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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #723D05 it is the complementary color #8DC2FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #723D05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #723D05: #773D00, #884F13, #996126, #AA7339 and #BB854C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #723D05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #723D05: #723D05, #612B00, #501900, #3F0700 and #2E0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 96 / 55

HEX #723D05

RGB 114 61 5

HSL 30.83, 0.92%, 0.23%

LAB 31.64, 19.44, 39.9

 

Complementary color

CMYK 44 / 22 / 0 / 2

HEX #8DC2FA

RGB 141 194 250

HSL 210.83, 0.92%, 0.77%

LAB 76.77, -2.99, -33.03

 

CMYK 0 / 49 / 100 / 53

HEX #773D00

RGB 119 61 0

HSL 30.76, 1%, 0.23%

LAB 32.39, 21.63, 42.8

 

CMYK 0 / 42 / 86 / 47

HEX #884F13

RGB 136 79 19

HSL 30.77, 0.75%, 0.3%

LAB 39.37, 19.41, 42.46

 

CMYK 0 / 37 / 75 / 40

HEX #996126

RGB 153 97 38

HSL 30.78, 0.6%, 0.37%

LAB 46.26, 17.5, 41.52

 

CMYK 0 / 32 / 66 / 33

HEX #AA7339

RGB 170 115 57

HSL 30.8, 0.5%, 0.45%

LAB 53.06, 15.9, 40.08

 

CMYK 0 / 29 / 59 / 27

HEX #BB854C

RGB 187 133 76

HSL 30.81, 0.45%, 0.52%

LAB 59.76, 14.57, 38.55

 

CMYK 0 / 46 / 96 / 55

HEX #723D05

RGB 114 61 5

HSL 30.83, 0.92%, 0.23%

LAB 31.64, 19.44, 39.9

 

CMYK 0 / 56 / 100 / 62

HEX #612B00

RGB 97 43 0

HSL 26.6, 1%, 0.19%

LAB 24.54, 22.03, 34.9

 

CMYK 0 / 69 / 100 / 69

HEX #501900

RGB 80 25 0

HSL 18.75, 1%, 0.16%

LAB 17.46, 24.54, 26.24

 

CMYK 0 / 89 / 100 / 75

HEX #3F0700

RGB 63 7 0

HSL 6.67, 1%, 0.12%

LAB 10.62, 26.13, 16.58

 

CMYK 0 / 100 / 100 / 82

HEX #2E0000

RGB 46 0 0

HSL 0, 1%, 0.09%

LAB 5.25, 22.43, 8.29

 

CMYK 0 / 46 / 96 / 55

HEX #723D05

RGB 114 61 5

HSL 30.83, 0.92%, 0.23%

LAB 31.64, 19.44, 39.9

 

CMYK 0 / 32 / 96 / 56

HEX #704C04

RGB 112 76 4

HSL 40, 0.93%, 0.23%

LAB 35.25, 9.41, 42.77

 

CMYK 0 / 16 / 96 / 56

HEX #705E04

RGB 112 94 4

HSL 50, 0.93%, 0.23%

LAB 40.34, -1.38, 46.55

 

CMYK 0 / 0 / 96 / 56

HEX #707004

RGB 112 112 4

HSL 60, 0.93%, 0.23%

LAB 45.69, -11.65, 50.61

 

CMYK 16 / 0 / 96 / 56

HEX #5E7004

RGB 94 112 4

HSL 70, 0.93%, 0.23%

LAB 44.2, -20.09, 48.81

 

CMYK 0 / 46 / 96 / 55

HEX #723D05

RGB 114 61 5

HSL 30.83, 0.92%, 0.23%

LAB 31.64, 19.44, 39.9

 

CMYK 0 / 47 / 96 / 35

HEX #A55807

RGB 165 88 7

HSL 30.76, 0.92%, 0.34%

LAB 45.63, 26.95, 52.69

 

CMYK 0 / 46 / 96 / 15

HEX #D87409

RGB 216 116 9

HSL 31.01, 0.92%, 0.44%

LAB 59.08, 33.46, 64.85

 

CMYK 0 / 50 / 92 / 95

HEX #0C0601

RGB 12 6 1

HSL 27.27, 0.85%, 0.03%

LAB 1.9, 0.9, 2.46

 

CMYK 0 / 46 / 95 / 75

HEX #3F2203

RGB 63 34 3

HSL 31, 0.91%, 0.13%

LAB 16.54, 11.13, 23.18

 

CMYK 0 / 46 / 96 / 55

HEX #723D05

RGB 114 61 5

HSL 30.83, 0.92%, 0.23%

LAB 31.64, 19.44, 39.9

 

CMYK 67 / 0 / 96 / 56

HEX #257004

RGB 37 112 4

HSL 101.67, 0.93%, 0.23%

LAB 41.2, -41.26, 45.14

 

CMYK 87 / 96 / 0 / 56

HEX #0F0470

RGB 15 4 112

HSL 246.11, 0.93%, 0.23%

LAB 11.68, 41.56, -56.54

 

CMYK 0 / 46 / 96 / 55

HEX #723D05

RGB 114 61 5

HSL 30.83, 0.92%, 0.23%

LAB 31.64, 19.44, 39.9

 

CMYK 96 / 0 / 48 / 56

HEX #04703A

RGB 4 112 58

HSL 150, 0.93%, 0.23%

LAB 41.09, -40.47, 22.51

 

CMYK 48 / 96 / 0 / 56

HEX #3A0470

RGB 58 4 112

HSL 270, 0.93%, 0.23%

LAB 16.29, 44.52, -48.76

 

CMYK 0 / 46 / 96 / 55

HEX #723D05

RGB 114 61 5

HSL 30.83, 0.92%, 0.23%

LAB 31.64, 19.44, 39.9

 

CMYK 67 / 0 / 96 / 56

HEX #257004

RGB 37 112 4

HSL 101.67, 0.93%, 0.23%

LAB 41.2, -41.26, 45.14

 

CMYK 96 / 48 / 0 / 56

HEX #043A70

RGB 4 58 112

HSL 210, 0.93%, 0.23%

LAB 24.39, 6.62, -35.7

 

CMYK 29 / 96 / 0 / 56

HEX #500470

RGB 80 4 112

HSL 282.22, 0.93%, 0.23%

LAB 19.89, 47.39, -42.7

 

CMYK 0 / 46 / 96 / 55

HEX #723D05

RGB 114 61 5

HSL 30.83, 0.92%, 0.23%

LAB 31.64, 19.44, 39.9

 

CMYK 96 / 0 / 96 / 56

HEX #047004

RGB 4 112 4

HSL 120, 0.93%, 0.23%

LAB 40.61, -46.42, 44.41

 

CMYK 96 / 48 / 0 / 56

HEX #043A70

RGB 4 58 112

HSL 210, 0.93%, 0.23%

LAB 24.39, 6.62, -35.7

 

CMYK 0 / 96 / 0 / 56

HEX #700470

RGB 112 4 112

HSL 300, 0.93%, 0.23%

LAB 25.87, 52.8, -32.75

 

Description

Color code: HEX #723D05 | qconv.com Color code: HEX #723D05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 61 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 61 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 96 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 96% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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