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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72B121 it is the complementary color #8D4EDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72B121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72B121 shade: #77B11C, #88C32F, #99D542, #AAE755 and #BBF968

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72B121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72B121 shade: #72B121, #619F0E, #508D00, #3F7B00 and #2E6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72B121 shade: #72B120, #98B120, #B1A220, #B17B20 and #B15420

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72B121 shade: #72B120, #4BB120, #24B120, #20B144 and #20B16B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72B121 shade matches the following richer shades: #72B120 and #74C20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72B121 shade: #72B120, #6FA031, #6D8F42, #6B7E53 and #696D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72B121 shade: #B1A220, #99B120, #72B120, #4CB120 and #25B120

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72B121 shade: #456B14, #5B8E1A, #72B120, #88D427 and #9BDD46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72B121 shade: #72B121, #20B17C and #B120AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72B121 shade: #72B121, #2072B1 and #B12072

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72B121 shade: #72B121, #20B17C, #5F20B1 and #B12055

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72B121 shade: #72B121, #20B1A7, #5F20B1 and #B1202A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 81 / 31

HEX #72B121

RGB 114 177 33

HSL 86.25, 0.69%, 0.41%

LAB 65.85, -41.52, 60.96

 

Complementary color

CMYK 36 / 65 / 0 / 13

HEX #8D4EDE

RGB 141 78 222

HSL 266.25, 0.69%, 0.59%

LAB 47.48, 54.65, -63.87

 

CMYK 33 / 0 / 84 / 31

HEX #77B11C

RGB 119 177 28

HSL 83.36, 0.73%, 0.4%

LAB 66.1, -39.87, 62.59

 

CMYK 30 / 0 / 76 / 24

HEX #88C32F

RGB 136 195 47

HSL 83.92, 0.61%, 0.47%

LAB 72.54, -40.53, 63.39

 

CMYK 28 / 0 / 69 / 16

HEX #99D542

RGB 153 213 66

HSL 84.49, 0.64%, 0.55%

LAB 78.9, -40.98, 63.34

 

CMYK 26 / 0 / 63 / 9

HEX #AAE755

RGB 170 231 85

HSL 85.07, 0.75%, 0.62%

LAB 85.18, -41.3, 62.81

 

CMYK 25 / 0 / 58 / 2

HEX #BBF968

RGB 187 249 104

HSL 85.66, 0.92%, 0.69%

LAB 91.38, -41.51, 62

 

CMYK 36 / 0 / 81 / 31

HEX #72B121

RGB 114 177 33

HSL 86.25, 0.69%, 0.41%

LAB 65.85, -41.52, 60.96

 

CMYK 39 / 0 / 91 / 38

HEX #619F0E

RGB 97 159 14

HSL 85.66, 0.84%, 0.34%

LAB 59.31, -40.69, 59.3

 

CMYK 43 / 0 / 100 / 45

HEX #508D00

RGB 80 141 0

HSL 85.96, 1%, 0.28%

LAB 52.68, -39.53, 55.87

 

CMYK 49 / 0 / 100 / 52

HEX #3F7B00

RGB 63 123 0

HSL 89.27, 1%, 0.24%

LAB 45.94, -37.96, 50.27

 

CMYK 56 / 0 / 100 / 59

HEX #2E6900

RGB 46 105 0

HSL 93.71, 1%, 0.21%

LAB 39.04, -36.22, 44.56

 

CMYK 36 / 0 / 82 / 31

HEX #72B120

RGB 114 177 32

HSL 86.07, 0.69%, 0.41%

LAB 65.85, -41.56, 61.23

 

CMYK 14 / 0 / 82 / 31

HEX #98B120

RGB 152 177 32

HSL 70.34, 0.69%, 0.41%

LAB 68.19, -26.53, 64.2

 

CMYK 0 / 8 / 82 / 31

HEX #B1A220

RGB 177 162 32

HSL 53.79, 0.69%, 0.41%

LAB 65.98, -8.02, 63.06

 

CMYK 0 / 31 / 82 / 31

HEX #B17B20

RGB 177 123 32

HSL 37.66, 0.69%, 0.41%

LAB 55.7, 13.31, 54.06

 

CMYK 0 / 53 / 82 / 31

HEX #B15420

RGB 177 84 32

HSL 21.52, 0.69%, 0.41%

LAB 46.7, 34.69, 45.89

 

CMYK 36 / 0 / 82 / 31

HEX #72B120

RGB 114 177 32

HSL 86.07, 0.69%, 0.41%

LAB 65.85, -41.56, 61.23

 

CMYK 58 / 0 / 82 / 31

HEX #4BB120

RGB 75 177 32

HSL 102.21, 0.69%, 0.41%

LAB 64.2, -53.92, 59.12

 

CMYK 80 / 0 / 82 / 31

HEX #24B120

RGB 36 177 32

HSL 118.34, 0.69%, 0.41%

LAB 63.28, -61.62, 57.94

 

CMYK 82 / 0 / 62 / 31

HEX #20B144

RGB 32 177 68

HSL 134.9, 0.69%, 0.41%

LAB 63.48, -58.9, 44.56

 

CMYK 82 / 0 / 40 / 31

HEX #20B16B

RGB 32 177 107

HSL 151.03, 0.69%, 0.41%

LAB 64.01, -52.66, 25.71

 

CMYK 36 / 0 / 82 / 31

HEX #72B120

RGB 114 177 32

HSL 86.07, 0.69%, 0.41%

LAB 65.85, -41.56, 61.23

 

CMYK 40 / 0 / 92 / 24

HEX #74C20F

RGB 116 194 15

HSL 86.15, 0.86%, 0.41%

LAB 71.1, -48.45, 69.21

 

CMYK 36 / 0 / 82 / 31

HEX #72B120

RGB 114 177 32

HSL 86.07, 0.69%, 0.41%

LAB 65.85, -41.56, 61.23

 

CMYK 31 / 0 / 69 / 37

HEX #6FA031

RGB 111 160 49

HSL 86.49, 0.53%, 0.41%

LAB 60.55, -34.17, 50.31

 

CMYK 24 / 0 / 54 / 44

HEX #6D8F42

RGB 109 143 66

HSL 86.49, 0.37%, 0.41%

LAB 55.37, -25.29, 36.75

 

CMYK 15 / 0 / 34 / 51

HEX #6B7E53

RGB 107 126 83

HSL 86.51, 0.21%, 0.41%

LAB 50.3, -15.07, 21.19

 

CMYK 4 / 0 / 8 / 57

HEX #696D64

RGB 105 109 100

HSL 86.67, 0.04%, 0.41%

LAB 45.44, -3.35, 4.49

 

CMYK 0 / 8 / 82 / 31

HEX #B1A220

RGB 177 162 32

HSL 53.79, 0.69%, 0.41%

LAB 65.98, -8.02, 63.06

 

CMYK 14 / 0 / 82 / 31

HEX #99B120

RGB 153 177 32

HSL 69.93, 0.69%, 0.41%

LAB 68.26, -26.1, 64.29

 

CMYK 36 / 0 / 82 / 31

HEX #72B120

RGB 114 177 32

HSL 86.07, 0.69%, 0.41%

LAB 65.85, -41.56, 61.23

 

CMYK 57 / 0 / 82 / 31

HEX #4CB120

RGB 76 177 32

HSL 101.79, 0.69%, 0.41%

LAB 64.23, -53.65, 59.16

 

CMYK 79 / 0 / 82 / 31

HEX #25B120

RGB 37 177 32

HSL 117.93, 0.69%, 0.41%

LAB 63.29, -61.49, 57.96

 

CMYK 36 / 0 / 81 / 58

HEX #456B14

RGB 69 107 20

HSL 86.21, 0.69%, 0.25%

LAB 40.95, -27.82, 41.09

 

CMYK 36 / 0 / 82 / 44

HEX #5B8E1A

RGB 91 142 26

HSL 86.38, 0.69%, 0.33%

LAB 53.65, -35.06, 51.41

 

CMYK 36 / 0 / 82 / 31

HEX #72B120

RGB 114 177 32

HSL 86.07, 0.69%, 0.41%

LAB 65.85, -41.56, 61.23

 

CMYK 36 / 0 / 82 / 17

HEX #88D427

RGB 136 212 39

HSL 86.36, 0.69%, 0.49%

LAB 77.56, -48.12, 70.32

 

CMYK 30 / 0 / 68 / 13

HEX #9BDD46

RGB 155 221 70

HSL 86.23, 0.69%, 0.57%

LAB 81.36, -43.47, 64.4

 

CMYK 36 / 0 / 81 / 31

HEX #72B121

RGB 114 177 33

HSL 86.25, 0.69%, 0.41%

LAB 65.85, -41.52, 60.96

 

CMYK 82 / 0 / 30 / 31

HEX #20B17C

RGB 32 177 124

HSL 158.07, 0.69%, 0.41%

LAB 64.33, -49.06, 16.97

 

CMYK 0 / 82 / 3 / 31

HEX #B120AC

RGB 177 32 172

HSL 302.07, 0.69%, 0.41%

LAB 43.3, 69.37, -41.28

 

CMYK 36 / 0 / 81 / 31

HEX #72B121

RGB 114 177 33

HSL 86.25, 0.69%, 0.41%

LAB 65.85, -41.52, 60.96

 

CMYK 82 / 36 / 0 / 31

HEX #2072B1

RGB 32 114 177

HSL 206.07, 0.69%, 0.41%

LAB 46.33, -1.21, -40.19

 

CMYK 0 / 82 / 36 / 31

HEX #B12072

RGB 177 32 114

HSL 326.07, 0.69%, 0.41%

LAB 40.57, 61.71, -10.2

 

CMYK 36 / 0 / 81 / 31

HEX #72B121

RGB 114 177 33

HSL 86.25, 0.69%, 0.41%

LAB 65.85, -41.52, 60.96

 

CMYK 82 / 0 / 30 / 31

HEX #20B17C

RGB 32 177 124

HSL 158.07, 0.69%, 0.41%

LAB 64.33, -49.06, 16.97

 

CMYK 46 / 82 / 0 / 31

HEX #5F20B1

RGB 95 32 177

HSL 266.07, 0.69%, 0.41%

LAB 30.97, 56.27, -64.81

 

CMYK 0 / 82 / 52 / 31

HEX #B12055

RGB 177 32 85

HSL 338.07, 0.69%, 0.41%

LAB 39.64, 58.98, 6.75

 

CMYK 36 / 0 / 81 / 31

HEX #72B121

RGB 114 177 33

HSL 86.25, 0.69%, 0.41%

LAB 65.85, -41.52, 60.96

 

CMYK 82 / 0 / 6 / 31

HEX #20B1A7

RGB 32 177 167

HSL 175.86, 0.69%, 0.41%

LAB 65.39, -37.92, -5.26

 

CMYK 46 / 82 / 0 / 31

HEX #5F20B1

RGB 95 32 177

HSL 266.07, 0.69%, 0.41%

LAB 30.97, 56.27, -64.81

 

CMYK 0 / 82 / 76 / 31

HEX #B1202A

RGB 177 32 42

HSL 355.86, 0.69%, 0.41%

LAB 38.81, 56.45, 32.64

 

Description

Color code: HEX #72B121 | qconv.com Color code: HEX #72B121 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 177 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 177 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 81 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 81% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

65% - Talleres Pedro Rey –...
Link: http://www.tallerespedrorey.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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