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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #710AE5 it is the complementary color #8EF51A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #710AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #710AE5 shade: #760AE0, #871CF3, #982EFF, #A940FF and #BA52FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #710AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #710AE5 shade: #710AE5, #6000D2, #4F00BF, #3E00AC and #2D0099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #710AE5 shade: #710AE6, #AD0AE6, #E60AE4, #E60AA9 and #E60A6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #710AE5 shade: #710AE6, #360AE6 and #0A0AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #710AE5 shade matches the following richer shades: #710AE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #710AE5 shade: #710AE6, #721DD3, #7430BF, #7544AC and #765799

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #710AE5 shade: #0A18E6, #360AE6, #700AE6, #AB0AE6 and #E60AE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #710AE5 shade: #4A0697, #5E08BF, #710AE6, #8623F6 and #9C4BF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #710AE5 shade: #710AE5, #E60A53 and #0AE618

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #710AE5 shade: #710AE5, #E6700A and #0AE670

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #710AE5 shade: #710AE5, #E60A53, #7FE60A and #0AE69D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #710AE5 shade: #710AE5, #E60A11, #7FE60A and #0AE6DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 96 / 0 / 10

HEX #710AE5

RGB 113 10 229

HSL 268.22, 0.92%, 0.47%

LAB 36.72, 75.35, -85.61

 

Complementary color

CMYK 42 / 0 / 89 / 4

HEX #8EF51A

RGB 142 245 26

HSL 88.22, 0.92%, 0.53%

LAB 87.55, -59.56, 81.62

 

CMYK 47 / 96 / 0 / 12

HEX #760AE0

RGB 118 10 224

HSL 270.28, 0.91%, 0.46%

LAB 36.84, 74.69, -82.53

 

CMYK 44 / 88 / 0 / 5

HEX #871CF3

RGB 135 28 243

HSL 269.86, 0.9%, 0.53%

LAB 41.93, 77.31, -84.86

 

CMYK 40 / 82 / 0 / 0

HEX #982EFF

RGB 152 46 255

HSL 270.43, 1%, 0.59%

LAB 46.78, 77.16, -83.53

 

CMYK 34 / 75 / 0 / 0

HEX #A940FF

RGB 169 64 255

HSL 272.98, 1%, 0.63%

LAB 51.06, 73.53, -76.44

 

CMYK 27 / 68 / 0 / 0

HEX #BA52FF

RGB 186 82 255

HSL 276.07, 1%, 0.66%

LAB 55.78, 69.37, -68.69

 

CMYK 51 / 96 / 0 / 10

HEX #710AE5

RGB 113 10 229

HSL 268.22, 0.92%, 0.47%

LAB 36.72, 75.35, -85.61

 

CMYK 54 / 100 / 0 / 18

HEX #6000D2

RGB 96 0 210

HSL 267.43, 1%, 0.41%

LAB 32.12, 71.25, -82.34

 

CMYK 59 / 100 / 0 / 25

HEX #4F00BF

RGB 79 0 191

HSL 264.82, 1%, 0.37%

LAB 27.91, 65.87, -78.26

 

CMYK 64 / 100 / 0 / 33

HEX #3E00AC

RGB 62 0 172

HSL 261.63, 1%, 0.34%

LAB 23.68, 60.46, -73.99

 

CMYK 71 / 100 / 0 / 40

HEX #2D0099

RGB 45 0 153

HSL 257.65, 1%, 0.3%

LAB 19.47, 55.03, -69.47

 

CMYK 51 / 96 / 0 / 10

HEX #710AE6

RGB 113 10 230

HSL 268.09, 0.92%, 0.47%

LAB 36.82, 75.56, -86.01

 

CMYK 25 / 96 / 0 / 10

HEX #AD0AE6

RGB 173 10 230

HSL 284.45, 0.92%, 0.47%

LAB 45.38, 81.91, -71.63

 

CMYK 0 / 96 / 1 / 10

HEX #E60AE4

RGB 230 10 228

HSL 300.55, 0.92%, 0.47%

LAB 54.7, 89.93, -54.97

 

CMYK 0 / 96 / 27 / 10

HEX #E60AA9

RGB 230 10 169

HSL 316.64, 0.92%, 0.47%

LAB 51.73, 82.46, -25.59

 

CMYK 0 / 96 / 53 / 10

HEX #E60A6D

RGB 230 10 109

HSL 333, 0.92%, 0.47%

LAB 49.67, 77.02, 7.47

 

CMYK 51 / 96 / 0 / 10

HEX #710AE6

RGB 113 10 230

HSL 268.09, 0.92%, 0.47%

LAB 36.82, 75.56, -86.01

 

CMYK 77 / 96 / 0 / 10

HEX #360AE6

RGB 54 10 230

HSL 252, 0.92%, 0.47%

LAB 31.15, 72.35, -95.59

 

CMYK 96 / 96 / 0 / 10

HEX #0A0AE6

RGB 10 10 230

HSL 240, 0.92%, 0.47%

LAB 29.4, 71.58, -98.55

 

CMYK 51 / 96 / 0 / 10

HEX #710AE6

RGB 113 10 230

HSL 268.09, 0.92%, 0.47%

LAB 36.82, 75.56, -86.01

 

CMYK 51 / 96 / 0 / 10

HEX #710AE6

RGB 113 10 230

HSL 268.09, 0.92%, 0.47%

LAB 36.82, 75.56, -86.01

 

CMYK 46 / 86 / 0 / 17

HEX #721DD3

RGB 114 29 211

HSL 268.02, 0.76%, 0.47%

LAB 36.29, 67.67, -75.96

 

CMYK 39 / 75 / 0 / 25

HEX #7430BF

RGB 116 48 191

HSL 268.53, 0.6%, 0.47%

LAB 37.09, 56.48, -62.98

 

CMYK 32 / 60 / 0 / 33

HEX #7544AC

RGB 117 68 172

HSL 268.27, 0.43%, 0.47%

LAB 39.4, 42.08, -48.01

 

CMYK 23 / 43 / 0 / 40

HEX #765799

RGB 118 87 153

HSL 268.18, 0.28%, 0.47%

LAB 42.71, 26.57, -31.41

 

CMYK 96 / 90 / 0 / 10

HEX #0A18E6

RGB 10 24 230

HSL 236.18, 0.92%, 0.47%

LAB 30.47, 68.28, -96.76

 

CMYK 77 / 96 / 0 / 10

HEX #360AE6

RGB 54 10 230

HSL 252, 0.92%, 0.47%

LAB 31.15, 72.35, -95.59

 

CMYK 51 / 96 / 0 / 10

HEX #700AE6

RGB 112 10 230

HSL 267.82, 0.92%, 0.47%

LAB 36.7, 75.48, -86.21

 

CMYK 26 / 96 / 0 / 10

HEX #AB0AE6

RGB 171 10 230

HSL 283.91, 0.92%, 0.47%

LAB 45.06, 81.65, -72.15

 

CMYK 0 / 96 / 0 / 10

HEX #E60AE6

RGB 230 10 230

HSL 300, 0.92%, 0.47%

LAB 54.82, 90.21, -55.91

 

CMYK 51 / 96 / 0 / 41

HEX #4A0697

RGB 74 6 151

HSL 268.14, 0.92%, 0.31%

LAB 23.07, 54.98, -62.16

 

CMYK 51 / 96 / 0 / 25

HEX #5E08BF

RGB 94 8 191

HSL 268.2, 0.92%, 0.39%

LAB 30.19, 65.62, -74.41

 

CMYK 51 / 96 / 0 / 10

HEX #710AE6

RGB 113 10 230

HSL 268.09, 0.92%, 0.47%

LAB 36.82, 75.56, -86.01

 

CMYK 46 / 86 / 0 / 4

HEX #8623F6

RGB 134 35 246

HSL 268.15, 0.92%, 0.55%

LAB 42.65, 76.16, -85.36

 

CMYK 37 / 70 / 0 / 3

HEX #9C4BF7

RGB 156 75 247

HSL 268.26, 0.91%, 0.63%

LAB 50.47, 64.96, -73.01

 

CMYK 51 / 96 / 0 / 10

HEX #710AE5

RGB 113 10 229

HSL 268.22, 0.92%, 0.47%

LAB 36.72, 75.35, -85.61

 

CMYK 0 / 96 / 64 / 10

HEX #E60A53

RGB 230 10 83

HSL 340.09, 0.92%, 0.47%

LAB 49.09, 75.44, 22.63

 

CMYK 96 / 0 / 90 / 10

HEX #0AE618

RGB 10 230 24

HSL 123.82, 0.92%, 0.47%

LAB 80.02, -78.9, 74.41

 

CMYK 51 / 96 / 0 / 10

HEX #710AE5

RGB 113 10 229

HSL 268.22, 0.92%, 0.47%

LAB 36.72, 75.35, -85.61

 

CMYK 0 / 51 / 96 / 10

HEX #E6700A

RGB 230 112 10

HSL 27.82, 0.92%, 0.47%

LAB 60.28, 41.11, 66.46

 

CMYK 96 / 0 / 51 / 10

HEX #0AE670

RGB 10 230 112

HSL 147.82, 0.92%, 0.47%

LAB 80.64, -71.11, 44.42

 

CMYK 51 / 96 / 0 / 10

HEX #710AE5

RGB 113 10 229

HSL 268.22, 0.92%, 0.47%

LAB 36.72, 75.35, -85.61

 

CMYK 0 / 96 / 64 / 10

HEX #E60A53

RGB 230 10 83

HSL 340.09, 0.92%, 0.47%

LAB 49.09, 75.44, 22.63

 

CMYK 45 / 0 / 96 / 10

HEX #7FE60A

RGB 127 230 10

HSL 88.09, 0.92%, 0.47%

LAB 82.45, -58.92, 79.11

 

CMYK 96 / 0 / 32 / 10

HEX #0AE69D

RGB 10 230 157

HSL 160.09, 0.92%, 0.47%

LAB 81.34, -62.88, 22.84

 

CMYK 51 / 96 / 0 / 10

HEX #710AE5

RGB 113 10 229

HSL 268.22, 0.92%, 0.47%

LAB 36.72, 75.35, -85.61

 

CMYK 0 / 96 / 93 / 10

HEX #E60A11

RGB 230 10 17

HSL 358.09, 0.92%, 0.47%

LAB 48.36, 73.44, 57.37

 

CMYK 45 / 0 / 96 / 10

HEX #7FE60A

RGB 127 230 10

HSL 88.09, 0.92%, 0.47%

LAB 82.45, -58.92, 79.11

 

CMYK 96 / 0 / 3 / 10

HEX #0AE6DF

RGB 10 230 223

HSL 178.09, 0.92%, 0.47%

LAB 82.91, -46.26, -9.62

 

Description

Color code: HEX #710AE5 | qconv.com Color code: HEX #710AE5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 10 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 10 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 96 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 96% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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