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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87FF4A it is the complementary color #7800B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87FF4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87FF4A shade: #8CFF45, #9DFF58, #AEFF6B, #BFFF7E and #D0FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87FF4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87FF4A shade: #87FF4A, #76ED37, #65DB24, #54C911 and #43B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87FF4A shade: #89FF4D, #B9FF4D, #E9FF4D, #FFE54D and #FFB54D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87FF4A shade: #89FF4D, #59FF4D, #4DFF71, #4DFFA1 and #4DFFD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87FF4A shade matches the following richer shades: #89FF4D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87FF4A shade: #89FF4D, #8DF15B, #92E269, #97D478 and #9BC586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87FF4A shade: #EAFF4D, #BBFF4D, #8BFF4D, #5BFF4D and #4DFF6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87FF4A shade: #54F900, #6DFF23, #89FF4D, #A4FF76 and #BFFF9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87FF4A shade: #87FF4A, #4DFFE4 and #FF4DD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87FF4A shade: #87FF4A, #4D8BFF and #FF4D8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87FF4A shade: #87FF4A, #4DFFE4, #C14DFF and #FF4D67

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87FF4A shade: #87FF4A, #4DE4FF, #C14DFF and #FF674D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 71 / 0

HEX #87FF4A

RGB 135 255 74

HSL 99.78, 1%, 0.65%

LAB 90.4, -63.26, 71.89

 

Complementary color

CMYK 34 / 100 / 0 / 29

HEX #7800B5

RGB 120 0 181

HSL 279.78, 1%, 0.35%

LAB 32.55, 67.33, -64.48

 

CMYK 45 / 0 / 73 / 0

HEX #8CFF45

RGB 140 255 69

HSL 97.1, 1%, 0.64%

LAB 90.56, -62.12, 73.8

 

CMYK 38 / 0 / 65 / 0

HEX #9DFF58

RGB 157 255 88

HSL 95.21, 1%, 0.67%

LAB 91.41, -55.55, 68.11

 

CMYK 32 / 0 / 58 / 0

HEX #AEFF6B

RGB 174 255 107

HSL 92.84, 1%, 0.71%

LAB 92.39, -48.35, 61.68

 

CMYK 25 / 0 / 51 / 0

HEX #BFFF7E

RGB 191 255 126

HSL 89.77, 1%, 0.75%

LAB 93.5, -40.65, 54.77

 

CMYK 18 / 0 / 43 / 0

HEX #D0FF91

RGB 208 255 145

HSL 85.64, 1%, 0.78%

LAB 94.73, -32.54, 47.61

 

CMYK 47 / 0 / 71 / 0

HEX #87FF4A

RGB 135 255 74

HSL 99.78, 1%, 0.65%

LAB 90.4, -63.26, 71.89

 

CMYK 50 / 0 / 77 / 7

HEX #76ED37

RGB 118 237 55

HSL 99.23, 0.83%, 0.57%

LAB 84.33, -62.67, 71.85

 

CMYK 54 / 0 / 84 / 14

HEX #65DB24

RGB 101 219 36

HSL 98.69, 0.72%, 0.5%

LAB 78.2, -61.81, 71.08

 

CMYK 58 / 0 / 92 / 21

HEX #54C911

RGB 84 201 17

HSL 98.15, 0.84%, 0.43%

LAB 72.03, -60.59, 69.18

 

CMYK 63 / 0 / 100 / 28

HEX #43B700

RGB 67 183 0

HSL 98.03, 1%, 0.36%

LAB 65.8, -58.95, 65.98

 

CMYK 46 / 0 / 70 / 0

HEX #89FF4D

RGB 137 255 77

HSL 99.78, 1%, 0.65%

LAB 90.49, -62.47, 70.96

 

CMYK 27 / 0 / 70 / 0

HEX #B9FF4D

RGB 185 255 77

HSL 83.6, 1%, 0.65%

LAB 92.74, -46.79, 73.96

 

CMYK 9 / 0 / 70 / 0

HEX #E9FF4D

RGB 233 255 77

HSL 67.42, 1%, 0.65%

LAB 95.74, -28.59, 77.94

 

CMYK 0 / 10 / 70 / 0

HEX #FFE54D

RGB 255 229 77

HSL 51.24, 1%, 0.65%

LAB 90.7, -7.11, 73.55

 

CMYK 0 / 29 / 70 / 0

HEX #FFB54D

RGB 255 181 77

HSL 35.06, 1%, 0.65%

LAB 78.95, 17.5, 61.59

 

CMYK 46 / 0 / 70 / 0

HEX #89FF4D

RGB 137 255 77

HSL 99.78, 1%, 0.65%

LAB 90.49, -62.47, 70.96

 

CMYK 65 / 0 / 70 / 0

HEX #59FF4D

RGB 89 255 77

HSL 115.96, 1%, 0.65%

LAB 89.01, -74.15, 68.96

 

CMYK 70 / 0 / 56 / 0

HEX #4DFF71

RGB 77 255 113

HSL 132.13, 1%, 0.65%

LAB 89.06, -72.61, 54.32

 

CMYK 70 / 0 / 37 / 0

HEX #4DFFA1

RGB 77 255 161

HSL 148.31, 1%, 0.65%

LAB 89.71, -65.2, 32.25

 

CMYK 70 / 0 / 18 / 0

HEX #4DFFD1

RGB 77 255 209

HSL 164.49, 1%, 0.65%

LAB 90.64, -55.16, 9.09

 

CMYK 46 / 0 / 70 / 0

HEX #89FF4D

RGB 137 255 77

HSL 99.78, 1%, 0.65%

LAB 90.49, -62.47, 70.96

 

CMYK 46 / 0 / 70 / 0

HEX #89FF4D

RGB 137 255 77

HSL 99.78, 1%, 0.65%

LAB 90.49, -62.47, 70.96

 

CMYK 41 / 0 / 62 / 5

HEX #8DF15B

RGB 141 241 91

HSL 100, 0.84%, 0.65%

LAB 86.67, -54.78, 61.56

 

CMYK 35 / 0 / 54 / 11

HEX #92E269

RGB 146 226 105

HSL 99.67, 0.68%, 0.65%

LAB 82.66, -45.63, 50.91

 

CMYK 29 / 0 / 43 / 17

HEX #97D478

RGB 151 212 120

HSL 99.78, 0.52%, 0.65%

LAB 79.05, -35.97, 39.34

 

CMYK 21 / 0 / 32 / 23

HEX #9BC586

RGB 155 197 134

HSL 100, 0.35%, 0.65%

LAB 75.22, -25.52, 27.2

 

CMYK 8 / 0 / 70 / 0

HEX #EAFF4D

RGB 234 255 77

HSL 67.08, 1%, 0.65%

LAB 95.81, -28.2, 78.03

 

CMYK 27 / 0 / 70 / 0

HEX #BBFF4D

RGB 187 255 77

HSL 82.92, 1%, 0.65%

LAB 92.85, -46.07, 74.11

 

CMYK 45 / 0 / 70 / 0

HEX #8BFF4D

RGB 139 255 77

HSL 99.1, 1%, 0.65%

LAB 90.57, -61.89, 71.06

 

CMYK 64 / 0 / 70 / 0

HEX #5BFF4D

RGB 91 255 77

HSL 115.28, 1%, 0.65%

LAB 89.05, -73.76, 69.02

 

CMYK 70 / 0 / 57 / 0

HEX #4DFF6D

RGB 77 255 109

HSL 130.79, 1%, 0.65%

LAB 89.02, -73.1, 56.04

 

CMYK 66 / 0 / 100 / 2

HEX #54F900

RGB 84 249 0

HSL 99.76, 1%, 0.49%

LAB 86.82, -76.36, 82.84

 

CMYK 57 / 0 / 86 / 0

HEX #6DFF23

RGB 109 255 35

HSL 99.82, 1%, 0.57%

LAB 89.34, -72.11, 81.13

 

CMYK 46 / 0 / 70 / 0

HEX #89FF4D

RGB 137 255 77

HSL 99.78, 1%, 0.65%

LAB 90.49, -62.47, 70.96

 

CMYK 36 / 0 / 54 / 0

HEX #A4FF76

RGB 164 255 118

HSL 99.85, 1%, 0.73%

LAB 92.01, -50.57, 56.29

 

CMYK 25 / 0 / 38 / 0

HEX #BFFF9F

RGB 191 255 159

HSL 100, 1%, 0.81%

LAB 93.93, -36.71, 39.59

 

CMYK 47 / 0 / 71 / 0

HEX #87FF4A

RGB 135 255 74

HSL 99.78, 1%, 0.65%

LAB 90.4, -63.26, 71.89

 

CMYK 70 / 0 / 11 / 0

HEX #4DFFE4

RGB 77 255 228

HSL 170.9, 1%, 0.65%

LAB 91.1, -50.54, -0.08

 

CMYK 0 / 70 / 18 / 0

HEX #FF4DD2

RGB 255 77 210

HSL 315.17, 1%, 0.65%

LAB 62.69, 78.79, -31.92

 

CMYK 47 / 0 / 71 / 0

HEX #87FF4A

RGB 135 255 74

HSL 99.78, 1%, 0.65%

LAB 90.4, -63.26, 71.89

 

CMYK 70 / 45 / 0 / 0

HEX #4D8BFF

RGB 77 139 255

HSL 219.1, 1%, 0.65%

LAB 59.22, 17.51, -63.59

 

CMYK 0 / 70 / 45 / 0

HEX #FF4D8B

RGB 255 77 139

HSL 339.1, 1%, 0.65%

LAB 60.28, 70.92, 5.31

 

CMYK 47 / 0 / 71 / 0

HEX #87FF4A

RGB 135 255 74

HSL 99.78, 1%, 0.65%

LAB 90.4, -63.26, 71.89

 

CMYK 70 / 0 / 11 / 0

HEX #4DFFE4

RGB 77 255 228

HSL 170.9, 1%, 0.65%

LAB 91.1, -50.54, -0.08

 

CMYK 24 / 70 / 0 / 0

HEX #C14DFF

RGB 193 77 255

HSL 279.1, 1%, 0.65%

LAB 55.95, 72.79, -68.36

 

CMYK 0 / 70 / 60 / 0

HEX #FF4D67

RGB 255 77 103

HSL 351.24, 1%, 0.65%

LAB 59.48, 68.2, 25.24

 

CMYK 47 / 0 / 71 / 0

HEX #87FF4A

RGB 135 255 74

HSL 99.78, 1%, 0.65%

LAB 90.4, -63.26, 71.89

 

CMYK 70 / 11 / 0 / 0

HEX #4DE4FF

RGB 77 228 255

HSL 189.1, 1%, 0.65%

LAB 84.11, -31.01, -24.63

 

CMYK 24 / 70 / 0 / 0

HEX #C14DFF

RGB 193 77 255

HSL 279.1, 1%, 0.65%

LAB 55.95, 72.79, -68.36

 

CMYK 0 / 60 / 70 / 0

HEX #FF674D

RGB 255 103 77

HSL 8.76, 1%, 0.65%

LAB 62.92, 56.4, 44.07

 

Description

Color code: HEX #87FF4A | qconv.com Color code: HEX #87FF4A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 255 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 255 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 71 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 71% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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