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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72E53D it is the complementary color #8D1AC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72E53D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72E53D shade: #77E538, #88F74B, #99FF5E, #AAFF71 and #BBFF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72E53D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72E53D shade: #72E53D, #61D32A, #50C117, #3FAF04 and #2E9D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72E53D shade: #73E53E, #A0E53E, #CCE53E, #E5D03E and #E5A33E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72E53D shade: #73E53E, #46E53E, #3EE563, #3EE590 and #3EE5BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72E53D shade matches the following richer shades: #73E53E and #6CF62C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72E53D shade: #73E53E, #79D350, #80C161, #86AF73 and #8D9E85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72E53D shade: #CCE53E, #9FE53E, #73E53E, #46E53E and #3EE562

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72E53D shade: #4BB719, #5ADC1E, #73E53E, #8DEA62 and #A7EF87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72E53D shade: #72E53D, #3EE5D1 and #E53EB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72E53D shade: #72E53D, #3E73E5 and #E53E73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72E53D shade: #72E53D, #3EE5D1, #B03EE5 and #E53E51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72E53D shade: #72E53D, #3EC6E5, #B03EE5 and #E55D3E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 73 / 10

HEX #72E53D

RGB 114 229 61

HSL 101.07, 0.76%, 0.57%

LAB 81.81, -60.51, 67.46

 

Complementary color

CMYK 27 / 87 / 0 / 24

HEX #8D1AC2

RGB 141 26 194

HSL 281.07, 0.76%, 0.43%

LAB 38.37, 68.36, -62.5

 

CMYK 48 / 0 / 76 / 10

HEX #77E538

RGB 119 229 56

HSL 98.15, 0.77%, 0.56%

LAB 81.97, -59.39, 69.3

 

CMYK 45 / 0 / 70 / 3

HEX #88F74B

RGB 136 247 75

HSL 98.72, 0.91%, 0.63%

LAB 88.1, -59.9, 69.2

 

CMYK 40 / 0 / 63 / 0

HEX #99FF5E

RGB 153 255 94

HSL 98.01, 1%, 0.68%

LAB 91.28, -56.33, 65.55

 

CMYK 33 / 0 / 56 / 0

HEX #AAFF71

RGB 170 255 113

HSL 95.92, 1%, 0.72%

LAB 92.25, -49.12, 58.86

 

CMYK 27 / 0 / 48 / 0

HEX #BBFF84

RGB 187 255 132

HSL 93.17, 1%, 0.76%

LAB 93.34, -41.39, 51.76

 

CMYK 50 / 0 / 73 / 10

HEX #72E53D

RGB 114 229 61

HSL 101.07, 0.76%, 0.57%

LAB 81.81, -60.51, 67.46

 

CMYK 54 / 0 / 80 / 17

HEX #61D32A

RGB 97 211 42

HSL 100.47, 0.67%, 0.5%

LAB 75.64, -59.77, 67.17

 

CMYK 59 / 0 / 88 / 24

HEX #50C117

RGB 80 193 23

HSL 99.88, 0.79%, 0.42%

LAB 69.4, -58.66, 65.9

 

CMYK 64 / 0 / 98 / 31

HEX #3FAF04

RGB 63 175 4

HSL 99.3, 0.96%, 0.35%

LAB 63.12, -57.1, 63.28

 

CMYK 71 / 0 / 100 / 38

HEX #2E9D00

RGB 46 157 0

HSL 102.42, 1%, 0.31%

LAB 56.78, -54.87, 58.6

 

CMYK 50 / 0 / 73 / 10

HEX #73E53E

RGB 115 229 62

HSL 100.96, 0.76%, 0.57%

LAB 81.86, -60.16, 67.17

 

CMYK 30 / 0 / 73 / 10

HEX #A0E53E

RGB 160 229 62

HSL 84.79, 0.76%, 0.57%

LAB 83.89, -45.59, 69.87

 

CMYK 11 / 0 / 73 / 10

HEX #CCE53E

RGB 204 229 62

HSL 68.98, 0.76%, 0.57%

LAB 86.61, -28.73, 73.44

 

CMYK 0 / 9 / 73 / 10

HEX #E5D03E

RGB 229 208 62

HSL 52.46, 0.76%, 0.57%

LAB 82.98, -8.11, 70.65

 

CMYK 0 / 29 / 73 / 10

HEX #E5A33E

RGB 229 163 62

HSL 36.29, 0.76%, 0.57%

LAB 71.69, 15.38, 59.6

 

CMYK 50 / 0 / 73 / 10

HEX #73E53E

RGB 115 229 62

HSL 100.96, 0.76%, 0.57%

LAB 81.86, -60.16, 67.17

 

CMYK 69 / 0 / 73 / 10

HEX #46E53E

RGB 70 229 62

HSL 117.13, 0.76%, 0.57%

LAB 80.57, -70.53, 65.46

 

CMYK 73 / 0 / 57 / 10

HEX #3EE563

RGB 62 229 99

HSL 133.29, 0.76%, 0.57%

LAB 80.72, -68.12, 50.67

 

CMYK 73 / 0 / 37 / 10

HEX #3EE590

RGB 62 229 144

HSL 149.46, 0.76%, 0.57%

LAB 81.33, -61.02, 29.59

 

CMYK 73 / 0 / 17 / 10

HEX #3EE5BD

RGB 62 229 189

HSL 165.63, 0.76%, 0.57%

LAB 82.24, -51.28, 7.43

 

CMYK 50 / 0 / 73 / 10

HEX #73E53E

RGB 115 229 62

HSL 100.96, 0.76%, 0.57%

LAB 81.86, -60.16, 67.17

 

CMYK 56 / 0 / 82 / 4

HEX #6CF62C

RGB 108 246 44

HSL 100.99, 0.92%, 0.57%

LAB 86.64, -69, 76.83

 

CMYK 50 / 0 / 73 / 10

HEX #73E53E

RGB 115 229 62

HSL 100.96, 0.76%, 0.57%

LAB 81.86, -60.16, 67.17

 

CMYK 43 / 0 / 62 / 17

HEX #79D350

RGB 121 211 80

HSL 101.22, 0.6%, 0.57%

LAB 76.82, -49.99, 55.03

 

CMYK 34 / 0 / 50 / 24

HEX #80C161

RGB 128 193 97

HSL 100.63, 0.44%, 0.57%

LAB 71.96, -38.19, 41.61

 

CMYK 23 / 0 / 34 / 31

HEX #86AF73

RGB 134 175 115

HSL 101, 0.27%, 0.57%

LAB 67.25, -25.14, 26.42

 

CMYK 11 / 0 / 16 / 38

HEX #8D9E85

RGB 141 158 133

HSL 100.8, 0.11%, 0.57%

LAB 63.19, -10.84, 11.06

 

CMYK 11 / 0 / 73 / 10

HEX #CCE53E

RGB 204 229 62

HSL 68.98, 0.76%, 0.57%

LAB 86.61, -28.73, 73.44

 

CMYK 31 / 0 / 73 / 10

HEX #9FE53E

RGB 159 229 62

HSL 85.15, 0.76%, 0.57%

LAB 83.84, -45.95, 69.8

 

CMYK 50 / 0 / 73 / 10

HEX #73E53E

RGB 115 229 62

HSL 100.96, 0.76%, 0.57%

LAB 81.86, -60.16, 67.17

 

CMYK 69 / 0 / 73 / 10

HEX #46E53E

RGB 70 229 62

HSL 117.13, 0.76%, 0.57%

LAB 80.57, -70.53, 65.46

 

CMYK 73 / 0 / 57 / 10

HEX #3EE562

RGB 62 229 98

HSL 132.93, 0.76%, 0.57%

LAB 80.71, -68.25, 51.11

 

CMYK 59 / 0 / 86 / 28

HEX #4BB719

RGB 75 183 25

HSL 101.01, 0.76%, 0.41%

LAB 66.08, -56.36, 62.55

 

CMYK 59 / 0 / 86 / 14

HEX #5ADC1E

RGB 90 220 30

HSL 101.05, 0.76%, 0.49%

LAB 78.14, -65.19, 72.19

 

CMYK 50 / 0 / 73 / 10

HEX #73E53E

RGB 115 229 62

HSL 100.96, 0.76%, 0.57%

LAB 81.86, -60.16, 67.17

 

CMYK 40 / 0 / 58 / 8

HEX #8DEA62

RGB 141 234 98

HSL 101.03, 0.76%, 0.65%

LAB 84.68, -51.31, 56.36

 

CMYK 30 / 0 / 44 / 6

HEX #A7EF87

RGB 167 239 135

HSL 101.54, 0.76%, 0.73%

LAB 87.82, -40.75, 43.23

 

CMYK 50 / 0 / 73 / 10

HEX #72E53D

RGB 114 229 61

HSL 101.07, 0.76%, 0.57%

LAB 81.81, -60.51, 67.46

 

CMYK 73 / 0 / 9 / 10

HEX #3EE5D1

RGB 62 229 209

HSL 172.81, 0.76%, 0.57%

LAB 82.74, -46.22, -2.41

 

CMYK 0 / 73 / 21 / 10

HEX #E53EB5

RGB 229 62 181

HSL 317.25, 0.76%, 0.57%

LAB 55.52, 73.69, -26.76

 

CMYK 50 / 0 / 73 / 10

HEX #72E53D

RGB 114 229 61

HSL 101.07, 0.76%, 0.57%

LAB 81.81, -60.51, 67.46

 

CMYK 73 / 50 / 0 / 10

HEX #3E73E5

RGB 62 115 229

HSL 220.96, 0.76%, 0.57%

LAB 50.62, 21.04, -63.02

 

CMYK 0 / 73 / 50 / 10

HEX #E53E73

RGB 229 62 115

HSL 340.96, 0.76%, 0.57%

LAB 53.32, 66.71, 8.98

 

CMYK 50 / 0 / 73 / 10

HEX #72E53D

RGB 114 229 61

HSL 101.07, 0.76%, 0.57%

LAB 81.81, -60.51, 67.46

 

CMYK 73 / 0 / 9 / 10

HEX #3EE5D1

RGB 62 229 209

HSL 172.81, 0.76%, 0.57%

LAB 82.74, -46.22, -2.41

 

CMYK 23 / 73 / 0 / 10

HEX #B03EE5

RGB 176 62 229

HSL 280.96, 0.76%, 0.57%

LAB 49.9, 70.1, -63.71

 

CMYK 0 / 73 / 65 / 10

HEX #E53E51

RGB 229 62 81

HSL 353.17, 0.76%, 0.57%

LAB 52.62, 64.39, 28.35

 

CMYK 50 / 0 / 73 / 10

HEX #72E53D

RGB 114 229 61

HSL 101.07, 0.76%, 0.57%

LAB 81.81, -60.51, 67.46

 

CMYK 73 / 14 / 0 / 10

HEX #3EC6E5

RGB 62 198 229

HSL 191.14, 0.76%, 0.57%

LAB 74.23, -26.1, -25.87

 

CMYK 23 / 73 / 0 / 10

HEX #B03EE5

RGB 176 62 229

HSL 280.96, 0.76%, 0.57%

LAB 49.9, 70.1, -63.71

 

CMYK 0 / 59 / 73 / 10

HEX #E55D3E

RGB 229 93 62

HSL 11.14, 0.76%, 0.57%

LAB 56.91, 51.12, 44.11

 

Description

Color code: HEX #72E53D | qconv.com Color code: HEX #72E53D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 229 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 229 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 73 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 73% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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