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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA54CB it is the complementary color #45AB34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA54CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA54CB shade: #BF54C6, #D066D9, #E178EC, #F28AFF and #FF9CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA54CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA54CB shade: #BA54CB, #A942B8, #9830A5, #871E92 and #760C7F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA54CB shade: #B953CA, #CA53BB, #CA539B, #CA537B and #CA535B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA54CB shade: #B953CA, #9953CA, #7953CA, #5953CA and #5353CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA54CB shade matches the following richer shades: #B953CA, #C641DC and #D32FEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA54CB shade: #B953CA, #AC65B8, #9F78A6, #928A94 and #859C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA54CB shade: #7953CA, #9953CA, #B853CA, #CA53BC and #CA539D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA54CB shade: #8C309B, #A839BB, #B953CA, #C673D4 and #D392DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA54CB shade: #BA54CB, #CA5953 and #53CA89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA54CB shade: #BA54CB, #CAB853 and #53CAB8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA54CB shade: #BA54CB, #CA5953, #65CA53 and #53C4CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA54CB shade: #BA54CB, #CA7D53, #65CA53 and #53A1CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 59 / 0 / 20

HEX #BA54CB

RGB 186 84 203

HSL 291.43, 0.53%, 0.56%

LAB 53.05, 58, -43.79

 

Complementary color

CMYK 60 / 0 / 70 / 33

HEX #45AB34

RGB 69 171 52

HSL 111.43, 0.53%, 0.44%

LAB 62.2, -51.89, 50.26

 

CMYK 4 / 58 / 0 / 22

HEX #BF54C6

RGB 191 84 198

HSL 296.32, 0.5%, 0.55%

LAB 53.49, 58.36, -40.19

 

CMYK 4 / 53 / 0 / 15

HEX #D066D9

RGB 208 102 217

HSL 295.3, 0.6%, 0.63%

LAB 59.82, 57.89, -40.86

 

CMYK 5 / 49 / 0 / 7

HEX #E178EC

RGB 225 120 236

HSL 294.31, 0.75%, 0.7%

LAB 66.13, 57.28, -41.4

 

CMYK 5 / 46 / 0 / 0

HEX #F28AFF

RGB 242 138 255

HSL 293.33, 1%, 0.77%

LAB 72.41, 56.6, -41.84

 

CMYK 0 / 39 / 0 / 0

HEX #FF9CFF

RGB 255 156 255

HSL 300, 1%, 0.81%

LAB 77.43, 51.32, -33.92

 

CMYK 8 / 59 / 0 / 20

HEX #BA54CB

RGB 186 84 203

HSL 291.43, 0.53%, 0.56%

LAB 53.05, 58, -43.79

 

CMYK 8 / 64 / 0 / 28

HEX #A942B8

RGB 169 66 184

HSL 292.37, 0.47%, 0.49%

LAB 46.7, 58.27, -43.02

 

CMYK 8 / 71 / 0 / 35

HEX #9830A5

RGB 152 48 165

HSL 293.33, 0.55%, 0.42%

LAB 40.42, 58.11, -41.94

 

CMYK 8 / 79 / 0 / 43

HEX #871E92

RGB 135 30 146

HSL 294.31, 0.66%, 0.35%

LAB 34.3, 57.19, -40.37

 

CMYK 7 / 91 / 0 / 50

HEX #760C7F

RGB 118 12 127

HSL 295.3, 0.83%, 0.27%

LAB 28.5, 55, -38.02

 

CMYK 8 / 59 / 0 / 21

HEX #B953CA

RGB 185 83 202

HSL 291.43, 0.53%, 0.56%

LAB 52.69, 58.02, -43.79

 

CMYK 0 / 59 / 7 / 21

HEX #CA53BB

RGB 202 83 187

HSL 307.56, 0.53%, 0.56%

LAB 54.38, 59.82, -32.35

 

CMYK 0 / 59 / 23 / 21

HEX #CA539B

RGB 202 83 155

HSL 323.7, 0.53%, 0.56%

LAB 53.07, 55.01, -15.7

 

CMYK 0 / 59 / 39 / 21

HEX #CA537B

RGB 202 83 123

HSL 339.83, 0.53%, 0.56%

LAB 52.03, 51.03, 1.75

 

CMYK 0 / 59 / 55 / 21

HEX #CA535B

RGB 202 83 91

HSL 355.97, 0.53%, 0.56%

LAB 51.27, 47.98, 19.78

 

CMYK 8 / 59 / 0 / 21

HEX #B953CA

RGB 185 83 202

HSL 291.43, 0.53%, 0.56%

LAB 52.69, 58.02, -43.79

 

CMYK 24 / 59 / 0 / 21

HEX #9953CA

RGB 153 83 202

HSL 275.29, 0.53%, 0.56%

LAB 48.54, 50.05, -50.65

 

CMYK 40 / 59 / 0 / 21

HEX #7953CA

RGB 121 83 202

HSL 259.16, 0.53%, 0.56%

LAB 44.96, 42.53, -56.59

 

CMYK 56 / 59 / 0 / 21

HEX #5953CA

RGB 89 83 202

HSL 243.03, 0.53%, 0.56%

LAB 42.12, 35.96, -61.33

 

CMYK 59 / 59 / 0 / 21

HEX #5353CA

RGB 83 83 202

HSL 240, 0.53%, 0.56%

LAB 41.67, 34.89, -62.07

 

CMYK 8 / 59 / 0 / 21

HEX #B953CA

RGB 185 83 202

HSL 291.43, 0.53%, 0.56%

LAB 52.69, 58.02, -43.79

 

CMYK 10 / 70 / 0 / 14

HEX #C641DC

RGB 198 65 220

HSL 291.48, 0.69%, 0.56%

LAB 52.9, 71.68, -53.61

 

CMYK 12 / 80 / 0 / 6

HEX #D32FEF

RGB 211 47 239

HSL 291.25, 0.86%, 0.56%

LAB 54.15, 82.84, -62.22

 

CMYK 8 / 59 / 0 / 21

HEX #B953CA

RGB 185 83 202

HSL 291.43, 0.53%, 0.56%

LAB 52.69, 58.02, -43.79

 

CMYK 7 / 45 / 0 / 28

HEX #AC65B8

RGB 172 101 184

HSL 291.33, 0.37%, 0.56%

LAB 53.53, 41.92, -32.23

 

CMYK 4 / 28 / 0 / 35

HEX #9F78A6

RGB 159 120 166

HSL 290.87, 0.21%, 0.56%

LAB 55.64, 23.49, -18.7

 

CMYK 1 / 7 / 0 / 42

HEX #928A94

RGB 146 138 148

HSL 288, 0.04%, 0.56%

LAB 58.44, 4.91, -4.26

 

CMYK 15 / 0 / 17 / 39

HEX #859C82

RGB 133 156 130

HSL 113.08, 0.12%, 0.56%

LAB 61.98, -13.24, 10.95

 

CMYK 40 / 59 / 0 / 21

HEX #7953CA

RGB 121 83 202

HSL 259.16, 0.53%, 0.56%

LAB 44.96, 42.53, -56.59

 

CMYK 24 / 59 / 0 / 21

HEX #9953CA

RGB 153 83 202

HSL 275.29, 0.53%, 0.56%

LAB 48.54, 50.05, -50.65

 

CMYK 9 / 59 / 0 / 21

HEX #B853CA

RGB 184 83 202

HSL 290.92, 0.53%, 0.56%

LAB 52.55, 57.77, -44.02

 

CMYK 0 / 59 / 7 / 21

HEX #CA53BC

RGB 202 83 188

HSL 307.06, 0.53%, 0.56%

LAB 54.42, 59.98, -32.85

 

CMYK 0 / 59 / 22 / 21

HEX #CA539D

RGB 202 83 157

HSL 322.69, 0.53%, 0.56%

LAB 53.14, 55.28, -16.76

 

CMYK 10 / 69 / 0 / 39

HEX #8C309B

RGB 140 48 155

HSL 291.59, 0.53%, 0.4%

LAB 37.94, 53.49, -39.99

 

CMYK 10 / 70 / 0 / 27

HEX #A839BB

RGB 168 57 187

HSL 291.23, 0.53%, 0.48%

LAB 45.41, 62.27, -46.83

 

CMYK 8 / 59 / 0 / 21

HEX #B953CA

RGB 185 83 202

HSL 291.43, 0.53%, 0.56%

LAB 52.69, 58.02, -43.79

 

CMYK 7 / 46 / 0 / 17

HEX #C673D4

RGB 198 115 212

HSL 291.34, 0.53%, 0.64%

LAB 60.8, 47.69, -36.6

 

CMYK 5 / 34 / 0 / 13

HEX #D392DE

RGB 211 146 222

HSL 291.32, 0.54%, 0.72%

LAB 69.24, 37.09, -28.96

 

CMYK 8 / 59 / 0 / 20

HEX #BA54CB

RGB 186 84 203

HSL 291.43, 0.53%, 0.56%

LAB 53.05, 58, -43.79

 

CMYK 0 / 56 / 59 / 21

HEX #CA5953

RGB 202 89 83

HSL 3.03, 0.53%, 0.56%

LAB 52.2, 44.51, 25.72

 

CMYK 59 / 0 / 32 / 21

HEX #53CA89

RGB 83 202 137

HSL 147.23, 0.53%, 0.56%

LAB 73.47, -48.26, 22.71

 

CMYK 8 / 59 / 0 / 20

HEX #BA54CB

RGB 186 84 203

HSL 291.43, 0.53%, 0.56%

LAB 53.05, 58, -43.79

 

CMYK 0 / 9 / 59 / 21

HEX #CAB853

RGB 202 184 83

HSL 50.92, 0.53%, 0.56%

LAB 74.48, -6.01, 52.54

 

CMYK 59 / 0 / 9 / 21

HEX #53CAB8

RGB 83 202 184

HSL 170.92, 0.53%, 0.56%

LAB 74.53, -37.61, -1

 

CMYK 8 / 59 / 0 / 20

HEX #BA54CB

RGB 186 84 203

HSL 291.43, 0.53%, 0.56%

LAB 53.05, 58, -43.79

 

CMYK 0 / 56 / 59 / 21

HEX #CA5953

RGB 202 89 83

HSL 3.03, 0.53%, 0.56%

LAB 52.2, 44.51, 25.72

 

CMYK 50 / 0 / 59 / 21

HEX #65CA53

RGB 101 202 83

HSL 110.92, 0.53%, 0.56%

LAB 73.31, -52.06, 49.52

 

CMYK 59 / 3 / 0 / 21

HEX #53C4CA

RGB 83 196 202

HSL 183.03, 0.53%, 0.56%

LAB 73.27, -29.98, -12.63

 

CMYK 8 / 59 / 0 / 20

HEX #BA54CB

RGB 186 84 203

HSL 291.43, 0.53%, 0.56%

LAB 53.05, 58, -43.79

 

CMYK 0 / 38 / 59 / 21

HEX #CA7D53

RGB 202 125 83

HSL 21.18, 0.53%, 0.56%

LAB 59.75, 25.8, 35.24

 

CMYK 50 / 0 / 59 / 21

HEX #65CA53

RGB 101 202 83

HSL 110.92, 0.53%, 0.56%

LAB 73.31, -52.06, 49.52

 

CMYK 59 / 20 / 0 / 21

HEX #53A1CA

RGB 83 161 202

HSL 200.67, 0.53%, 0.56%

LAB 63.01, -11.97, -28.26

 

Description

Color code: HEX #BA54CB | qconv.com Color code: HEX #BA54CB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 84 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 84 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 59 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 59% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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