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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 23 / 16 / 0 / 6 it is the complementary color CMYK 0 / 23 / 79 / 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 23 / 16 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 23 / 16 / 0 / 6: CMYK 19 / 14 / 0 / 8, CMYK 19 / 14 / 0 / 0, CMYK 12 / 7 / 0 / 0, CMYK 5 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 23 / 16 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 23 / 16 / 0 / 6: CMYK 23 / 16 / 0 / 6, CMYK 24 / 17 / 0 / 13, CMYK 25 / 18 / 0 / 21, CMYK 27 / 20 / 0 / 28 and CMYK 29 / 21 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 16 / 0 / 6

HEX #B9C9F0

RGB 185 201 240

HSL 222.55, 0.65%, 0.83%

LAB 80.95, 2.83, -21.04

 

Complementary color

CMYK 0 / 23 / 79 / 73

HEX #46360F

RGB 70 54 15

HSL 42.55, 0.65%, 0.17%

LAB 23.59, 2.28, 26.21

 

CMYK 19 / 14 / 0 / 8

HEX #BEC9EB

RGB 190 201 235

HSL 225.33, 0.53%, 0.83%

LAB 81.14, 3.24, -18.05

 

CMYK 19 / 14 / 0 / 0

HEX #CFDBFE

RGB 207 219 254

HSL 224.68, 0.96%, 0.9%

LAB 87.53, 3.04, -18.38

 

CMYK 12 / 7 / 0 / 0

HEX #E0EDFF

RGB 224 237 255

HSL 214.84, 1%, 0.94%

LAB 93.29, -0.83, -10.15

 

CMYK 5 / 0 / 0 / 0

HEX #F1FFFF

RGB 241 255 255

HSL 180, 1%, 0.97%

LAB 99, -4.55, -1.59

 

CMYK 23 / 16 / 0 / 6

HEX #B9C9F0

RGB 185 201 240

HSL 222.55, 0.65%, 0.83%

LAB 80.95, 2.83, -21.04

 

CMYK 24 / 17 / 0 / 13

HEX #A8B7DD

RGB 168 183 221

HSL 223.02, 0.44%, 0.76%

LAB 74.45, 3.06, -20.78

 

CMYK 25 / 18 / 0 / 21

HEX #97A5CA

RGB 151 165 202

HSL 223.53, 0.32%, 0.69%

LAB 67.84, 3.31, -20.52

 

CMYK 27 / 20 / 0 / 28

HEX #8693B7

RGB 134 147 183

HSL 224.08, 0.25%, 0.62%

LAB 61.09, 3.58, -20.29

 

CMYK 29 / 21 / 0 / 36

HEX #7581A4

RGB 117 129 164

HSL 224.68, 0.21%, 0.55%

LAB 54.2, 3.89, -20.08

 

CMYK 23 / 16 / 0 / 6

HEX #B9C9F0

RGB 185 201 240

HSL 222.55, 0.65%, 0.83%

LAB 80.95, 2.83, -21.04

 

CMYK 23 / 21 / 0 / 6

HEX #B7BEEF

RGB 183 190 239

HSL 232.5, 0.64%, 0.83%

LAB 77.95, 7.94, -25.08

 

CMYK 23 / 23 / 0 / 6

HEX #B9B7EF

RGB 185 183 239

HSL 242.14, 0.64%, 0.83%

LAB 76.32, 12.36, -27.56

 

CMYK 19 / 23 / 0 / 6

HEX #C2B7EF

RGB 194 183 239

HSL 251.79, 0.64%, 0.83%

LAB 77.02, 15.1, -26.43

 

CMYK 15 / 23 / 0 / 6

HEX #CCB7EF

RGB 204 183 239

HSL 262.5, 0.64%, 0.83%

LAB 77.84, 18.2, -25.11

 

CMYK 23 / 16 / 0 / 6

HEX #B9C9F0

RGB 185 201 240

HSL 222.55, 0.65%, 0.83%

LAB 80.95, 2.83, -21.04

 

CMYK 22 / 17 / 0 / 86

HEX #1C1E24

RGB 28 30 36

HSL 225, 0.13%, 0.13%

LAB 11.3, 0.73, -4.39

 

CMYK 23 / 16 / 0 / 66

HEX #434957

RGB 67 73 87

HSL 222, 0.13%, 0.3%

LAB 30.99, 1.07, -9.11

 

CMYK 23 / 16 / 0 / 46

HEX #6A748A

RGB 106 116 138

HSL 221.25, 0.13%, 0.48%

LAB 48.75, 1.39, -13.26

 

CMYK 23 / 16 / 0 / 26

HEX #929EBD

RGB 146 158 189

HSL 223.26, 0.25%, 0.66%

LAB 65.15, 2.57, -17.41

 

CMYK 23 / 16 / 0 / 6

HEX #B9C9F0

RGB 185 201 240

HSL 222.55, 0.65%, 0.83%

LAB 80.95, 2.83, -21.04

 

CMYK 2 / 23 / 0 / 6

HEX #EAB7EF

RGB 234 183 239

HSL 294.64, 0.64%, 0.83%

LAB 80.51, 27.76, -20.79

 

CMYK 7 / 0 / 23 / 6

HEX #DEEFB7

RGB 222 239 183

HSL 78.21, 0.64%, 0.83%

LAB 91.99, -14.94, 25.28

 

CMYK 23 / 16 / 0 / 6

HEX #B9C9F0

RGB 185 201 240

HSL 222.55, 0.65%, 0.83%

LAB 80.95, 2.83, -21.04

 

CMYK 0 / 23 / 16 / 6

HEX #EFB7C8

RGB 239 183 200

HSL 341.79, 0.64%, 0.83%

LAB 79.83, 22.77, -0.73

 

CMYK 16 / 0 / 23 / 6

HEX #C8EFB7

RGB 200 239 183

HSL 101.79, 0.64%, 0.83%

LAB 90.52, -22.65, 23.02

 

CMYK 23 / 16 / 0 / 6

HEX #B9C9F0

RGB 185 201 240

HSL 222.55, 0.65%, 0.83%

LAB 80.95, 2.83, -21.04

 

CMYK 2 / 23 / 0 / 6

HEX #EAB7EF

RGB 234 183 239

HSL 294.64, 0.64%, 0.83%

LAB 80.51, 27.76, -20.79

 

CMYK 0 / 7 / 23 / 6

HEX #EFDEB7

RGB 239 222 183

HSL 41.79, 0.64%, 0.83%

LAB 88.93, -0.17, 21.26

 

CMYK 21 / 0 / 23 / 6

HEX #BDEFB7

RGB 189 239 183

HSL 113.57, 0.64%, 0.83%

LAB 89.85, -26.36, 21.99

 

CMYK 23 / 16 / 0 / 6

HEX #B9C9F0

RGB 185 201 240

HSL 222.55, 0.65%, 0.83%

LAB 80.95, 2.83, -21.04

 

CMYK 0 / 23 / 5 / 6

HEX #EFB7E4

RGB 239 183 228

HSL 311.79, 0.64%, 0.83%

LAB 80.64, 27.41, -14.64

 

CMYK 0 / 7 / 23 / 6

HEX #EFDEB7

RGB 239 222 183

HSL 41.79, 0.64%, 0.83%

LAB 88.93, -0.17, 21.26

 

CMYK 23 / 0 / 19 / 6

HEX #B7EFC2

RGB 183 239 194

HSL 131.79, 0.64%, 0.83%

LAB 89.72, -26.45, 16.07

 

Description

Color code: CMYK 23 / 16 / 0 / 6 | qconv.com Color code: CMYK 23 / 16 / 0 / 6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 185 red, 201 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
185 201 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 16 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 16% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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