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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9298D4 it is the complementary color #6D672B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9298D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9298D4 shade: #9798CF, #A8AAE2, #B9BCF5, #CACEFF and #DBE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9298D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9298D4 shade: #9298D4, #8186C1, #7074AE, #5F629B and #4E5088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9298D4 shade: #9298D3, #9D92D3, #AF92D3, #C192D3 and #D392D3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9298D4 shade: #9298D3 and #9292D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9298D4 shade matches the following richer shades: #9298D3, #858DE0, #7983EC and #6C79F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9298D4 shade: #9298D3, #9EA2C7, #AAACBB, #B7B6AE and #C3C0A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9298D4 shade: #92BBD3, #92AAD3, #9298D3, #9D92D3 and #AE92D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9298D4 shade: #5760BC, #747CC8, #9298D3, #AFB3DF and #CDCFEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9298D4 shade: #9298D4, #D392CD and #B3D392

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9298D4 shade: #9298D4, #D39298 and #98D392

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9298D4 shade: #9298D4, #D392CD, #D3CD92 and #92D398

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9298D4 shade: #9298D4, #D392B9, #D3CD92 and #92D3AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 28 / 0 / 17

HEX #9298D4

RGB 146 152 212

HSL 234.55, 0.43%, 0.7%

LAB 64.42, 11.63, -31.35

 

Complementary color

CMYK 0 / 6 / 61 / 57

HEX #6D672B

RGB 109 103 43

HSL 54.55, 0.43%, 0.3%

LAB 42.95, -6.14, 34.02

 

CMYK 27 / 27 / 0 / 19

HEX #9798CF

RGB 151 152 207

HSL 238.93, 0.37%, 0.7%

LAB 64.6, 11.85, -28.27

 

CMYK 26 / 25 / 0 / 11

HEX #A8AAE2

RGB 168 170 226

HSL 237.93, 0.5%, 0.77%

LAB 71.26, 11.41, -28.38

 

CMYK 24 / 23 / 0 / 4

HEX #B9BCF5

RGB 185 188 245

HSL 237, 0.75%, 0.84%

LAB 77.8, 11.01, -28.52

 

CMYK 21 / 19 / 0 / 0

HEX #CACEFF

RGB 202 206 255

HSL 235.47, 1%, 0.9%

LAB 83.92, 8.63, -24.4

 

CMYK 14 / 12 / 0 / 0

HEX #DBE0FF

RGB 219 224 255

HSL 231.67, 1%, 0.93%

LAB 89.67, 4.34, -15.59

 

CMYK 31 / 28 / 0 / 17

HEX #9298D4

RGB 146 152 212

HSL 234.55, 0.43%, 0.7%

LAB 64.42, 11.63, -31.35

 

CMYK 33 / 31 / 0 / 24

HEX #8186C1

RGB 129 134 193

HSL 235.31, 0.34%, 0.63%

LAB 57.62, 12.16, -31.33

 

CMYK 36 / 33 / 0 / 32

HEX #7074AE

RGB 112 116 174

HSL 236.13, 0.28%, 0.56%

LAB 50.68, 12.78, -31.35

 

CMYK 39 / 37 / 0 / 39

HEX #5F629B

RGB 95 98 155

HSL 237, 0.24%, 0.49%

LAB 43.56, 13.51, -31.43

 

CMYK 43 / 41 / 0 / 47

HEX #4E5088

RGB 78 80 136

HSL 237.93, 0.27%, 0.42%

LAB 36.24, 14.38, -31.58

 

CMYK 31 / 28 / 0 / 17

HEX #9298D3

RGB 146 152 211

HSL 234.46, 0.42%, 0.7%

LAB 64.38, 11.37, -30.86

 

CMYK 26 / 31 / 0 / 17

HEX #9D92D3

RGB 157 146 211

HSL 250.15, 0.42%, 0.7%

LAB 63.7, 18.05, -31.85

 

CMYK 17 / 31 / 0 / 17

HEX #AF92D3

RGB 175 146 211

HSL 266.77, 0.42%, 0.7%

LAB 65.26, 23.55, -29.3

 

CMYK 9 / 31 / 0 / 17

HEX #C192D3

RGB 193 146 211

HSL 283.38, 0.42%, 0.7%

LAB 66.97, 29.23, -26.52

 

CMYK 0 / 31 / 0 / 17

HEX #D392D3

RGB 211 146 211

HSL 300, 0.42%, 0.7%

LAB 68.83, 35, -23.51

 

CMYK 31 / 28 / 0 / 17

HEX #9298D3

RGB 146 152 211

HSL 234.46, 0.42%, 0.7%

LAB 64.38, 11.37, -30.86

 

CMYK 31 / 31 / 0 / 17

HEX #9292D3

RGB 146 146 211

HSL 240, 0.42%, 0.7%

LAB 62.82, 14.81, -33.28

 

CMYK 31 / 28 / 0 / 17

HEX #9298D3

RGB 146 152 211

HSL 234.46, 0.42%, 0.7%

LAB 64.38, 11.37, -30.86

 

CMYK 41 / 37 / 0 / 12

HEX #858DE0

RGB 133 141 224

HSL 234.73, 0.59%, 0.7%

LAB 61.15, 17.64, -43.2

 

CMYK 49 / 44 / 0 / 7

HEX #7983EC

RGB 121 131 236

HSL 234.78, 0.75%, 0.7%

LAB 58.37, 24.13, -54.33

 

CMYK 57 / 51 / 0 / 2

HEX #6C79F9

RGB 108 121 249

HSL 234.47, 0.92%, 0.7%

LAB 55.79, 31.45, -65.72

 

CMYK 31 / 28 / 0 / 17

HEX #9298D3

RGB 146 152 211

HSL 234.46, 0.42%, 0.7%

LAB 64.38, 11.37, -30.86

 

CMYK 21 / 19 / 0 / 22

HEX #9EA2C7

RGB 158 162 199

HSL 234.15, 0.27%, 0.7%

LAB 67.45, 6.46, -19.4

 

CMYK 9 / 8 / 0 / 27

HEX #AAACBB

RGB 170 172 187

HSL 232.94, 0.11%, 0.7%

LAB 70.62, 2.26, -7.91

 

CMYK 0 / 1 / 5 / 28

HEX #B7B6AE

RGB 183 182 174

HSL 53.33, 0.06%, 0.7%

LAB 73.92, -1.1, 4.18

 

CMYK 0 / 2 / 17 / 24

HEX #C3C0A2

RGB 195 192 162

HSL 54.55, 0.22%, 0.7%

LAB 77.23, -4.01, 15.52

 

CMYK 31 / 11 / 0 / 17

HEX #92BBD3

RGB 146 187 211

HSL 202.15, 0.42%, 0.7%

LAB 73.78, -8, -16.5

 

CMYK 31 / 19 / 0 / 17

HEX #92AAD3

RGB 146 170 211

HSL 217.85, 0.42%, 0.7%

LAB 69.16, 1.24, -23.51

 

CMYK 31 / 28 / 0 / 17

HEX #9298D3

RGB 146 152 211

HSL 234.46, 0.42%, 0.7%

LAB 64.38, 11.37, -30.86

 

CMYK 26 / 31 / 0 / 17

HEX #9D92D3

RGB 157 146 211

HSL 250.15, 0.42%, 0.7%

LAB 63.7, 18.05, -31.85

 

CMYK 18 / 31 / 0 / 17

HEX #AE92D3

RGB 174 146 211

HSL 265.85, 0.42%, 0.7%

LAB 65.17, 23.24, -29.45

 

CMYK 54 / 49 / 0 / 26

HEX #5760BC

RGB 87 96 188

HSL 234.65, 0.43%, 0.54%

LAB 44.27, 23, -49.75

 

CMYK 42 / 38 / 0 / 22

HEX #747CC8

RGB 116 124 200

HSL 234.29, 0.43%, 0.62%

LAB 54.34, 16.46, -40.51

 

CMYK 31 / 28 / 0 / 17

HEX #9298D3

RGB 146 152 211

HSL 234.46, 0.42%, 0.7%

LAB 64.38, 11.37, -30.86

 

CMYK 22 / 20 / 0 / 13

HEX #AFB3DF

RGB 175 179 223

HSL 235, 0.43%, 0.78%

LAB 73.99, 7.85, -22.53

 

CMYK 13 / 12 / 0 / 8

HEX #CDCFEB

RGB 205 207 235

HSL 236, 0.43%, 0.86%

LAB 83.76, 4.77, -14

 

CMYK 31 / 28 / 0 / 17

HEX #9298D4

RGB 146 152 212

HSL 234.55, 0.43%, 0.7%

LAB 64.42, 11.63, -31.35

 

CMYK 0 / 31 / 3 / 17

HEX #D392CD

RGB 211 146 205

HSL 305.54, 0.42%, 0.7%

LAB 68.62, 33.89, -20.51

 

CMYK 15 / 0 / 31 / 17

HEX #B3D392

RGB 179 211 146

HSL 89.54, 0.42%, 0.7%

LAB 80.88, -21.98, 28.79

 

CMYK 31 / 28 / 0 / 17

HEX #9298D4

RGB 146 152 212

HSL 234.55, 0.43%, 0.7%

LAB 64.42, 11.63, -31.35

 

CMYK 0 / 31 / 28 / 17

HEX #D39298

RGB 211 146 152

HSL 354.46, 0.42%, 0.7%

LAB 67.03, 25.38, 6.77

 

CMYK 28 / 0 / 31 / 17

HEX #98D392

RGB 152 211 146

HSL 114.46, 0.42%, 0.7%

LAB 79.24, -31.39, 26.3

 

CMYK 31 / 28 / 0 / 17

HEX #9298D4

RGB 146 152 212

HSL 234.55, 0.43%, 0.7%

LAB 64.42, 11.63, -31.35

 

CMYK 0 / 31 / 3 / 17

HEX #D392CD

RGB 211 146 205

HSL 305.54, 0.42%, 0.7%

LAB 68.62, 33.89, -20.51

 

CMYK 0 / 3 / 31 / 17

HEX #D3CD92

RGB 211 205 146

HSL 54.46, 0.42%, 0.7%

LAB 81.61, -6.93, 30.19

 

CMYK 31 / 0 / 28 / 17

HEX #92D398

RGB 146 211 152

HSL 125.54, 0.42%, 0.7%

LAB 79.02, -32.35, 22.82

 

CMYK 31 / 28 / 0 / 17

HEX #9298D4

RGB 146 152 212

HSL 234.55, 0.43%, 0.7%

LAB 64.42, 11.63, -31.35

 

CMYK 0 / 31 / 12 / 17

HEX #D392B9

RGB 211 146 185

HSL 324, 0.42%, 0.7%

LAB 67.95, 30.41, -10.37

 

CMYK 0 / 3 / 31 / 17

HEX #D3CD92

RGB 211 205 146

HSL 54.46, 0.42%, 0.7%

LAB 81.61, -6.93, 30.19

 

CMYK 31 / 0 / 18 / 17

HEX #92D3AC

RGB 146 211 172

HSL 144, 0.42%, 0.7%

LAB 79.43, -28.71, 12.82

 

Description

Color code: HEX #9298D4 | qconv.com Color code: HEX #9298D4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 152 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 152 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 28 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 28% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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