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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71F13C it is the complementary color #8E0EC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71F13C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71F13C shade: #76F137, #87FF4A, #98FF5D, #A9FF70 and #BAFF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71F13C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71F13C shade: #71F13C, #60DF29, #4FCD16, #3EBB03 and #2DA900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71F13C shade: #71F13B, #A2F13B, #D3F13B, #F1DF3B and #F1AE3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71F13C shade: #71F13B, #40F13B, #3BF168, #3BF199 and #3BF1CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71F13C shade matches the following richer shades: #71F13B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71F13C shade: #71F13B, #78E04C, #7FD05D, #86BF6E and #8DAE7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71F13C shade: #D3F13B, #A3F13B, #72F13B, #42F13B and #3BF166

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71F13C shade: #46CC0E, #55EF15, #71F13B, #8DF462 and #A9F789

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71F13C shade: #71F13C, #3BF1DF and #F13BBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71F13C shade: #71F13C, #3B72F1 and #F13B72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71F13C shade: #71F13C, #3BF1DF, #BB3BF1 and #F13B4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71F13C shade: #71F13C, #3BCDF1, #BB3BF1 and #F1603B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 75 / 5

HEX #71F13C

RGB 113 241 60

HSL 102.43, 0.87%, 0.59%

LAB 85.38, -65.16, 71.27

 

Complementary color

CMYK 27 / 93 / 0 / 24

HEX #8E0EC3

RGB 142 14 195

HSL 282.43, 0.87%, 0.41%

LAB 37.85, 70.93, -63.93

 

CMYK 51 / 0 / 77 / 5

HEX #76F137

RGB 118 241 55

HSL 99.68, 0.87%, 0.58%

LAB 85.52, -64.11, 72.99

 

CMYK 47 / 0 / 71 / 0

HEX #87FF4A

RGB 135 255 74

HSL 99.78, 1%, 0.65%

LAB 90.4, -63.26, 71.89

 

CMYK 40 / 0 / 64 / 0

HEX #98FF5D

RGB 152 255 93

HSL 98.15, 1%, 0.68%

LAB 91.23, -56.73, 65.88

 

CMYK 34 / 0 / 56 / 0

HEX #A9FF70

RGB 169 255 112

HSL 96.08, 1%, 0.72%

LAB 92.19, -49.55, 59.22

 

CMYK 27 / 0 / 49 / 0

HEX #BAFF83

RGB 186 255 131

HSL 93.39, 1%, 0.76%

LAB 93.28, -41.84, 52.14

 

CMYK 53 / 0 / 75 / 5

HEX #71F13C

RGB 113 241 60

HSL 102.43, 0.87%, 0.59%

LAB 85.38, -65.16, 71.27

 

CMYK 57 / 0 / 82 / 13

HEX #60DF29

RGB 96 223 41

HSL 101.87, 0.74%, 0.52%

LAB 79.28, -64.28, 70.77

 

CMYK 61 / 0 / 89 / 20

HEX #4FCD16

RGB 79 205 22

HSL 101.31, 0.81%, 0.45%

LAB 73.14, -63.02, 69.27

 

CMYK 67 / 0 / 98 / 27

HEX #3EBB03

RGB 62 187 3

HSL 100.76, 0.97%, 0.37%

LAB 66.95, -61.29, 66.48

 

CMYK 73 / 0 / 100 / 34

HEX #2DA900

RGB 45 169 0

HSL 104.02, 1%, 0.33%

LAB 60.72, -58.89, 61.73

 

CMYK 53 / 0 / 76 / 5

HEX #71F13B

RGB 113 241 59

HSL 102.2, 0.87%, 0.59%

LAB 85.37, -65.22, 71.57

 

CMYK 33 / 0 / 76 / 5

HEX #A2F13B

RGB 162 241 59

HSL 86.04, 0.87%, 0.59%

LAB 87.44, -50.07, 74.28

 

CMYK 12 / 0 / 76 / 5

HEX #D3F13B

RGB 211 241 59

HSL 69.89, 0.87%, 0.59%

LAB 90.36, -31.65, 78.05

 

CMYK 0 / 7 / 76 / 5

HEX #F1DF3B

RGB 241 223 59

HSL 54.07, 0.87%, 0.59%

LAB 87.87, -10.72, 76.6

 

CMYK 0 / 28 / 76 / 5

HEX #F1AE3B

RGB 241 174 59

HSL 37.91, 0.87%, 0.59%

LAB 75.63, 14.51, 65.12

 

CMYK 53 / 0 / 76 / 5

HEX #71F13B

RGB 113 241 59

HSL 102.2, 0.87%, 0.59%

LAB 85.37, -65.22, 71.57

 

CMYK 73 / 0 / 76 / 5

HEX #40F13B

RGB 64 241 59

HSL 118.35, 0.87%, 0.59%

LAB 84.13, -75.41, 69.94

 

CMYK 76 / 0 / 57 / 5

HEX #3BF168

RGB 59 241 104

HSL 134.84, 0.87%, 0.59%

LAB 84.4, -71.81, 52.75

 

CMYK 76 / 0 / 37 / 5

HEX #3BF199

RGB 59 241 153

HSL 150.99, 0.87%, 0.59%

LAB 85.07, -64.06, 30.01

 

CMYK 76 / 0 / 16 / 5

HEX #3BF1CA

RGB 59 241 202

HSL 167.14, 0.87%, 0.59%

LAB 86.06, -53.35, 6.1

 

CMYK 53 / 0 / 76 / 5

HEX #71F13B

RGB 113 241 59

HSL 102.2, 0.87%, 0.59%

LAB 85.37, -65.22, 71.57

 

CMYK 53 / 0 / 76 / 5

HEX #71F13B

RGB 113 241 59

HSL 102.2, 0.87%, 0.59%

LAB 85.37, -65.22, 71.57

 

CMYK 46 / 0 / 66 / 12

HEX #78E04C

RGB 120 224 76

HSL 102.16, 0.7%, 0.59%

LAB 80.64, -55.78, 60.83

 

CMYK 39 / 0 / 55 / 18

HEX #7FD05D

RGB 127 208 93

HSL 102.26, 0.55%, 0.59%

LAB 76.32, -45.52, 48.74

 

CMYK 30 / 0 / 42 / 25

HEX #86BF6E

RGB 134 191 110

HSL 102.22, 0.39%, 0.59%

LAB 71.86, -33.53, 35.04

 

CMYK 19 / 0 / 27 / 32

HEX #8DAE7F

RGB 141 174 127

HSL 102.13, 0.22%, 0.59%

LAB 67.63, -20.21, 20.53

 

CMYK 12 / 0 / 76 / 5

HEX #D3F13B

RGB 211 241 59

HSL 69.89, 0.87%, 0.59%

LAB 90.36, -31.65, 78.05

 

CMYK 32 / 0 / 76 / 5

HEX #A3F13B

RGB 163 241 59

HSL 85.71, 0.87%, 0.59%

LAB 87.49, -49.72, 74.34

 

CMYK 53 / 0 / 76 / 5

HEX #72F13B

RGB 114 241 59

HSL 101.87, 0.87%, 0.59%

LAB 85.4, -64.96, 71.62

 

CMYK 73 / 0 / 76 / 5

HEX #42F13B

RGB 66 241 59

HSL 117.69, 0.87%, 0.59%

LAB 84.17, -75.11, 69.99

 

CMYK 76 / 0 / 58 / 5

HEX #3BF166

RGB 59 241 102

HSL 134.18, 0.87%, 0.59%

LAB 84.38, -72.06, 53.62

 

CMYK 66 / 0 / 93 / 20

HEX #46CC0E

RGB 70 204 14

HSL 102.32, 0.87%, 0.43%

LAB 72.57, -64.89, 69.89

 

CMYK 64 / 0 / 91 / 6

HEX #55EF15

RGB 85 239 21

HSL 102.39, 0.87%, 0.51%

LAB 83.82, -72.73, 78.46

 

CMYK 53 / 0 / 76 / 5

HEX #71F13B

RGB 113 241 59

HSL 102.2, 0.87%, 0.59%

LAB 85.37, -65.22, 71.57

 

CMYK 42 / 0 / 60 / 4

HEX #8DF462

RGB 141 244 98

HSL 102.33, 0.87%, 0.67%

LAB 87.6, -55.32, 59.68

 

CMYK 32 / 0 / 45 / 3

HEX #A9F789

RGB 169 247 137

HSL 102.55, 0.87%, 0.75%

LAB 90.21, -43.34, 45.3

 

CMYK 53 / 0 / 75 / 5

HEX #71F13C

RGB 113 241 60

HSL 102.43, 0.87%, 0.59%

LAB 85.38, -65.16, 71.27

 

CMYK 76 / 0 / 7 / 5

HEX #3BF1DF

RGB 59 241 223

HSL 174.07, 0.87%, 0.59%

LAB 86.59, -47.98, -4.13

 

CMYK 0 / 76 / 22 / 5

HEX #F13BBB

RGB 241 59 187

HSL 317.8, 0.87%, 0.59%

LAB 57.48, 78.13, -27.05

 

CMYK 53 / 0 / 75 / 5

HEX #71F13C

RGB 113 241 60

HSL 102.43, 0.87%, 0.59%

LAB 85.38, -65.16, 71.27

 

CMYK 76 / 53 / 0 / 5

HEX #3B72F1

RGB 59 114 241

HSL 221.87, 0.87%, 0.59%

LAB 51.05, 25.67, -69.05

 

CMYK 0 / 76 / 53 / 5

HEX #F13B72

RGB 241 59 114

HSL 341.87, 0.87%, 0.59%

LAB 55.12, 70.87, 12.42

 

CMYK 53 / 0 / 75 / 5

HEX #71F13C

RGB 113 241 60

HSL 102.43, 0.87%, 0.59%

LAB 85.38, -65.16, 71.27

 

CMYK 76 / 0 / 7 / 5

HEX #3BF1DF

RGB 59 241 223

HSL 174.07, 0.87%, 0.59%

LAB 86.59, -47.98, -4.13

 

CMYK 22 / 76 / 0 / 5

HEX #BB3BF1

RGB 187 59 241

HSL 282.2, 0.87%, 0.59%

LAB 51.89, 75.52, -67.17

 

CMYK 0 / 76 / 68 / 5

HEX #F13B4E

RGB 241 59 78

HSL 353.74, 0.87%, 0.59%

LAB 54.43, 68.66, 32.84

 

CMYK 53 / 0 / 75 / 5

HEX #71F13C

RGB 113 241 60

HSL 102.43, 0.87%, 0.59%

LAB 85.38, -65.16, 71.27

 

CMYK 76 / 15 / 0 / 5

HEX #3BCDF1

RGB 59 205 241

HSL 191.87, 0.87%, 0.59%

LAB 76.64, -26.17, -28.64

 

CMYK 22 / 76 / 0 / 5

HEX #BB3BF1

RGB 187 59 241

HSL 282.2, 0.87%, 0.59%

LAB 51.89, 75.52, -67.17

 

CMYK 0 / 60 / 76 / 5

HEX #F1603B

RGB 241 96 59

HSL 12.2, 0.87%, 0.59%

LAB 59.33, 53.87, 48.81

 

Description

Color code: HEX #71F13C | qconv.com Color code: HEX #71F13C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 241 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 241 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 75 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 75% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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