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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7125A8 it is the complementary color #8EDA57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7125A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7125A8: #7625A3, #8737B6, #9849C9, #A95BDC and #BA6DEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7125A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7125A8: #7125A8, #601395, #4F0182, #3E006F and #2D005C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 78 / 0 / 34

HEX #7125A8

RGB 113 37 168

HSL 274.81, 0.64%, 0.4%

LAB 33.27, 55.05, -55.57

 

Complementary color

CMYK 35 / 0 / 60 / 15

HEX #8EDA57

RGB 142 218 87

HSL 94.81, 0.64%, 0.6%

LAB 79.94, -45.38, 55.78

 

CMYK 28 / 77 / 0 / 36

HEX #7625A3

RGB 118 37 163

HSL 278.57, 0.63%, 0.39%

LAB 33.6, 54.85, -51.98

 

CMYK 26 / 70 / 0 / 29

HEX #8737B6

RGB 135 55 182

HSL 277.8, 0.54%, 0.46%

LAB 40.02, 54.96, -52.82

 

CMYK 24 / 64 / 0 / 21

HEX #9849C9

RGB 152 73 201

HSL 277.03, 0.54%, 0.54%

LAB 46.52, 54.56, -53.31

 

CMYK 23 / 59 / 0 / 14

HEX #A95BDC

RGB 169 91 220

HSL 276.28, 0.65%, 0.61%

LAB 53.04, 53.9, -53.61

 

CMYK 22 / 54 / 0 / 6

HEX #BA6DEF

RGB 186 109 239

HSL 275.54, 0.8%, 0.68%

LAB 59.53, 53.13, -53.79

 

CMYK 33 / 78 / 0 / 34

HEX #7125A8

RGB 113 37 168

HSL 274.81, 0.64%, 0.4%

LAB 33.27, 55.05, -55.57

 

CMYK 36 / 87 / 0 / 42

HEX #601395

RGB 96 19 149

HSL 275.54, 0.77%, 0.33%

LAB 27.08, 54.08, -54.21

 

CMYK 39 / 99 / 0 / 49

HEX #4F0182

RGB 79 1 130

HSL 276.28, 0.98%, 0.26%

LAB 21.19, 51.88, -52.11

 

CMYK 44 / 100 / 0 / 56

HEX #3E006F

RGB 62 0 111

HSL 273.51, 1%, 0.22%

LAB 16.36, 46.03, -47.96

 

CMYK 51 / 100 / 0 / 64

HEX #2D005C

RGB 45 0 92

HSL 269.35, 1%, 0.18%

LAB 11.49, 39.78, -43.51

 

CMYK 33 / 78 / 0 / 34

HEX #7125A8

RGB 113 37 168

HSL 274.81, 0.64%, 0.4%

LAB 33.27, 55.05, -55.57

 

CMYK 21 / 78 / 0 / 35

HEX #8424A7

RGB 132 36 167

HSL 283.97, 0.65%, 0.4%

LAB 35.9, 58.67, -50.56

 

CMYK 8 / 78 / 0 / 35

HEX #9A24A7

RGB 154 36 167

HSL 294.05, 0.65%, 0.4%

LAB 39.45, 62.94, -44.67

 

CMYK 0 / 78 / 5 / 35

HEX #A7249E

RGB 167 36 158

HSL 304.12, 0.65%, 0.4%

LAB 41.13, 64.14, -36.46

 

CMYK 0 / 78 / 19 / 35

HEX #A72488

RGB 167 36 136

HSL 314.2, 0.65%, 0.4%

LAB 40.01, 60.92, -24.85

 

CMYK 33 / 78 / 0 / 34

HEX #7125A8

RGB 113 37 168

HSL 274.81, 0.64%, 0.4%

LAB 33.27, 55.05, -55.57

 

CMYK 33 / 78 / 0 / 14

HEX #9330DB

RGB 147 48 219

HSL 274.74, 0.7%, 0.52%

LAB 43.41, 68, -68.74

 

CMYK 33 / 80 / 0 / 94

HEX #0A030F

RGB 10 3 15

HSL 275, 0.67%, 0.04%

LAB 1.48, 3.6, -4.18

 

CMYK 33 / 77 / 0 / 74

HEX #2C0F42

RGB 44 15 66

HSL 274.12, 0.63%, 0.16%

LAB 11.07, 25.67, -26.28

 

CMYK 32 / 78 / 0 / 54

HEX #4F1A75

RGB 79 26 117

HSL 274.95, 0.64%, 0.28%

LAB 22.6, 41.22, -41.52

 

CMYK 33 / 78 / 0 / 34

HEX #7125A8

RGB 113 37 168

HSL 274.81, 0.64%, 0.4%

LAB 33.27, 55.05, -55.57

 

CMYK 0 / 78 / 60 / 35

HEX #A72443

RGB 167 36 67

HSL 345.8, 0.65%, 0.4%

LAB 37.63, 53.72, 15.15

 

CMYK 78 / 0 / 65 / 35

HEX #24A73A

RGB 36 167 58

HSL 130.08, 0.65%, 0.4%

LAB 60.17, -56.29, 45.32

 

CMYK 33 / 78 / 0 / 34

HEX #7125A8

RGB 113 37 168

HSL 274.81, 0.64%, 0.4%

LAB 33.27, 55.05, -55.57

 

CMYK 0 / 34 / 78 / 35

HEX #A76E24

RGB 167 110 36

HSL 33.89, 0.65%, 0.4%

LAB 51.26, 16.29, 47.96

 

CMYK 78 / 0 / 34 / 35

HEX #24A76E

RGB 36 167 110

HSL 153.89, 0.65%, 0.4%

LAB 60.9, -47.79, 19.93

 

CMYK 33 / 78 / 0 / 34

HEX #7125A8

RGB 113 37 168

HSL 274.81, 0.64%, 0.4%

LAB 33.27, 55.05, -55.57

 

CMYK 0 / 78 / 60 / 35

HEX #A72443

RGB 167 36 67

HSL 345.8, 0.65%, 0.4%

LAB 37.63, 53.72, 15.15

 

CMYK 44 / 0 / 78 / 35

HEX #5DA724

RGB 93 167 36

HSL 93.89, 0.65%, 0.4%

LAB 61.73, -44.5, 55.88

 

CMYK 78 / 0 / 19 / 35

HEX #24A788

RGB 36 167 136

HSL 165.8, 0.65%, 0.4%

LAB 61.47, -41.63, 6.33

 

CMYK 33 / 78 / 0 / 34

HEX #7125A8

RGB 113 37 168

HSL 274.81, 0.64%, 0.4%

LAB 33.27, 55.05, -55.57

 

CMYK 0 / 73 / 78 / 35

HEX #A72D24

RGB 167 45 36

HSL 4.12, 0.65%, 0.4%

LAB 38.23, 49.01, 34.93

 

CMYK 44 / 0 / 78 / 35

HEX #5DA724

RGB 93 167 36

HSL 93.89, 0.65%, 0.4%

LAB 61.73, -44.5, 55.88

 

CMYK 78 / 5 / 0 / 35

HEX #249EA7

RGB 36 158 167

HSL 184.12, 0.65%, 0.4%

LAB 59.54, -28.57, -13.99

 

Description

Color code: HEX #7125A8 | qconv.com Color code: HEX #7125A8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 37 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 37 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 78 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 78% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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