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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8983B0 it is the complementary color #767C4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8983B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8983B0 shade: #8E83AB, #9F95BE, #B0A7D1, #C1B9E4 and #D2CBF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8983B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8983B0 shade: #8983B0, #78719D, #675F8A, #564D77 and #453B64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8983B0 shade: #8983AF, #9583AF, #A183AF, #AD83AF and #AF83A6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8983B0 shade: #8983AF and #8383AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8983B0 shade matches the following richer shades: #8983AF, #7C72C0, #7062D0, #6451E1 and #5841F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8983B0 shade: #8983AF, #95939F, #A1A48E, #ADB47E and #B9C56D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8983B0 shade: #8395AF, #8389AF, #8983AF, #9583AF and #A083AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8983B0 shade: #5E5788, #71699F, #8983AF, #A19CC0 and #B8B5D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8983B0 shade: #8983B0, #AF83A0 and #8FAF83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8983B0 shade: #8983B0, #AF8983 and #83AF89

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8983B0 shade: #8983B0, #AF83A0, #A9AF83 and #83AF92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8983B0 shade: #8983B0, #AF8393, #A9AF83 and #83AF9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 26 / 0 / 31

HEX #8983B0

RGB 137 131 176

HSL 248, 0.22%, 0.6%

LAB 56.77, 12.04, -22.91

 

Complementary color

CMYK 5 / 0 / 36 / 51

HEX #767C4F

RGB 118 124 79

HSL 68, 0.22%, 0.4%

LAB 50.49, -10, 23.85

 

CMYK 17 / 23 / 0 / 33

HEX #8E83AB

RGB 142 131 171

HSL 256.5, 0.19%, 0.59%

LAB 57, 12.48, -19.65

 

CMYK 16 / 22 / 0 / 25

HEX #9F95BE

RGB 159 149 190

HSL 254.63, 0.24%, 0.66%

LAB 63.82, 12.05, -19.89

 

CMYK 16 / 20 / 0 / 18

HEX #B0A7D1

RGB 176 167 209

HSL 252.86, 0.31%, 0.74%

LAB 70.5, 11.66, -20.16

 

CMYK 15 / 19 / 0 / 11

HEX #C1B9E4

RGB 193 185 228

HSL 251.16, 0.44%, 0.81%

LAB 77.06, 11.3, -20.43

 

CMYK 15 / 18 / 0 / 3

HEX #D2CBF7

RGB 210 203 247

HSL 249.55, 0.73%, 0.88%

LAB 83.51, 10.97, -20.72

 

CMYK 22 / 26 / 0 / 31

HEX #8983B0

RGB 137 131 176

HSL 248, 0.22%, 0.6%

LAB 56.77, 12.04, -22.91

 

CMYK 24 / 28 / 0 / 38

HEX #78719D

RGB 120 113 157

HSL 249.55, 0.18%, 0.53%

LAB 49.78, 12.54, -22.77

 

CMYK 25 / 31 / 0 / 46

HEX #675F8A

RGB 103 95 138

HSL 251.16, 0.18%, 0.46%

LAB 42.62, 13.11, -22.67

 

CMYK 28 / 35 / 0 / 53

HEX #564D77

RGB 86 77 119

HSL 252.86, 0.21%, 0.38%

LAB 35.24, 13.77, -22.63

 

CMYK 31 / 41 / 0 / 61

HEX #453B64

RGB 69 59 100

HSL 254.63, 0.26%, 0.31%

LAB 27.61, 14.58, -22.66

 

CMYK 22 / 25 / 0 / 31

HEX #8983AF

RGB 137 131 175

HSL 248.18, 0.22%, 0.6%

LAB 56.73, 11.8, -22.4

 

CMYK 15 / 25 / 0 / 31

HEX #9583AF

RGB 149 131 175

HSL 264.55, 0.22%, 0.6%

LAB 57.77, 15.71, -20.71

 

CMYK 8 / 25 / 0 / 31

HEX #A183AF

RGB 161 131 175

HSL 280.91, 0.22%, 0.6%

LAB 58.89, 19.72, -18.91

 

CMYK 1 / 25 / 0 / 31

HEX #AD83AF

RGB 173 131 175

HSL 297.27, 0.22%, 0.6%

LAB 60.08, 23.8, -16.98

 

CMYK 0 / 25 / 5 / 31

HEX #AF83A6

RGB 175 131 166

HSL 312.27, 0.22%, 0.6%

LAB 59.98, 22.78, -11.98

 

CMYK 22 / 25 / 0 / 31

HEX #8983AF

RGB 137 131 175

HSL 248.18, 0.22%, 0.6%

LAB 56.73, 11.8, -22.4

 

CMYK 25 / 25 / 0 / 31

HEX #8383AF

RGB 131 131 175

HSL 240, 0.22%, 0.6%

LAB 56.24, 9.89, -23.19

 

CMYK 22 / 25 / 0 / 31

HEX #8983AF

RGB 137 131 175

HSL 248.18, 0.22%, 0.6%

LAB 56.73, 11.8, -22.4

 

CMYK 35 / 41 / 0 / 25

HEX #7C72C0

RGB 124 114 192

HSL 247.69, 0.38%, 0.6%

LAB 51.98, 22.33, -39.62

 

CMYK 46 / 53 / 0 / 18

HEX #7062D0

RGB 112 98 208

HSL 247.64, 0.54%, 0.6%

LAB 47.92, 33.47, -55.31

 

CMYK 56 / 64 / 0 / 12

HEX #6451E1

RGB 100 81 225

HSL 247.92, 0.71%, 0.6%

LAB 44.28, 46.2, -70.96

 

CMYK 63 / 73 / 0 / 5

HEX #5841F1

RGB 88 65 241

HSL 247.84, 0.86%, 0.6%

LAB 41.54, 58, -84.53

 

CMYK 22 / 25 / 0 / 31

HEX #8983AF

RGB 137 131 175

HSL 248.18, 0.22%, 0.6%

LAB 56.73, 11.8, -22.4

 

CMYK 6 / 8 / 0 / 38

HEX #95939F

RGB 149 147 159

HSL 250, 0.06%, 0.6%

LAB 61.45, 3.12, -6.05

 

CMYK 2 / 0 / 13 / 36

HEX #A1A48E

RGB 161 164 142

HSL 68.18, 0.11%, 0.6%

LAB 66.58, -5.05, 11.06

 

CMYK 4 / 0 / 30 / 29

HEX #ADB47E

RGB 173 180 126

HSL 67.78, 0.26%, 0.6%

LAB 71.58, -11.35, 26.79

 

CMYK 6 / 0 / 45 / 23

HEX #B9C56D

RGB 185 197 109

HSL 68.18, 0.43%, 0.6%

LAB 76.89, -17.35, 42.57

 

CMYK 25 / 15 / 0 / 31

HEX #8395AF

RGB 131 149 175

HSL 215.45, 0.22%, 0.6%

LAB 61.15, -0.45, -15.71

 

CMYK 25 / 22 / 0 / 31

HEX #8389AF

RGB 131 137 175

HSL 231.82, 0.22%, 0.6%

LAB 57.86, 6.4, -20.71

 

CMYK 22 / 25 / 0 / 31

HEX #8983AF

RGB 137 131 175

HSL 248.18, 0.22%, 0.6%

LAB 56.73, 11.8, -22.4

 

CMYK 15 / 25 / 0 / 31

HEX #9583AF

RGB 149 131 175

HSL 264.55, 0.22%, 0.6%

LAB 57.77, 15.71, -20.71

 

CMYK 9 / 25 / 0 / 31

HEX #A083AF

RGB 160 131 175

HSL 279.55, 0.22%, 0.6%

LAB 58.79, 19.39, -19.06

 

CMYK 31 / 36 / 0 / 47

HEX #5E5788

RGB 94 87 136

HSL 248.57, 0.22%, 0.44%

LAB 39.54, 14.67, -26.31

 

CMYK 29 / 34 / 0 / 38

HEX #71699F

RGB 113 105 159

HSL 248.89, 0.22%, 0.52%

LAB 47.13, 15.66, -28.11

 

CMYK 22 / 25 / 0 / 31

HEX #8983AF

RGB 137 131 175

HSL 248.18, 0.22%, 0.6%

LAB 56.73, 11.8, -22.4

 

CMYK 16 / 19 / 0 / 25

HEX #A19CC0

RGB 161 156 192

HSL 248.33, 0.22%, 0.68%

LAB 65.87, 9.2, -17.88

 

CMYK 12 / 13 / 0 / 18

HEX #B8B5D0

RGB 184 181 208

HSL 246.67, 0.22%, 0.76%

LAB 74.69, 6.35, -13.22

 

CMYK 22 / 26 / 0 / 31

HEX #8983B0

RGB 137 131 176

HSL 248, 0.22%, 0.6%

LAB 56.77, 12.04, -22.91

 

CMYK 0 / 25 / 9 / 31

HEX #AF83A0

RGB 175 131 160

HSL 320.45, 0.22%, 0.6%

LAB 59.78, 21.69, -8.83

 

CMYK 18 / 0 / 25 / 31

HEX #8FAF83

RGB 143 175 131

HSL 103.64, 0.22%, 0.6%

LAB 68.12, -19.33, 19.06

 

CMYK 22 / 26 / 0 / 31

HEX #8983B0

RGB 137 131 176

HSL 248, 0.22%, 0.6%

LAB 56.77, 12.04, -22.91

 

CMYK 0 / 22 / 25 / 31

HEX #AF8983

RGB 175 137 131

HSL 8.18, 0.22%, 0.6%

LAB 60.47, 13.54, 8.75

 

CMYK 25 / 0 / 22 / 31

HEX #83AF89

RGB 131 175 137

HSL 128.18, 0.22%, 0.6%

LAB 67.5, -22.49, 14.8

 

CMYK 22 / 26 / 0 / 31

HEX #8983B0

RGB 137 131 176

HSL 248, 0.22%, 0.6%

LAB 56.77, 12.04, -22.91

 

CMYK 0 / 25 / 9 / 31

HEX #AF83A0

RGB 175 131 160

HSL 320.45, 0.22%, 0.6%

LAB 59.78, 21.69, -8.83

 

CMYK 3 / 0 / 25 / 31

HEX #A9AF83

RGB 169 175 131

HSL 68.18, 0.22%, 0.6%

LAB 69.99, -9.59, 21.91

 

CMYK 25 / 0 / 17 / 31

HEX #83AF92

RGB 131 175 146

HSL 140.45, 0.22%, 0.6%

LAB 67.7, -20.78, 10.14

 

CMYK 22 / 26 / 0 / 31

HEX #8983B0

RGB 137 131 176

HSL 248, 0.22%, 0.6%

LAB 56.77, 12.04, -22.91

 

CMYK 0 / 25 / 16 / 31

HEX #AF8393

RGB 175 131 147

HSL 338.18, 0.22%, 0.6%

LAB 59.39, 19.44, -1.96

 

CMYK 3 / 0 / 25 / 31

HEX #A9AF83

RGB 169 175 131

HSL 68.18, 0.22%, 0.6%

LAB 69.99, -9.59, 21.91

 

CMYK 25 / 0 / 9 / 31

HEX #83AF9F

RGB 131 175 159

HSL 158.18, 0.22%, 0.6%

LAB 68.01, -18.14, 3.42

 

Description

Color code: HEX #8983B0 | qconv.com Color code: HEX #8983B0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 131 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 131 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 26 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 26% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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