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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #728914 it is the complementary color #8D76EB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #728914. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #728914 shade: #77890F, #889B22, #99AD35, #AABF48 and #BBD15B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #728914. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #728914 shade: #728914, #617701, #506500, #3F5300 and #2E4100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #728914 shade: #738A13, #8A8113, #8A6113, #8A4113 and #8A2113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #728914 shade: #738A13, #538A13, #338A13, #138A14 and #138A34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #728914 shade matches the following richer shades: #738A13 and #7A9706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #728914 shade: #738A13, #6B7D20, #63702D, #5B633A and #535746

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #728914 shade: #8A6013, #8A8013, #748A13, #548A13 and #358A13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #728914 shade: #364209, #55660E, #738A13, #91AE18 and #AFD21E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #728914 shade: #728914, #138A41 and #70138A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #728914 shade: #728914, #13748A and #8A1374

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #728914 shade: #728914, #138A41, #29138A and #8A135C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #728914 shade: #728914, #138A64, #29138A and #8A1339

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 85 / 46

HEX #728914

RGB 114 137 20

HSL 71.79, 0.75%, 0.31%

LAB 53.51, -23.48, 53.52

 

Complementary color

CMYK 40 / 50 / 0 / 8

HEX #8D76EB

RGB 141 118 235

HSL 251.79, 0.75%, 0.69%

LAB 56.7, 36.12, -56.35

 

CMYK 13 / 0 / 89 / 46

HEX #77890F

RGB 119 137 15

HSL 68.85, 0.8%, 0.3%

LAB 53.87, -21.43, 55.14

 

CMYK 12 / 0 / 78 / 39

HEX #889B22

RGB 136 155 34

HSL 69.42, 0.64%, 0.37%

LAB 60.6, -22.41, 56.37

 

CMYK 12 / 0 / 69 / 32

HEX #99AD35

RGB 153 173 53

HSL 70, 0.53%, 0.44%

LAB 67.21, -23.15, 56.42

 

CMYK 11 / 0 / 62 / 25

HEX #AABF48

RGB 170 191 72

HSL 70.59, 0.48%, 0.52%

LAB 73.72, -23.72, 55.85

 

CMYK 11 / 0 / 56 / 18

HEX #BBD15B

RGB 187 209 91

HSL 71.19, 0.56%, 0.59%

LAB 80.14, -24.15, 54.97

 

CMYK 17 / 0 / 85 / 46

HEX #728914

RGB 114 137 20

HSL 71.79, 0.75%, 0.31%

LAB 53.51, -23.48, 53.52

 

CMYK 18 / 0 / 99 / 53

HEX #617701

RGB 97 119 1

HSL 71.19, 0.98%, 0.24%

LAB 46.63, -22.42, 51.45

 

CMYK 21 / 0 / 100 / 60

HEX #506500

RGB 80 101 0

HSL 72.48, 1%, 0.2%

LAB 39.6, -20.89, 45.82

 

CMYK 24 / 0 / 100 / 67

HEX #3F5300

RGB 63 83 0

HSL 74.46, 1%, 0.16%

LAB 32.35, -19.31, 39.78

 

CMYK 29 / 0 / 100 / 75

HEX #2E4100

RGB 46 65 0

HSL 77.54, 1%, 0.13%

LAB 24.83, -17.69, 33.05

 

CMYK 17 / 0 / 86 / 46

HEX #738A13

RGB 115 138 19

HSL 71.6, 0.76%, 0.31%

LAB 53.89, -23.58, 54.12

 

CMYK 0 / 7 / 86 / 46

HEX #8A8113

RGB 138 129 19

HSL 55.46, 0.76%, 0.31%

LAB 53.11, -8.41, 54.23

 

CMYK 0 / 30 / 86 / 46

HEX #8A6113

RGB 138 97 19

HSL 39.33, 0.76%, 0.31%

LAB 44.23, 9.82, 46.74

 

CMYK 0 / 53 / 86 / 46

HEX #8A4113

RGB 138 65 19

HSL 23.19, 0.76%, 0.31%

LAB 36.43, 28.22, 40.02

 

CMYK 0 / 76 / 86 / 46

HEX #8A2113

RGB 138 33 19

HSL 7.06, 0.76%, 0.31%

LAB 30.73, 43.28, 34.97

 

CMYK 17 / 0 / 86 / 46

HEX #738A13

RGB 115 138 19

HSL 71.6, 0.76%, 0.31%

LAB 53.89, -23.58, 54.12

 

CMYK 40 / 0 / 86 / 46

HEX #538A13

RGB 83 138 19

HSL 87.73, 0.76%, 0.31%

LAB 51.91, -36.6, 51.64

 

CMYK 63 / 0 / 86 / 46

HEX #338A13

RGB 51 138 19

HSL 103.87, 0.76%, 0.31%

LAB 50.6, -46.63, 49.98

 

CMYK 86 / 0 / 86 / 46

HEX #138A14

RGB 19 138 20

HSL 120.5, 0.76%, 0.31%

LAB 49.94, -52.31, 48.86

 

CMYK 86 / 0 / 62 / 46

HEX #138A34

RGB 19 138 52

HSL 136.64, 0.76%, 0.31%

LAB 50.17, -49.37, 36.71

 

CMYK 17 / 0 / 86 / 46

HEX #738A13

RGB 115 138 19

HSL 71.6, 0.76%, 0.31%

LAB 53.89, -23.58, 54.12

 

CMYK 19 / 0 / 96 / 41

HEX #7A9706

RGB 122 151 6

HSL 72, 0.92%, 0.31%

LAB 58.31, -27.29, 60.34

 

CMYK 17 / 0 / 86 / 46

HEX #738A13

RGB 115 138 19

HSL 71.6, 0.76%, 0.31%

LAB 53.89, -23.58, 54.12

 

CMYK 14 / 0 / 74 / 51

HEX #6B7D20

RGB 107 125 32

HSL 71.61, 0.59%, 0.31%

LAB 49.37, -19.88, 45.67

 

CMYK 12 / 0 / 60 / 56

HEX #63702D

RGB 99 112 45

HSL 71.64, 0.43%, 0.31%

LAB 44.84, -15.58, 34.91

 

CMYK 8 / 0 / 41 / 61

HEX #5B633A

RGB 91 99 58

HSL 71.71, 0.26%, 0.31%

LAB 40.33, -10.45, 22.26

 

CMYK 5 / 0 / 20 / 66

HEX #535746

RGB 83 87 70

HSL 74.12, 0.11%, 0.31%

LAB 36.17, -5.02, 9.36

 

CMYK 0 / 30 / 86 / 46

HEX #8A6013

RGB 138 96 19

HSL 38.82, 0.76%, 0.31%

LAB 43.97, 10.4, 46.52

 

CMYK 0 / 7 / 86 / 46

HEX #8A8013

RGB 138 128 19

HSL 54.96, 0.76%, 0.31%

LAB 52.83, -7.86, 53.99

 

CMYK 16 / 0 / 86 / 46

HEX #748A13

RGB 116 138 19

HSL 71.09, 0.76%, 0.31%

LAB 53.96, -23.15, 54.22

 

CMYK 39 / 0 / 86 / 46

HEX #548A13

RGB 84 138 19

HSL 87.23, 0.76%, 0.31%

LAB 51.96, -36.23, 51.7

 

CMYK 62 / 0 / 86 / 46

HEX #358A13

RGB 53 138 19

HSL 102.86, 0.76%, 0.31%

LAB 50.66, -46.12, 50.06

 

CMYK 18 / 0 / 86 / 74

HEX #364209

RGB 54 66 9

HSL 72.63, 0.76%, 0.15%

LAB 25.86, -13.8, 30.57

 

CMYK 17 / 0 / 86 / 60

HEX #55660E

RGB 85 102 14

HSL 71.59, 0.76%, 0.23%

LAB 40.35, -18.64, 42.88

 

CMYK 17 / 0 / 86 / 46

HEX #738A13

RGB 115 138 19

HSL 71.6, 0.76%, 0.31%

LAB 53.89, -23.58, 54.12

 

CMYK 17 / 0 / 86 / 32

HEX #91AE18

RGB 145 174 24

HSL 71.6, 0.76%, 0.39%

LAB 66.79, -28.27, 64.74

 

CMYK 17 / 0 / 86 / 18

HEX #AFD21E

RGB 175 210 30

HSL 71.67, 0.75%, 0.47%

LAB 79.21, -32.74, 74.71

 

CMYK 17 / 0 / 85 / 46

HEX #728914

RGB 114 137 20

HSL 71.79, 0.75%, 0.31%

LAB 53.51, -23.48, 53.52

 

CMYK 86 / 0 / 53 / 46

HEX #138A41

RGB 19 138 65

HSL 143.19, 0.76%, 0.31%

LAB 50.33, -47.44, 30.37

 

CMYK 19 / 86 / 0 / 46

HEX #70138A

RGB 112 19 138

HSL 286.89, 0.76%, 0.31%

LAB 28.76, 54.38, -44.55

 

CMYK 17 / 0 / 85 / 46

HEX #728914

RGB 114 137 20

HSL 71.79, 0.75%, 0.31%

LAB 53.51, -23.48, 53.52

 

CMYK 86 / 16 / 0 / 46

HEX #13748A

RGB 19 116 138

HSL 191.09, 0.76%, 0.31%

LAB 44.89, -18.05, -19.49

 

CMYK 0 / 86 / 16 / 46

HEX #8A1374

RGB 138 19 116

HSL 311.09, 0.76%, 0.31%

LAB 32.1, 55.88, -25.12

 

CMYK 17 / 0 / 85 / 46

HEX #728914

RGB 114 137 20

HSL 71.79, 0.75%, 0.31%

LAB 53.51, -23.48, 53.52

 

CMYK 86 / 0 / 53 / 46

HEX #138A41

RGB 19 138 65

HSL 143.19, 0.76%, 0.31%

LAB 50.33, -47.44, 30.37

 

CMYK 70 / 86 / 0 / 46

HEX #29138A

RGB 41 19 138

HSL 251.09, 0.76%, 0.31%

LAB 19.11, 44.78, -60.75

 

CMYK 0 / 86 / 33 / 46

HEX #8A135C

RGB 138 19 92

HSL 323.19, 0.76%, 0.31%

LAB 30.98, 52.77, -11.42

 

CMYK 17 / 0 / 85 / 46

HEX #728914

RGB 114 137 20

HSL 71.79, 0.75%, 0.31%

LAB 53.51, -23.48, 53.52

 

CMYK 86 / 0 / 28 / 46

HEX #138A64

RGB 19 138 100

HSL 160.84, 0.76%, 0.31%

LAB 50.96, -40.21, 11.8

 

CMYK 70 / 86 / 0 / 46

HEX #29138A

RGB 41 19 138

HSL 251.09, 0.76%, 0.31%

LAB 19.11, 44.78, -60.75

 

CMYK 0 / 86 / 59 / 46

HEX #8A1339

RGB 138 19 57

HSL 340.84, 0.76%, 0.31%

LAB 29.82, 49.44, 10.08

 

Description

Color code: HEX #728914 | qconv.com Color code: HEX #728914 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 137 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 137 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 85 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 85% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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