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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #718C76 it is the complementary color #8E7389. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #718C76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #718C76: #768C71, #879E84, #98B097, #A9C2AA and #BAD4BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #718C76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #718C76: #718C76, #607A63, #4F6850, #3E563D and #2D442A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 16 / 45

HEX #718C76

RGB 113 140 118

HSL 131.11, 0.11%, 0.5%

LAB 55.66, -14.19, 8.62

 

Complementary color

CMYK 0 / 19 / 4 / 44

HEX #8E7389

RGB 142 115 137

HSL 311.11, 0.11%, 0.5%

LAB 51.63, 14.55, -8.02

 

CMYK 16 / 0 / 19 / 45

HEX #768C71

RGB 118 140 113

HSL 108.89, 0.11%, 0.5%

LAB 55.89, -13.31, 11.85

 

CMYK 15 / 0 / 16 / 38

HEX #879E84

RGB 135 158 132

HSL 113.08, 0.12%, 0.57%

LAB 62.74, -13.21, 10.92

 

CMYK 14 / 0 / 14 / 31

HEX #98B097

RGB 152 176 151

HSL 117.6, 0.14%, 0.64%

LAB 69.44, -13.14, 10.05

 

CMYK 13 / 0 / 12 / 24

HEX #A9C2AA

RGB 169 194 170

HSL 122.4, 0.17%, 0.71%

LAB 76.02, -13.07, 9.24

 

CMYK 12 / 0 / 11 / 17

HEX #BAD4BD

RGB 186 212 189

HSL 126.92, 0.23%, 0.78%

LAB 82.49, -13.02, 8.46

 

CMYK 19 / 0 / 16 / 45

HEX #718C76

RGB 113 140 118

HSL 131.11, 0.11%, 0.5%

LAB 55.66, -14.19, 8.62

 

CMYK 21 / 0 / 19 / 52

HEX #607A63

RGB 96 122 99

HSL 126.92, 0.12%, 0.43%

LAB 48.64, -14.36, 9.55

 

CMYK 24 / 0 / 23 / 59

HEX #4F6850

RGB 79 104 80

HSL 122.4, 0.14%, 0.36%

LAB 41.44, -14.55, 10.56

 

CMYK 28 / 0 / 29 / 66

HEX #3E563D

RGB 62 86 61

HSL 117.6, 0.17%, 0.29%

LAB 34.02, -14.79, 11.69

 

CMYK 34 / 0 / 38 / 73

HEX #2D442A

RGB 45 68 42

HSL 113.08, 0.24%, 0.22%

LAB 26.33, -15.05, 12.98

 

CMYK 19 / 0 / 16 / 45

HEX #718C76

RGB 113 140 118

HSL 131.11, 0.11%, 0.5%

LAB 55.66, -14.19, 8.62

 

CMYK 20 / 0 / 13 / 45

HEX #718D7B

RGB 113 141 123

HSL 141.43, 0.11%, 0.5%

LAB 56.08, -13.73, 6.35

 

CMYK 20 / 0 / 10 / 45

HEX #718D7F

RGB 113 141 127

HSL 150, 0.11%, 0.5%

LAB 56.18, -12.91, 4.2

 

CMYK 20 / 0 / 6 / 45

HEX #718D84

RGB 113 141 132

HSL 160.71, 0.11%, 0.5%

LAB 56.31, -11.85, 1.52

 

CMYK 20 / 0 / 3 / 45

HEX #718D89

RGB 113 141 137

HSL 171.43, 0.11%, 0.5%

LAB 56.45, -10.75, -1.15

 

CMYK 19 / 0 / 16 / 45

HEX #718C76

RGB 113 140 118

HSL 131.11, 0.11%, 0.5%

LAB 55.66, -14.19, 8.62

 

CMYK 19 / 0 / 16 / 25

HEX #9ABFA1

RGB 154 191 161

HSL 131.35, 0.22%, 0.68%

LAB 74, -18.33, 11.09

 

CMYK 19 / 0 / 16 / 5

HEX #C3F2CC

RGB 195 242 204

HSL 131.49, 0.64%, 0.86%

LAB 91.44, -22.25, 13.44

 

CMYK 18 / 0 / 16 / 85

HEX #1F2620

RGB 31 38 32

HSL 128.57, 0.1%, 0.14%

LAB 14.3, -4.65, 2.94

 

CMYK 19 / 0 / 16 / 65

HEX #48594B

RGB 72 89 75

HSL 130.59, 0.11%, 0.32%

LAB 36.04, -9.72, 5.95

 

CMYK 19 / 0 / 16 / 45

HEX #718C76

RGB 113 140 118

HSL 131.11, 0.11%, 0.5%

LAB 55.66, -14.19, 8.62

 

CMYK 20 / 8 / 0 / 45

HEX #71828D

RGB 113 130 141

HSL 203.57, 0.11%, 0.5%

LAB 53.38, -3.67, -8

 

CMYK 0 / 20 / 16 / 45

HEX #8D7177

RGB 141 113 119

HSL 347.14, 0.11%, 0.5%

LAB 50.46, 12.02, 0.86

 

CMYK 19 / 0 / 16 / 45

HEX #718C76

RGB 113 140 118

HSL 131.11, 0.11%, 0.5%

LAB 55.66, -14.19, 8.62

 

CMYK 16 / 20 / 0 / 45

HEX #76718D

RGB 118 113 141

HSL 250.71, 0.11%, 0.5%

LAB 48.99, 7.98, -14.58

 

CMYK 0 / 16 / 20 / 45

HEX #8D7671

RGB 141 118 113

HSL 10.71, 0.11%, 0.5%

LAB 51.62, 8.1, 6.08

 

CMYK 19 / 0 / 16 / 45

HEX #718C76

RGB 113 140 118

HSL 131.11, 0.11%, 0.5%

LAB 55.66, -14.19, 8.62

 

CMYK 20 / 8 / 0 / 45

HEX #71828D

RGB 113 130 141

HSL 203.57, 0.11%, 0.5%

LAB 53.38, -3.67, -8

 

CMYK 0 / 20 / 4 / 45

HEX #8D7188

RGB 141 113 136

HSL 310.71, 0.11%, 0.5%

LAB 50.98, 15.16, -8.41

 

CMYK 0 / 12 / 20 / 45

HEX #8D7C71

RGB 141 124 113

HSL 23.57, 0.11%, 0.5%

LAB 53.24, 4.63, 8.39

 

CMYK 19 / 0 / 16 / 45

HEX #718C76

RGB 113 140 118

HSL 131.11, 0.11%, 0.5%

LAB 55.66, -14.19, 8.62

 

CMYK 20 / 13 / 0 / 45

HEX #717A8D

RGB 113 122 141

HSL 220.71, 0.11%, 0.5%

LAB 51.1, 0.96, -11.43

 

CMYK 0 / 20 / 4 / 45

HEX #8D7188

RGB 141 113 136

HSL 310.71, 0.11%, 0.5%

LAB 50.98, 15.16, -8.41

 

CMYK 0 / 6 / 20 / 45

HEX #8D8471

RGB 141 132 113

HSL 40.71, 0.11%, 0.5%

LAB 55.44, 0.07, 11.49

 

Description

Color code: HEX #718C76 | qconv.com Color code: HEX #718C76 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 140 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 140 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 16 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 16% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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