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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #E5726C it is the complementary color #1A8D93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #E5726C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #E5726C shade: #EA7267, #FB847A, #FF968D, #FFA8A0 and #FFBAB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #E5726C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #E5726C shade: #E5726C, #D46059, #C34E46, #B23C33 and #A12A20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #E5726C shade: #E5726C and #E56C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #E5726C shade: #E5726C, #E5926C, #E5B36C, #E5D46C and #D5E56C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #E5726C shade matches the following richer shades: #E5726C and #F3655E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #E5726C shade: #E5726C, #D77E7A, #C98B88, #BB9896 and #ADA4A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #E5726C shade: #E56CA8, #E56C88, #E5706C, #E5906C and #E5B06C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #E5726C shade: #D82F26, #DF5049, #E5726C, #EB938F and #F1B5B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #E5726C shade: #E5726C, #C9E56C and #6C98E5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #E5726C shade: #E5726C, #6CE570 and #706CE5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #E5726C shade: #E5726C, #C9E56C, #6CE1E5 and #886CE5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #E5726C shade: #E5726C, #A4E56C, #6CE1E5 and #AC6CE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

Complementary color

CMYK 82 / 4 / 0 / 42

HEX #1A8D93

RGB 26 141 147

HSL 182.98, 0.7%, 0.34%

LAB 53.36, -27.46, -11.89

 

CMYK 0 / 51 / 56 / 8

HEX #EA7267

RGB 234 114 103

HSL 5.04, 0.76%, 0.66%

LAB 62.09, 45.45, 28.04

 

CMYK 0 / 47 / 51 / 2

HEX #FB847A

RGB 251 132 122

HSL 4.65, 0.94%, 0.73%

LAB 68.33, 44.27, 26.09

 

CMYK 0 / 41 / 45 / 0

HEX #FF968D

RGB 255 150 141

HSL 4.74, 1%, 0.78%

LAB 72.89, 38.39, 21.85

 

CMYK 0 / 34 / 37 / 0

HEX #FFA8A0

RGB 255 168 160

HSL 5.05, 1%, 0.81%

LAB 77.16, 31.1, 17.37

 

CMYK 0 / 27 / 30 / 0

HEX #FFBAB3

RGB 255 186 179

HSL 5.53, 1%, 0.85%

LAB 81.64, 23.99, 13.4

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 0 / 55 / 58 / 17

HEX #D46059

RGB 212 96 89

HSL 3.41, 0.59%, 0.59%

LAB 55.16, 45.19, 26.37

 

CMYK 0 / 60 / 64 / 24

HEX #C34E46

RGB 195 78 70

HSL 3.84, 0.51%, 0.52%

LAB 48.88, 46.33, 28.85

 

CMYK 0 / 66 / 71 / 30

HEX #B23C33

RGB 178 60 51

HSL 4.25, 0.55%, 0.45%

LAB 42.67, 47.34, 31.77

 

CMYK 0 / 74 / 80 / 37

HEX #A12A20

RGB 161 42 32

HSL 4.65, 0.67%, 0.38%

LAB 36.63, 48.01, 35.15

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 0 / 53 / 53 / 10

HEX #E56C6C

RGB 229 108 108

HSL 0, 0.7%, 0.66%

LAB 60.31, 46.97, 22.71

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 0 / 36 / 53 / 10

HEX #E5926C

RGB 229 146 108

HSL 18.84, 0.7%, 0.66%

LAB 68.24, 27.45, 33.1

 

CMYK 0 / 22 / 53 / 10

HEX #E5B36C

RGB 229 179 108

HSL 35.21, 0.7%, 0.66%

LAB 76.06, 9.87, 42.91

 

CMYK 0 / 7 / 53 / 10

HEX #E5D46C

RGB 229 212 108

HSL 51.57, 0.7%, 0.66%

LAB 84.39, -7.27, 52.93

 

CMYK 7 / 0 / 53 / 10

HEX #D5E56C

RGB 213 229 108

HSL 67.93, 0.7%, 0.66%

LAB 87.61, -22.11, 56.38

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 0 / 58 / 61 / 5

HEX #F3655E

RGB 243 101 94

HSL 2.82, 0.86%, 0.66%

LAB 60.93, 54.12, 31.89

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 0 / 41 / 43 / 16

HEX #D77E7A

RGB 215 126 122

HSL 2.58, 0.54%, 0.66%

LAB 62.32, 33.97, 17.14

 

CMYK 0 / 31 / 32 / 21

HEX #C98B88

RGB 201 139 136

HSL 2.77, 0.38%, 0.66%

LAB 63.88, 23.25, 11.15

 

CMYK 0 / 19 / 20 / 27

HEX #BB9896

RGB 187 152 150

HSL 3.24, 0.21%, 0.66%

LAB 65.92, 12.71, 5.97

 

CMYK 0 / 5 / 5 / 32

HEX #ADA4A4

RGB 173 164 164

HSL 0, 0.05%, 0.66%

LAB 68.11, 3.25, 1.15

 

CMYK 0 / 53 / 27 / 10

HEX #E56CA8

RGB 229 108 168

HSL 330.25, 0.7%, 0.66%

LAB 61.84, 53.46, -9.66

 

CMYK 0 / 53 / 41 / 10

HEX #E56C88

RGB 229 108 136

HSL 346.12, 0.7%, 0.66%

LAB 60.92, 49.63, 7.44

 

CMYK 0 / 51 / 53 / 10

HEX #E5706C

RGB 229 112 108

HSL 1.98, 0.7%, 0.66%

LAB 61.07, 45.02, 23.73

 

CMYK 0 / 37 / 53 / 10

HEX #E5906C

RGB 229 144 108

HSL 17.85, 0.7%, 0.66%

LAB 67.79, 28.52, 32.53

 

CMYK 0 / 23 / 53 / 10

HEX #E5B06C

RGB 229 176 108

HSL 33.72, 0.7%, 0.66%

LAB 75.32, 11.46, 42.01

 

CMYK 0 / 78 / 82 / 15

HEX #D82F26

RGB 216 47 38

HSL 3.03, 0.7%, 0.5%

LAB 47.97, 63.5, 46.66

 

CMYK 0 / 64 / 67 / 13

HEX #DF5049

RGB 223 80 73

HSL 2.8, 0.7%, 0.58%

LAB 53.93, 55.27, 34.38

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 0 / 37 / 39 / 8

HEX #EB938F

RGB 235 147 143

HSL 2.61, 0.7%, 0.74%

LAB 69.83, 32.72, 16.15

 

CMYK 0 / 25 / 26 / 5

HEX #F1B5B2

RGB 241 181 178

HSL 2.86, 0.69%, 0.82%

LAB 79.02, 21.33, 10.02

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 12 / 0 / 53 / 10

HEX #C9E56C

RGB 201 229 108

HSL 73.88, 0.7%, 0.66%

LAB 86.77, -26.79, 55.18

 

CMYK 53 / 34 / 0 / 10

HEX #6C98E5

RGB 108 152 229

HSL 218.18, 0.7%, 0.66%

LAB 62.76, 6.73, -43.55

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 53 / 0 / 51 / 10

HEX #6CE570

RGB 108 229 112

HSL 121.98, 0.7%, 0.66%

LAB 82.05, -57.14, 46.54

 

CMYK 51 / 53 / 0 / 10

HEX #706CE5

RGB 112 108 229

HSL 241.98, 0.7%, 0.66%

LAB 51.64, 33.8, -61.24

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 12 / 0 / 53 / 10

HEX #C9E56C

RGB 201 229 108

HSL 73.88, 0.7%, 0.66%

LAB 86.77, -26.79, 55.18

 

CMYK 53 / 2 / 0 / 10

HEX #6CE1E5

RGB 108 225 229

HSL 181.98, 0.7%, 0.66%

LAB 83.28, -31.85, -12.06

 

CMYK 41 / 53 / 0 / 10

HEX #886CE5

RGB 136 108 229

HSL 253.88, 0.7%, 0.66%

LAB 53.62, 39.06, -57.95

 

CMYK 0 / 50 / 53 / 10

HEX #E5726C

RGB 229 114 108

HSL 2.98, 0.7%, 0.66%

LAB 61.46, 44.03, 24.25

 

CMYK 28 / 0 / 53 / 10

HEX #A4E56C

RGB 164 229 108

HSL 92.23, 0.7%, 0.66%

LAB 84.49, -40.48, 51.93

 

CMYK 53 / 2 / 0 / 10

HEX #6CE1E5

RGB 108 225 229

HSL 181.98, 0.7%, 0.66%

LAB 83.28, -31.85, -12.06

 

CMYK 25 / 53 / 0 / 10

HEX #AC6CE5

RGB 172 108 229

HSL 271.74, 0.7%, 0.66%

LAB 57.22, 47.87, -51.98

 

Description

Color code: HEX #E5726C | qconv.com Color code: HEX #E5726C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 229 red, 114 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
229 114 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 53 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 53% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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