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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #747787 it is the complementary color #8B8878. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #747787. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #747787: #797782, #8A8995, #9B9BA8, #ACADBB and #BDBFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #747787. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #747787: #747787, #636574, #525361, #41414E and #302F3B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 12 / 0 / 47

HEX #747787

RGB 116 119 135

HSL 230.53, 0.08%, 0.49%

LAB 50.28, 2.35, -9.1

 

Complementary color

CMYK 0 / 2 / 14 / 45

HEX #8B8878

RGB 139 136 120

HSL 50.53, 0.08%, 0.51%

LAB 56.54, -1.81, 8.99

 

CMYK 7 / 8 / 0 / 49

HEX #797782

RGB 121 119 130

HSL 250.91, 0.04%, 0.49%

LAB 50.54, 3.04, -5.74

 

CMYK 7 / 8 / 0 / 42

HEX #8A8995

RGB 138 137 149

HSL 245, 0.05%, 0.56%

LAB 57.53, 2.81, -6.26

 

CMYK 8 / 8 / 0 / 34

HEX #9B9BA8

RGB 155 155 168

HSL 240, 0.07%, 0.63%

LAB 64.35, 2.59, -6.77

 

CMYK 8 / 7 / 0 / 27

HEX #ACADBB

RGB 172 173 187

HSL 236, 0.1%, 0.7%

LAB 71.04, 2.39, -7.27

 

CMYK 8 / 7 / 0 / 19

HEX #BDBFCE

RGB 189 191 206

HSL 232.94, 0.15%, 0.77%

LAB 77.6, 2.2, -7.76

 

CMYK 14 / 12 / 0 / 47

HEX #747787

RGB 116 119 135

HSL 230.53, 0.08%, 0.49%

LAB 50.28, 2.35, -9.1

 

CMYK 15 / 13 / 0 / 55

HEX #636574

RGB 99 101 116

HSL 232.94, 0.08%, 0.42%

LAB 43.09, 2.58, -8.67

 

CMYK 15 / 14 / 0 / 62

HEX #525361

RGB 82 83 97

HSL 236, 0.08%, 0.35%

LAB 35.68, 2.84, -8.24

 

CMYK 17 / 17 / 0 / 69

HEX #41414E

RGB 65 65 78

HSL 240, 0.09%, 0.28%

LAB 27.99, 3.13, -7.83

 

CMYK 19 / 20 / 0 / 77

HEX #302F3B

RGB 48 47 59

HSL 245, 0.11%, 0.21%

LAB 19.95, 3.48, -7.43

 

CMYK 14 / 12 / 0 / 47

HEX #747787

RGB 116 119 135

HSL 230.53, 0.08%, 0.49%

LAB 50.28, 2.35, -9.1

 

CMYK 15 / 15 / 0 / 47

HEX #727286

RGB 114 114 134

HSL 240, 0.08%, 0.49%

LAB 48.68, 4.36, -10.94

 

CMYK 12 / 15 / 0 / 47

HEX #767286

RGB 118 114 134

HSL 252, 0.08%, 0.49%

LAB 49.02, 5.78, -10.4

 

CMYK 10 / 15 / 0 / 47

HEX #797286

RGB 121 114 134

HSL 261, 0.08%, 0.49%

LAB 49.28, 6.85, -9.98

 

CMYK 7 / 15 / 0 / 47

HEX #7C7286

RGB 124 114 134

HSL 270, 0.08%, 0.49%

LAB 49.55, 7.93, -9.55

 

CMYK 14 / 12 / 0 / 47

HEX #747787

RGB 116 119 135

HSL 230.53, 0.08%, 0.49%

LAB 50.28, 2.35, -9.1

 

CMYK 14 / 12 / 0 / 27

HEX #A0A4BA

RGB 160 164 186

HSL 230.77, 0.16%, 0.68%

LAB 67.7, 3.09, -11.79

 

CMYK 14 / 12 / 0 / 7

HEX #CCD1ED

RGB 204 209 237

HSL 230.91, 0.48%, 0.86%

LAB 84.25, 3.8, -14.33

 

CMYK 15 / 12 / 0 / 87

HEX #1C1D21

RGB 28 29 33

HSL 228, 0.08%, 0.12%

LAB 10.82, 0.61, -2.9

 

CMYK 14 / 12 / 0 / 67

HEX #484A54

RGB 72 74 84

HSL 230, 0.08%, 0.31%

LAB 31.61, 1.54, -6.2

 

CMYK 14 / 12 / 0 / 47

HEX #747787

RGB 116 119 135

HSL 230.53, 0.08%, 0.49%

LAB 50.28, 2.35, -9.1

 

CMYK 0 / 15 / 0 / 47

HEX #867286

RGB 134 114 134

HSL 300, 0.08%, 0.49%

LAB 50.48, 11.59, -8.05

 

CMYK 6 / 0 / 15 / 47

HEX #7E8672

RGB 126 134 114

HSL 84, 0.08%, 0.49%

LAB 54.76, -6.79, 9.78

 

CMYK 14 / 12 / 0 / 47

HEX #747787

RGB 116 119 135

HSL 230.53, 0.08%, 0.49%

LAB 50.28, 2.35, -9.1

 

CMYK 0 / 15 / 12 / 47

HEX #867276

RGB 134 114 118

HSL 348, 0.08%, 0.49%

LAB 49.99, 8.52, 0.69

 

CMYK 12 / 0 / 15 / 47

HEX #768672

RGB 118 134 114

HSL 108, 0.08%, 0.49%

LAB 54.15, -9.85, 8.82

 

CMYK 14 / 12 / 0 / 47

HEX #747787

RGB 116 119 135

HSL 230.53, 0.08%, 0.49%

LAB 50.28, 2.35, -9.1

 

CMYK 0 / 15 / 0 / 47

HEX #867286

RGB 134 114 134

HSL 300, 0.08%, 0.49%

LAB 50.48, 11.59, -8.05

 

CMYK 0 / 2 / 15 / 47

HEX #868372

RGB 134 131 114

HSL 51, 0.08%, 0.49%

LAB 54.57, -1.98, 9.6

 

CMYK 15 / 0 / 14 / 47

HEX #728673

RGB 114 134 115

HSL 123, 0.08%, 0.49%

LAB 53.88, -11.15, 7.83

 

CMYK 14 / 12 / 0 / 47

HEX #747787

RGB 116 119 135

HSL 230.53, 0.08%, 0.49%

LAB 50.28, 2.35, -9.1

 

CMYK 0 / 15 / 4 / 47

HEX #867280

RGB 134 114 128

HSL 318, 0.08%, 0.49%

LAB 50.29, 10.4, -4.79

 

CMYK 0 / 2 / 15 / 47

HEX #868372

RGB 134 131 114

HSL 51, 0.08%, 0.49%

LAB 54.57, -1.98, 9.6

 

CMYK 15 / 0 / 10 / 47

HEX #728679

RGB 114 134 121

HSL 141, 0.08%, 0.49%

LAB 54.04, -9.96, 4.58

 

Description

Color code: HEX #747787 | qconv.com Color code: HEX #747787 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 119 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 119 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 12 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 12% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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