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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 0 / 27 / 38 it is the complementary color CMYK 19 / 31 / 0 / 45. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 0 / 27 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 0 / 27 / 38: CMYK 8 / 0 / 30 / 38, CMYK 7 / 0 / 27 / 31, CMYK 7 / 0 / 24 / 24, CMYK 7 / 0 / 21 / 17 and CMYK 7 / 0 / 19 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 0 / 27 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 0 / 27 / 38: CMYK 11 / 0 / 27 / 38, CMYK 11 / 0 / 31 / 45, CMYK 12 / 0 / 37 / 52, CMYK 13 / 0 / 44 / 59 and CMYK 15 / 0 / 55 / 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 27 / 38

HEX #8D9E73

RGB 141 158 115

HSL 83.72, 0.18%, 0.54%

LAB 62.81, -13.84, 20.53

 

Complementary color

CMYK 19 / 31 / 0 / 45

HEX #72618C

RGB 114 97 140

HSL 263.72, 0.18%, 0.46%

LAB 44.26, 16.03, -21.25

 

CMYK 8 / 0 / 30 / 38

HEX #929E6E

RGB 146 158 110

HSL 75, 0.2%, 0.53%

LAB 63.09, -12.63, 23.72

 

CMYK 7 / 0 / 27 / 31

HEX #A3B081

RGB 163 176 129

HSL 76.6, 0.23%, 0.6%

LAB 69.77, -12.71, 22.62

 

CMYK 7 / 0 / 24 / 24

HEX #B4C294

RGB 180 194 148

HSL 78.26, 0.27%, 0.67%

LAB 76.33, -12.77, 21.59

 

CMYK 7 / 0 / 21 / 17

HEX #C5D4A7

RGB 197 212 167

HSL 80, 0.34%, 0.74%

LAB 82.78, -12.82, 20.61

 

CMYK 7 / 0 / 19 / 10

HEX #D6E6BA

RGB 214 230 186

HSL 81.82, 0.47%, 0.82%

LAB 89.13, -12.87, 19.69

 

CMYK 11 / 0 / 27 / 38

HEX #8D9E73

RGB 141 158 115

HSL 83.72, 0.18%, 0.54%

LAB 62.81, -13.84, 20.53

 

CMYK 11 / 0 / 31 / 45

HEX #7C8C60

RGB 124 140 96

HSL 81.82, 0.19%, 0.46%

LAB 55.97, -13.82, 21.65

 

CMYK 12 / 0 / 37 / 52

HEX #6B7A4D

RGB 107 122 77

HSL 80, 0.23%, 0.39%

LAB 48.98, -13.78, 22.85

 

CMYK 13 / 0 / 44 / 59

HEX #5A683A

RGB 90 104 58

HSL 78.26, 0.28%, 0.32%

LAB 41.81, -13.7, 24.13

 

CMYK 15 / 0 / 55 / 66

HEX #495627

RGB 73 86 39

HSL 76.6, 0.38%, 0.25%

LAB 34.43, -13.53, 25.45

 

CMYK 11 / 0 / 27 / 38

HEX #8D9E73

RGB 141 158 115

HSL 83.72, 0.18%, 0.54%

LAB 62.81, -13.84, 20.53

 

CMYK 15 / 0 / 27 / 38

HEX #879E74

RGB 135 158 116

HSL 92.86, 0.18%, 0.54%

LAB 62.39, -15.97, 19.35

 

CMYK 19 / 0 / 27 / 38

HEX #809E74

RGB 128 158 116

HSL 102.86, 0.18%, 0.54%

LAB 61.92, -18.58, 18.61

 

CMYK 23 / 0 / 27 / 38

HEX #799E74

RGB 121 158 116

HSL 112.86, 0.18%, 0.54%

LAB 61.46, -21.13, 17.92

 

CMYK 27 / 0 / 25 / 38

HEX #749E76

RGB 116 158 118

HSL 122.86, 0.18%, 0.54%

LAB 61.2, -22.54, 16.4

 

CMYK 11 / 0 / 27 / 38

HEX #8D9E73

RGB 141 158 115

HSL 83.72, 0.18%, 0.54%

LAB 62.81, -13.84, 20.53

 

CMYK 11 / 0 / 27 / 18

HEX #BBD198

RGB 187 209 152

HSL 83.16, 0.38%, 0.71%

LAB 80.98, -17.2, 25.9

 

CMYK 20 / 0 / 20 / 98

HEX #040504

RGB 4 5 4

HSL 120, 0.11%, 0.02%

LAB 1.29, -0.4, 0.29

 

CMYK 11 / 0 / 27 / 78

HEX #323829

RGB 50 56 41

HSL 84, 0.15%, 0.19%

LAB 22.54, -5.85, 8.55

 

CMYK 11 / 0 / 27 / 58

HEX #5F6B4E

RGB 95 107 78

HSL 84.83, 0.16%, 0.36%

LAB 43.5, -10.25, 14.79

 

CMYK 11 / 0 / 27 / 38

HEX #8D9E73

RGB 141 158 115

HSL 83.72, 0.18%, 0.54%

LAB 62.81, -13.84, 20.53

 

CMYK 27 / 0 / 11 / 38

HEX #749E8D

RGB 116 158 141

HSL 155.71, 0.18%, 0.54%

LAB 61.73, -17.98, 4.27

 

CMYK 0 / 27 / 0 / 38

HEX #9E749E

RGB 158 116 158

HSL 300, 0.18%, 0.54%

LAB 54.27, 23.83, -16.16

 

CMYK 11 / 0 / 27 / 38

HEX #8D9E73

RGB 141 158 115

HSL 83.72, 0.18%, 0.54%

LAB 62.81, -13.84, 20.53

 

CMYK 27 / 10 / 0 / 38

HEX #748E9E

RGB 116 142 158

HSL 202.86, 0.18%, 0.54%

LAB 57.59, -5.39, -11.5

 

CMYK 0 / 27 / 10 / 38

HEX #9E748E

RGB 158 116 142

HSL 322.86, 0.18%, 0.54%

LAB 53.72, 20.81, -7.66

 

CMYK 11 / 0 / 27 / 38

HEX #8D9E73

RGB 141 158 115

HSL 83.72, 0.18%, 0.54%

LAB 62.81, -13.84, 20.53

 

CMYK 27 / 0 / 11 / 38

HEX #749E8D

RGB 116 158 141

HSL 155.71, 0.18%, 0.54%

LAB 61.73, -17.98, 4.27

 

CMYK 16 / 27 / 0 / 38

HEX #84749E

RGB 132 116 158

HSL 262.86, 0.18%, 0.54%

LAB 51.68, 14.94, -20.34

 

CMYK 0 / 27 / 15 / 38

HEX #9E7486

RGB 158 116 134

HSL 334.29, 0.18%, 0.54%

LAB 53.47, 19.4, -3.34

 

CMYK 11 / 0 / 27 / 38

HEX #8D9E73

RGB 141 158 115

HSL 83.72, 0.18%, 0.54%

LAB 62.81, -13.84, 20.53

 

CMYK 27 / 0 / 3 / 38

HEX #749E99

RGB 116 158 153

HSL 172.86, 0.18%, 0.54%

LAB 62.05, -15.32, -2.02

 

CMYK 16 / 27 / 0 / 38

HEX #84749E

RGB 132 116 158

HSL 262.86, 0.18%, 0.54%

LAB 51.68, 14.94, -20.34

 

CMYK 0 / 27 / 23 / 38

HEX #9E7479

RGB 158 116 121

HSL 352.86, 0.18%, 0.54%

LAB 53.1, 17.28, 3.74

 

Description

Color code: CMYK 11 / 0 / 27 / 38 | qconv.com Color code: CMYK 11 / 0 / 27 / 38 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 158 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 158 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 27 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 27% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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