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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #71E314 it is the complementary color #8E1CEB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #71E314. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #71E314 shade: #76E30F, #87F522, #98FF35, #A9FF48 and #BAFF5B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #71E314. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #71E314 shade: #71E314, #60D101, #4FBF00, #3EAD00 and #2D9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #71E314 shade: #70E114, #A7E114, #DFE114, #E1AC14 and #E17514

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #71E314 shade: #70E114, #39E114, #14E126, #14E15E and #14E195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #71E314 shade matches the following richer shades: #70E114

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #71E314 shade: #70E114, #72CD27, #74BA3B, #76A64F and #789263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #71E314 shade: #DEE114, #A7E114, #70E114, #39E114 and #14E125

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #71E314 shade: #4A950D, #5DBB10, #70E114, #85ED31 and #9CF057

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #71E314 shade: #71E314, #14E1AE and #E114C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #71E314 shade: #71E314, #1470E1 and #E11470

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #71E314 shade: #71E314, #14E1AE, #8514E1 and #E11447

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #71E314 shade: #71E314, #14D7E1, #8514E1 and #E11E14

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 91 / 11

HEX #71E314

RGB 113 227 20

HSL 93.04, 0.84%, 0.48%

LAB 81.02, -61.83, 76.61

 

Complementary color

CMYK 40 / 88 / 0 / 8

HEX #8E1CEB

RGB 142 28 235

HSL 273.04, 0.84%, 0.52%

LAB 42.12, 76.38, -79.98

 

CMYK 48 / 0 / 93 / 11

HEX #76E30F

RGB 118 227 15

HSL 90.85, 0.88%, 0.47%

LAB 81.19, -60.47, 77.46

 

CMYK 45 / 0 / 86 / 4

HEX #87F522

RGB 135 245 34

HSL 91.28, 0.91%, 0.55%

LAB 87.28, -61.52, 79.9

 

CMYK 40 / 0 / 79 / 0

HEX #98FF35

RGB 152 255 53

HSL 90.59, 1%, 0.6%

LAB 90.99, -59.27, 79.12

 

CMYK 34 / 0 / 72 / 0

HEX #A9FF48

RGB 169 255 72

HSL 88.2, 1%, 0.64%

LAB 91.87, -52.68, 74.53

 

CMYK 27 / 0 / 64 / 0

HEX #BAFF5B

RGB 186 255 91

HSL 85.24, 1%, 0.68%

LAB 92.89, -45.5, 68.96

 

CMYK 50 / 0 / 91 / 11

HEX #71E314

RGB 113 227 20

HSL 93.04, 0.84%, 0.48%

LAB 81.02, -61.83, 76.61

 

CMYK 54 / 0 / 100 / 18

HEX #60D101

RGB 96 209 1

HSL 92.6, 0.99%, 0.41%

LAB 74.88, -60.51, 73.44

 

CMYK 59 / 0 / 100 / 25

HEX #4FBF00

RGB 79 191 0

HSL 95.18, 1%, 0.37%

LAB 68.7, -58.75, 68.42

 

CMYK 64 / 0 / 100 / 32

HEX #3EAD00

RGB 62 173 0

HSL 98.5, 1%, 0.34%

LAB 62.43, -56.75, 63.26

 

CMYK 71 / 0 / 100 / 39

HEX #2D9B00

RGB 45 155 0

HSL 102.58, 1%, 0.3%

LAB 56.09, -54.41, 58.04

 

CMYK 50 / 0 / 91 / 12

HEX #70E114

RGB 112 225 20

HSL 93.07, 0.84%, 0.48%

LAB 80.37, -61.4, 76.07

 

CMYK 26 / 0 / 91 / 12

HEX #A7E114

RGB 167 225 20

HSL 76.98, 0.84%, 0.48%

LAB 82.98, -42.82, 79.27

 

CMYK 1 / 0 / 91 / 12

HEX #DFE114

RGB 223 225 20

HSL 60.59, 0.84%, 0.48%

LAB 86.79, -20.25, 83.9

 

CMYK 0 / 24 / 91 / 12

HEX #E1AC14

RGB 225 172 20

HSL 44.49, 0.84%, 0.48%

LAB 73.26, 7.62, 73.64

 

CMYK 0 / 48 / 91 / 12

HEX #E17514

RGB 225 117 20

HSL 28.39, 0.84%, 0.48%

LAB 60.59, 36.73, 64.27

 

CMYK 50 / 0 / 91 / 12

HEX #70E114

RGB 112 225 20

HSL 93.07, 0.84%, 0.48%

LAB 80.37, -61.4, 76.07

 

CMYK 75 / 0 / 91 / 12

HEX #39E114

RGB 57 225 20

HSL 109.17, 0.84%, 0.48%

LAB 78.91, -73.5, 74.25

 

CMYK 91 / 0 / 83 / 12

HEX #14E126

RGB 20 225 38

HSL 125.27, 0.84%, 0.48%

LAB 78.54, -76.56, 70.34

 

CMYK 91 / 0 / 58 / 12

HEX #14E15E

RGB 20 225 94

HSL 141.66, 0.84%, 0.48%

LAB 78.93, -71.67, 50.69

 

CMYK 91 / 0 / 34 / 12

HEX #14E195

RGB 20 225 149

HSL 157.76, 0.84%, 0.48%

LAB 79.71, -62.41, 24.76

 

CMYK 50 / 0 / 91 / 12

HEX #70E114

RGB 112 225 20

HSL 93.07, 0.84%, 0.48%

LAB 80.37, -61.4, 76.07

 

CMYK 50 / 0 / 91 / 12

HEX #70E114

RGB 112 225 20

HSL 93.07, 0.84%, 0.48%

LAB 80.37, -61.4, 76.07

 

CMYK 44 / 0 / 81 / 20

HEX #72CD27

RGB 114 205 39

HSL 92.89, 0.68%, 0.48%

LAB 74.44, -52.68, 67.12

 

CMYK 38 / 0 / 68 / 27

HEX #74BA3B

RGB 116 186 59

HSL 93.07, 0.52%, 0.48%

LAB 68.86, -43.07, 55.04

 

CMYK 29 / 0 / 52 / 35

HEX #76A64F

RGB 118 166 79

HSL 93.1, 0.36%, 0.48%

LAB 63.08, -31.49, 39.6

 

CMYK 18 / 0 / 32 / 43

HEX #789263

RGB 120 146 99

HSL 93.19, 0.19%, 0.48%

LAB 57.51, -18.11, 21.99

 

CMYK 1 / 0 / 91 / 12

HEX #DEE114

RGB 222 225 20

HSL 60.88, 0.84%, 0.48%

LAB 86.72, -20.67, 83.81

 

CMYK 26 / 0 / 91 / 12

HEX #A7E114

RGB 167 225 20

HSL 76.98, 0.84%, 0.48%

LAB 82.98, -42.82, 79.27

 

CMYK 50 / 0 / 91 / 12

HEX #70E114

RGB 112 225 20

HSL 93.07, 0.84%, 0.48%

LAB 80.37, -61.4, 76.07

 

CMYK 75 / 0 / 91 / 12

HEX #39E114

RGB 57 225 20

HSL 109.17, 0.84%, 0.48%

LAB 78.91, -73.5, 74.25

 

CMYK 91 / 0 / 84 / 12

HEX #14E125

RGB 20 225 37

HSL 124.98, 0.84%, 0.48%

LAB 78.54, -76.6, 70.57

 

CMYK 50 / 0 / 91 / 42

HEX #4A950D

RGB 74 149 13

HSL 93.09, 0.84%, 0.32%

LAB 55.05, -44.45, 55.48

 

CMYK 50 / 0 / 91 / 27

HEX #5DBB10

RGB 93 187 16

HSL 92.98, 0.84%, 0.4%

LAB 67.95, -53.11, 66.07

 

CMYK 50 / 0 / 91 / 12

HEX #70E114

RGB 112 225 20

HSL 93.07, 0.84%, 0.48%

LAB 80.37, -61.4, 76.07

 

CMYK 44 / 0 / 79 / 7

HEX #85ED31

RGB 133 237 49

HSL 93.19, 0.84%, 0.56%

LAB 84.88, -58.55, 74.29

 

CMYK 35 / 0 / 64 / 6

HEX #9CF057

RGB 156 240 87

HSL 92.94, 0.84%, 0.64%

LAB 87.03, -49.88, 63.79

 

CMYK 50 / 0 / 91 / 11

HEX #71E314

RGB 113 227 20

HSL 93.04, 0.84%, 0.48%

LAB 81.02, -61.83, 76.61

 

CMYK 91 / 0 / 23 / 12

HEX #14E1AE

RGB 20 225 174

HSL 165.07, 0.84%, 0.48%

LAB 80.21, -56.82, 12.39

 

CMYK 0 / 91 / 14 / 12

HEX #E114C2

RGB 225 20 194

HSL 309.07, 0.84%, 0.48%

LAB 52.29, 83.56, -39.4

 

CMYK 50 / 0 / 91 / 11

HEX #71E314

RGB 113 227 20

HSL 93.04, 0.84%, 0.48%

LAB 81.02, -61.83, 76.61

 

CMYK 91 / 50 / 0 / 12

HEX #1470E1

RGB 20 112 225

HSL 213.07, 0.84%, 0.48%

LAB 48.48, 17.85, -64.29

 

CMYK 0 / 91 / 50 / 12

HEX #E11470

RGB 225 20 112

HSL 333.07, 0.84%, 0.48%

LAB 49.1, 75.11, 4.68

 

CMYK 50 / 0 / 91 / 11

HEX #71E314

RGB 113 227 20

HSL 93.04, 0.84%, 0.48%

LAB 81.02, -61.83, 76.61

 

CMYK 91 / 0 / 23 / 12

HEX #14E1AE

RGB 20 225 174

HSL 165.07, 0.84%, 0.48%

LAB 80.21, -56.82, 12.39

 

CMYK 41 / 91 / 0 / 12

HEX #8514E1

RGB 133 20 225

HSL 273.07, 0.84%, 0.48%

LAB 39.45, 74.87, -78.72

 

CMYK 0 / 91 / 68 / 12

HEX #E11447

RGB 225 20 71

HSL 345.07, 0.84%, 0.48%

LAB 48.21, 72.64, 28.63

 

CMYK 50 / 0 / 91 / 11

HEX #71E314

RGB 113 227 20

HSL 93.04, 0.84%, 0.48%

LAB 81.02, -61.83, 76.61

 

CMYK 91 / 4 / 0 / 12

HEX #14D7E1

RGB 20 215 225

HSL 182.93, 0.84%, 0.48%

LAB 78.57, -38.71, -17.18

 

CMYK 41 / 91 / 0 / 12

HEX #8514E1

RGB 133 20 225

HSL 273.07, 0.84%, 0.48%

LAB 39.45, 74.87, -78.72

 

CMYK 0 / 87 / 91 / 12

HEX #E11E14

RGB 225 30 20

HSL 2.93, 0.84%, 0.48%

LAB 48.24, 69.62, 55.7

 

Description

Color code: HEX #71E314 | qconv.com Color code: HEX #71E314 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 227 green and 20 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 227 20 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 91 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 91% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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