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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #710C84 it is the complementary color #8EF37B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #710C84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #710C84 shade: #760C7F, #871E92, #9830A5, #A942B8 and #BA54CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #710C84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #710C84 shade: #710C84, #600071, #4F005E, #3E004B and #2D0038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #710C84 shade: #700C83, #830C75, #830C56, #830C36 and #830C16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #710C84 shade: #700C83, #500C83, #300C83, #100C83 and #0C0C83

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #710C84 shade matches the following richer shades: #700C83 and #78018E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #710C84 shade: #700C83, #681877, #60236C, #582F60 and #503A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #710C84 shade: #300C83, #4F0C83, #6F0C83, #830C77 and #830C57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #710C84 shade: #2F0537, #50095D, #700C83, #9010A8 and #B113CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #710C84 shade: #710C84, #83100C and #0C833F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #710C84 shade: #710C84, #836F0C and #0C836F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #710C84 shade: #710C84, #83100C, #20830C and #0C7F83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #710C84 shade: #710C84, #83340C, #20830C and #0C5B83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 91 / 0 / 48

HEX #710C84

RGB 113 12 132

HSL 290.5, 0.83%, 0.28%

LAB 27.95, 55, -42.1

 

Complementary color

CMYK 42 / 0 / 49 / 5

HEX #8EF37B

RGB 142 243 123

HSL 110.5, 0.83%, 0.72%

LAB 87.62, -51.87, 48.47

 

CMYK 7 / 91 / 0 / 50

HEX #760C7F

RGB 118 12 127

HSL 295.3, 0.83%, 0.27%

LAB 28.5, 55, -38.02

 

CMYK 8 / 79 / 0 / 43

HEX #871E92

RGB 135 30 146

HSL 294.31, 0.66%, 0.35%

LAB 34.3, 57.19, -40.37

 

CMYK 8 / 71 / 0 / 35

HEX #9830A5

RGB 152 48 165

HSL 293.33, 0.55%, 0.42%

LAB 40.42, 58.11, -41.94

 

CMYK 8 / 64 / 0 / 28

HEX #A942B8

RGB 169 66 184

HSL 292.37, 0.47%, 0.49%

LAB 46.7, 58.27, -43.02

 

CMYK 8 / 59 / 0 / 20

HEX #BA54CB

RGB 186 84 203

HSL 291.43, 0.53%, 0.56%

LAB 53.05, 58, -43.79

 

CMYK 14 / 91 / 0 / 48

HEX #710C84

RGB 113 12 132

HSL 290.5, 0.83%, 0.28%

LAB 27.95, 55, -42.1

 

CMYK 15 / 100 / 0 / 56

HEX #600071

RGB 96 0 113

HSL 290.97, 1%, 0.22%

LAB 22.58, 51.03, -38.85

 

CMYK 16 / 100 / 0 / 63

HEX #4F005E

RGB 79 0 94

HSL 290.43, 1%, 0.18%

LAB 17.78, 44.73, -34.3

 

CMYK 17 / 100 / 0 / 71

HEX #3E004B

RGB 62 0 75

HSL 289.6, 1%, 0.15%

LAB 12.81, 38.21, -29.6

 

CMYK 20 / 100 / 0 / 78

HEX #2D0038

RGB 45 0 56

HSL 288.21, 1%, 0.11%

LAB 7.62, 31.37, -24.69

 

CMYK 15 / 91 / 0 / 49

HEX #700C83

RGB 112 12 131

HSL 290.42, 0.83%, 0.28%

LAB 27.7, 54.64, -41.89

 

CMYK 0 / 91 / 11 / 49

HEX #830C75

RGB 131 12 117

HSL 307.06, 0.83%, 0.28%

LAB 30.33, 55.92, -28.63

 

CMYK 0 / 91 / 34 / 49

HEX #830C56

RGB 131 12 86

HSL 322.69, 0.83%, 0.28%

LAB 28.8, 51.82, -10.92

 

CMYK 0 / 91 / 59 / 49

HEX #830C36

RGB 131 12 54

HSL 338.82, 0.83%, 0.28%

LAB 27.72, 48.82, 8.96

 

CMYK 0 / 91 / 83 / 49

HEX #830C16

RGB 131 12 22

HSL 354.96, 0.83%, 0.28%

LAB 27.15, 47.17, 29.34

 

CMYK 15 / 91 / 0 / 49

HEX #700C83

RGB 112 12 131

HSL 290.42, 0.83%, 0.28%

LAB 27.7, 54.64, -41.89

 

CMYK 39 / 91 / 0 / 49

HEX #500C83

RGB 80 12 131

HSL 274.29, 0.83%, 0.28%

LAB 22.33, 49.6, -50.87

 

CMYK 63 / 91 / 0 / 49

HEX #300C83

RGB 48 12 131

HSL 258.15, 0.83%, 0.28%

LAB 18.05, 45.99, -58.06

 

CMYK 88 / 91 / 0 / 49

HEX #100C83

RGB 16 12 131

HSL 242.02, 0.83%, 0.28%

LAB 15.55, 44.11, -62.3

 

CMYK 91 / 91 / 0 / 49

HEX #0C0C83

RGB 12 12 131

HSL 240, 0.83%, 0.28%

LAB 15.38, 43.99, -62.58

 

CMYK 15 / 91 / 0 / 49

HEX #700C83

RGB 112 12 131

HSL 290.42, 0.83%, 0.28%

LAB 27.7, 54.64, -41.89

 

CMYK 15 / 99 / 0 / 44

HEX #78018E

RGB 120 1 142

HSL 290.64, 0.99%, 0.28%

LAB 29.33, 59.82, -46.05

 

CMYK 15 / 91 / 0 / 49

HEX #700C83

RGB 112 12 131

HSL 290.42, 0.83%, 0.28%

LAB 27.7, 54.64, -41.89

 

CMYK 13 / 80 / 0 / 53

HEX #681877

RGB 104 24 119

HSL 290.53, 0.66%, 0.28%

LAB 26.53, 47.62, -36.26

 

CMYK 11 / 68 / 0 / 58

HEX #60236C

RGB 96 35 108

HSL 290.14, 0.51%, 0.28%

LAB 26.07, 38.97, -30.01

 

CMYK 8 / 51 / 0 / 62

HEX #582F60

RGB 88 47 96

HSL 290.2, 0.34%, 0.28%

LAB 26.6, 27.48, -21.49

 

CMYK 5 / 31 / 0 / 67

HEX #503A54

RGB 80 58 84

HSL 290.77, 0.18%, 0.28%

LAB 27.77, 14.99, -11.93

 

CMYK 63 / 91 / 0 / 49

HEX #300C83

RGB 48 12 131

HSL 258.15, 0.83%, 0.28%

LAB 18.05, 45.99, -58.06

 

CMYK 40 / 91 / 0 / 49

HEX #4F0C83

RGB 79 12 131

HSL 273.78, 0.83%, 0.28%

LAB 22.17, 49.46, -51.13

 

CMYK 15 / 91 / 0 / 49

HEX #6F0C83

RGB 111 12 131

HSL 289.92, 0.83%, 0.28%

LAB 27.52, 54.46, -42.19

 

CMYK 0 / 91 / 9 / 49

HEX #830C77

RGB 131 12 119

HSL 306.05, 0.83%, 0.28%

LAB 30.45, 56.22, -29.71

 

CMYK 0 / 91 / 34 / 49

HEX #830C57

RGB 131 12 87

HSL 322.18, 0.83%, 0.28%

LAB 28.84, 51.94, -11.52

 

CMYK 15 / 91 / 0 / 78

HEX #2F0537

RGB 47 5 55

HSL 290.4, 0.83%, 0.12%

LAB 8.9, 28.77, -21.88

 

CMYK 14 / 90 / 0 / 64

HEX #50095D

RGB 80 9 93

HSL 290.71, 0.82%, 0.2%

LAB 18.76, 42.16, -32.05

 

CMYK 15 / 91 / 0 / 49

HEX #700C83

RGB 112 12 131

HSL 290.42, 0.83%, 0.28%

LAB 27.7, 54.64, -41.89

 

CMYK 14 / 90 / 0 / 34

HEX #9010A8

RGB 144 16 168

HSL 290.53, 0.83%, 0.36%

LAB 36.23, 65.97, -50.54

 

CMYK 14 / 91 / 0 / 19

HEX #B113CE

RGB 177 19 206

HSL 290.7, 0.83%, 0.44%

LAB 44.62, 77.27, -59.08

 

CMYK 14 / 91 / 0 / 48

HEX #710C84

RGB 113 12 132

HSL 290.5, 0.83%, 0.28%

LAB 27.95, 55, -42.1

 

CMYK 0 / 88 / 91 / 49

HEX #83100C

RGB 131 16 12

HSL 2.02, 0.83%, 0.28%

LAB 27.36, 46.05, 35.02

 

CMYK 91 / 0 / 52 / 49

HEX #0C833F

RGB 12 131 63

HSL 145.71, 0.83%, 0.28%

LAB 47.84, -45.89, 28.32

 

CMYK 14 / 91 / 0 / 48

HEX #710C84

RGB 113 12 132

HSL 290.5, 0.83%, 0.28%

LAB 27.95, 55, -42.1

 

CMYK 0 / 15 / 91 / 49

HEX #836F0C

RGB 131 111 12

HSL 49.92, 0.83%, 0.28%

LAB 47.26, -1.82, 50.88

 

CMYK 91 / 0 / 15 / 49

HEX #0C836F

RGB 12 131 111

HSL 169.92, 0.83%, 0.28%

LAB 48.83, -34.78, 2.38

 

CMYK 14 / 91 / 0 / 48

HEX #710C84

RGB 113 12 132

HSL 290.5, 0.83%, 0.28%

LAB 27.95, 55, -42.1

 

CMYK 0 / 88 / 91 / 49

HEX #83100C

RGB 131 16 12

HSL 2.02, 0.83%, 0.28%

LAB 27.36, 46.05, 35.02

 

CMYK 76 / 0 / 91 / 49

HEX #20830C

RGB 32 131 12

HSL 109.92, 0.83%, 0.28%

LAB 47.71, -48.6, 48.89

 

CMYK 91 / 3 / 0 / 49

HEX #0C7F83

RGB 12 127 131

HSL 182.02, 0.83%, 0.28%

LAB 48.13, -26.72, -10.43

 

CMYK 14 / 91 / 0 / 48

HEX #710C84

RGB 113 12 132

HSL 290.5, 0.83%, 0.28%

LAB 27.95, 55, -42.1

 

CMYK 0 / 60 / 91 / 49

HEX #83340C

RGB 131 52 12

HSL 20.17, 0.83%, 0.28%

LAB 32.5, 32.04, 39.15

 

CMYK 76 / 0 / 91 / 49

HEX #20830C

RGB 32 131 12

HSL 109.92, 0.83%, 0.28%

LAB 47.71, -48.6, 48.89

 

CMYK 91 / 31 / 0 / 49

HEX #0C5B83

RGB 12 91 131

HSL 200.17, 0.83%, 0.28%

LAB 36.36, -6.68, -28.53

 

Description

Color code: HEX #710C84 | qconv.com Color code: HEX #710C84 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 12 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 12 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 91 magenta, none yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 91% 0% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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