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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9DA711 it is the complementary color #6258EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9DA711. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9DA711 shade: #A2A70C, #B3B91F, #C4CB32, #D5DD45 and #E6EF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9DA711. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9DA711 shade: #9DA711, #8C9500, #7B8300, #6A7100 and #595F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9DA711 shade: #9DA711, #A78911, #A76011, #A73711 and #A71111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9DA711 shade: #9DA711, #74A711, #4CA711, #23A711 and #11A726

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9DA711 shade matches the following richer shades: #9DA711 and #AAB602

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9DA711 shade: #9DA711, #90981F, #83892E, #767B3D and #6A6C4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9DA711 shade: #A76111, #A78911, #9DA711, #75A711 and #4DA711

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9DA711 shade: #565C09, #7A820D, #9DA711, #C0CD14 and #DCE921

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9DA711 shade: #9DA711, #11A739 and #7511A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9DA711 shade: #9DA711, #119DA7 and #A7119D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9DA711 shade: #9DA711, #11A739, #1B11A7 and #A7117F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9DA711 shade: #9DA711, #11A766, #1B11A7 and #A71152

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

Complementary color

CMYK 59 / 63 / 0 / 7

HEX #6258EE

RGB 98 88 238

HSL 244, 0.82%, 0.64%

LAB 46.64, 45.84, -74.45

 

CMYK 3 / 0 / 93 / 35

HEX #A2A70C

RGB 162 167 12

HSL 61.94, 0.87%, 0.35%

LAB 66.02, -17.75, 66.8

 

CMYK 3 / 0 / 83 / 27

HEX #B3B91F

RGB 179 185 31

HSL 62.34, 0.71%, 0.42%

LAB 72.48, -19, 68.94

 

CMYK 3 / 0 / 75 / 20

HEX #C4CB32

RGB 196 203 50

HSL 62.75, 0.6%, 0.5%

LAB 78.86, -20.04, 69.79

 

CMYK 4 / 0 / 69 / 13

HEX #D5DD45

RGB 213 221 69

HSL 63.16, 0.69%, 0.57%

LAB 85.14, -20.9, 69.82

 

CMYK 4 / 0 / 63 / 6

HEX #E6EF58

RGB 230 239 88

HSL 63.58, 0.83%, 0.64%

LAB 91.35, -21.62, 69.37

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 6 / 0 / 100 / 42

HEX #8C9500

RGB 140 149 0

HSL 63.62, 1%, 0.29%

LAB 59.04, -18.5, 62.4

 

CMYK 6 / 0 / 100 / 49

HEX #7B8300

RGB 123 131 0

HSL 63.66, 1%, 0.26%

LAB 52.34, -16.84, 56.83

 

CMYK 6 / 0 / 100 / 56

HEX #6A7100

RGB 106 113 0

HSL 63.72, 1%, 0.22%

LAB 45.46, -15.15, 51.11

 

CMYK 6 / 0 / 100 / 63

HEX #595F00

RGB 89 95 0

HSL 63.79, 1%, 0.19%

LAB 38.39, -13.4, 45.23

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 0 / 18 / 90 / 35

HEX #A78911

RGB 167 137 17

HSL 48, 0.82%, 0.36%

LAB 58.18, 0.56, 59.99

 

CMYK 0 / 43 / 90 / 35

HEX #A76011

RGB 167 96 17

HSL 31.6, 0.82%, 0.36%

LAB 47.78, 23.57, 51.84

 

CMYK 0 / 67 / 90 / 35

HEX #A73711

RGB 167 55 17

HSL 15.2, 0.82%, 0.36%

LAB 39.56, 44.44, 45.48

 

CMYK 0 / 90 / 90 / 35

HEX #A71111

RGB 167 17 17

HSL 0, 0.82%, 0.36%

LAB 35.32, 56.25, 42.24

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 31 / 0 / 90 / 35

HEX #74A711

RGB 116 167 17

HSL 80.4, 0.82%, 0.36%

LAB 62.84, -36.95, 62.1

 

CMYK 54 / 0 / 90 / 35

HEX #4CA711

RGB 76 167 17

HSL 96.4, 0.82%, 0.36%

LAB 60.97, -50.61, 59.78

 

CMYK 79 / 0 / 90 / 35

HEX #23A711

RGB 35 167 17

HSL 112.8, 0.82%, 0.36%

LAB 59.92, -59.39, 58.47

 

CMYK 90 / 0 / 77 / 35

HEX #11A726

RGB 17 167 38

HSL 128.4, 0.82%, 0.36%

LAB 59.8, -60.16, 52.68

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 7 / 0 / 99 / 29

HEX #AAB602

RGB 170 182 2

HSL 64, 0.98%, 0.36%

LAB 70.88, -21.92, 71.98

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 5 / 0 / 80 / 40

HEX #90981F

RGB 144 152 31

HSL 63.97, 0.66%, 0.36%

LAB 60.32, -17.51, 57.29

 

CMYK 4 / 0 / 66 / 46

HEX #83892E

RGB 131 137 46

HSL 63.96, 0.5%, 0.36%

LAB 54.98, -14.65, 46.21

 

CMYK 4 / 0 / 50 / 52

HEX #767B3D

RGB 118 123 61

HSL 64.84, 0.34%, 0.36%

LAB 49.92, -11.59, 32.99

 

CMYK 2 / 0 / 30 / 58

HEX #6A6C4C

RGB 106 108 76

HSL 63.75, 0.17%, 0.36%

LAB 44.68, -6.51, 17.7

 

CMYK 0 / 42 / 90 / 35

HEX #A76111

RGB 167 97 17

HSL 32, 0.82%, 0.36%

LAB 48.01, 23.01, 52.02

 

CMYK 0 / 18 / 90 / 35

HEX #A78911

RGB 167 137 17

HSL 48, 0.82%, 0.36%

LAB 58.18, 0.56, 59.99

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 30 / 0 / 90 / 35

HEX #75A711

RGB 117 167 17

HSL 80, 0.82%, 0.36%

LAB 62.89, -36.57, 62.17

 

CMYK 54 / 0 / 90 / 35

HEX #4DA711

RGB 77 167 17

HSL 96, 0.82%, 0.36%

LAB 61.01, -50.32, 59.83

 

CMYK 7 / 0 / 90 / 64

HEX #565C09

RGB 86 92 9

HSL 64.34, 0.82%, 0.2%

LAB 37.21, -12.88, 41.61

 

CMYK 6 / 0 / 90 / 49

HEX #7A820D

RGB 122 130 13

HSL 64.1, 0.82%, 0.28%

LAB 51.99, -16.5, 54.12

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 6 / 0 / 90 / 20

HEX #C0CD14

RGB 192 205 20

HSL 64.22, 0.82%, 0.44%

LAB 78.99, -23.56, 76.79

 

CMYK 6 / 0 / 86 / 9

HEX #DCE921

RGB 220 233 33

HSL 63.9, 0.82%, 0.52%

LAB 88.73, -25.09, 83.27

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 90 / 0 / 66 / 35

HEX #11A739

RGB 17 167 57

HSL 136, 0.82%, 0.36%

LAB 59.94, -58.38, 45.43

 

CMYK 30 / 90 / 0 / 35

HEX #7511A7

RGB 117 17 167

HSL 280, 0.82%, 0.36%

LAB 31.74, 61.44, -57.42

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 90 / 6 / 0 / 35

HEX #119DA7

RGB 17 157 167

HSL 184, 0.82%, 0.36%

LAB 59, -29.56, -14.84

 

CMYK 0 / 90 / 6 / 35

HEX #A7119D

RGB 167 17 157

HSL 304, 0.82%, 0.36%

LAB 39.67, 68.09, -38.18

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 90 / 0 / 66 / 35

HEX #11A739

RGB 17 167 57

HSL 136, 0.82%, 0.36%

LAB 59.94, -58.38, 45.43

 

CMYK 84 / 90 / 0 / 35

HEX #1B11A7

RGB 27 17 167

HSL 244, 0.82%, 0.36%

LAB 21.67, 53.31, -74.39

 

CMYK 0 / 90 / 24 / 35

HEX #A7117F

RGB 167 17 127

HSL 316, 0.82%, 0.36%

LAB 38.11, 64.01, -22.24

 

CMYK 6 / 0 / 90 / 35

HEX #9DA711

RGB 157 167 17

HSL 64, 0.82%, 0.36%

LAB 65.63, -19.85, 65.53

 

CMYK 90 / 0 / 39 / 35

HEX #11A766

RGB 17 167 102

HSL 154, 0.82%, 0.36%

LAB 60.53, -51.24, 23.74

 

CMYK 84 / 90 / 0 / 35

HEX #1B11A7

RGB 27 17 167

HSL 244, 0.82%, 0.36%

LAB 21.67, 53.31, -74.39

 

CMYK 0 / 90 / 51 / 35

HEX #A71152

RGB 167 17 82

HSL 334, 0.82%, 0.36%

LAB 36.42, 59.38, 3.79

 

Description

Color code: HEX #9DA711 | qconv.com Color code: HEX #9DA711 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 167 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 167 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 90 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 90% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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