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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72F2A6 it is the complementary color #8D0D59. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72F2A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #72F2A6: #77F2A1, #88FFB4, #99FFC7, #AAFFDA and #BBFFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72F2A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #72F2A6: #72F2A6, #61E093, #50CE80, #3FBC6D and #2EAA5A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 31 / 5

HEX #72F2A6

RGB 114 242 166

HSL 144.38, 0.83%, 0.7%

LAB 86.92, -52.25, 26.13

 

Complementary color

CMYK 0 / 91 / 37 / 45

HEX #8D0D59

RGB 141 13 89

HSL 324.38, 0.83%, 0.3%

LAB 31.05, 54.37, -9.29

 

CMYK 51 / 0 / 33 / 5

HEX #77F2A1

RGB 119 242 161

HSL 140.49, 0.83%, 0.71%

LAB 87, -51.98, 28.81

 

CMYK 47 / 0 / 29 / 0

HEX #88FFB4

RGB 136 255 180

HSL 142.18, 1%, 0.77%

LAB 91.71, -49.75, 25.67

 

CMYK 40 / 0 / 22 / 0

HEX #99FFC7

RGB 153 255 199

HSL 147.06, 1%, 0.8%

LAB 92.76, -41.77, 17.55

 

CMYK 33 / 0 / 15 / 0

HEX #AAFFDA

RGB 170 255 218

HSL 153.88, 1%, 0.83%

LAB 93.94, -33.37, 9.58

 

CMYK 27 / 0 / 7 / 0

HEX #BBFFED

RGB 187 255 237

HSL 164.12, 1%, 0.87%

LAB 95.24, -24.68, 1.79

 

CMYK 53 / 0 / 31 / 5

HEX #72F2A6

RGB 114 242 166

HSL 144.38, 0.83%, 0.7%

LAB 86.92, -52.25, 26.13

 

CMYK 57 / 0 / 34 / 12

HEX #61E093

RGB 97 224 147

HSL 143.62, 0.67%, 0.63%

LAB 80.72, -52.29, 27.38

 

CMYK 61 / 0 / 38 / 19

HEX #50CE80

RGB 80 206 128

HSL 142.86, 0.56%, 0.56%

LAB 74.45, -52.2, 28.72

 

CMYK 66 / 0 / 42 / 26

HEX #3FBC6D

RGB 63 188 109

HSL 142.08, 0.5%, 0.49%

LAB 68.11, -51.92, 30.16

 

CMYK 73 / 0 / 47 / 33

HEX #2EAA5A

RGB 46 170 90

HSL 141.29, 0.57%, 0.42%

LAB 61.71, -51.35, 31.71

 

CMYK 53 / 0 / 31 / 5

HEX #72F2A6

RGB 114 242 166

HSL 144.38, 0.83%, 0.7%

LAB 86.92, -52.25, 26.13

 

CMYK 52 / 0 / 23 / 5

HEX #73F1BA

RGB 115 241 186

HSL 153.81, 0.82%, 0.7%

LAB 87.05, -47.69, 16.02

 

CMYK 52 / 0 / 14 / 5

HEX #73F1D0

RGB 115 241 208

HSL 164.29, 0.82%, 0.7%

LAB 87.54, -42.9, 5.27

 

CMYK 52 / 0 / 5 / 5

HEX #73F1E5

RGB 115 241 229

HSL 174.29, 0.82%, 0.7%

LAB 88.07, -37.9, -4.93

 

CMYK 52 / 3 / 0 / 5

HEX #73E9F1

RGB 115 233 241

HSL 183.81, 0.82%, 0.7%

LAB 86.14, -31.11, -14.09

 

CMYK 53 / 0 / 31 / 5

HEX #72F2A6

RGB 114 242 166

HSL 144.38, 0.83%, 0.7%

LAB 86.92, -52.25, 26.13

 

CMYK 53 / 0 / 32 / 85

HEX #12261A

RGB 18 38 26

HSL 144, 0.36%, 0.11%

LAB 13.17, -11.63, 5.48

 

CMYK 53 / 0 / 31 / 65

HEX #2A593D

RGB 42 89 61

HSL 144.26, 0.36%, 0.26%

LAB 33.93, -23.36, 11.39

 

CMYK 53 / 0 / 31 / 45

HEX #428C60

RGB 66 140 96

HSL 144.32, 0.36%, 0.4%

LAB 52.68, -33.67, 16.64

 

CMYK 53 / 0 / 31 / 25

HEX #5ABF83

RGB 90 191 131

HSL 144.36, 0.44%, 0.55%

LAB 70.23, -43.21, 21.51

 

CMYK 53 / 0 / 31 / 5

HEX #72F2A6

RGB 114 242 166

HSL 144.38, 0.83%, 0.7%

LAB 86.92, -52.25, 26.13

 

CMYK 52 / 32 / 0 / 5

HEX #73A5F1

RGB 115 165 241

HSL 216.19, 0.82%, 0.7%

LAB 67.21, 4.46, -43.14

 

CMYK 0 / 52 / 52 / 5

HEX #F17373

RGB 241 115 115

HSL 0, 0.82%, 0.7%

LAB 63.51, 48.43, 23.32

 

CMYK 53 / 0 / 31 / 5

HEX #72F2A6

RGB 114 242 166

HSL 144.38, 0.83%, 0.7%

LAB 86.92, -52.25, 26.13

 

CMYK 32 / 52 / 0 / 5

HEX #A573F1

RGB 165 115 241

HSL 263.81, 0.82%, 0.7%

LAB 58.61, 45.19, -56.5

 

CMYK 0 / 32 / 52 / 5

HEX #F1A573

RGB 241 165 115

HSL 23.81, 0.82%, 0.7%

LAB 74.09, 22.76, 37.13

 

CMYK 53 / 0 / 31 / 5

HEX #72F2A6

RGB 114 242 166

HSL 144.38, 0.83%, 0.7%

LAB 86.92, -52.25, 26.13

 

CMYK 52 / 32 / 0 / 5

HEX #73A5F1

RGB 115 165 241

HSL 216.19, 0.82%, 0.7%

LAB 67.21, 4.46, -43.14

 

CMYK 0 / 52 / 21 / 5

HEX #F173BF

RGB 241 115 191

HSL 323.81, 0.82%, 0.7%

LAB 65.53, 57.01, -17.01

 

CMYK 0 / 21 / 52 / 5

HEX #F1BF73

RGB 241 191 115

HSL 36.19, 0.82%, 0.7%

LAB 80.29, 9.05, 44.87

 

CMYK 53 / 0 / 31 / 5

HEX #72F2A6

RGB 114 242 166

HSL 144.38, 0.83%, 0.7%

LAB 86.92, -52.25, 26.13

 

CMYK 52 / 47 / 0 / 5

HEX #737FF1

RGB 115 127 241

HSL 234.29, 0.82%, 0.7%

LAB 57.25, 26.74, -58.92

 

CMYK 0 / 52 / 21 / 5

HEX #F173BF

RGB 241 115 191

HSL 323.81, 0.82%, 0.7%

LAB 65.53, 57.01, -17.01

 

CMYK 0 / 5 / 52 / 5

HEX #F1E573

RGB 241 229 115

HSL 54.29, 0.82%, 0.7%

LAB 89.85, -10.4, 56.33

 

Description

Color code: HEX #72F2A6 | qconv.com Color code: HEX #72F2A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 242 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 242 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 31 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 31% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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