 0.15%

LAB 23.52, -23.53, 26.48

 

CMYK 54 / 0 / 81 / 55

HEX #357316

RGB 53 115 22

HSL 100, 0.68%, 0.27%

LAB 42.88, -37.03, 41.96

 

CMYK 54 / 0 / 81 / 35

HEX #4CA61F

RGB 76 166 31

HSL 100, 0.69%, 0.39%

LAB 60.7, -49.64, 56.19

 

CMYK 54 / 0 / 81 / 15

HEX #64D929

RGB 100 217 41

HSL 99.89, 0.7%, 0.51%

LAB 77.58, -61.15, 69.26

 

CMYK 81 / 0 / 12 / 15

HEX #2AD9BF

RGB 42 217 191

HSL 171.09, 0.7%, 0.51%

LAB 78.39, -47.89, 0.77

 

CMYK 0 / 81 / 20 / 15

HEX #D92AAD

RGB 217 42 173

HSL 315.09, 0.7%, 0.51%

LAB 51.18, 75.47, -28.99

 

CMYK 54 / 0 / 81 / 15

HEX #64D929

RGB 100 217 41

HSL 99.89, 0.7%, 0.51%

LAB 77.58, -61.15, 69.26

 

CMYK 81 / 53 / 0 / 15

HEX #2A67D9

RGB 42 103 217

HSL 219.09, 0.7%, 0.51%

LAB 45.91, 22.02, -63.89

 

CMYK 0 / 81 / 53 / 15

HEX #D92A67

RGB 217 42 103

HSL 339.09, 0.7%, 0.51%

LAB 48.74, 68.37, 9.48

 

CMYK 54 / 0 / 81 / 15

HEX #64D929

RGB 100 217 41

HSL 99.89, 0.7%, 0.51%

LAB 77.58, -61.15, 69.26

 

CMYK 81 / 0 / 12 / 15

HEX #2AD9BF

RGB 42 217 191

HSL 171.09, 0.7%, 0.51%

LAB 78.39, -47.89, 0.77

 

CMYK 28 / 81 / 0 / 15

HEX #9C2AD9

RGB 156 42 217

HSL 279.09, 0.7%, 0.51%

LAB 43.85, 70.97, -66.82

 

CMYK 0 / 81 / 69 / 15

HEX #D92A44

RGB 217 42 68

HSL 351.09, 0.7%, 0.51%

LAB 48.04, 66.23, 29.88

 

CMYK 54 / 0 / 81 / 15

HEX #64D929

RGB 100 217 41

HSL 99.89, 0.7%, 0.51%

LAB 77.58, -61.15, 69.26

 

CMYK 81 / 12 / 0 / 15

HEX #2ABFD9

RGB 42 191 217

HSL 188.91, 0.7%, 0.51%

LAB 71.39, -28.47, -23.73

 

CMYK 28 / 81 / 0 / 15

HEX #9C2AD9

RGB 156 42 217

HSL 279.09, 0.7%, 0.51%

LAB 43.85, 70.97, -66.82

 

CMYK 0 / 69 / 81 / 15

HEX #D9442A

RGB 217 68 42

HSL 8.91, 0.7%, 0.51%

LAB 50.75, 56.83, 47.35

 

Description

Color code: CMYK 54 / 0 / 81 / 15 | qconv.com Color code: CMYK 54 / 0 / 81 / 15 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 217 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 217 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 81 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 81% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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