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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #74412F it is the complementary color #8BBED0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #74412F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #74412F: #79412A, #8A533D, #9B6550, #AC7763 and #BD8976

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #74412F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #74412F: #74412F, #632F1C, #521D09, #410B00 and #300000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 59 / 55

HEX #74412F

RGB 116 65 47

HSL 15.65, 0.42%, 0.32%

LAB 33.35, 20.19, 20.48

 

Complementary color

CMYK 33 / 9 / 0 / 18

HEX #8BBED0

RGB 139 190 208

HSL 195.65, 0.42%, 0.68%

LAB 74.11, -12.31, -14.41

 

CMYK 0 / 46 / 65 / 53

HEX #79412A

RGB 121 65 42

HSL 17.47, 0.48%, 0.32%

LAB 34.01, 22, 24.5

 

CMYK 0 / 40 / 56 / 46

HEX #8A533D

RGB 138 83 61

HSL 17.14, 0.39%, 0.39%

LAB 41.1, 20.54, 22.52

 

CMYK 0 / 35 / 48 / 39

HEX #9B6550

RGB 155 101 80

HSL 16.8, 0.32%, 0.46%

LAB 48.08, 19.3, 20.82

 

CMYK 0 / 31 / 42 / 33

HEX #AC7763

RGB 172 119 99

HSL 16.44, 0.31%, 0.53%

LAB 54.93, 18.25, 19.34

 

CMYK 0 / 28 / 38 / 26

HEX #BD8976

RGB 189 137 118

HSL 16.06, 0.35%, 0.6%

LAB 61.67, 17.35, 18.02

 

CMYK 0 / 44 / 59 / 55

HEX #74412F

RGB 116 65 47

HSL 15.65, 0.42%, 0.32%

LAB 33.35, 20.19, 20.48

 

CMYK 0 / 53 / 72 / 61

HEX #632F1C

RGB 99 47 28

HSL 16.06, 0.56%, 0.25%

LAB 26.07, 21.79, 22.71

 

CMYK 0 / 65 / 89 / 68

HEX #521D09

RGB 82 29 9

HSL 16.44, 0.8%, 0.18%

LAB 18.77, 23.6, 24.22

 

CMYK 0 / 83 / 100 / 75

HEX #410B00

RGB 65 11 0

HSL 10.15, 1%, 0.13%

LAB 11.71, 25.17, 18.16

 

CMYK 0 / 100 / 100 / 81

HEX #300000

RGB 48 0 0

HSL 0, 1%, 0.09%

LAB 5.68, 23.6, 8.97

 

CMYK 0 / 44 / 59 / 55

HEX #74412F

RGB 116 65 47

HSL 15.65, 0.42%, 0.32%

LAB 33.35, 20.19, 20.48

 

CMYK 0 / 35 / 59 / 55

HEX #734B2F

RGB 115 75 47

HSL 24.71, 0.42%, 0.32%

LAB 35.76, 13.73, 23.47

 

CMYK 0 / 24 / 59 / 55

HEX #73572F

RGB 115 87 47

HSL 35.29, 0.42%, 0.32%

LAB 39.01, 6.47, 27.44

 

CMYK 0 / 15 / 59 / 55

HEX #73622F

RGB 115 98 47

HSL 45, 0.42%, 0.32%

LAB 42.13, -0.08, 31.14

 

CMYK 0 / 4 / 59 / 55

HEX #736E2F

RGB 115 110 47

HSL 55.59, 0.42%, 0.32%

LAB 45.64, -7.01, 35.17

 

CMYK 0 / 44 / 59 / 55

HEX #74412F

RGB 116 65 47

HSL 15.65, 0.42%, 0.32%

LAB 33.35, 20.19, 20.48

 

CMYK 0 / 44 / 59 / 35

HEX #A75E44

RGB 167 94 68

HSL 15.76, 0.42%, 0.46%

LAB 47.8, 27.18, 27.75

 

CMYK 0 / 44 / 60 / 15

HEX #DA7A58

RGB 218 122 88

HSL 15.69, 0.64%, 0.6%

LAB 61.25, 34.2, 34.83

 

CMYK 0 / 43 / 57 / 95

HEX #0E0806

RGB 14 8 6

HSL 15, 0.4%, 0.04%

LAB 2.53, 1.41, 1.35

 

CMYK 0 / 45 / 60 / 75

HEX #41241A

RGB 65 36 26

HSL 15.38, 0.43%, 0.18%

LAB 17.74, 12.55, 12.53

 

CMYK 0 / 44 / 59 / 55

HEX #74412F

RGB 116 65 47

HSL 15.65, 0.42%, 0.32%

LAB 33.35, 20.19, 20.48

 

CMYK 26 / 0 / 59 / 55

HEX #55732F

RGB 85 115 47

HSL 86.47, 0.42%, 0.32%

LAB 44.8, -22.99, 33.59

 

CMYK 59 / 50 / 0 / 55

HEX #2F3973

RGB 47 57 115

HSL 231.18, 0.42%, 0.32%

LAB 26.06, 14.74, -34.83

 

CMYK 0 / 44 / 59 / 55

HEX #74412F

RGB 116 65 47

HSL 15.65, 0.42%, 0.32%

LAB 33.35, 20.19, 20.48

 

CMYK 59 / 0 / 44 / 55

HEX #2F7340

RGB 47 115 64

HSL 135, 0.42%, 0.32%

LAB 43.12, -33.62, 21.91

 

CMYK 44 / 59 / 0 / 55

HEX #402F73

RGB 64 47 115

HSL 255, 0.42%, 0.32%

LAB 24.83, 25.56, -36.73

 

CMYK 0 / 44 / 59 / 55

HEX #74412F

RGB 116 65 47

HSL 15.65, 0.42%, 0.32%

LAB 33.35, 20.19, 20.48

 

CMYK 26 / 0 / 59 / 55

HEX #55732F

RGB 85 115 47

HSL 86.47, 0.42%, 0.32%

LAB 44.8, -22.99, 33.59

 

CMYK 59 / 15 / 0 / 55

HEX #2F6273

RGB 47 98 115

HSL 195, 0.42%, 0.32%

LAB 38.86, -11.69, -14.79

 

CMYK 32 / 59 / 0 / 55

HEX #4E2F73

RGB 78 47 115

HSL 267.35, 0.42%, 0.32%

LAB 26.42, 29.23, -34.09

 

CMYK 0 / 44 / 59 / 55

HEX #74412F

RGB 116 65 47

HSL 15.65, 0.42%, 0.32%

LAB 33.35, 20.19, 20.48

 

CMYK 44 / 0 / 59 / 55

HEX #40732F

RGB 64 115 47

HSL 105, 0.42%, 0.32%

LAB 43.59, -31.02, 31.87

 

CMYK 59 / 15 / 0 / 55

HEX #2F6273

RGB 47 98 115

HSL 195, 0.42%, 0.32%

LAB 38.86, -11.69, -14.79

 

CMYK 15 / 59 / 0 / 55

HEX #622F73

RGB 98 47 115

HSL 285, 0.42%, 0.32%

LAB 29.08, 34.85, -29.7

 

Description

Color code: HEX #74412F | qconv.com Color code: HEX #74412F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 65 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 65 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 59 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 59% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

26% - Bountalis goes vegan...
Link: http://www.bountalis.de

17% - Magazín Christnet.cz
Link: http://christnet.cz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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