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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #747CC84C it is the complementary color #8B83374C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #747CC84C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #747CC84C shade: #797CC34C, #8A8ED64C, #9BA0E94C, #ACB2FC4C and #BDC4FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #747CC84C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #747CC84C shade: #747CC84C, #636AB54C, #5258A24C, #41468F4C and #30347C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #747CC84C shade: #747CC8, #8374C8, #9974C8, #B074C8 and #C674C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #747CC84C shade: #747CC8 and #7474C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #747CC84C shade matches the following richer shades: #747CC8, #6570D7, #5563E7 and #4556F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #747CC84C shade: #747CC8, #8489B8, #9496A8, #A3A299 and #B3AF89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #747CC84C shade: #74A9C8, #7493C8, #747DC8, #8274C8 and #9974C8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #747CC84C shade: #434CA7, #5761BC, #747CC8, #9298D4 and #AFB4DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #747CC84C shade: #747CC8, #C874BF and #9EC874

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #747CC84C shade: #747CC8, #C8747D and #7DC874

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #747CC84C shade: #747CC8, #C874BF, #C8BF74 and #74C87D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #747CC84C shade: #747CC8, #C874A6, #C8BF74 and #74C896

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 11 / 0 / 6

HEX #747CC84C

RGBA 116 124 200 0.3

HSLA 234.29, 0.43%, 0.62%, 0.3

LABA 54.34, 16.46, -40.51, 0.3

 

Complementary color

CMYK 0 / 2 / 18 / 14

HEX #8B83374C

RGBA 139 131 55 0.3

HSLA 54.29, 0.43%, 0.38%, 0.3

LABA 54.02, -7.17, 41.25, 0.3

 

CMYK 11 / 11 / 0 / 7

HEX #797CC34C

RGBA 121 124 195 0.3

HSLA 237.57, 0.38%, 0.62%, 0.3

LABA 54.47, 16.37, -37.44, 0.3

 

CMYK 11 / 10 / 0 / 5

HEX #8A8ED64C

RGBA 138 142 214 0.3

HSLA 236.84, 0.48%, 0.69%, 0.3

LABA 61.31, 15.65, -37.35, 0.3

 

CMYK 10 / 9 / 0 / 3

HEX #9BA0E94C

RGBA 155 160 233 0.3

HSLA 236.15, 0.64%, 0.76%, 0.3

LABA 68.02, 15.03, -37.31, 0.3

 

CMYK 10 / 9 / 0 / 0

HEX #ACB2FC4C

RGBA 172 178 252 0.3

HSLA 235.5, 0.93%, 0.83%, 0.3

LABA 74.6, 14.48, -37.31, 0.3

 

CMYK 8 / 7 / 0 / 0

HEX #BDC4FF4C

RGBA 189 196 255 0.3

HSLA 233.64, 1%, 0.87%, 0.3

LABA 80.47, 10.16, -29.76, 0.3

 

CMYK 13 / 11 / 0 / 6

HEX #747CC84C

RGBA 116 124 200 0.3

HSLA 234.29, 0.43%, 0.62%, 0.3

LABA 54.34, 16.46, -40.51, 0.3

 

CMYK 14 / 12 / 0 / 9

HEX #636AB54C

RGBA 99 106 181 0.3

HSLA 234.88, 0.36%, 0.55%, 0.3

LABA 47.36, 17.39, -40.7, 0.3

 

CMYK 15 / 14 / 0 / 11

HEX #5258A24C

RGBA 82 88 162 0.3

HSLA 235.5, 0.33%, 0.48%, 0.3

LABA 40.22, 18.51, -40.95, 0.3

 

CMYK 16 / 15 / 0 / 13

HEX #41468F4C

RGBA 65 70 143 0.3

HSLA 236.15, 0.38%, 0.41%, 0.3

LABA 32.89, 19.89, -41.26, 0.3

 

CMYK 18 / 17 / 0 / 15

HEX #30347C4C

RGBA 48 52 124 0.3

HSLA 236.84, 0.44%, 0.34%, 0.3

LABA 25.38, 21.66, -41.63, 0.3

 

CMYK 42 / 38 / 0 / 22

HEX #747CC8

RGB 116 124 200

HSL 234.29, 0.43%, 0.62%

LAB 54.34, 16.46, -40.51

 

CMYK 35 / 42 / 0 / 22

HEX #8374C8

RGB 131 116 200

HSL 250.71, 0.43%, 0.62%

LAB 53.48, 25.23, -41.79

 

CMYK 24 / 42 / 0 / 22

HEX #9974C8

RGB 153 116 200

HSL 266.43, 0.43%, 0.62%

LAB 55.52, 31.45, -38.45

 

CMYK 12 / 42 / 0 / 22

HEX #B074C8

RGB 176 116 200

HSL 282.86, 0.43%, 0.62%

LAB 57.93, 38.25, -34.49

 

CMYK 1 / 42 / 0 / 22

HEX #C674C8

RGB 198 116 200

HSL 298.57, 0.43%, 0.62%

LAB 60.49, 44.89, -30.32

 

CMYK 42 / 38 / 0 / 22

HEX #747CC8

RGB 116 124 200

HSL 234.29, 0.43%, 0.62%

LAB 54.34, 16.46, -40.51

 

CMYK 42 / 42 / 0 / 22

HEX #7474C8

RGB 116 116 200

HSL 240, 0.43%, 0.62%

LAB 52.26, 21.26, -43.8

 

CMYK 42 / 38 / 0 / 22

HEX #747CC8

RGB 116 124 200

HSL 234.29, 0.43%, 0.62%

LAB 54.34, 16.46, -40.51

 

CMYK 53 / 48 / 0 / 16

HEX #6570D7

RGB 101 112 215

HSL 234.21, 0.59%, 0.62%

LAB 50.99, 24.74, -54.42

 

CMYK 63 / 57 / 0 / 9

HEX #5563E7

RGB 85 99 231

HSL 234.25, 0.75%, 0.62%

LAB 47.78, 34.98, -68.69

 

CMYK 72 / 65 / 0 / 3

HEX #4556F7

RGB 69 86 247

HSL 234.27, 0.92%, 0.62%

LAB 45.13, 46.13, -82.04

 

CMYK 42 / 38 / 0 / 22

HEX #747CC8

RGB 116 124 200

HSL 234.29, 0.43%, 0.62%

LAB 54.34, 16.46, -40.51

 

CMYK 28 / 26 / 0 / 28

HEX #8489B8

RGB 132 137 184

HSL 234.23, 0.27%, 0.62%

LAB 58.28, 8.97, -25.18

 

CMYK 12 / 11 / 0 / 34

HEX #9496A8

RGB 148 150 168

HSL 234, 0.1%, 0.62%

LAB 62.45, 2.98, -9.66

 

CMYK 0 / 1 / 6 / 36

HEX #A3A299

RGB 163 162 153

HSL 54, 0.05%, 0.62%

LAB 66.46, -1.3, 4.8

 

CMYK 0 / 2 / 23 / 30

HEX #B3AF89

RGB 179 175 137

HSL 54.29, 0.22%, 0.62%

LAB 70.91, -4.85, 20.05

 

CMYK 42 / 16 / 0 / 22

HEX #74A9C8

RGB 116 169 200

HSL 202.14, 0.43%, 0.62%

LAB 66.72, -9.37, -21.32

 

CMYK 42 / 27 / 0 / 22

HEX #7493C8

RGB 116 147 200

HSL 217.86, 0.43%, 0.62%

LAB 60.56, 2.93, -30.79

 

CMYK 42 / 38 / 0 / 22

HEX #747DC8

RGB 116 125 200

HSL 233.57, 0.43%, 0.62%

LAB 54.61, 15.86, -40.09

 

CMYK 35 / 42 / 0 / 22

HEX #8274C8

RGB 130 116 200

HSL 250, 0.43%, 0.62%

LAB 53.39, 24.96, -41.93

 

CMYK 24 / 42 / 0 / 22

HEX #9974C8

RGB 153 116 200

HSL 266.43, 0.43%, 0.62%

LAB 55.52, 31.45, -38.45

 

CMYK 60 / 54 / 0 / 35

HEX #434CA7

RGB 67 76 167

HSL 234.6, 0.43%, 0.46%

LAB 36.28, 24.63, -50.31

 

CMYK 54 / 48 / 0 / 26

HEX #5761BC

RGB 87 97 188

HSL 234.06, 0.43%, 0.54%

LAB 44.53, 22.37, -49.33

 

CMYK 42 / 38 / 0 / 22

HEX #747CC8

RGB 116 124 200

HSL 234.29, 0.43%, 0.62%

LAB 54.34, 16.46, -40.51

 

CMYK 31 / 28 / 0 / 17

HEX #9298D4

RGB 146 152 212

HSL 234.55, 0.43%, 0.7%

LAB 64.42, 11.63, -31.35

 

CMYK 22 / 19 / 0 / 13

HEX #AFB4DF

RGB 175 180 223

HSL 233.75, 0.43%, 0.78%

LAB 74.24, 7.3, -22.13

 

CMYK 42 / 38 / 0 / 22

HEX #747CC8

RGB 116 124 200

HSL 234.29, 0.43%, 0.62%

LAB 54.34, 16.46, -40.51

 

CMYK 0 / 42 / 5 / 22

HEX #C874BF

RGB 200 116 191

HSL 306.43, 0.43%, 0.62%

LAB 60.37, 43.86, -25.38

 

CMYK 21 / 0 / 42 / 22

HEX #9EC874

RGB 158 200 116

HSL 90, 0.43%, 0.62%

LAB 75.97, -28.38, 37.51

 

CMYK 42 / 38 / 0 / 22

HEX #747CC8

RGB 116 124 200

HSL 234.29, 0.43%, 0.62%

LAB 54.34, 16.46, -40.51

 

CMYK 0 / 42 / 38 / 22

HEX #C8747D

RGB 200 116 125

HSL 353.57, 0.43%, 0.62%

LAB 58.27, 33.97, 9.49

 

CMYK 38 / 0 / 42 / 22

HEX #7DC874

RGB 125 200 116

HSL 113.57, 0.43%, 0.62%

LAB 74.14, -39.76, 34.81

 

CMYK 42 / 38 / 0 / 22

HEX #747CC8

RGB 116 124 200

HSL 234.29, 0.43%, 0.62%

LAB 54.34, 16.46, -40.51

 

CMYK 0 / 42 / 5 / 22

HEX #C874BF

RGB 200 116 191

HSL 306.43, 0.43%, 0.62%

LAB 60.37, 43.86, -25.38

 

CMYK 0 / 5 / 42 / 22

HEX #C8BF74

RGB 200 191 116

HSL 53.57, 0.43%, 0.62%

LAB 76.56, -7.53, 38.9

 

CMYK 42 / 0 / 38 / 22

HEX #74C87D

RGB 116 200 125

HSL 126.43, 0.43%, 0.62%

LAB 73.87, -41.14, 29.74

 

CMYK 42 / 38 / 0 / 22

HEX #747CC8

RGB 116 124 200

HSL 234.29, 0.43%, 0.62%

LAB 54.34, 16.46, -40.51

 

CMYK 0 / 42 / 17 / 22

HEX #C874A6

RGB 200 116 166

HSL 324.29, 0.43%, 0.62%

LAB 59.46, 39.67, -12.47

 

CMYK 0 / 5 / 42 / 22

HEX #C8BF74

RGB 200 191 116

HSL 53.57, 0.43%, 0.62%

LAB 76.56, -7.53, 38.9

 

CMYK 42 / 0 / 25 / 22

HEX #74C896

RGB 116 200 150

HSL 144.29, 0.43%, 0.62%

LAB 74.33, -36.66, 17.18

 

Description

Color code: HEX #747CC84C | qconv.com Color code: HEX #747CC84C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 124 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 124 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 11 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 11% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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