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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #716AA0 it is the complementary color #8E955F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #716AA0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #716AA0 shade: #766A9B, #877CAE, #988EC1, #A9A0D4 and #BAB2E7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #716AA0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #716AA0 shade: #716AA0, #60588D, #4F467A, #3E3467 and #2D2254

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #716AA0 shade: #716AA0, #7F6AA0, #8E6AA0, #9C6AA0 and #A06A94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #716AA0 shade: #716AA0 and #6A6AA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #716AA0 shade matches the following richer shades: #716AA0, #6256B3, #5342C7, #452EDB and #361AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #716AA0 shade: #716AA0, #7F7D8C, #8E9178, #9DA564 and #ABB950

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #716AA0 shade: #6A80A0, #6A72A0, #706AA0, #7E6AA0 and #8D6AA0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #716AA0 shade: #4C476F, #5E5789, #716AA0, #8983B0 and #A19CC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #716AA0 shade: #716AA0, #A06A8E and #79A06A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #716AA0 shade: #716AA0, #A0706A and #6AA070

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #716AA0 shade: #716AA0, #A06A8E, #99A06A and #6AA07B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #716AA0 shade: #716AA0, #A06A7E, #99A06A and #6AA08B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

Complementary color

CMYK 5 / 0 / 36 / 42

HEX #8E955F

RGB 142 149 95

HSL 67.78, 0.22%, 0.48%

LAB 59.95, -11.5, 27.7

 

CMYK 24 / 32 / 0 / 39

HEX #766A9B

RGB 118 106 155

HSL 254.69, 0.2%, 0.51%

LAB 47.66, 15.6, -24.89

 

CMYK 22 / 29 / 0 / 32

HEX #877CAE

RGB 135 124 174

HSL 253.2, 0.24%, 0.58%

LAB 54.68, 15.01, -24.99

 

CMYK 21 / 26 / 0 / 24

HEX #988EC1

RGB 152 142 193

HSL 251.76, 0.29%, 0.66%

LAB 61.54, 14.49, -25.12

 

CMYK 20 / 25 / 0 / 17

HEX #A9A0D4

RGB 169 160 212

HSL 250.38, 0.38%, 0.73%

LAB 68.26, 14.02, -25.28

 

CMYK 19 / 23 / 0 / 9

HEX #BAB2E7

RGB 186 178 231

HSL 249.06, 0.52%, 0.8%

LAB 74.86, 13.6, -25.47

 

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

CMYK 32 / 38 / 0 / 45

HEX #60588D

RGB 96 88 141

HSL 249.06, 0.23%, 0.45%

LAB 40.23, 16.05, -28.25

 

CMYK 35 / 43 / 0 / 52

HEX #4F467A

RGB 79 70 122

HSL 250.38, 0.27%, 0.38%

LAB 32.81, 16.92, -28.35

 

CMYK 40 / 50 / 0 / 60

HEX #3E3467

RGB 62 52 103

HSL 251.76, 0.33%, 0.3%

LAB 25.14, 17.98, -28.54

 

CMYK 46 / 60 / 0 / 67

HEX #2D2254

RGB 45 34 84

HSL 253.2, 0.42%, 0.23%

LAB 17.19, 19.31, -28.81

 

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

CMYK 21 / 34 / 0 / 37

HEX #7F6AA0

RGB 127 106 160

HSL 263.33, 0.22%, 0.52%

LAB 48.71, 19.72, -26.14

 

CMYK 11 / 34 / 0 / 37

HEX #8E6AA0

RGB 142 106 160

HSL 280, 0.22%, 0.52%

LAB 50.21, 24.61, -23.69

 

CMYK 2 / 34 / 0 / 37

HEX #9C6AA0

RGB 156 106 160

HSL 295.56, 0.22%, 0.52%

LAB 51.74, 29.27, -21.21

 

CMYK 0 / 34 / 7 / 37

HEX #A06A94

RGB 160 106 148

HSL 313.33, 0.22%, 0.52%

LAB 51.75, 28.33, -14.12

 

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

CMYK 34 / 34 / 0 / 37

HEX #6A6AA0

RGB 106 106 160

HSL 240, 0.22%, 0.52%

LAB 46.86, 13.21, -29.16

 

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

CMYK 45 / 52 / 0 / 30

HEX #6256B3

RGB 98 86 179

HSL 247.74, 0.38%, 0.52%

LAB 42.01, 28.89, -48.06

 

CMYK 58 / 67 / 0 / 22

HEX #5342C7

RGB 83 66 199

HSL 247.67, 0.54%, 0.52%

LAB 37.59, 44.08, -66.99

 

CMYK 68 / 79 / 0 / 14

HEX #452EDB

RGB 69 46 219

HSL 247.98, 0.71%, 0.52%

LAB 34.67, 58.92, -83.4

 

CMYK 77 / 89 / 0 / 6

HEX #361AEF

RGB 54 26 239

HSL 247.89, 0.87%, 0.52%

LAB 33.47, 71.07, -96.85

 

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

CMYK 9 / 11 / 0 / 45

HEX #7F7D8C

RGB 127 125 140

HSL 248, 0.06%, 0.52%

LAB 53.03, 3.86, -7.84

 

CMYK 2 / 0 / 17 / 43

HEX #8E9178

RGB 142 145 120

HSL 67.2, 0.1%, 0.52%

LAB 59.3, -5.64, 12.92

 

CMYK 5 / 0 / 39 / 35

HEX #9DA564

RGB 157 165 100

HSL 67.38, 0.27%, 0.52%

LAB 65.75, -13.22, 32.73

 

CMYK 8 / 0 / 57 / 27

HEX #ABB950

RGB 171 185 80

HSL 68, 0.43%, 0.52%

LAB 72.19, -19.72, 50.63

 

CMYK 34 / 20 / 0 / 37

HEX #6A80A0

RGB 106 128 160

HSL 215.56, 0.22%, 0.52%

LAB 52.99, 0.05, -19.68

 

CMYK 34 / 29 / 0 / 37

HEX #6A72A0

RGB 106 114 160

HSL 231.11, 0.22%, 0.52%

LAB 49.05, 8.35, -25.75

 

CMYK 30 / 34 / 0 / 37

HEX #706AA0

RGB 112 106 160

HSL 246.67, 0.22%, 0.52%

LAB 47.35, 15.02, -28.35

 

CMYK 21 / 34 / 0 / 37

HEX #7E6AA0

RGB 126 106 160

HSL 262.22, 0.22%, 0.52%

LAB 48.61, 19.4, -26.29

 

CMYK 12 / 34 / 0 / 37

HEX #8D6AA0

RGB 141 106 160

HSL 278.89, 0.22%, 0.52%

LAB 50.11, 24.28, -23.86

 

CMYK 32 / 36 / 0 / 56

HEX #4C476F

RGB 76 71 111

HSL 247.5, 0.22%, 0.36%

LAB 32.24, 12.14, -22.37

 

CMYK 31 / 36 / 0 / 46

HEX #5E5789

RGB 94 87 137

HSL 248.4, 0.22%, 0.44%

LAB 39.58, 14.95, -26.84

 

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

CMYK 22 / 26 / 0 / 31

HEX #8983B0

RGB 137 131 176

HSL 248, 0.22%, 0.6%

LAB 56.77, 12.04, -22.91

 

CMYK 16 / 19 / 0 / 25

HEX #A19CC0

RGB 161 156 192

HSL 248.33, 0.22%, 0.68%

LAB 65.87, 9.2, -17.88

 

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

CMYK 0 / 34 / 11 / 37

HEX #A06A8E

RGB 160 106 142

HSL 320, 0.22%, 0.52%

LAB 51.54, 27.25, -10.9

 

CMYK 24 / 0 / 34 / 37

HEX #79A06A

RGB 121 160 106

HSL 103.33, 0.22%, 0.52%

LAB 61.87, -23.8, 23.96

 

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

CMYK 0 / 30 / 34 / 37

HEX #A0706A

RGB 160 112 106

HSL 6.67, 0.22%, 0.52%

LAB 51.95, 18.19, 10.94

 

CMYK 34 / 0 / 30 / 37

HEX #6AA070

RGB 106 160 112

HSL 126.67, 0.22%, 0.52%

LAB 61.11, -28.01, 19.51

 

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

CMYK 0 / 34 / 11 / 37

HEX #A06A8E

RGB 160 106 142

HSL 320, 0.22%, 0.52%

LAB 51.54, 27.25, -10.9

 

CMYK 4 / 0 / 34 / 37

HEX #99A06A

RGB 153 160 106

HSL 67.78, 0.22%, 0.52%

LAB 64.12, -11.45, 27.36

 

CMYK 34 / 0 / 23 / 37

HEX #6AA07B

RGB 106 160 123

HSL 138.89, 0.22%, 0.52%

LAB 61.34, -25.94, 13.72

 

CMYK 29 / 34 / 0 / 37

HEX #716AA0

RGB 113 106 160

HSL 247.78, 0.22%, 0.52%

LAB 47.44, 15.32, -28.21

 

CMYK 0 / 34 / 21 / 37

HEX #A06A7E

RGB 160 106 126

HSL 337.78, 0.22%, 0.52%

LAB 51.02, 24.56, -2.21

 

CMYK 4 / 0 / 34 / 37

HEX #99A06A

RGB 153 160 106

HSL 67.78, 0.22%, 0.52%

LAB 64.12, -11.45, 27.36

 

CMYK 34 / 0 / 13 / 37

HEX #6AA08B

RGB 106 160 139

HSL 156.67, 0.22%, 0.52%

LAB 61.71, -22.61, 5.3

 

Description

Color code: HEX #716AA0 | qconv.com Color code: HEX #716AA0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 106 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 106 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 34 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 34% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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