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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 231 83 it is the complementary color RGB 85 24 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 231 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 231 83 shade: RGB 175 231 78, RGB 192 249 97, RGB 209 255 116, RGB 226 255 135 and RGB 243 255 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 231 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 231 83 shade: RGB 170 231 83, RGB 153 213 64, RGB 136 195 45, RGB 119 177 26 and RGB 102 159 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 231 83 shade: RGB 171 231 84, RGB 210 231 84, RGB 231 213 84, RGB 231 173 84 and RGB 231 133 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 231 83 shade: RGB 171 231 84, RGB 131 231 84, RGB 91 231 84, RGB 84 231 117 and RGB 84 231 156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 231 83 shade matches the following richer shades: RGB 171 231 84 and RGB 173 247 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 231 83 shade: RGB 171 231 84, RGB 168 216 100, RGB 165 200 115, RGB 162 184 131 and RGB 160 169 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 231 83 shade: RGB 231 212 84, RGB 212 231 84, RGB 172 231 84, RGB 133 231 84 and RGB 94 231 84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 231 83 shade: RGB 132 205 28, RGB 153 226 48, RGB 171 231 84, RGB 188 236 120 and RGB 206 241 157

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 231 83 shade: RGB 170 231 83, RGB 84 231 172 and RGB 231 84 231

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 231 83 shade: RGB 170 231 83, RGB 84 172 231 and RGB 231 84 172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 231 83 shade: RGB 170 231 83, RGB 84 231 172, RGB 143 84 231 and RGB 231 84 143

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 231 83 shade: RGB 170 231 83, RGB 84 231 217, RGB 143 84 231 and RGB 231 84 99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 64 / 9

HEX #AAE753

RGB 170 231 83

HSL 84.73, 0.76%, 0.62%

LAB 85.16, -41.45, 63.6

 

Complementary color

CMYK 51 / 86 / 0 / 33

HEX #5518AC

RGB 85 24 172

HSL 264.73, 0.76%, 0.38%

LAB 28.28, 56.57, -66.29

 

CMYK 24 / 0 / 66 / 9

HEX #AFE74E

RGB 175 231 78

HSL 81.96, 0.76%, 0.61%

LAB 85.41, -39.97, 65.91

 

CMYK 23 / 0 / 61 / 2

HEX #C0F961

RGB 192 249 97

HSL 82.5, 0.93%, 0.68%

LAB 91.6, -40.27, 65.27

 

CMYK 18 / 0 / 55 / 0

HEX #D1FF74

RGB 209 255 116

HSL 79.86, 1%, 0.73%

LAB 94.46, -35.12, 60.66

 

CMYK 11 / 0 / 47 / 0

HEX #E2FF87

RGB 226 255 135

HSL 74.5, 1%, 0.76%

LAB 95.76, -27.01, 53.87

 

CMYK 5 / 0 / 40 / 0

HEX #F3FF9A

RGB 243 255 154

HSL 67.13, 1%, 0.8%

LAB 97.19, -18.66, 46.88

 

CMYK 26 / 0 / 64 / 9

HEX #AAE753

RGB 170 231 83

HSL 84.73, 0.76%, 0.62%

LAB 85.16, -41.45, 63.6

 

CMYK 28 / 0 / 70 / 16

HEX #99D540

RGB 153 213 64

HSL 84.16, 0.64%, 0.54%

LAB 78.89, -41.11, 64.07

 

CMYK 30 / 0 / 77 / 24

HEX #88C32D

RGB 136 195 45

HSL 83.6, 0.63%, 0.47%

LAB 72.53, -40.63, 64.01

 

CMYK 33 / 0 / 85 / 31

HEX #77B11A

RGB 119 177 26

HSL 83.05, 0.74%, 0.4%

LAB 66.09, -39.95, 63.06

 

CMYK 36 / 0 / 96 / 38

HEX #669F07

RGB 102 159 7

HSL 82.5, 0.92%, 0.33%

LAB 59.56, -39, 60.66

 

CMYK 26 / 0 / 64 / 9

HEX #ABE754

RGB 171 231 84

HSL 84.49, 0.75%, 0.62%

LAB 85.23, -41.01, 63.28

 

CMYK 9 / 0 / 64 / 9

HEX #D2E754

RGB 210 231 84

HSL 68.57, 0.75%, 0.62%

LAB 87.72, -26.05, 66.69

 

CMYK 0 / 8 / 64 / 9

HEX #E7D554

RGB 231 213 84

HSL 52.65, 0.75%, 0.62%

LAB 84.6, -8.65, 63.88

 

CMYK 0 / 25 / 64 / 9

HEX #E7AD54

RGB 231 173 84

HSL 36.33, 0.75%, 0.62%

LAB 74.52, 12.11, 52.89

 

CMYK 0 / 42 / 64 / 9

HEX #E78554

RGB 231 133 84

HSL 20, 0.75%, 0.62%

LAB 65.28, 33.31, 42.26

 

CMYK 26 / 0 / 64 / 9

HEX #ABE754

RGB 171 231 84

HSL 84.49, 0.75%, 0.62%

LAB 85.23, -41.01, 63.28

 

CMYK 43 / 0 / 64 / 9

HEX #83E754

RGB 131 231 84

HSL 100.82, 0.75%, 0.62%

LAB 83.24, -54.52, 60.55

 

CMYK 61 / 0 / 64 / 9

HEX #5BE754

RGB 91 231 84

HSL 117.14, 0.75%, 0.62%

LAB 81.85, -65.12, 58.62

 

CMYK 64 / 0 / 49 / 9

HEX #54E775

RGB 84 231 117

HSL 133.47, 0.75%, 0.62%

LAB 82.01, -62.58, 43.95

 

CMYK 64 / 0 / 32 / 9

HEX #54E79C

RGB 84 231 156

HSL 149.39, 0.75%, 0.62%

LAB 82.61, -55.96, 25.25

 

CMYK 26 / 0 / 64 / 9

HEX #ABE754

RGB 171 231 84

HSL 84.49, 0.75%, 0.62%

LAB 85.23, -41.01, 63.28

 

CMYK 30 / 0 / 72 / 3

HEX #ADF744

RGB 173 247 68

HSL 84.8, 0.92%, 0.62%

LAB 89.78, -48.21, 73.87

 

CMYK 26 / 0 / 64 / 9

HEX #ABE754

RGB 171 231 84

HSL 84.49, 0.75%, 0.62%

LAB 85.23, -41.01, 63.28

 

CMYK 22 / 0 / 54 / 15

HEX #A8D864

RGB 168 216 100

HSL 84.83, 0.6%, 0.62%

LAB 80.94, -33.98, 51.48

 

CMYK 18 / 0 / 43 / 22

HEX #A5C873

RGB 165 200 115

HSL 84.71, 0.44%, 0.62%

LAB 76.4, -25.9, 38.66

 

CMYK 12 / 0 / 29 / 28

HEX #A2B883

RGB 162 184 131

HSL 84.91, 0.27%, 0.62%

LAB 71.96, -16.92, 24.5

 

CMYK 5 / 0 / 13 / 34

HEX #A0A993

RGB 160 169 147

HSL 84.55, 0.11%, 0.62%

LAB 67.99, -7.25, 10.27

 

CMYK 0 / 8 / 64 / 9

HEX #E7D454

RGB 231 212 84

HSL 52.24, 0.75%, 0.62%

LAB 84.34, -8.15, 63.6

 

CMYK 8 / 0 / 64 / 9

HEX #D4E754

RGB 212 231 84

HSL 67.76, 0.75%, 0.62%

LAB 87.87, -25.25, 66.88

 

CMYK 26 / 0 / 64 / 9

HEX #ACE754

RGB 172 231 84

HSL 84.08, 0.75%, 0.62%

LAB 85.28, -40.64, 63.36

 

CMYK 42 / 0 / 64 / 9

HEX #85E754

RGB 133 231 84

HSL 100, 0.75%, 0.62%

LAB 83.33, -53.91, 60.67

 

CMYK 59 / 0 / 64 / 9

HEX #5EE754

RGB 94 231 84

HSL 115.92, 0.75%, 0.62%

LAB 81.93, -64.45, 58.74

 

CMYK 36 / 0 / 86 / 20

HEX #84CD1C

RGB 132 205 28

HSL 84.75, 0.76%, 0.46%

LAB 75.23, -47.03, 70.74

 

CMYK 32 / 0 / 79 / 11

HEX #99E230

RGB 153 226 48

HSL 84.61, 0.75%, 0.54%

LAB 82.58, -47.54, 72.79

 

CMYK 26 / 0 / 64 / 9

HEX #ABE754

RGB 171 231 84

HSL 84.49, 0.75%, 0.62%

LAB 85.23, -41.01, 63.28

 

CMYK 20 / 0 / 49 / 7

HEX #BCEC78

RGB 188 236 120

HSL 84.83, 0.75%, 0.7%

LAB 87.99, -33.79, 50.87

 

CMYK 15 / 0 / 35 / 5

HEX #CEF19D

RGB 206 241 157

HSL 85, 0.75%, 0.78%

LAB 90.99, -25.24, 36.92

 

CMYK 26 / 0 / 64 / 9

HEX #AAE753

RGB 170 231 83

HSL 84.73, 0.76%, 0.62%

LAB 85.16, -41.45, 63.6

 

CMYK 64 / 0 / 26 / 9

HEX #54E7AC

RGB 84 231 172

HSL 155.92, 0.75%, 0.62%

LAB 82.92, -52.7, 17.39

 

CMYK 0 / 64 / 0 / 9

HEX #E754E7

RGB 231 84 231

HSL 300, 0.75%, 0.62%

LAB 60.87, 73.77, -46.84

 

CMYK 26 / 0 / 64 / 9

HEX #AAE753

RGB 170 231 83

HSL 84.73, 0.76%, 0.62%

LAB 85.16, -41.45, 63.6

 

CMYK 64 / 26 / 0 / 9

HEX #54ACE7

RGB 84 172 231

HSL 204.08, 0.75%, 0.62%

LAB 67.4, -8.64, -37.46

 

CMYK 0 / 64 / 26 / 9

HEX #E754AC

RGB 231 84 172

HSL 324.08, 0.75%, 0.62%

LAB 58.33, 65.15, -17.22

 

CMYK 26 / 0 / 64 / 9

HEX #AAE753

RGB 170 231 83

HSL 84.73, 0.76%, 0.62%

LAB 85.16, -41.45, 63.6

 

CMYK 64 / 0 / 26 / 9

HEX #54E7AC

RGB 84 231 172

HSL 155.92, 0.75%, 0.62%

LAB 82.92, -52.7, 17.39

 

CMYK 38 / 64 / 0 / 9

HEX #8F54E7

RGB 143 84 231

HSL 264.08, 0.75%, 0.62%

LAB 49.44, 54.26, -65.78

 

CMYK 0 / 64 / 38 / 9

HEX #E7548F

RGB 231 84 143

HSL 335.92, 0.75%, 0.62%

LAB 57.38, 61.76, -1.73

 

CMYK 26 / 0 / 64 / 9

HEX #AAE753

RGB 170 231 83

HSL 84.73, 0.76%, 0.62%

LAB 85.16, -41.45, 63.6

 

CMYK 64 / 0 / 6 / 9

HEX #54E7D9

RGB 84 231 217

HSL 174.29, 0.75%, 0.62%

LAB 83.99, -42, -4.74

 

CMYK 38 / 64 / 0 / 9

HEX #8F54E7

RGB 143 84 231

HSL 264.08, 0.75%, 0.62%

LAB 49.44, 54.26, -65.78

 

CMYK 0 / 64 / 57 / 9

HEX #E75463

RGB 231 84 99

HSL 353.88, 0.75%, 0.62%

LAB 56.32, 57.84, 22.65

 

Description

Color code: RGB 170 231 83 | qconv.com Color code: RGB 170 231 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 231 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 231 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 64 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 64% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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