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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #704A8C it is the complementary color #8FB573. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #704A8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #704A8C shade: #754A87, #865C9A, #976EAD, #A880C0 and #B992D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #704A8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #704A8C shade: #704A8C, #5F3879, #4E2666, #3D1453 and #2C0240

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #704A8C shade: #704A8C, #824A8C, #8C4A85, #8C4A73 and #8C4A61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #704A8C shade: #704A8C, #5E4A8C, #4C4A8C and #4A4A8C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #704A8C shade matches the following richer shades: #704A8C, #73399E, #7527AF, #7816C0 and #7B05D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #704A8C shade: #704A8C, #6E5B7B, #6B6D6A, #687E58 and #668F47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #704A8C shade: #4C4A8C, #5E4A8C, #704A8C, #814A8C and #8C4A86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #704A8C shade: #452D56, #5B3C71, #704A8C, #8658A7 and #9973B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #704A8C shade: #704A8C, #8C4A59 and #4A8C55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #704A8C shade: #704A8C, #8C704A and #4A8C70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #704A8C shade: #704A8C, #8C4A59, #678C4A and #4A8C7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #704A8C shade: #704A8C, #8C4E4A, #678C4A and #4A888C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

Complementary color

CMYK 21 / 0 / 36 / 29

HEX #8FB573

RGB 143 181 115

HSL 94.55, 0.31%, 0.58%

LAB 69.56, -24.81, 29.57

 

CMYK 13 / 45 / 0 / 47

HEX #754A87

RGB 117 74 135

HSL 282.3, 0.29%, 0.41%

LAB 38.6, 29.7, -26.99

 

CMYK 13 / 40 / 0 / 40

HEX #865C9A

RGB 134 92 154

HSL 280.65, 0.25%, 0.48%

LAB 45.71, 28.86, -27.2

 

CMYK 13 / 36 / 0 / 32

HEX #976EAD

RGB 151 110 173

HSL 279.05, 0.28%, 0.55%

LAB 52.67, 28.08, -27.39

 

CMYK 13 / 33 / 0 / 25

HEX #A880C0

RGB 168 128 192

HSL 277.5, 0.34%, 0.63%

LAB 59.5, 27.35, -27.58

 

CMYK 12 / 31 / 0 / 17

HEX #B992D3

RGB 185 146 211

HSL 276, 0.42%, 0.7%

LAB 66.19, 26.69, -27.79

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 21 / 54 / 0 / 53

HEX #5F3879

RGB 95 56 121

HSL 276, 0.37%, 0.35%

LAB 30.98, 30.24, -30.5

 

CMYK 24 / 63 / 0 / 60

HEX #4E2666

RGB 78 38 102

HSL 277.5, 0.46%, 0.27%

LAB 23.56, 31.13, -30.3

 

CMYK 27 / 76 / 0 / 67

HEX #3D1453

RGB 61 20 83

HSL 279.05, 0.61%, 0.2%

LAB 16.09, 31.69, -29.8

 

CMYK 31 / 97 / 0 / 75

HEX #2C0240

RGB 44 2 64

HSL 280.65, 0.94%, 0.13%

LAB 8.56, 31.85, -28.94

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 7 / 47 / 0 / 45

HEX #824A8C

RGB 130 74 140

HSL 290.91, 0.31%, 0.42%

LAB 40.47, 34.89, -26.99

 

CMYK 0 / 47 / 5 / 45

HEX #8C4A85

RGB 140 74 133

HSL 306.36, 0.31%, 0.42%

LAB 41.48, 36.68, -21.06

 

CMYK 0 / 47 / 18 / 45

HEX #8C4A73

RGB 140 74 115

HSL 322.73, 0.31%, 0.42%

LAB 40.75, 33.5, -11.13

 

CMYK 0 / 47 / 31 / 45

HEX #8C4A61

RGB 140 74 97

HSL 339.09, 0.31%, 0.42%

LAB 40.14, 30.72, -0.88

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 33 / 47 / 0 / 45

HEX #5E4A8C

RGB 94 74 140

HSL 258.18, 0.31%, 0.42%

LAB 36.31, 23.94, -33.82

 

CMYK 46 / 47 / 0 / 45

HEX #4C4A8C

RGB 76 74 140

HSL 241.82, 0.31%, 0.42%

LAB 34.66, 18.97, -36.56

 

CMYK 47 / 47 / 0 / 45

HEX #4A4A8C

RGB 74 74 140

HSL 240, 0.31%, 0.42%

LAB 34.49, 18.46, -36.83

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 27 / 64 / 0 / 38

HEX #73399E

RGB 115 57 158

HSL 274.46, 0.47%, 0.42%

LAB 36.06, 44.02, -45.01

 

CMYK 33 / 78 / 0 / 31

HEX #7527AF

RGB 117 39 175

HSL 274.41, 0.64%, 0.42%

LAB 34.66, 56.57, -57.47

 

CMYK 38 / 89 / 0 / 25

HEX #7816C0

RGB 120 22 192

HSL 274.59, 0.79%, 0.42%

LAB 34.75, 65.96, -67.38

 

CMYK 41 / 98 / 0 / 18

HEX #7B05D2

RGB 123 5 210

HSL 274.54, 0.95%, 0.42%

LAB 35.93, 72.83, -75.93

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 11 / 26 / 0 / 52

HEX #6E5B7B

RGB 110 91 123

HSL 275.63, 0.15%, 0.42%

LAB 41.58, 14.29, -15.13

 

CMYK 2 / 0 / 3 / 57

HEX #6B6D6A

RGB 107 109 106

HSL 100, 0.01%, 0.42%

LAB 45.78, -1.38, 1.4

 

CMYK 17 / 0 / 30 / 51

HEX #687E58

RGB 104 126 88

HSL 94.74, 0.18%, 0.42%

LAB 50.18, -15.47, 18.13

 

CMYK 29 / 0 / 50 / 44

HEX #668F47

RGB 102 143 71

HSL 94.17, 0.34%, 0.42%

LAB 54.99, -27.43, 33.64

 

CMYK 46 / 47 / 0 / 45

HEX #4C4A8C

RGB 76 74 140

HSL 241.82, 0.31%, 0.42%

LAB 34.66, 18.97, -36.56

 

CMYK 33 / 47 / 0 / 45

HEX #5E4A8C

RGB 94 74 140

HSL 258.18, 0.31%, 0.42%

LAB 36.31, 23.94, -33.82

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 8 / 47 / 0 / 45

HEX #814A8C

RGB 129 74 140

HSL 290, 0.31%, 0.42%

LAB 40.34, 34.57, -27.2

 

CMYK 0 / 47 / 4 / 45

HEX #8C4A86

RGB 140 74 134

HSL 305.45, 0.31%, 0.42%

LAB 41.52, 36.87, -21.61

 

CMYK 20 / 48 / 0 / 66

HEX #452D56

RGB 69 45 86

HSL 275.12, 0.31%, 0.26%

LAB 23.05, 19.94, -20.67

 

CMYK 19 / 47 / 0 / 56

HEX #5B3C71

RGB 91 60 113

HSL 275.09, 0.31%, 0.34%

LAB 30.99, 24.59, -25.47

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 20 / 47 / 0 / 35

HEX #8658A7

RGB 134 88 167

HSL 274.94, 0.31%, 0.5%

LAB 45.41, 34.15, -35.37

 

CMYK 15 / 36 / 0 / 29

HEX #9973B5

RGB 153 115 181

HSL 274.55, 0.31%, 0.58%

LAB 54.42, 27.61, -29.29

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 0 / 47 / 36 / 45

HEX #8C4A59

RGB 140 74 89

HSL 346.36, 0.31%, 0.42%

LAB 39.91, 29.63, 3.76

 

CMYK 47 / 0 / 39 / 45

HEX #4A8C55

RGB 74 140 85

HSL 130, 0.31%, 0.42%

LAB 52.8, -33.51, 23.03

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 0 / 20 / 47 / 45

HEX #8C704A

RGB 140 112 74

HSL 34.55, 0.31%, 0.42%

LAB 49.08, 5.8, 25.26

 

CMYK 47 / 0 / 20 / 45

HEX #4A8C70

RGB 74 140 112

HSL 154.55, 0.31%, 0.42%

LAB 53.36, -28.03, 8.51

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 0 / 47 / 36 / 45

HEX #8C4A59

RGB 140 74 89

HSL 346.36, 0.31%, 0.42%

LAB 39.91, 29.63, 3.76

 

CMYK 26 / 0 / 47 / 45

HEX #678C4A

RGB 103 140 74

HSL 93.64, 0.31%, 0.42%

LAB 54.17, -25.19, 31.06

 

CMYK 47 / 0 / 11 / 45

HEX #4A8C7D

RGB 74 140 125

HSL 166.36, 0.31%, 0.42%

LAB 53.7, -24.91, 1.49

 

CMYK 20 / 47 / 0 / 45

HEX #704A8C

RGB 112 74 140

HSL 274.55, 0.31%, 0.42%

LAB 38.26, 29.31, -30.61

 

CMYK 0 / 44 / 47 / 45

HEX #8C4E4A

RGB 140 78 74

HSL 3.64, 0.31%, 0.42%

LAB 40.44, 25.57, 13.81

 

CMYK 26 / 0 / 47 / 45

HEX #678C4A

RGB 103 140 74

HSL 93.64, 0.31%, 0.42%

LAB 54.17, -25.19, 31.06

 

CMYK 47 / 3 / 0 / 45

HEX #4A888C

RGB 74 136 140

HSL 183.64, 0.31%, 0.42%

LAB 52.9, -18.85, -8.38

 

Description

Color code: HEX #704A8C | qconv.com Color code: HEX #704A8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 74 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 74 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 47 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 47% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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