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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74BC00 it is the complementary color #8B43FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74BC00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #74BC00: #79BC00, #8ACE0E, #9BE021, #ACF234 and #BDFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74BC00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #74BC00: #74BC00, #63AA00, #529800, #418600 and #307400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 100 / 26

HEX #74BC00

RGB 116 188 0

HSL 82.98, 1%, 0.37%

LAB 69.24, -46.27, 69.48

 

Complementary color

CMYK 45 / 74 / 0 / 0

HEX #8B43FF

RGB 139 67 255

HSL 262.98, 1%, 0.63%

LAB 47.91, 67.61, -81.73

 

CMYK 36 / 0 / 100 / 26

HEX #79BC00

RGB 121 188 0

HSL 81.38, 1%, 0.37%

LAB 69.49, -44.47, 69.79

 

CMYK 33 / 0 / 93 / 19

HEX #8ACE0E

RGB 138 206 14

HSL 81.25, 0.87%, 0.43%

LAB 75.81, -45.62, 73.61

 

CMYK 31 / 0 / 85 / 12

HEX #9BE021

RGB 155 224 33

HSL 81.68, 0.75%, 0.5%

LAB 82.05, -46.54, 76.01

 

CMYK 29 / 0 / 79 / 5

HEX #ACF234

RGB 172 242 52

HSL 82.11, 0.88%, 0.58%

LAB 88.22, -47.26, 77.22

 

CMYK 26 / 0 / 72 / 0

HEX #BDFF47

RGB 189 255 71

HSL 81.52, 1%, 0.64%

LAB 92.92, -45.69, 76.25

 

CMYK 38 / 0 / 100 / 26

HEX #74BC00

RGB 116 188 0

HSL 82.98, 1%, 0.37%

LAB 69.24, -46.27, 69.48

 

CMYK 42 / 0 / 100 / 33

HEX #63AA00

RGB 99 170 0

HSL 85.06, 1%, 0.33%

LAB 62.85, -44.85, 64.17

 

CMYK 46 / 0 / 100 / 40

HEX #529800

RGB 82 152 0

HSL 87.63, 1%, 0.3%

LAB 56.34, -43.36, 58.76

 

CMYK 51 / 0 / 100 / 47

HEX #418600

RGB 65 134 0

HSL 90.9, 1%, 0.26%

LAB 49.71, -41.75, 53.26

 

CMYK 59 / 0 / 100 / 55

HEX #307400

RGB 48 116 0

HSL 95.17, 1%, 0.23%

LAB 42.94, -39.94, 47.66

 

CMYK 38 / 0 / 100 / 26

HEX #74BC00

RGB 116 188 0

HSL 82.98, 1%, 0.37%

LAB 69.24, -46.27, 69.48

 

CMYK 53 / 0 / 100 / 26

HEX #58BC00

RGB 88 188 0

HSL 91.91, 1%, 0.37%

LAB 68.05, -55.26, 68.04

 

CMYK 70 / 0 / 100 / 26

HEX #38BC00

RGB 56 188 0

HSL 102.13, 1%, 0.37%

LAB 67.13, -62.86, 66.93

 

CMYK 87 / 0 / 100 / 26

HEX #19BC00

RGB 25 188 0

HSL 112.02, 1%, 0.37%

LAB 66.65, -67.1, 66.34

 

CMYK 100 / 0 / 97 / 26

HEX #00BC06

RGB 0 188 6

HSL 121.91, 1%, 0.37%

LAB 66.5, -68.4, 65.44

 

CMYK 38 / 0 / 100 / 26

HEX #74BC00

RGB 116 188 0

HSL 82.98, 1%, 0.37%

LAB 69.24, -46.27, 69.48

 

CMYK 38 / 0 / 100 / 6

HEX #93EF00

RGB 147 239 0

HSL 83.1, 1%, 0.47%

LAB 85.97, -56.01, 83.09

 

CMYK 37 / 0 / 100 / 86

HEX #162300

RGB 22 35 0

HSL 82.29, 1%, 0.07%

LAB 11.77, -12.7, 17.21

 

CMYK 38 / 0 / 100 / 66

HEX #355600

RGB 53 86 0

HSL 83.02, 1%, 0.17%

LAB 32.73, -25.27, 39.78

 

CMYK 38 / 0 / 100 / 46

HEX #558900

RGB 85 137 0

HSL 82.77, 1%, 0.27%

LAB 51.64, -35.97, 55.17

 

CMYK 38 / 0 / 100 / 26

HEX #74BC00

RGB 116 188 0

HSL 82.98, 1%, 0.37%

LAB 69.24, -46.27, 69.48

 

CMYK 100 / 0 / 44 / 26

HEX #00BC6A

RGB 0 188 106

HSL 153.83, 1%, 0.37%

LAB 67.28, -58.71, 30.48

 

CMYK 3 / 100 / 0 / 26

HEX #B600BC

RGB 182 0 188

HSL 298.09, 1%, 0.37%

LAB 43.62, 77.17, -50.16

 

CMYK 38 / 0 / 100 / 26

HEX #74BC00

RGB 116 188 0

HSL 82.98, 1%, 0.37%

LAB 69.24, -46.27, 69.48

 

CMYK 100 / 37 / 0 / 26

HEX #0077BC

RGB 0 119 188

HSL 202.02, 1%, 0.37%

LAB 48.04, -1.84, -43.89

 

CMYK 0 / 100 / 37 / 26

HEX #BC0077

RGB 188 0 119

HSL 322.02, 1%, 0.37%

LAB 41.25, 69.55, -12.07

 

CMYK 38 / 0 / 100 / 26

HEX #74BC00

RGB 116 188 0

HSL 82.98, 1%, 0.37%

LAB 69.24, -46.27, 69.48

 

CMYK 100 / 0 / 44 / 26

HEX #00BC6A

RGB 0 188 106

HSL 153.83, 1%, 0.37%

LAB 67.28, -58.71, 30.48

 

CMYK 63 / 100 / 0 / 26

HEX #4500BC

RGB 69 0 188

HSL 262.02, 1%, 0.37%

LAB 26.44, 64.61, -78.96

 

CMYK 0 / 100 / 57 / 26

HEX #BC0051

RGB 188 0 81

HSL 334.15, 1%, 0.37%

LAB 40.06, 66.41, 10.21

 

CMYK 38 / 0 / 100 / 26

HEX #74BC00

RGB 116 188 0

HSL 82.98, 1%, 0.37%

LAB 69.24, -46.27, 69.48

 

CMYK 100 / 0 / 13 / 26

HEX #00BCA3

RGB 0 188 163

HSL 172.02, 1%, 0.37%

LAB 68.47, -45.47, 1.44

 

CMYK 63 / 100 / 0 / 26

HEX #4500BC

RGB 69 0 188

HSL 262.02, 1%, 0.37%

LAB 26.44, 64.61, -78.96

 

CMYK 0 / 100 / 87 / 26

HEX #BC0019

RGB 188 0 25

HSL 352.02, 1%, 0.37%

LAB 39.18, 64.03, 43.3

 

Description

Color code: HEX #74BC00 | qconv.com Color code: HEX #74BC00 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 188 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 188 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 100 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 100% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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