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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7327AD it is the complementary color #8CD852. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7327AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7327AD shade: #7827A8, #8939BB, #9A4BCE, #AB5DE1 and #BC6FF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7327AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7327AD shade: #7327AD, #62159A, #510387, #400074 and #2F0061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7327AD shade: #7428AF, #9928AF, #AF28A0, #AF287C and #AF2857

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7327AD shade: #7428AF, #5028AF, #2B28AF and #2828AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7327AD shade matches the following richer shades: #7428AF, #7616C0 and #7905D1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7327AD shade: #7428AF, #72399D, #704A8C, #6D5C7B and #6B6D69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7327AD shade: #2C28AF, #5028AF, #7428AF, #9828AF and #AF28A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7327AD shade: #47186B, #5E208D, #7428AF, #8B30D0 and #9D51D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7327AD shade: #7327AD, #AF2847 and #28AF3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7327AD shade: #7327AD, #AF7428 and #28AF74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7327AD shade: #7327AD, #AF2847, #62AF28 and #28AF8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7327AD shade: #7327AD, #AF3128, #62AF28 and #28A6AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 77 / 0 / 32

HEX #7327AD

RGB 115 39 173

HSL 274.03, 0.63%, 0.42%

LAB 34.22, 55.77, -57.01

 

Complementary color

CMYK 35 / 0 / 62 / 15

HEX #8CD852

RGB 140 216 82

HSL 94.03, 0.63%, 0.58%

LAB 79.21, -45.66, 57.08

 

CMYK 29 / 77 / 0 / 34

HEX #7827A8

RGB 120 39 168

HSL 277.67, 0.62%, 0.41%

LAB 34.54, 55.55, -53.45

 

CMYK 27 / 70 / 0 / 27

HEX #8939BB

RGB 137 57 187

HSL 276.92, 0.53%, 0.48%

LAB 40.95, 55.6, -54.24

 

CMYK 25 / 64 / 0 / 19

HEX #9A4BCE

RGB 154 75 206

HSL 276.18, 0.57%, 0.55%

LAB 47.44, 55.16, -54.7

 

CMYK 24 / 59 / 0 / 12

HEX #AB5DE1

RGB 171 93 225

HSL 275.45, 0.69%, 0.62%

LAB 53.95, 54.49, -54.97

 

CMYK 23 / 55 / 0 / 4

HEX #BC6FF4

RGB 188 111 244

HSL 274.74, 0.86%, 0.7%

LAB 60.42, 53.7, -55.14

 

CMYK 34 / 77 / 0 / 32

HEX #7327AD

RGB 115 39 173

HSL 274.03, 0.63%, 0.42%

LAB 34.22, 55.77, -57.01

 

CMYK 36 / 86 / 0 / 40

HEX #62159A

RGB 98 21 154

HSL 274.74, 0.76%, 0.34%

LAB 28.02, 54.92, -55.73

 

CMYK 40 / 98 / 0 / 47

HEX #510387

RGB 81 3 135

HSL 275.45, 0.96%, 0.27%

LAB 22.17, 52.73, -53.64

 

CMYK 45 / 100 / 0 / 55

HEX #400074

RGB 64 0 116

HSL 273.1, 1%, 0.23%

LAB 17.23, 47.39, -49.76

 

CMYK 52 / 100 / 0 / 62

HEX #2F0061

RGB 47 0 97

HSL 269.07, 1%, 0.19%

LAB 12.4, 41.2, -45.35

 

CMYK 34 / 77 / 0 / 31

HEX #7428AF

RGB 116 40 175

HSL 273.78, 0.63%, 0.42%

LAB 34.65, 56.01, -57.49

 

CMYK 13 / 77 / 0 / 31

HEX #9928AF

RGB 153 40 175

HSL 290.22, 0.63%, 0.42%

LAB 40.22, 62.95, -48.21

 

CMYK 0 / 77 / 9 / 31

HEX #AF28A0

RGB 175 40 160

HSL 306.67, 0.63%, 0.42%

LAB 43.02, 65.04, -34.59

 

CMYK 0 / 77 / 29 / 31

HEX #AF287C

RGB 175 40 124

HSL 322.67, 0.63%, 0.42%

LAB 41.35, 60.13, -15.25

 

CMYK 0 / 77 / 50 / 31

HEX #AF2857

RGB 175 40 87

HSL 339.11, 0.63%, 0.42%

LAB 40.11, 56.31, 6.1

 

CMYK 34 / 77 / 0 / 31

HEX #7428AF

RGB 116 40 175

HSL 273.78, 0.63%, 0.42%

LAB 34.65, 56.01, -57.49

 

CMYK 54 / 77 / 0 / 31

HEX #5028AF

RGB 80 40 175

HSL 257.78, 0.63%, 0.42%

LAB 30.2, 50.32, -64.95

 

CMYK 75 / 77 / 0 / 31

HEX #2B28AF

RGB 43 40 175

HSL 241.33, 0.63%, 0.42%

LAB 27.09, 46.24, -70.18

 

CMYK 77 / 77 / 0 / 31

HEX #2828AF

RGB 40 40 175

HSL 240, 0.63%, 0.42%

LAB 26.92, 46.01, -70.48

 

CMYK 34 / 77 / 0 / 31

HEX #7428AF

RGB 116 40 175

HSL 273.78, 0.63%, 0.42%

LAB 34.65, 56.01, -57.49

 

CMYK 39 / 89 / 0 / 25

HEX #7616C0

RGB 118 22 192

HSL 273.88, 0.79%, 0.42%

LAB 34.46, 65.71, -67.86

 

CMYK 42 / 98 / 0 / 18

HEX #7905D1

RGB 121 5 209

HSL 274.12, 0.95%, 0.42%

LAB 35.55, 72.43, -75.98

 

CMYK 34 / 77 / 0 / 31

HEX #7428AF

RGB 116 40 175

HSL 273.78, 0.63%, 0.42%

LAB 34.65, 56.01, -57.49

 

CMYK 27 / 64 / 0 / 38

HEX #72399D

RGB 114 57 157

HSL 274.2, 0.47%, 0.42%

LAB 35.86, 43.54, -44.73

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 11 / 25 / 0 / 52

HEX #6D5C7B

RGB 109 92 123

HSL 272.9, 0.14%, 0.42%

LAB 41.74, 13.32, -14.88

 

CMYK 2 / 0 / 4 / 57

HEX #6B6D69

RGB 107 109 105

HSL 90, 0.02%, 0.42%

LAB 45.75, -1.58, 1.96

 

CMYK 75 / 77 / 0 / 31

HEX #2C28AF

RGB 44 40 175

HSL 241.78, 0.63%, 0.42%

LAB 27.15, 46.32, -70.08

 

CMYK 54 / 77 / 0 / 31

HEX #5028AF

RGB 80 40 175

HSL 257.78, 0.63%, 0.42%

LAB 30.2, 50.32, -64.95

 

CMYK 34 / 77 / 0 / 31

HEX #7428AF

RGB 116 40 175

HSL 273.78, 0.63%, 0.42%

LAB 34.65, 56.01, -57.49

 

CMYK 13 / 77 / 0 / 31

HEX #9828AF

RGB 152 40 175

HSL 289.78, 0.63%, 0.42%

LAB 40.06, 62.75, -48.47

 

CMYK 0 / 77 / 8 / 31

HEX #AF28A1

RGB 175 40 161

HSL 306.22, 0.63%, 0.42%

LAB 43.07, 65.19, -35.1

 

CMYK 34 / 78 / 0 / 58

HEX #47186B

RGB 71 24 107

HSL 273.98, 0.63%, 0.26%

LAB 20.26, 38.02, -38.92

 

CMYK 33 / 77 / 0 / 45

HEX #5E208D

RGB 94 32 141

HSL 274.13, 0.63%, 0.34%

LAB 27.67, 47.34, -48.31

 

CMYK 34 / 77 / 0 / 31

HEX #7428AF

RGB 116 40 175

HSL 273.78, 0.63%, 0.42%

LAB 34.65, 56.01, -57.49

 

CMYK 33 / 77 / 0 / 18

HEX #8B30D0

RGB 139 48 208

HSL 274.13, 0.63%, 0.5%

LAB 41.46, 64.29, -65.62

 

CMYK 27 / 63 / 0 / 15

HEX #9D51D8

RGB 157 81 216

HSL 273.78, 0.63%, 0.58%

LAB 49.51, 55.17, -57.08

 

CMYK 34 / 77 / 0 / 32

HEX #7327AD

RGB 115 39 173

HSL 274.03, 0.63%, 0.42%

LAB 34.22, 55.77, -57.01

 

CMYK 0 / 77 / 59 / 31

HEX #AF2847

RGB 175 40 71

HSL 346.22, 0.63%, 0.42%

LAB 39.73, 55.08, 15.69

 

CMYK 77 / 0 / 65 / 31

HEX #28AF3E

RGB 40 175 62

HSL 129.78, 0.63%, 0.42%

LAB 62.89, -57.93, 46.61

 

CMYK 34 / 77 / 0 / 32

HEX #7327AD

RGB 115 39 173

HSL 274.03, 0.63%, 0.42%

LAB 34.22, 55.77, -57.01

 

CMYK 0 / 34 / 77 / 31

HEX #AF7428

RGB 175 116 40

HSL 33.78, 0.63%, 0.42%

LAB 53.77, 16.64, 49.03

 

CMYK 77 / 0 / 34 / 31

HEX #28AF74

RGB 40 175 116

HSL 153.78, 0.63%, 0.42%

LAB 63.65, -49.14, 20.41

 

CMYK 34 / 77 / 0 / 32

HEX #7327AD

RGB 115 39 173

HSL 274.03, 0.63%, 0.42%

LAB 34.22, 55.77, -57.01

 

CMYK 0 / 77 / 59 / 31

HEX #AF2847

RGB 175 40 71

HSL 346.22, 0.63%, 0.42%

LAB 39.73, 55.08, 15.69

 

CMYK 44 / 0 / 77 / 31

HEX #62AF28

RGB 98 175 40

HSL 94.22, 0.63%, 0.42%

LAB 64.49, -45.88, 57.3

 

CMYK 77 / 0 / 18 / 31

HEX #28AF8F

RGB 40 175 143

HSL 165.78, 0.63%, 0.42%

LAB 64.24, -42.8, 6.4

 

CMYK 34 / 77 / 0 / 32

HEX #7327AD

RGB 115 39 173

HSL 274.03, 0.63%, 0.42%

LAB 34.22, 55.77, -57.01

 

CMYK 0 / 72 / 77 / 31

HEX #AF3128

RGB 175 49 40

HSL 4, 0.63%, 0.42%

LAB 40.35, 50.28, 35.37

 

CMYK 44 / 0 / 77 / 31

HEX #62AF28

RGB 98 175 40

HSL 94.22, 0.63%, 0.42%

LAB 64.49, -45.88, 57.3

 

CMYK 77 / 5 / 0 / 31

HEX #28A6AF

RGB 40 166 175

HSL 184, 0.63%, 0.42%

LAB 62.35, -29.58, -14.25

 

Description

Color code: HEX #7327AD | qconv.com Color code: HEX #7327AD | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 39 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 39 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 77 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 77% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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