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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72C775 it is the complementary color #8D388A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72C775. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #72C775: #77C770, #88D983, #99EB96, #AAFDA9 and #BBFFBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72C775. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #72C775: #72C775, #61B562, #50A34F, #3F913C and #2E7F29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 41 / 22

HEX #72C775

RGB 114 199 117

HSL 122.12, 0.43%, 0.61%

LAB 73.36, -42.57, 33.18

 

Complementary color

CMYK 0 / 60 / 2 / 45

HEX #8D388A

RGB 141 56 138

HSL 302.12, 0.43%, 0.39%

LAB 38.42, 47.06, -28.87

 

CMYK 40 / 0 / 44 / 22

HEX #77C770

RGB 119 199 112

HSL 115.17, 0.44%, 0.61%

LAB 73.51, -41.79, 35.97

 

CMYK 37 / 0 / 40 / 15

HEX #88D983

RGB 136 217 131

HSL 116.51, 0.53%, 0.68%

LAB 79.9, -41.6, 34.74

 

CMYK 35 / 0 / 36 / 8

HEX #99EB96

RGB 153 235 150

HSL 117.88, 0.68%, 0.75%

LAB 86.2, -41.39, 33.56

 

CMYK 33 / 0 / 33 / 1

HEX #AAFDA9

RGB 170 253 169

HSL 119.29, 0.95%, 0.83%

LAB 92.43, -41.16, 32.44

 

CMYK 27 / 0 / 26 / 0

HEX #BBFFBC

RGB 187 255 188

HSL 120.88, 1%, 0.87%

LAB 94.19, -33.7, 25.4

 

CMYK 43 / 0 / 41 / 22

HEX #72C775

RGB 114 199 117

HSL 122.12, 0.43%, 0.61%

LAB 73.36, -42.57, 33.18

 

CMYK 46 / 0 / 46 / 29

HEX #61B562

RGB 97 181 98

HSL 120.71, 0.36%, 0.55%

LAB 66.88, -42.71, 34.47

 

CMYK 51 / 0 / 52 / 36

HEX #50A34F

RGB 80 163 79

HSL 119.29, 0.35%, 0.47%

LAB 60.31, -42.75, 35.8

 

CMYK 57 / 0 / 59 / 43

HEX #3F913C

RGB 63 145 60

HSL 117.88, 0.41%, 0.4%

LAB 53.64, -42.6, 37.12

 

CMYK 64 / 0 / 68 / 50

HEX #2E7F29

RGB 46 127 41

HSL 116.51, 0.51%, 0.33%

LAB 46.87, -42.11, 38.29

 

CMYK 43 / 0 / 41 / 22

HEX #72C775

RGB 114 199 117

HSL 122.12, 0.43%, 0.61%

LAB 73.36, -42.57, 33.18

 

CMYK 43 / 0 / 35 / 22

HEX #70C681

RGB 112 198 129

HSL 131.86, 0.43%, 0.61%

LAB 73.17, -40.76, 26.69

 

CMYK 43 / 0 / 27 / 22

HEX #70C690

RGB 112 198 144

HSL 142.33, 0.43%, 0.61%

LAB 73.45, -38.03, 19.13

 

CMYK 43 / 0 / 20 / 22

HEX #70C69E

RGB 112 198 158

HSL 152.09, 0.43%, 0.61%

LAB 73.74, -35.22, 12.03

 

CMYK 43 / 0 / 13 / 22

HEX #70C6AC

RGB 112 198 172

HSL 161.86, 0.43%, 0.61%

LAB 74.07, -32.17, 4.94

 

CMYK 43 / 0 / 41 / 22

HEX #72C775

RGB 114 199 117

HSL 122.12, 0.43%, 0.61%

LAB 73.36, -42.57, 33.18

 

CMYK 43 / 0 / 41 / 2

HEX #8FFA93

RGB 143 250 147

HSL 122.24, 0.91%, 0.77%

LAB 90.01, -51.21, 39.94

 

CMYK 43 / 0 / 41 / 82

HEX #1A2E1B

RGB 26 46 27

HSL 123, 0.28%, 0.14%

LAB 16.76, -13.05, 9.77

 

CMYK 42 / 0 / 41 / 62

HEX #386139

RGB 56 97 57

HSL 121.46, 0.27%, 0.3%

LAB 37.27, -23.65, 18.41

 

CMYK 43 / 0 / 41 / 42

HEX #559457

RGB 85 148 87

HSL 121.9, 0.27%, 0.46%

LAB 55.89, -33.45, 26.06

 

CMYK 43 / 0 / 41 / 22

HEX #72C775

RGB 114 199 117

HSL 122.12, 0.43%, 0.61%

LAB 73.36, -42.57, 33.18

 

CMYK 43 / 10 / 0 / 22

HEX #70B2C6

RGB 112 178 198

HSL 193.95, 0.43%, 0.61%

LAB 69.01, -15.74, -16.75

 

CMYK 0 / 43 / 27 / 22

HEX #C67090

RGB 198 112 144

HSL 337.67, 0.43%, 0.61%

LAB 57.66, 37.83, -2.45

 

CMYK 43 / 0 / 41 / 22

HEX #72C775

RGB 114 199 117

HSL 122.12, 0.43%, 0.61%

LAB 73.36, -42.57, 33.18

 

CMYK 42 / 43 / 0 / 22

HEX #7370C6

RGB 115 112 198

HSL 242.09, 0.43%, 0.61%

LAB 51.05, 22.84, -44.58

 

CMYK 0 / 42 / 43 / 22

HEX #C67370

RGB 198 115 112

HSL 2.09, 0.43%, 0.61%

LAB 57.5, 32.27, 15.88

 

CMYK 43 / 0 / 41 / 22

HEX #72C775

RGB 114 199 117

HSL 122.12, 0.43%, 0.61%

LAB 73.36, -42.57, 33.18

 

CMYK 43 / 10 / 0 / 22

HEX #70B2C6

RGB 112 178 198

HSL 193.95, 0.43%, 0.61%

LAB 69.01, -15.74, -16.75

 

CMYK 0 / 43 / 2 / 22

HEX #C670C3

RGB 198 112 195

HSL 302.09, 0.43%, 0.61%

LAB 59.47, 46.05, -29.06

 

CMYK 0 / 33 / 43 / 22

HEX #C68470

RGB 198 132 112

HSL 13.95, 0.43%, 0.61%

LAB 61.38, 23.03, 21.17

 

CMYK 43 / 0 / 41 / 22

HEX #72C775

RGB 114 199 117

HSL 122.12, 0.43%, 0.61%

LAB 73.36, -42.57, 33.18

 

CMYK 43 / 23 / 0 / 22

HEX #7098C6

RGB 112 152 198

HSL 212.09, 0.43%, 0.61%

LAB 61.64, -1.53, -28.02

 

CMYK 0 / 43 / 2 / 22

HEX #C670C3

RGB 198 112 195

HSL 302.09, 0.43%, 0.61%

LAB 59.47, 46.05, -29.06

 

CMYK 0 / 20 / 43 / 22

HEX #C69E70

RGB 198 158 112

HSL 32.09, 0.43%, 0.61%

LAB 67.75, 8.78, 29.64

 

Description

Color code: HEX #72C775 | qconv.com Color code: HEX #72C775 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 199 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 199 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 41 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 41% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

40% - 云麦好轻Color 智能体脂秤仅售99!...
Link: http://www.iyunmai.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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