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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73A711 it is the complementary color #8C58EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73A711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73A711 shade: #78A70C, #89B91F, #9ACB32, #ABDD45 and #BCEF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73A711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73A711 shade: #73A711, #629500, #518300, #407100 and #2F5F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73A711 shade: #73A711, #9BA711, #A78A11, #A76111 and #A73911

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73A711 shade: #73A711, #4AA711, #22A711, #11A728 and #11A751

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73A711 shade matches the following richer shades: #73A711 and #77B602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73A711 shade: #73A711, #6E981F, #6A892E, #657B3D and #616C4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73A711 shade: #A78911, #9DA711, #75A711, #4DA711 and #25A711

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73A711 shade: #3F5C09, #59820D, #73A711, #8DCD14 and #A4E921

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73A711 shade: #73A711, #11A761 and #9D11A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73A711 shade: #73A711, #1175A7 and #A71175

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73A711 shade: #73A711, #11A761, #4311A7 and #A71157

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73A711 shade: #73A711, #11A78E, #4311A7 and #A7112A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

Complementary color

CMYK 41 / 63 / 0 / 7

HEX #8C58EE

RGB 140 88 238

HSL 260.8, 0.82%, 0.64%

LAB 50.37, 53.37, -68.23

 

CMYK 28 / 0 / 93 / 35

HEX #78A70C

RGB 120 167 12

HSL 78.19, 0.87%, 0.35%

LAB 63.06, -35.5, 63.2

 

CMYK 26 / 0 / 83 / 27

HEX #89B91F

RGB 137 185 31

HSL 78.7, 0.71%, 0.42%

LAB 69.55, -36.41, 65.27

 

CMYK 24 / 0 / 75 / 20

HEX #9ACB32

RGB 154 203 50

HSL 79.22, 0.6%, 0.5%

LAB 75.95, -37.09, 66.04

 

CMYK 23 / 0 / 69 / 13

HEX #ABDD45

RGB 171 221 69

HSL 79.74, 0.69%, 0.57%

LAB 82.27, -37.6, 66

 

CMYK 21 / 0 / 63 / 6

HEX #BCEF58

RGB 188 239 88

HSL 80.26, 0.83%, 0.64%

LAB 88.51, -37.98, 65.49

 

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

CMYK 34 / 0 / 100 / 42

HEX #629500

RGB 98 149 0

HSL 80.54, 1%, 0.29%

LAB 56.18, -36.29, 58.98

 

CMYK 38 / 0 / 100 / 49

HEX #518300

RGB 81 131 0

HSL 82.9, 1%, 0.26%

LAB 49.47, -34.85, 53.41

 

CMYK 43 / 0 / 100 / 56

HEX #407100

RGB 64 113 0

HSL 86.02, 1%, 0.22%

LAB 42.61, -33.34, 47.7

 

CMYK 51 / 0 / 100 / 63

HEX #2F5F00

RGB 47 95 0

HSL 90.32, 1%, 0.19%

LAB 35.57, -31.71, 41.86

 

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

CMYK 7 / 0 / 90 / 35

HEX #9BA711

RGB 155 167 17

HSL 64.8, 0.82%, 0.36%

LAB 65.47, -20.72, 65.34

 

CMYK 0 / 17 / 90 / 35

HEX #A78A11

RGB 167 138 17

HSL 48.4, 0.82%, 0.36%

LAB 58.45, 0.01, 60.2

 

CMYK 0 / 42 / 90 / 35

HEX #A76111

RGB 167 97 17

HSL 32, 0.82%, 0.36%

LAB 48.01, 23.01, 52.02

 

CMYK 0 / 66 / 90 / 35

HEX #A73911

RGB 167 57 17

HSL 16, 0.82%, 0.36%

LAB 39.89, 43.57, 45.73

 

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

CMYK 56 / 0 / 90 / 35

HEX #4AA711

RGB 74 167 17

HSL 97.2, 0.82%, 0.36%

LAB 60.9, -51.17, 59.69

 

CMYK 80 / 0 / 90 / 35

HEX #22A711

RGB 34 167 17

HSL 113.2, 0.82%, 0.36%

LAB 59.9, -59.52, 58.45

 

CMYK 90 / 0 / 76 / 35

HEX #11A728

RGB 17 167 40

HSL 129.2, 0.82%, 0.36%

LAB 59.81, -60, 52

 

CMYK 90 / 0 / 51 / 35

HEX #11A751

RGB 17 167 81

HSL 145.6, 0.82%, 0.36%

LAB 60.2, -55.09, 34.34

 

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

CMYK 35 / 0 / 99 / 29

HEX #77B602

RGB 119 182 2

HSL 81, 0.98%, 0.36%

LAB 67.56, -42.64, 68.01

 

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

CMYK 28 / 0 / 80 / 40

HEX #6E981F

RGB 110 152 31

HSL 80.83, 0.66%, 0.36%

LAB 57.91, -31.96, 54.2

 

CMYK 23 / 0 / 66 / 46

HEX #6A892E

RGB 106 137 46

HSL 80.44, 0.5%, 0.36%

LAB 53.12, -25.44, 43.67

 

CMYK 18 / 0 / 50 / 52

HEX #657B3D

RGB 101 123 61

HSL 81.29, 0.34%, 0.36%

LAB 48.6, -18.91, 31.07

 

CMYK 10 / 0 / 30 / 58

HEX #616C4C

RGB 97 108 76

HSL 80.63, 0.17%, 0.36%

LAB 43.93, -10.32, 16.57

 

CMYK 0 / 18 / 90 / 35

HEX #A78911

RGB 167 137 17

HSL 48, 0.82%, 0.36%

LAB 58.18, 0.56, 59.99

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 30 / 0 / 90 / 35

HEX #75A711

RGB 117 167 17

HSL 80, 0.82%, 0.36%

LAB 62.89, -36.57, 62.17

 

CMYK 54 / 0 / 90 / 35

HEX #4DA711

RGB 77 167 17

HSL 96, 0.82%, 0.36%

LAB 61.01, -50.32, 59.83

 

CMYK 78 / 0 / 90 / 35

HEX #25A711

RGB 37 167 17

HSL 112, 0.82%, 0.36%

LAB 59.95, -59.1, 58.51

 

CMYK 32 / 0 / 90 / 64

HEX #3F5C09

RGB 63 92 9

HSL 80.96, 0.82%, 0.2%

LAB 35.46, -23.55, 39.42

 

CMYK 32 / 0 / 90 / 49

HEX #59820D

RGB 89 130 13

HSL 81.03, 0.82%, 0.28%

LAB 49.64, -30.88, 51.22

 

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

CMYK 31 / 0 / 90 / 20

HEX #8DCD14

RGB 141 205 20

HSL 80.76, 0.82%, 0.44%

LAB 75.68, -43.98, 72.75

 

CMYK 30 / 0 / 86 / 9

HEX #A4E921

RGB 164 233 33

HSL 80.7, 0.82%, 0.52%

LAB 85.14, -47.05, 78.82

 

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

CMYK 90 / 0 / 42 / 35

HEX #11A761

RGB 17 167 97

HSL 152, 0.82%, 0.36%

LAB 60.44, -52.24, 26.31

 

CMYK 6 / 90 / 0 / 35

HEX #9D11A7

RGB 157 17 167

HSL 296, 0.82%, 0.36%

LAB 38.48, 67.83, -46.2

 

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

CMYK 90 / 30 / 0 / 35

HEX #1175A7

RGB 17 117 167

HSL 200, 0.82%, 0.36%

LAB 46.49, -8.03, -34.13

 

CMYK 0 / 90 / 30 / 35

HEX #A71175

RGB 167 17 117

HSL 320, 0.82%, 0.36%

LAB 37.66, 62.82, -16.67

 

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

CMYK 90 / 0 / 42 / 35

HEX #11A761

RGB 17 167 97

HSL 152, 0.82%, 0.36%

LAB 60.44, -52.24, 26.31

 

CMYK 60 / 90 / 0 / 35

HEX #4311A7

RGB 67 17 167

HSL 260, 0.82%, 0.36%

LAB 24.9, 55.66, -68.92

 

CMYK 0 / 90 / 48 / 35

HEX #A71157

RGB 167 17 87

HSL 332, 0.82%, 0.36%

LAB 36.56, 59.8, 0.78

 

CMYK 31 / 0 / 90 / 35

HEX #73A711

RGB 115 167 17

HSL 80.8, 0.82%, 0.36%

LAB 62.78, -37.34, 62.03

 

CMYK 90 / 0 / 15 / 35

HEX #11A78E

RGB 17 167 142

HSL 170, 0.82%, 0.36%

LAB 61.4, -41.63, 2.84

 

CMYK 60 / 90 / 0 / 35

HEX #4311A7

RGB 67 17 167

HSL 260, 0.82%, 0.36%

LAB 24.9, 55.66, -68.92

 

CMYK 0 / 90 / 75 / 35

HEX #A7112A

RGB 167 17 42

HSL 350, 0.82%, 0.36%

LAB 35.56, 56.97, 28.41

 

Description

Color code: HEX #73A711 | qconv.com Color code: HEX #73A711 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 167 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 167 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 90 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 90% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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