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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73628D it is the complementary color #8C9D72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73628D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73628D shade: #786288, #89749B, #9A86AE, #AB98C1 and #BCAAD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73628D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73628D shade: #73628D, #62507A, #513E67, #402C54 and #2F1A41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73628D shade: #73628D, #7F628D, #8B628D, #8D6285 and #8D6279

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73628D shade: #73628D, #68628D and #62628D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73628D shade matches the following richer shades: #73628D, #6F4FA1, #6B3BB4, #6728C8 and #6315DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73628D shade: #73628D, #77767A, #7B8967, #809C53 and #84B040

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73628D shade: #62698D, #67628D, #73628D, #7E628D and #8A628D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73628D shade: #4C405D, #5F5175, #73628D, #8878A1 and #9E90B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73628D shade: #73628D, #8D6274 and #638D62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73628D shade: #73628D, #8D7362 and #628D73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73628D shade: #73628D, #8D6274, #7D8D62 and #628D7B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73628D shade: #73628D, #8D6267, #7D8D62 and #628D88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

Complementary color

CMYK 11 / 0 / 27 / 38

HEX #8C9D72

RGB 140 157 114

HSL 83.72, 0.18%, 0.53%

LAB 62.43, -13.85, 20.55

 

CMYK 12 / 28 / 0 / 47

HEX #786288

RGB 120 98 136

HSL 274.74, 0.16%, 0.46%

LAB 44.95, 16.53, -17.74

 

CMYK 12 / 25 / 0 / 39

HEX #89749B

RGB 137 116 155

HSL 272.31, 0.16%, 0.53%

LAB 52.04, 15.95, -18.01

 

CMYK 11 / 23 / 0 / 32

HEX #9A86AE

RGB 154 134 174

HSL 270, 0.2%, 0.6%

LAB 58.95, 15.43, -18.3

 

CMYK 11 / 21 / 0 / 24

HEX #AB98C1

RGB 171 152 193

HSL 267.8, 0.25%, 0.68%

LAB 65.72, 14.96, -18.59

 

CMYK 11 / 20 / 0 / 17

HEX #BCAAD4

RGB 188 170 212

HSL 265.71, 0.33%, 0.75%

LAB 72.36, 14.53, -18.9

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 20 / 34 / 0 / 52

HEX #62507A

RGB 98 80 122

HSL 265.71, 0.21%, 0.4%

LAB 37.37, 16.67, -21.08

 

CMYK 21 / 40 / 0 / 60

HEX #513E67

RGB 81 62 103

HSL 267.8, 0.25%, 0.32%

LAB 29.85, 17.45, -20.99

 

CMYK 24 / 48 / 0 / 67

HEX #402C54

RGB 64 44 84

HSL 270, 0.31%, 0.25%

LAB 22.06, 18.37, -20.94

 

CMYK 28 / 60 / 0 / 75

HEX #2F1A41

RGB 47 26 65

HSL 272.31, 0.43%, 0.18%

LAB 13.97, 19.43, -20.9

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 10 / 30 / 0 / 45

HEX #7F628D

RGB 127 98 141

HSL 280.47, 0.18%, 0.47%

LAB 45.87, 20.08, -19.27

 

CMYK 1 / 30 / 0 / 45

HEX #8B628D

RGB 139 98 141

HSL 297.21, 0.18%, 0.47%

LAB 47.17, 24.24, -17.16

 

CMYK 0 / 30 / 6 / 45

HEX #8D6285

RGB 141 98 133

HSL 311.16, 0.18%, 0.47%

LAB 47.09, 23.37, -12.47

 

CMYK 0 / 30 / 14 / 45

HEX #8D6279

RGB 141 98 121

HSL 327.91, 0.18%, 0.47%

LAB 46.68, 21.16, -5.89

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 26 / 30 / 0 / 45

HEX #68628D

RGB 104 98 141

HSL 248.37, 0.18%, 0.47%

LAB 43.66, 12.37, -22.86

 

CMYK 30 / 30 / 0 / 45

HEX #62628D

RGB 98 98 141

HSL 240, 0.18%, 0.47%

LAB 43.15, 10.45, -23.69

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 31 / 51 / 0 / 37

HEX #6F4FA1

RGB 111 79 161

HSL 263.41, 0.34%, 0.47%

LAB 40.48, 31.37, -39.77

 

CMYK 41 / 67 / 0 / 29

HEX #6B3BB4

RGB 107 59 180

HSL 263.8, 0.51%, 0.47%

LAB 37.02, 46.77, -56.66

 

CMYK 49 / 80 / 0 / 22

HEX #6728C8

RGB 103 40 200

HSL 263.63, 0.67%, 0.47%

LAB 35.15, 60.03, -71.5

 

CMYK 55 / 90 / 0 / 14

HEX #6315DB

RGB 99 21 219

HSL 263.64, 0.83%, 0.47%

LAB 34.61, 70.06, -83.42

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 2 / 3 / 0 / 52

HEX #77767A

RGB 119 118 122

HSL 255, 0.02%, 0.47%

LAB 49.84, 1.2, -2.06

 

CMYK 10 / 0 / 25 / 46

HEX #7B8967

RGB 123 137 103

HSL 84.71, 0.14%, 0.47%

LAB 55.16, -11.5, 16.58

 

CMYK 18 / 0 / 47 / 39

HEX #809C53

RGB 128 156 83

HSL 83.01, 0.31%, 0.47%

LAB 60.77, -22.3, 34.9

 

CMYK 25 / 0 / 64 / 31

HEX #84B040

RGB 132 176 64

HSL 83.57, 0.47%, 0.47%

LAB 66.77, -32.33, 51.01

 

CMYK 30 / 26 / 0 / 45

HEX #62698D

RGB 98 105 141

HSL 230.23, 0.18%, 0.47%

LAB 45.11, 6.16, -20.65

 

CMYK 27 / 30 / 0 / 45

HEX #67628D

RGB 103 98 141

HSL 246.98, 0.18%, 0.47%

LAB 43.57, 12.04, -23

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 11 / 30 / 0 / 45

HEX #7E628D

RGB 126 98 141

HSL 279.07, 0.18%, 0.47%

LAB 45.76, 19.74, -19.43

 

CMYK 2 / 30 / 0 / 45

HEX #8A628D

RGB 138 98 141

HSL 295.81, 0.18%, 0.47%

LAB 47.06, 23.89, -17.34

 

CMYK 18 / 31 / 0 / 64

HEX #4C405D

RGB 76 64 93

HSL 264.83, 0.18%, 0.31%

LAB 29.4, 11.79, -15.31

 

CMYK 19 / 31 / 0 / 54

HEX #5F5175

RGB 95 81 117

HSL 263.33, 0.18%, 0.39%

LAB 37.12, 13.76, -18.41

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 16 / 25 / 0 / 37

HEX #8878A1

RGB 136 120 161

HSL 263.41, 0.18%, 0.55%

LAB 53.21, 14.61, -19.72

 

CMYK 11 / 19 / 0 / 30

HEX #9E90B2

RGB 158 144 178

HSL 264.71, 0.18%, 0.63%

LAB 62.02, 11.92, -15.87

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 0 / 30 / 18 / 45

HEX #8D6274

RGB 141 98 116

HSL 334.88, 0.18%, 0.47%

LAB 46.52, 20.29, -3.11

 

CMYK 30 / 0 / 30 / 45

HEX #638D62

RGB 99 141 98

HSL 118.6, 0.18%, 0.47%

LAB 54.64, -23.47, 18.44

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 0 / 18 / 30 / 45

HEX #8D7362

RGB 141 115 98

HSL 23.72, 0.18%, 0.47%

LAB 50.46, 7.52, 13.24

 

CMYK 30 / 0 / 18 / 45

HEX #628D73

RGB 98 141 115

HSL 143.72, 0.18%, 0.47%

LAB 54.95, -20.54, 9.2

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 0 / 30 / 18 / 45

HEX #8D6274

RGB 141 98 116

HSL 334.88, 0.18%, 0.47%

LAB 46.52, 20.29, -3.11

 

CMYK 11 / 0 / 30 / 45

HEX #7D8D62

RGB 125 141 98

HSL 82.33, 0.18%, 0.47%

LAB 56.38, -13.66, 21.09

 

CMYK 30 / 0 / 13 / 45

HEX #628D7B

RGB 98 141 123

HSL 154.88, 0.18%, 0.47%

LAB 55.15, -18.83, 4.89

 

CMYK 18 / 30 / 0 / 45

HEX #73628D

RGB 115 98 141

HSL 263.72, 0.18%, 0.47%

LAB 44.66, 16, -21.22

 

CMYK 0 / 30 / 27 / 45

HEX #8D6267

RGB 141 98 103

HSL 353.02, 0.18%, 0.47%

LAB 46.15, 18.19, 4.17

 

CMYK 11 / 0 / 30 / 45

HEX #7D8D62

RGB 125 141 98

HSL 82.33, 0.18%, 0.47%

LAB 56.38, -13.66, 21.09

 

CMYK 30 / 0 / 4 / 45

HEX #628D88

RGB 98 141 136

HSL 173.02, 0.18%, 0.47%

LAB 55.51, -15.83, -2.07

 

Description

Color code: HEX #73628D | qconv.com Color code: HEX #73628D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 98 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 98 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 30 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 30% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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