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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #718FC9 it is the complementary color #8E7036. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #718FC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #718FC9 shade: #768FC4, #87A1D7, #98B3EA, #A9C5FD and #BAD7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #718FC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #718FC9 shade: #718FC9, #607DB6, #4F6BA3, #3E5990 and #2D477D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #718FC9 shade: #7290CA, #7279CA, #8472CA, #9B72CA and #B372CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #718FC9 shade: #7290CA, #7279CA and #7272CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #718FC9 shade matches the following richer shades: #7290CA, #638BD9, #5386E9 and #4381F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #718FC9 shade: #7290CA, #8295BA, #929AAA, #A29F9B and #B1A48B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #718FC9 shade: #72C0CA, #72A8CA, #7291CA, #727ACA and #8272CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #718FC9 shade: #4064A9, #5579BE, #7290CA, #90A8D5 and #AEBFE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #718FC9 shade: #718FC9, #BD72CA and #B4CA72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #718FC9 shade: #718FC9, #CA7291 and #91CA72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #718FC9 shade: #718FC9, #BD72CA, #CAAB72 and #80CA72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #718FC9 shade: #718FC9, #CA72BD, #CAAB72 and #72CA80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 29 / 0 / 21

HEX #718FC9

RGB 113 143 201

HSL 219.55, 0.45%, 0.62%

LAB 59.32, 4.75, -33.3

 

Complementary color

CMYK 0 / 21 / 62 / 44

HEX #8E7036

RGB 142 112 54

HSL 39.55, 0.45%, 0.38%

LAB 49.01, 4.84, 36.16

 

CMYK 40 / 27 / 0 / 23

HEX #768FC4

RGB 118 143 196

HSL 220.77, 0.4%, 0.62%

LAB 59.42, 4.65, -30.3

 

CMYK 37 / 25 / 0 / 16

HEX #87A1D7

RGB 135 161 215

HSL 220.5, 0.5%, 0.69%

LAB 66.17, 4.2, -30.37

 

CMYK 35 / 24 / 0 / 8

HEX #98B3EA

RGB 152 179 234

HSL 220.24, 0.66%, 0.76%

LAB 72.8, 3.81, -30.47

 

CMYK 33 / 22 / 0 / 1

HEX #A9C5FD

RGB 169 197 253

HSL 220, 0.95%, 0.83%

LAB 79.31, 3.47, -30.59

 

CMYK 27 / 16 / 0 / 0

HEX #BAD7FF

RGB 186 215 255

HSL 214.78, 1%, 0.86%

LAB 85.13, -0.87, -22.67

 

CMYK 44 / 29 / 0 / 21

HEX #718FC9

RGB 113 143 201

HSL 219.55, 0.45%, 0.62%

LAB 59.32, 4.75, -33.3

 

CMYK 47 / 31 / 0 / 29

HEX #607DB6

RGB 96 125 182

HSL 219.77, 0.37%, 0.55%

LAB 52.43, 5.38, -33.31

 

CMYK 52 / 34 / 0 / 36

HEX #4F6BA3

RGB 79 107 163

HSL 220, 0.35%, 0.47%

LAB 45.39, 6.15, -33.36

 

CMYK 57 / 38 / 0 / 44

HEX #3E5990

RGB 62 89 144

HSL 220.24, 0.4%, 0.4%

LAB 38.17, 7.14, -33.48

 

CMYK 64 / 43 / 0 / 51

HEX #2D477D

RGB 45 71 125

HSL 220.5, 0.47%, 0.33%

LAB 30.75, 8.45, -33.64

 

CMYK 44 / 29 / 0 / 21

HEX #7290CA

RGB 114 144 202

HSL 219.55, 0.45%, 0.62%

LAB 59.7, 4.71, -33.26

 

CMYK 44 / 40 / 0 / 21

HEX #7279CA

RGB 114 121 202

HSL 235.23, 0.45%, 0.62%

LAB 53.51, 18.33, -42.97

 

CMYK 35 / 44 / 0 / 21

HEX #8472CA

RGB 132 114 202

HSL 252.27, 0.45%, 0.62%

LAB 53.17, 27.22, -43.41

 

CMYK 23 / 44 / 0 / 21

HEX #9B72CA

RGB 155 114 202

HSL 267.95, 0.45%, 0.62%

LAB 55.35, 33.64, -39.83

 

CMYK 11 / 44 / 0 / 21

HEX #B372CA

RGB 179 114 202

HSL 284.32, 0.45%, 0.62%

LAB 57.93, 40.65, -35.61

 

CMYK 44 / 29 / 0 / 21

HEX #7290CA

RGB 114 144 202

HSL 219.55, 0.45%, 0.62%

LAB 59.7, 4.71, -33.26

 

CMYK 44 / 40 / 0 / 21

HEX #7279CA

RGB 114 121 202

HSL 235.23, 0.45%, 0.62%

LAB 53.51, 18.33, -42.97

 

CMYK 44 / 44 / 0 / 21

HEX #7272CA

RGB 114 114 202

HSL 240, 0.45%, 0.62%

LAB 51.7, 22.54, -45.84

 

CMYK 44 / 29 / 0 / 21

HEX #7290CA

RGB 114 144 202

HSL 219.55, 0.45%, 0.62%

LAB 59.7, 4.71, -33.26

 

CMYK 54 / 36 / 0 / 15

HEX #638BD9

RGB 99 139 217

HSL 219.66, 0.61%, 0.62%

LAB 58.16, 8.64, -44.15

 

CMYK 64 / 42 / 0 / 9

HEX #5386E9

RGB 83 134 233

HSL 219.6, 0.77%, 0.62%

LAB 56.85, 13.85, -55.21

 

CMYK 73 / 48 / 0 / 2

HEX #4381F9

RGB 67 129 249

HSL 219.56, 0.94%, 0.62%

LAB 55.82, 20.18, -65.77

 

CMYK 44 / 29 / 0 / 21

HEX #7290CA

RGB 114 144 202

HSL 219.55, 0.45%, 0.62%

LAB 59.7, 4.71, -33.26

 

CMYK 30 / 20 / 0 / 27

HEX #8295BA

RGB 130 149 186

HSL 219.64, 0.29%, 0.62%

LAB 61.47, 1.98, -21.43

 

CMYK 14 / 9 / 0 / 33

HEX #929AAA

RGB 146 154 170

HSL 220, 0.12%, 0.62%

LAB 63.45, 0.49, -9.32

 

CMYK 0 / 2 / 4 / 36

HEX #A29F9B

RGB 162 159 155

HSL 34.29, 0.04%, 0.62%

LAB 65.63, 0.34, 2.46

 

CMYK 0 / 7 / 21 / 31

HEX #B1A48B

RGB 177 164 139

HSL 39.47, 0.2%, 0.62%

LAB 67.84, 0.59, 14.69

 

CMYK 44 / 5 / 0 / 21

HEX #72C0CA

RGB 114 192 202

HSL 186.82, 0.45%, 0.62%

LAB 73.25, -21.42, -12.56

 

CMYK 44 / 17 / 0 / 21

HEX #72A8CA

RGB 114 168 202

HSL 203.18, 0.45%, 0.62%

LAB 66.4, -8.79, -22.92

 

CMYK 44 / 28 / 0 / 21

HEX #7291CA

RGB 114 145 202

HSL 218.86, 0.45%, 0.62%

LAB 59.97, 4.14, -32.83

 

CMYK 44 / 40 / 0 / 21

HEX #727ACA

RGB 114 122 202

HSL 234.55, 0.45%, 0.62%

LAB 53.77, 17.72, -42.56

 

CMYK 36 / 44 / 0 / 21

HEX #8272CA

RGB 130 114 202

HSL 250.91, 0.45%, 0.62%

LAB 53, 26.68, -43.7

 

CMYK 62 / 41 / 0 / 34

HEX #4064A9

RGB 64 100 169

HSL 219.43, 0.45%, 0.46%

LAB 42.87, 9.27, -40.94

 

CMYK 55 / 36 / 0 / 25

HEX #5579BE

RGB 85 121 190

HSL 219.43, 0.45%, 0.54%

LAB 51.06, 7.72, -40.1

 

CMYK 44 / 29 / 0 / 21

HEX #7290CA

RGB 114 144 202

HSL 219.55, 0.45%, 0.62%

LAB 59.7, 4.71, -33.26

 

CMYK 32 / 21 / 0 / 16

HEX #90A8D5

RGB 144 168 213

HSL 219.13, 0.45%, 0.7%

LAB 68.56, 2.28, -25.54

 

CMYK 22 / 15 / 0 / 12

HEX #AEBFE0

RGB 174 191 224

HSL 219.6, 0.45%, 0.78%

LAB 77.07, 1.24, -18.4

 

CMYK 44 / 29 / 0 / 21

HEX #718FC9

RGB 113 143 201

HSL 219.55, 0.45%, 0.62%

LAB 59.32, 4.75, -33.3

 

CMYK 6 / 44 / 0 / 21

HEX #BD72CA

RGB 189 114 202

HSL 291.14, 0.45%, 0.62%

LAB 59.08, 43.62, -33.71

 

CMYK 11 / 0 / 44 / 21

HEX #B4CA72

RGB 180 202 114

HSL 75, 0.45%, 0.62%

LAB 77.97, -21.26, 41.35

 

CMYK 44 / 29 / 0 / 21

HEX #718FC9

RGB 113 143 201

HSL 219.55, 0.45%, 0.62%

LAB 59.32, 4.75, -33.3

 

CMYK 0 / 44 / 28 / 21

HEX #CA7291

RGB 202 114 145

HSL 338.86, 0.45%, 0.62%

LAB 58.64, 38.33, -1.55

 

CMYK 28 / 0 / 44 / 21

HEX #91CA72

RGB 145 202 114

HSL 98.86, 0.45%, 0.62%

LAB 75.75, -34.25, 38.08

 

CMYK 44 / 29 / 0 / 21

HEX #718FC9

RGB 113 143 201

HSL 219.55, 0.45%, 0.62%

LAB 59.32, 4.75, -33.3

 

CMYK 6 / 44 / 0 / 21

HEX #BD72CA

RGB 189 114 202

HSL 291.14, 0.45%, 0.62%

LAB 59.08, 43.62, -33.71

 

CMYK 0 / 15 / 44 / 21

HEX #CAAB72

RGB 202 171 114

HSL 38.86, 0.45%, 0.62%

LAB 71.49, 3.62, 33.5

 

CMYK 37 / 0 / 44 / 21

HEX #80CA72

RGB 128 202 114

HSL 110.45, 0.45%, 0.62%

LAB 74.85, -39.98, 36.76

 

CMYK 44 / 29 / 0 / 21

HEX #718FC9

RGB 113 143 201

HSL 219.55, 0.45%, 0.62%

LAB 59.32, 4.75, -33.3

 

CMYK 0 / 44 / 6 / 21

HEX #CA72BD

RGB 202 114 189

HSL 308.86, 0.45%, 0.62%

LAB 60.13, 45.18, -24.59

 

CMYK 0 / 15 / 44 / 21

HEX #CAAB72

RGB 202 171 114

HSL 38.86, 0.45%, 0.62%

LAB 71.49, 3.62, 33.5

 

CMYK 44 / 0 / 37 / 21

HEX #72CA80

RGB 114 202 128

HSL 129.55, 0.45%, 0.62%

LAB 74.43, -42.11, 28.91

 

Description

Color code: HEX #718FC9 | qconv.com Color code: HEX #718FC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 143 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 143 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 29 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 29% 0% 21% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - 公益財団法人 仙台観光国際協会サイト
Link: http://www.sentia-sendai.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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