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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 45 / 0 / 86 / 4 it is the complementary color CMYK 46 / 95 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 45 / 0 / 86 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 45 / 0 / 86 / 4: CMYK 43 / 0 / 88 / 4, CMYK 38 / 0 / 81 / 0, CMYK 32 / 0 / 74 / 0, CMYK 25 / 0 / 66 / 0 and CMYK 18 / 0 / 59 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 45 / 0 / 86 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 45 / 0 / 86 / 4: CMYK 45 / 0 / 86 / 4, CMYK 48 / 0 / 93 / 11, CMYK 52 / 0 / 100 / 18, CMYK 56 / 0 / 100 / 25 and CMYK 61 / 0 / 100 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 86 / 4

HEX #87F522

RGB 135 245 34

HSL 91.28, 0.91%, 0.55%

LAB 87.28, -61.52, 79.9

 

Complementary color

CMYK 46 / 95 / 0 / 13

HEX #780ADD

RGB 120 10 221

HSL 271.28, 0.91%, 0.45%

LAB 36.8, 74.23, -80.86

 

CMYK 43 / 0 / 88 / 4

HEX #8CF51D

RGB 140 245 29

HSL 89.17, 0.92%, 0.54%

LAB 87.47, -60.11, 81.04

 

CMYK 38 / 0 / 81 / 0

HEX #9DFF30

RGB 157 255 48

HSL 88.41, 1%, 0.59%

LAB 91.19, -57.86, 80.65

 

CMYK 32 / 0 / 74 / 0

HEX #AEFF43

RGB 174 255 67

HSL 85.85, 1%, 0.63%

LAB 92.1, -51.24, 76.46

 

CMYK 25 / 0 / 66 / 0

HEX #BFFF56

RGB 191 255 86

HSL 82.72, 1%, 0.67%

LAB 93.13, -44.05, 71.21

 

CMYK 18 / 0 / 59 / 0

HEX #D0FF69

RGB 208 255 105

HSL 78.8, 1%, 0.71%

LAB 94.29, -36.41, 65.19

 

CMYK 45 / 0 / 86 / 4

HEX #87F522

RGB 135 245 34

HSL 91.28, 0.91%, 0.55%

LAB 87.28, -61.52, 79.9

 

CMYK 48 / 0 / 93 / 11

HEX #76E30F

RGB 118 227 15

HSL 90.85, 0.88%, 0.47%

LAB 81.19, -60.47, 77.46

 

CMYK 52 / 0 / 100 / 18

HEX #65D100

RGB 101 209 0

HSL 91, 1%, 0.41%

LAB 75.06, -59.13, 73.75

 

CMYK 56 / 0 / 100 / 25

HEX #54BF00

RGB 84 191 0

HSL 93.61, 1%, 0.37%

LAB 68.86, -57.44, 68.62

 

CMYK 61 / 0 / 100 / 32

HEX #43AD00

RGB 67 173 0

HSL 96.76, 1%, 0.34%

LAB 62.58, -55.55, 63.43

 

CMYK 45 / 0 / 86 / 4

HEX #87F522

RGB 135 245 34

HSL 91.28, 0.91%, 0.55%

LAB 87.28, -61.52, 79.9

 

CMYK 59 / 0 / 86 / 4

HEX #65F423

RGB 101 244 35

HSL 101.05, 0.9%, 0.55%

LAB 85.8, -70.39, 77.97

 

CMYK 73 / 0 / 86 / 4

HEX #43F423

RGB 67 244 35

HSL 110.81, 0.9%, 0.55%

LAB 85, -77.09, 76.97

 

CMYK 86 / 0 / 84 / 4

HEX #23F427

RGB 35 244 39

HSL 121.15, 0.9%, 0.55%

LAB 84.59, -80.7, 75.6

 

CMYK 86 / 0 / 70 / 4

HEX #23F44A

RGB 35 244 74

HSL 131.2, 0.9%, 0.55%

LAB 84.77, -78.44, 65.36

 

CMYK 45 / 0 / 86 / 4

HEX #87F522

RGB 135 245 34

HSL 91.28, 0.91%, 0.55%

LAB 87.28, -61.52, 79.9

 

CMYK 44 / 0 / 85 / 84

HEX #172906

RGB 23 41 6

HSL 90.86, 0.74%, 0.09%

LAB 14.29, -14.83, 18.15

 

CMYK 45 / 0 / 86 / 64

HEX #335C0D

RGB 51 92 13

HSL 91.14, 0.75%, 0.21%

LAB 34.78, -28.26, 37.34

 

CMYK 45 / 0 / 86 / 44

HEX #4F8F14

RGB 79 143 20

HSL 91.22, 0.75%, 0.32%

LAB 53.34, -40.12, 52.57

 

CMYK 45 / 0 / 86 / 24

HEX #6BC21B

RGB 107 194 27

HSL 91.26, 0.76%, 0.43%

LAB 70.72, -51.11, 66.62

 

CMYK 45 / 0 / 86 / 4

HEX #87F522

RGB 135 245 34

HSL 91.28, 0.91%, 0.55%

LAB 87.28, -61.52, 79.9

 

CMYK 86 / 0 / 24 / 4

HEX #23F4B9

RGB 35 244 185

HSL 163.06, 0.9%, 0.55%

LAB 86.29, -60.65, 15.23

 

CMYK 0 / 86 / 10 / 4

HEX #F423DC

RGB 244 35 220

HSL 306.89, 0.9%, 0.55%

LAB 57.66, 88.35, -45.6

 

CMYK 45 / 0 / 86 / 4

HEX #87F522

RGB 135 245 34

HSL 91.28, 0.91%, 0.55%

LAB 87.28, -61.52, 79.9

 

CMYK 86 / 44 / 0 / 4

HEX #2388F4

RGB 35 136 244

HSL 211, 0.9%, 0.55%

LAB 56.58, 11, -61.83

 

CMYK 0 / 86 / 44 / 4

HEX #F42388

RGB 244 35 136

HSL 331, 0.9%, 0.55%

LAB 54.25, 79.09, -1.91

 

CMYK 45 / 0 / 86 / 4

HEX #87F522

RGB 135 245 34

HSL 91.28, 0.91%, 0.55%

LAB 87.28, -61.52, 79.9

 

CMYK 86 / 0 / 24 / 4

HEX #23F4B9

RGB 35 244 185

HSL 163.06, 0.9%, 0.55%

LAB 86.29, -60.65, 15.23

 

CMYK 41 / 86 / 0 / 4

HEX #8F23F4

RGB 143 35 244

HSL 271, 0.9%, 0.55%

LAB 43.61, 76.75, -82.6

 

CMYK 0 / 86 / 61 / 4

HEX #F4235F

RGB 244 35 95

HSL 342.78, 0.9%, 0.55%

LAB 53.23, 76.19, 21.34

 

CMYK 45 / 0 / 86 / 4

HEX #87F522

RGB 135 245 34

HSL 91.28, 0.91%, 0.55%

LAB 87.28, -61.52, 79.9

 

CMYK 86 / 1 / 0 / 4

HEX #23F1F4

RGB 35 241 244

HSL 180.86, 0.9%, 0.55%

LAB 86.9, -44.04, -14.7

 

CMYK 41 / 86 / 0 / 4

HEX #8F23F4

RGB 143 35 244

HSL 271, 0.9%, 0.55%

LAB 43.61, 76.75, -82.6

 

CMYK 0 / 84 / 86 / 4

HEX #F42723

RGB 244 39 35

HSL 1.15, 0.9%, 0.55%

LAB 52.74, 73.15, 54.41

 

Description

Color code: CMYK 45 / 0 / 86 / 4 | qconv.com Color code: CMYK 45 / 0 / 86 / 4 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 245 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 245 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 86 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 86% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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