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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72B11F it is the complementary color #8D4EE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72B11F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72B11F shade: #77B11A, #88C32D, #99D540, #AAE753 and #BBF966

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72B11F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72B11F shade: #72B11F, #619F0C, #508D00, #3F7B00 and #2E6900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72B11F shade: #72B11F, #9AB11F, #B1A11F, #B17A1F and #B1531F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72B11F shade: #72B11F, #4BB11F, #23B11F, #1FB142 and #1FB16A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72B11F shade matches the following richer shades: #72B11F and #74C20E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72B11F shade: #72B11F, #70A030, #6D8F41, #6B7E52 and #696E63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72B11F shade: #B1A01F, #9BB11F, #74B11F, #4DB11F and #26B11F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72B11F shade: #456B12, #5B8E19, #72B11F, #89D425 and #9CDE45

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72B11F shade: #72B11F, #1FB179 and #B11FAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72B11F shade: #72B11F, #1F74B1 and #B11F74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72B11F shade: #72B11F, #1FB179, #5C1FB1 and #B11F57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72B11F shade: #72B11F, #1FB1A5, #5C1FB1 and #B11F2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

Complementary color

CMYK 37 / 65 / 0 / 12

HEX #8D4EE0

RGB 141 78 224

HSL 265.89, 0.7%, 0.59%

LAB 47.62, 55.14, -64.78

 

CMYK 33 / 0 / 85 / 31

HEX #77B11A

RGB 119 177 26

HSL 83.05, 0.74%, 0.4%

LAB 66.09, -39.95, 63.06

 

CMYK 30 / 0 / 77 / 24

HEX #88C32D

RGB 136 195 45

HSL 83.6, 0.63%, 0.47%

LAB 72.53, -40.63, 64.01

 

CMYK 28 / 0 / 70 / 16

HEX #99D540

RGB 153 213 64

HSL 84.16, 0.64%, 0.54%

LAB 78.89, -41.11, 64.07

 

CMYK 26 / 0 / 64 / 9

HEX #AAE753

RGB 170 231 83

HSL 84.73, 0.76%, 0.62%

LAB 85.16, -41.45, 63.6

 

CMYK 25 / 0 / 59 / 2

HEX #BBF966

RGB 187 249 102

HSL 85.31, 0.92%, 0.69%

LAB 91.36, -41.68, 62.83

 

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

CMYK 39 / 0 / 92 / 38

HEX #619F0C

RGB 97 159 12

HSL 85.31, 0.86%, 0.34%

LAB 59.31, -40.74, 59.62

 

CMYK 43 / 0 / 100 / 45

HEX #508D00

RGB 80 141 0

HSL 85.96, 1%, 0.28%

LAB 52.68, -39.53, 55.87

 

CMYK 49 / 0 / 100 / 52

HEX #3F7B00

RGB 63 123 0

HSL 89.27, 1%, 0.24%

LAB 45.94, -37.96, 50.27

 

CMYK 56 / 0 / 100 / 59

HEX #2E6900

RGB 46 105 0

HSL 93.71, 1%, 0.21%

LAB 39.04, -36.22, 44.56

 

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

CMYK 13 / 0 / 82 / 31

HEX #9AB11F

RGB 154 177 31

HSL 69.45, 0.7%, 0.41%

LAB 68.32, -25.72, 64.63

 

CMYK 0 / 9 / 82 / 31

HEX #B1A11F

RGB 177 161 31

HSL 53.42, 0.7%, 0.41%

LAB 65.7, -7.52, 63.1

 

CMYK 0 / 31 / 82 / 31

HEX #B17A1F

RGB 177 122 31

HSL 37.4, 0.7%, 0.41%

LAB 55.45, 13.84, 54.19

 

CMYK 0 / 53 / 82 / 31

HEX #B1531F

RGB 177 83 31

HSL 21.37, 0.7%, 0.41%

LAB 46.49, 35.17, 46.13

 

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

CMYK 58 / 0 / 82 / 31

HEX #4BB11F

RGB 75 177 31

HSL 101.92, 0.7%, 0.41%

LAB 64.19, -53.97, 59.39

 

CMYK 80 / 0 / 82 / 31

HEX #23B11F

RGB 35 177 31

HSL 118.36, 0.7%, 0.41%

LAB 63.26, -61.8, 58.19

 

CMYK 82 / 0 / 63 / 31

HEX #1FB142

RGB 31 177 66

HSL 134.38, 0.7%, 0.41%

LAB 63.45, -59.25, 45.43

 

CMYK 82 / 0 / 40 / 31

HEX #1FB16A

RGB 31 177 106

HSL 150.82, 0.7%, 0.41%

LAB 63.98, -52.96, 26.2

 

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

CMYK 40 / 0 / 93 / 24

HEX #74C20E

RGB 116 194 14

HSL 86, 0.87%, 0.41%

LAB 71.1, -48.47, 69.35

 

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

CMYK 30 / 0 / 70 / 37

HEX #70A030

RGB 112 160 48

HSL 85.71, 0.54%, 0.41%

LAB 60.6, -33.86, 50.78

 

CMYK 24 / 0 / 55 / 44

HEX #6D8F41

RGB 109 143 65

HSL 86.15, 0.38%, 0.41%

LAB 55.36, -25.4, 37.24

 

CMYK 15 / 0 / 35 / 51

HEX #6B7E52

RGB 107 126 82

HSL 85.91, 0.21%, 0.41%

LAB 50.28, -15.22, 21.73

 

CMYK 5 / 0 / 10 / 57

HEX #696E63

RGB 105 110 99

HSL 87.27, 0.05%, 0.41%

LAB 45.71, -4.13, 5.47

 

CMYK 0 / 10 / 82 / 31

HEX #B1A01F

RGB 177 160 31

HSL 53.01, 0.7%, 0.41%

LAB 65.43, -6.99, 62.87

 

CMYK 12 / 0 / 82 / 31

HEX #9BB11F

RGB 155 177 31

HSL 69.04, 0.7%, 0.41%

LAB 68.4, -25.3, 64.73

 

CMYK 34 / 0 / 82 / 31

HEX #74B11F

RGB 116 177 31

HSL 85.07, 0.7%, 0.41%

LAB 65.95, -40.87, 61.63

 

CMYK 56 / 0 / 82 / 31

HEX #4DB11F

RGB 77 177 31

HSL 101.1, 0.7%, 0.41%

LAB 64.26, -53.44, 59.47

 

CMYK 79 / 0 / 82 / 31

HEX #26B11F

RGB 38 177 31

HSL 117.12, 0.7%, 0.41%

LAB 63.31, -61.41, 58.25

 

CMYK 36 / 0 / 83 / 58

HEX #456B12

RGB 69 107 18

HSL 85.62, 0.71%, 0.25%

LAB 40.94, -27.93, 41.76

 

CMYK 36 / 0 / 82 / 44

HEX #5B8E19

RGB 91 142 25

HSL 86.15, 0.7%, 0.33%

LAB 53.64, -35.11, 51.7

 

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

CMYK 35 / 0 / 83 / 17

HEX #89D425

RGB 137 212 37

HSL 85.71, 0.7%, 0.49%

LAB 77.6, -47.85, 70.88

 

CMYK 30 / 0 / 69 / 13

HEX #9CDE45

RGB 156 222 69

HSL 85.88, 0.7%, 0.57%

LAB 81.7, -43.61, 65.14

 

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

CMYK 82 / 0 / 32 / 31

HEX #1FB179

RGB 31 177 121

HSL 156.99, 0.7%, 0.41%

LAB 64.25, -49.83, 18.5

 

CMYK 0 / 82 / 1 / 31

HEX #B11FAF

RGB 177 31 175

HSL 300.82, 0.7%, 0.41%

LAB 43.39, 70.06, -42.91

 

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

CMYK 82 / 34 / 0 / 31

HEX #1F74B1

RGB 31 116 177

HSL 205.07, 0.7%, 0.41%

LAB 46.92, -2.53, -39.27

 

CMYK 0 / 82 / 34 / 31

HEX #B11F74

RGB 177 31 116

HSL 325.07, 0.7%, 0.41%

LAB 40.55, 62.17, -11.47

 

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

CMYK 82 / 0 / 32 / 31

HEX #1FB179

RGB 31 177 121

HSL 156.99, 0.7%, 0.41%

LAB 64.25, -49.83, 18.5

 

CMYK 48 / 82 / 0 / 31

HEX #5C1FB1

RGB 92 31 177

HSL 265.07, 0.7%, 0.41%

LAB 30.47, 56.24, -65.65

 

CMYK 0 / 82 / 51 / 31

HEX #B11F57

RGB 177 31 87

HSL 336.99, 0.7%, 0.41%

LAB 39.61, 59.4, 5.42

 

CMYK 36 / 0 / 82 / 31

HEX #72B11F

RGB 114 177 31

HSL 85.89, 0.7%, 0.41%

LAB 65.84, -41.6, 61.49

 

CMYK 82 / 0 / 7 / 31

HEX #1FB1A5

RGB 31 177 165

HSL 175.07, 0.7%, 0.41%

LAB 65.32, -38.58, -4.25

 

CMYK 48 / 82 / 0 / 31

HEX #5C1FB1

RGB 92 31 177

HSL 265.07, 0.7%, 0.41%

LAB 30.47, 56.24, -65.65

 

CMYK 0 / 82 / 76 / 31

HEX #B11F2B

RGB 177 31 43

HSL 355.07, 0.7%, 0.41%

LAB 38.73, 56.75, 31.95

 

Description

Color code: HEX #72B11F | qconv.com Color code: HEX #72B11F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 177 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 177 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 82 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 82% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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