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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72CE2A it is the complementary color #8D31D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72CE2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #72CE2A: #77CE25, #88E038, #99F24B, #AAFF5E and #BBFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72CE2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #72CE2A: #72CE2A, #61BC17, #50AA04, #3F9800 and #2E8600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 80 / 19

HEX #72CE2A

RGB 114 206 42

HSL 93.66, 0.66%, 0.49%

LAB 74.75, -52.92, 66.59

 

Complementary color

CMYK 34 / 77 / 0 / 16

HEX #8D31D5

RGB 141 49 213

HSL 273.66, 0.66%, 0.51%

LAB 42.25, 65.35, -67.21

 

CMYK 42 / 0 / 82 / 19

HEX #77CE25

RGB 119 206 37

HSL 90.89, 0.7%, 0.48%

LAB 74.95, -51.54, 68.19

 

CMYK 39 / 0 / 75 / 12

HEX #88E038

RGB 136 224 56

HSL 91.43, 0.73%, 0.55%

LAB 81.2, -52.17, 68.8

 

CMYK 37 / 0 / 69 / 5

HEX #99F24B

RGB 153 242 75

HSL 91.98, 0.87%, 0.62%

LAB 87.38, -52.59, 68.71

 

CMYK 33 / 0 / 63 / 0

HEX #AAFF5E

RGB 170 255 94

HSL 91.68, 1%, 0.68%

LAB 92.08, -50.81, 66.65

 

CMYK 27 / 0 / 56 / 0

HEX #BBFF71

RGB 187 255 113

HSL 88.73, 1%, 0.72%

LAB 93.14, -43.33, 60.12

 

CMYK 45 / 0 / 80 / 19

HEX #72CE2A

RGB 114 206 42

HSL 93.66, 0.66%, 0.49%

LAB 74.75, -52.92, 66.59

 

CMYK 48 / 0 / 88 / 26

HEX #61BC17

RGB 97 188 23

HSL 93.09, 0.78%, 0.41%

LAB 68.44, -52.08, 65.31

 

CMYK 53 / 0 / 98 / 33

HEX #50AA04

RGB 80 170 4

HSL 92.53, 0.95%, 0.34%

LAB 62.05, -50.88, 62.66

 

CMYK 59 / 0 / 100 / 40

HEX #3F9800

RGB 63 152 0

HSL 95.13, 1%, 0.3%

LAB 55.6, -49.17, 57.86

 

CMYK 66 / 0 / 100 / 47

HEX #2E8600

RGB 46 134 0

HSL 99.4, 1%, 0.26%

LAB 49.05, -47.1, 52.46

 

CMYK 45 / 0 / 80 / 19

HEX #72CE2A

RGB 114 206 42

HSL 93.66, 0.66%, 0.49%

LAB 74.75, -52.92, 66.59

 

CMYK 57 / 0 / 80 / 19

HEX #59CF2A

RGB 89 207 42

HSL 102.91, 0.66%, 0.49%

LAB 74.14, -60.44, 65.68

 

CMYK 71 / 0 / 80 / 19

HEX #3DCF2A

RGB 61 207 42

HSL 113.09, 0.66%, 0.49%

LAB 73.41, -66.49, 64.74

 

CMYK 80 / 0 / 76 / 19

HEX #2ACF32

RGB 42 207 50

HSL 122.91, 0.66%, 0.49%

LAB 73.12, -68.8, 61.9

 

CMYK 80 / 0 / 62 / 19

HEX #2ACF4E

RGB 42 207 78

HSL 133.09, 0.66%, 0.49%

LAB 73.33, -66.21, 51.36

 

CMYK 45 / 0 / 80 / 19

HEX #72CE2A

RGB 114 206 42

HSL 93.66, 0.66%, 0.49%

LAB 74.75, -52.92, 66.59

 

CMYK 50 / 0 / 100 / 99

HEX #010200

RGB 1 2 0

HSL 90, 1%, 0%

LAB 0.45, -0.54, 0.66

 

CMYK 45 / 0 / 79 / 79

HEX #1D350B

RGB 29 53 11

HSL 94.29, 0.66%, 0.13%

LAB 19.36, -18.14, 22.41

 

CMYK 44 / 0 / 80 / 59

HEX #3A6815

RGB 58 104 21

HSL 93.25, 0.66%, 0.25%

LAB 39.33, -30.63, 38.98

 

CMYK 45 / 0 / 79 / 39

HEX #569B20

RGB 86 155 32

HSL 93.66, 0.66%, 0.37%

LAB 57.58, -42.13, 53.12

 

CMYK 45 / 0 / 80 / 19

HEX #72CE2A

RGB 114 206 42

HSL 93.66, 0.66%, 0.49%

LAB 74.75, -52.92, 66.59

 

CMYK 80 / 0 / 20 / 19

HEX #2ACFA6

RGB 42 207 166

HSL 165.09, 0.66%, 0.49%

LAB 74.74, -50.13, 8.9

 

CMYK 0 / 80 / 12 / 19

HEX #CF2AB6

RGB 207 42 182

HSL 309.09, 0.66%, 0.49%

LAB 49.86, 74.53, -36.46

 

CMYK 45 / 0 / 80 / 19

HEX #72CE2A

RGB 114 206 42

HSL 93.66, 0.66%, 0.49%

LAB 74.75, -52.92, 66.59

 

CMYK 80 / 44 / 0 / 19

HEX #2A74CF

RGB 42 116 207

HSL 213.09, 0.66%, 0.49%

LAB 48.87, 9.96, -53.42

 

CMYK 0 / 80 / 44 / 19

HEX #CF2A74

RGB 207 42 116

HSL 333.09, 0.66%, 0.49%

LAB 47.21, 66.87, -0.94

 

CMYK 45 / 0 / 80 / 19

HEX #72CE2A

RGB 114 206 42

HSL 93.66, 0.66%, 0.49%

LAB 74.75, -52.92, 66.59

 

CMYK 80 / 0 / 20 / 19

HEX #2ACFA6

RGB 42 207 166

HSL 165.09, 0.66%, 0.49%

LAB 74.74, -50.13, 8.9

 

CMYK 36 / 80 / 0 / 19

HEX #852ACF

RGB 133 42 207

HSL 273.09, 0.66%, 0.49%

LAB 39.83, 65.25, -67.75

 

CMYK 0 / 80 / 60 / 19

HEX #CF2A53

RGB 207 42 83

HSL 345.09, 0.66%, 0.49%

LAB 46.37, 64.32, 18.21

 

CMYK 45 / 0 / 80 / 19

HEX #72CE2A

RGB 114 206 42

HSL 93.66, 0.66%, 0.49%

LAB 74.75, -52.92, 66.59

 

CMYK 80 / 4 / 0 / 19

HEX #2AC7CF

RGB 42 199 207

HSL 182.91, 0.66%, 0.49%

LAB 73.44, -35.39, -15.18

 

CMYK 36 / 80 / 0 / 19

HEX #852ACF

RGB 133 42 207

HSL 273.09, 0.66%, 0.49%

LAB 39.83, 65.25, -67.75

 

CMYK 0 / 76 / 80 / 19

HEX #CF322A

RGB 207 50 42

HSL 2.91, 0.66%, 0.49%

LAB 46.6, 60.05, 42.65

 

Description

Color code: HEX #72CE2A | qconv.com Color code: HEX #72CE2A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 206 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 206 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 80 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 80% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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