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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #736CE5CE it is the complementary color #8C931ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #736CE5CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #736CE5CE shade: #786CE0CE, #897EF3CE, #9A90FFCE, #ABA2FFCE and #BCB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #736CE5CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #736CE5CE shade: #736CE5CE, #625AD2CE, #5148BFCE, #4036ACCE and #2F2499CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #736CE5CE shade: #736CE5, #936CE5, #B46CE5, #D56CE5 and #E56CD4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #736CE5CE shade: #736CE5 and #6C6CE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #736CE5CE shade matches the following richer shades: #736CE5 and #665EF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #736CE5CE shade: #736CE5, #7F7AD7, #8B88C9, #9896BB and #A4A4AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #736CE5CE shade: #6CA6E5, #6C86E5, #726CE5, #926CE5 and #B26CE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #736CE5CE shade: #3026D8, #5149DF, #736CE5, #948FEB and #B5B2F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #736CE5CE shade: #736CE5, #E56CC7 and #96E56C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #736CE5CE shade: #736CE5, #E5726C and #6CE572

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #736CE5CE shade: #736CE5, #E56CC7, #DFE56C and #6CE58A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #736CE5CE shade: #736CE5, #E56CA2, #DFE56C and #6CE5AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 43 / 0 / 8

HEX #736CE5CE

RGBA 115 108 229 0.81

HSLA 243.47, 0.7%, 0.66%, 0.81

LABA 51.87, 34.42, -60.86, 0.81

 

Complementary color

CMYK 4 / 0 / 67 / 34

HEX #8C931ACE

RGBA 140 147 26 0.81

HSLA 63.47, 0.7%, 0.34%, 0.81

LABA 58.53, -16.88, 57.03, 0.81

 

CMYK 38 / 42 / 0 / 10

HEX #786CE0CE

RGBA 120 108 224 0.81

HSLA 246.21, 0.65%, 0.65%, 0.81

LABA 51.95, 34.01, -57.89, 0.81

 

CMYK 35 / 39 / 0 / 4

HEX #897EF3CE

RGBA 137 126 243 0.81

HSLA 245.64, 0.83%, 0.72%, 0.81

LABA 58.71, 32.77, -57.61, 0.81

 

CMYK 32 / 35 / 0 / 0

HEX #9A90FFCE

RGBA 154 144 255 0.81

HSLA 245.41, 1%, 0.78%, 0.81

LABA 64.99, 29.76, -54.11, 0.81

 

CMYK 27 / 30 / 0 / 0

HEX #ABA2FFCE

RGBA 171 162 255 0.81

HSLA 245.81, 1%, 0.82%, 0.81

LABA 70.68, 23.92, -45.06, 0.81

 

CMYK 21 / 24 / 0 / 0

HEX #BCB4FFCE

RGBA 188 180 255 0.81

HSLA 246.4, 1%, 0.85%, 0.81

LABA 76.41, 18.62, -36.02, 0.81

 

CMYK 40 / 43 / 0 / 8

HEX #736CE5CE

RGBA 115 108 229 0.81

HSLA 243.47, 0.7%, 0.66%, 0.81

LABA 51.87, 34.42, -60.86, 0.81

 

CMYK 43 / 46 / 0 / 14

HEX #625AD2CE

RGBA 98 90 210 0.81

HSLA 244, 0.57%, 0.59%, 0.81

LABA 45.03, 35.95, -61.18, 0.81

 

CMYK 47 / 50 / 0 / 20

HEX #5148BFCE

RGBA 81 72 191 0.81

HSLA 244.54, 0.48%, 0.52%, 0.81

LABA 38.1, 37.69, -61.48, 0.81

 

CMYK 51 / 56 / 0 / 26

HEX #4036ACCE

RGBA 64 54 172 0.81

HSLA 245.08, 0.52%, 0.44%, 0.81

LABA 31.13, 39.63, -61.68, 0.81

 

CMYK 56 / 62 / 0 / 32

HEX #2F2499CE

RGBA 47 36 153 0.81

HSLA 245.64, 0.62%, 0.37%, 0.81

LABA 24.21, 41.63, -61.59, 0.81

 

CMYK 50 / 53 / 0 / 10

HEX #736CE5

RGB 115 108 229

HSL 243.47, 0.7%, 0.66%

LAB 51.87, 34.42, -60.86

 

CMYK 36 / 53 / 0 / 10

HEX #936CE5

RGB 147 108 229

HSL 259.34, 0.7%, 0.66%

LAB 54.64, 41.66, -56.25

 

CMYK 21 / 53 / 0 / 10

HEX #B46CE5

RGB 180 108 229

HSL 275.7, 0.7%, 0.66%

LAB 58.12, 49.92, -50.51

 

CMYK 7 / 53 / 0 / 10

HEX #D56CE5

RGB 213 108 229

HSL 292.07, 0.7%, 0.66%

LAB 62.11, 58.57, -43.94

 

CMYK 0 / 53 / 7 / 10

HEX #E56CD4

RGB 229 108 212

HSL 308.43, 0.7%, 0.66%

LAB 63.46, 59.96, -32.16

 

CMYK 50 / 53 / 0 / 10

HEX #736CE5

RGB 115 108 229

HSL 243.47, 0.7%, 0.66%

LAB 51.87, 34.42, -60.86

 

CMYK 53 / 53 / 0 / 10

HEX #6C6CE5

RGB 108 108 229

HSL 240, 0.7%, 0.66%

LAB 51.35, 32.99, -61.72

 

CMYK 50 / 53 / 0 / 10

HEX #736CE5

RGB 115 108 229

HSL 243.47, 0.7%, 0.66%

LAB 51.87, 34.42, -60.86

 

CMYK 58 / 61 / 0 / 5

HEX #665EF3

RGB 102 94 243

HSL 243.22, 0.86%, 0.66%

LAB 48.64, 44.54, -73.99

 

CMYK 50 / 53 / 0 / 10

HEX #736CE5

RGB 115 108 229

HSL 243.47, 0.7%, 0.66%

LAB 51.87, 34.42, -60.86

 

CMYK 41 / 43 / 0 / 16

HEX #7F7AD7

RGB 127 122 215

HSL 243.23, 0.54%, 0.66%

LAB 55.42, 24.77, -47.25

 

CMYK 31 / 32 / 0 / 21

HEX #8B88C9

RGB 139 136 201

HSL 242.77, 0.38%, 0.66%

LAB 59.26, 16, -33.24

 

CMYK 19 / 20 / 0 / 27

HEX #9896BB

RGB 152 150 187

HSL 243.24, 0.21%, 0.66%

LAB 63.41, 8.53, -18.9

 

CMYK 5 / 5 / 0 / 32

HEX #A4A4AD

RGB 164 164 173

HSL 240, 0.05%, 0.66%

LAB 67.62, 1.76, -4.65

 

CMYK 53 / 28 / 0 / 10

HEX #6CA6E5

RGB 108 166 229

HSL 211.24, 0.7%, 0.66%

LAB 66.61, -1.27, -37.52

 

CMYK 53 / 41 / 0 / 10

HEX #6C86E5

RGB 108 134 229

HSL 227.11, 0.7%, 0.66%

LAB 57.94, 17.34, -51.17

 

CMYK 50 / 53 / 0 / 10

HEX #726CE5

RGB 114 108 229

HSL 242.98, 0.7%, 0.66%

LAB 51.79, 34.21, -60.99

 

CMYK 36 / 53 / 0 / 10

HEX #926CE5

RGB 146 108 229

HSL 258.84, 0.7%, 0.66%

LAB 54.55, 41.42, -56.41

 

CMYK 22 / 53 / 0 / 10

HEX #B26CE5

RGB 178 108 229

HSL 274.71, 0.7%, 0.66%

LAB 57.89, 49.41, -50.88

 

CMYK 78 / 82 / 0 / 15

HEX #3026D8

RGB 48 38 216

HSL 243.37, 0.7%, 0.5%

LAB 31.74, 60.18, -86.56

 

CMYK 64 / 67 / 0 / 13

HEX #5149DF

RGB 81 73 223

HSL 243.2, 0.7%, 0.58%

LAB 40.96, 47.31, -75.29

 

CMYK 50 / 53 / 0 / 10

HEX #736CE5

RGB 115 108 229

HSL 243.47, 0.7%, 0.66%

LAB 51.87, 34.42, -60.86

 

CMYK 37 / 39 / 0 / 8

HEX #948FEB

RGB 148 143 235

HSL 243.26, 0.7%, 0.74%

LAB 63.29, 23.41, -45.85

 

CMYK 25 / 26 / 0 / 5

HEX #B5B2F1

RGB 181 178 241

HSL 242.86, 0.69%, 0.82%

LAB 74.83, 14.38, -30.95

 

CMYK 50 / 53 / 0 / 10

HEX #736CE5

RGB 115 108 229

HSL 243.47, 0.7%, 0.66%

LAB 51.87, 34.42, -60.86

 

CMYK 0 / 53 / 13 / 10

HEX #E56CC7

RGB 229 108 199

HSL 314.88, 0.7%, 0.66%

LAB 62.93, 57.9, -25.65

 

CMYK 34 / 0 / 53 / 10

HEX #96E56C

RGB 150 229 108

HSL 99.17, 0.7%, 0.66%

LAB 83.76, -45.26, 50.88

 

CMYK 50 / 53 / 0 / 10

HEX #736CE5

RGB 115 108 229

HSL 243.47, 0.7%, 0.66%

LAB 51.87, 34.42, -60.86

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 53 / 0 / 50 / 10

HEX #6CE572

RGB 108 229 114

HSL 122.98, 0.7%, 0.66%

LAB 82.08, -56.88, 45.62

 

CMYK 50 / 53 / 0 / 10

HEX #736CE5

RGB 115 108 229

HSL 243.47, 0.7%, 0.66%

LAB 51.87, 34.42, -60.86

 

CMYK 0 / 53 / 13 / 10

HEX #E56CC7

RGB 229 108 199

HSL 314.88, 0.7%, 0.66%

LAB 62.93, 57.9, -25.65

 

CMYK 3 / 0 / 53 / 10

HEX #DFE56C

RGB 223 229 108

HSL 62.98, 0.7%, 0.66%

LAB 88.36, -18.15, 57.43

 

CMYK 53 / 0 / 40 / 10

HEX #6CE58A

RGB 108 229 138

HSL 134.88, 0.7%, 0.66%

LAB 82.41, -53.31, 34.27

 

CMYK 50 / 53 / 0 / 10

HEX #736CE5

RGB 115 108 229

HSL 243.47, 0.7%, 0.66%

LAB 51.87, 34.42, -60.86

 

CMYK 0 / 53 / 29 / 10

HEX #E56CA2

RGB 229 108 162

HSL 333.22, 0.7%, 0.66%

LAB 61.65, 52.68, -6.49

 

CMYK 3 / 0 / 53 / 10

HEX #DFE56C

RGB 223 229 108

HSL 62.98, 0.7%, 0.66%

LAB 88.36, -18.15, 57.43

 

CMYK 53 / 0 / 24 / 10

HEX #6CE5AE

RGB 108 229 174

HSL 152.73, 0.7%, 0.66%

LAB 83.06, -46.63, 16.64

 

Description

Color code: HEX #736CE5CE | qconv.com Color code: HEX #736CE5CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 108 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 108 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 43 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 43% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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