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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7397E1 it is the complementary color #8C681E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7397E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7397E1 shade: #7897DC, #89A9EF, #9ABBFF, #ABCDFF and #BCDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7397E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7397E1 shade: #7397E1, #6285CE, #5173BB, #4061A8 and #2F4F95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7397E1 shade: #7498E2, #747AE2, #8B74E2, #A974E2 and #C674E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7397E1 shade: #7498E2, #747AE2 and #7474E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7397E1 shade matches the following richer shades: #7498E2, #6793EF and #598FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7397E1 shade: #7498E2, #829DD4, #8FA1C6, #9DA6B9 and #ABABAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7397E1 shade: #74D3E2, #74B6E2, #7499E2, #747BE2 and #8A74E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7397E1 shade: #3065D3, #527FDA, #7498E2, #96B1E9 and #B8CAF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7397E1 shade: #7397E1, #D374E2 and #C4E274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7397E1 shade: #7397E1, #E27499 and #99E274

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7397E1 shade: #7397E1, #D374E2, #E2BD74 and #83E274

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7397E1 shade: #7397E1, #E274CF, #E2BD74 and #74E286

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 33 / 0 / 12

HEX #7397E1

RGB 115 151 225

HSL 220.36, 0.65%, 0.67%

LAB 62.69, 7.67, -41.42

 

Complementary color

CMYK 0 / 26 / 79 / 45

HEX #8C681E

RGB 140 104 30

HSL 40.36, 0.65%, 0.33%

LAB 46.4, 7.09, 44.67

 

CMYK 45 / 31 / 0 / 14

HEX #7897DC

RGB 120 151 220

HSL 221.4, 0.59%, 0.67%

LAB 62.75, 7.4, -38.52

 

CMYK 43 / 29 / 0 / 6

HEX #89A9EF

RGB 137 169 239

HSL 221.18, 0.76%, 0.74%

LAB 69.42, 6.78, -38.5

 

CMYK 40 / 27 / 0 / 0

HEX #9ABBFF

RGB 154 187 255

HSL 220.4, 1%, 0.8%

LAB 75.84, 5.45, -37.09

 

CMYK 33 / 20 / 0 / 0

HEX #ABCDFF

RGB 171 205 255

HSL 215.71, 1%, 0.84%

LAB 81.59, 0.21, -28.15

 

CMYK 26 / 13 / 0 / 0

HEX #BCDFFF

RGB 188 223 255

HSL 208.66, 1%, 0.87%

LAB 87.33, -4.48, -19.32

 

CMYK 49 / 33 / 0 / 12

HEX #7397E1

RGB 115 151 225

HSL 220.36, 0.65%, 0.67%

LAB 62.69, 7.67, -41.42

 

CMYK 52 / 35 / 0 / 19

HEX #6285CE

RGB 98 133 206

HSL 220.56, 0.52%, 0.6%

LAB 55.92, 8.51, -41.51

 

CMYK 57 / 39 / 0 / 27

HEX #5173BB

RGB 81 115 187

HSL 220.75, 0.44%, 0.53%

LAB 49.01, 9.54, -41.64

 

CMYK 62 / 42 / 0 / 34

HEX #4061A8

RGB 64 97 168

HSL 220.96, 0.45%, 0.45%

LAB 41.95, 10.82, -41.81

 

CMYK 68 / 47 / 0 / 42

HEX #2F4F95

RGB 47 79 149

HSL 221.18, 0.52%, 0.38%

LAB 34.73, 12.49, -42.02

 

CMYK 49 / 33 / 0 / 11

HEX #7498E2

RGB 116 152 226

HSL 220.36, 0.65%, 0.67%

LAB 63.06, 7.63, -41.38

 

CMYK 49 / 46 / 0 / 11

HEX #747AE2

RGB 116 122 226

HSL 236.73, 0.65%, 0.67%

LAB 55.2, 25.36, -53.83

 

CMYK 38 / 49 / 0 / 11

HEX #8B74E2

RGB 139 116 226

HSL 252.55, 0.65%, 0.67%

LAB 55.55, 34.34, -53.16

 

CMYK 25 / 49 / 0 / 11

HEX #A974E2

RGB 169 116 226

HSL 268.91, 0.65%, 0.67%

LAB 58.43, 42.06, -48.41

 

CMYK 12 / 49 / 0 / 11

HEX #C674E2

RGB 198 116 226

HSL 284.73, 0.65%, 0.67%

LAB 61.64, 49.94, -43.12

 

CMYK 49 / 33 / 0 / 11

HEX #7498E2

RGB 116 152 226

HSL 220.36, 0.65%, 0.67%

LAB 63.06, 7.63, -41.38

 

CMYK 49 / 46 / 0 / 11

HEX #747AE2

RGB 116 122 226

HSL 236.73, 0.65%, 0.67%

LAB 55.2, 25.36, -53.83

 

CMYK 49 / 49 / 0 / 11

HEX #7474E2

RGB 116 116 226

HSL 240, 0.65%, 0.67%

LAB 53.7, 28.96, -56.22

 

CMYK 49 / 33 / 0 / 11

HEX #7498E2

RGB 116 152 226

HSL 220.36, 0.65%, 0.67%

LAB 63.06, 7.63, -41.38

 

CMYK 57 / 38 / 0 / 6

HEX #6793EF

RGB 103 147 239

HSL 220.59, 0.81%, 0.67%

LAB 61.64, 11.75, -50.86

 

CMYK 65 / 43 / 0 / 1

HEX #598FFD

RGB 89 143 253

HSL 220.24, 0.98%, 0.67%

LAB 60.66, 16.22, -60.16

 

CMYK 49 / 33 / 0 / 11

HEX #7498E2

RGB 116 152 226

HSL 220.36, 0.65%, 0.67%

LAB 63.06, 7.63, -41.38

 

CMYK 39 / 26 / 0 / 17

HEX #829DD4

RGB 130 157 212

HSL 220.24, 0.49%, 0.67%

LAB 64.65, 4.29, -31.08

 

CMYK 28 / 19 / 0 / 22

HEX #8FA1C6

RGB 143 161 198

HSL 220.36, 0.33%, 0.67%

LAB 66.06, 2.13, -21.06

 

CMYK 15 / 10 / 0 / 27

HEX #9DA6B9

RGB 157 166 185

HSL 220.71, 0.17%, 0.67%

LAB 67.98, 0.78, -10.84

 

CMYK 0 / 0 / 0 / 33

HEX #ABABAB

RGB 171 171 171

HSL 0, 0%, 0.67%

LAB 69.98, 0, -0.01

 

CMYK 49 / 7 / 0 / 11

HEX #74D3E2

RGB 116 211 226

HSL 188.18, 0.65%, 0.67%

LAB 79.5, -24.17, -16.12

 

CMYK 49 / 19 / 0 / 11

HEX #74B6E2

RGB 116 182 226

HSL 204, 0.65%, 0.67%

LAB 71.32, -9.16, -28.55

 

CMYK 49 / 32 / 0 / 11

HEX #7499E2

RGB 116 153 226

HSL 219.82, 0.65%, 0.67%

LAB 63.33, 7.05, -40.96

 

CMYK 49 / 46 / 0 / 11

HEX #747BE2

RGB 116 123 226

HSL 236.18, 0.65%, 0.67%

LAB 55.45, 24.76, -53.43

 

CMYK 39 / 49 / 0 / 11

HEX #8A74E2

RGB 138 116 226

HSL 252, 0.65%, 0.67%

LAB 55.47, 34.1, -53.3

 

CMYK 77 / 52 / 0 / 17

HEX #3065D3

RGB 48 101 211

HSL 220.49, 0.65%, 0.51%

LAB 45.14, 21.64, -61.71

 

CMYK 62 / 42 / 0 / 15

HEX #527FDA

RGB 82 127 218

HSL 220.15, 0.65%, 0.59%

LAB 54.06, 12.81, -51.26

 

CMYK 49 / 33 / 0 / 11

HEX #7498E2

RGB 116 152 226

HSL 220.36, 0.65%, 0.67%

LAB 63.06, 7.63, -41.38

 

CMYK 36 / 24 / 0 / 9

HEX #96B1E9

RGB 150 177 233

HSL 220.48, 0.65%, 0.75%

LAB 72.1, 4.11, -31

 

CMYK 23 / 16 / 0 / 6

HEX #B8CAF0

RGB 184 202 240

HSL 220.71, 0.65%, 0.83%

LAB 81.14, 2, -20.76

 

CMYK 49 / 33 / 0 / 12

HEX #7397E1

RGB 115 151 225

HSL 220.36, 0.65%, 0.67%

LAB 62.69, 7.67, -41.42

 

CMYK 7 / 49 / 0 / 11

HEX #D374E2

RGB 211 116 226

HSL 291.82, 0.65%, 0.67%

LAB 63.2, 53.54, -40.56

 

CMYK 13 / 0 / 49 / 11

HEX #C4E274

RGB 196 226 116

HSL 76.36, 0.65%, 0.67%

LAB 85.7, -26.53, 50.11

 

CMYK 49 / 33 / 0 / 12

HEX #7397E1

RGB 115 151 225

HSL 220.36, 0.65%, 0.67%

LAB 62.69, 7.67, -41.42

 

CMYK 0 / 49 / 32 / 11

HEX #E27499

RGB 226 116 153

HSL 339.82, 0.65%, 0.67%

LAB 62.47, 46.66, -0.16

 

CMYK 32 / 0 / 49 / 11

HEX #99E274

RGB 153 226 116

HSL 99.82, 0.65%, 0.67%

LAB 83.14, -42.05, 46.41

 

CMYK 49 / 33 / 0 / 12

HEX #7397E1

RGB 115 151 225

HSL 220.36, 0.65%, 0.67%

LAB 62.69, 7.67, -41.42

 

CMYK 7 / 49 / 0 / 11

HEX #D374E2

RGB 211 116 226

HSL 291.82, 0.65%, 0.67%

LAB 63.2, 53.54, -40.56

 

CMYK 0 / 16 / 49 / 11

HEX #E2BD74

RGB 226 189 116

HSL 39.82, 0.65%, 0.67%

LAB 78.36, 4.08, 41.65

 

CMYK 42 / 0 / 49 / 11

HEX #83E274

RGB 131 226 116

HSL 111.82, 0.65%, 0.67%

LAB 82.1, -49.05, 44.89

 

CMYK 49 / 33 / 0 / 12

HEX #7397E1

RGB 115 151 225

HSL 220.36, 0.65%, 0.67%

LAB 62.69, 7.67, -41.42

 

CMYK 0 / 49 / 8 / 11

HEX #E274CF

RGB 226 116 207

HSL 310.36, 0.65%, 0.67%

LAB 64.29, 54.47, -28.09

 

CMYK 0 / 16 / 49 / 11

HEX #E2BD74

RGB 226 189 116

HSL 39.82, 0.65%, 0.67%

LAB 78.36, 4.08, 41.65

 

CMYK 49 / 0 / 41 / 11

HEX #74E286

RGB 116 226 134

HSL 129.82, 0.65%, 0.67%

LAB 81.74, -50.71, 35.47

 

Description

Color code: HEX #7397E1 | qconv.com Color code: HEX #7397E1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 151 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 151 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 33 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 33% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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