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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 96 / 0 / 51 / 10 it is the complementary color CMYK 0 / 90 / 42 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 96 / 0 / 51 / 10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 96 / 0 / 51 / 10: CMYK 94 / 0 / 53 / 10, CMYK 88 / 0 / 49 / 3, CMYK 81 / 0 / 43 / 0, CMYK 75 / 0 / 36 / 0 and CMYK 68 / 0 / 28 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 96 / 0 / 51 / 10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 96 / 0 / 51 / 10: CMYK 96 / 0 / 51 / 10, CMYK 100 / 0 / 56 / 17, CMYK 100 / 0 / 62 / 24, CMYK 100 / 0 / 69 / 31 and CMYK 100 / 0 / 77 / 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 51 / 10

HEX #09E670

RGB 9 230 112

HSL 147.96, 0.92%, 0.47%

LAB 80.64, -71.14, 44.42

 

Complementary color

CMYK 0 / 90 / 42 / 4

HEX #F6198F

RGB 246 25 143

HSL 327.96, 0.92%, 0.53%

LAB 54.31, 81.69, -5.96

 

CMYK 94 / 0 / 53 / 10

HEX #0EE66B

RGB 14 230 107

HSL 145.83, 0.89%, 0.48%

LAB 80.6, -71.71, 46.73

 

CMYK 88 / 0 / 49 / 3

HEX #1FF87E

RGB 31 248 126

HSL 146.27, 0.94%, 0.55%

LAB 86.47, -73.67, 45.04

 

CMYK 81 / 0 / 43 / 0

HEX #30FF91

RGB 48 255 145

HSL 148.12, 1%, 0.59%

LAB 89.01, -71.54, 39.16

 

CMYK 75 / 0 / 36 / 0

HEX #41FFA4

RGB 65 255 164

HSL 151.26, 1%, 0.63%

LAB 89.54, -66.28, 30.49

 

CMYK 68 / 0 / 28 / 0

HEX #52FFB7

RGB 82 255 183

HSL 155.03, 1%, 0.66%

LAB 90.2, -60.17, 21.83

 

CMYK 96 / 0 / 51 / 10

HEX #09E670

RGB 9 230 112

HSL 147.96, 0.92%, 0.47%

LAB 80.64, -71.14, 44.42

 

CMYK 100 / 0 / 56 / 17

HEX #00D45D

RGB 0 212 93

HSL 146.32, 1%, 0.42%

LAB 74.75, -68.59, 46.19

 

CMYK 100 / 0 / 62 / 24

HEX #00C24A

RGB 0 194 74

HSL 142.89, 1%, 0.38%

LAB 68.81, -65.56, 47.89

 

CMYK 100 / 0 / 69 / 31

HEX #00B037

RGB 0 176 55

HSL 138.75, 1%, 0.35%

LAB 62.78, -62.27, 49.34

 

CMYK 100 / 0 / 77 / 38

HEX #009E24

RGB 0 158 36

HSL 133.67, 1%, 0.31%

LAB 56.66, -58.64, 50.24

 

CMYK 96 / 0 / 51 / 10

HEX #09E670

RGB 9 230 112

HSL 147.96, 0.92%, 0.47%

LAB 80.64, -71.14, 44.42

 

CMYK 96 / 0 / 37 / 10

HEX #09E691

RGB 9 230 145

HSL 156.92, 0.92%, 0.47%

LAB 81.12, -65.38, 28.71

 

CMYK 96 / 0 / 21 / 10

HEX #09E6B6

RGB 9 230 182

HSL 166.97, 0.92%, 0.47%

LAB 81.85, -57.19, 10.5

 

CMYK 96 / 0 / 5 / 10

HEX #09E6DB

RGB 9 230 219

HSL 177.01, 0.92%, 0.47%

LAB 82.79, -47.42, -7.68

 

CMYK 96 / 11 / 0 / 10

HEX #09CCE6

RGB 9 204 230

HSL 187.06, 0.92%, 0.47%

LAB 75.42, -32.35, -24.64

 

CMYK 96 / 0 / 51 / 10

HEX #09E670

RGB 9 230 112

HSL 147.96, 0.92%, 0.47%

LAB 80.64, -71.14, 44.42

 

CMYK 96 / 0 / 50 / 90

HEX #011A0D

RGB 1 26 13

HSL 148.8, 0.93%, 0.05%

LAB 6.99, -11.53, 4.82

 

CMYK 96 / 0 / 52 / 70

HEX #034D25

RGB 3 77 37

HSL 147.57, 0.93%, 0.16%

LAB 28.01, -31.23, 17.96

 

CMYK 96 / 0 / 52 / 50

HEX #05803E

RGB 5 128 62

HSL 147.8, 0.92%, 0.26%

LAB 46.74, -45.5, 27.46

 

CMYK 96 / 0 / 51 / 30

HEX #07B357

RGB 7 179 87

HSL 147.91, 0.92%, 0.36%

LAB 64.14, -58.68, 36.19

 

CMYK 96 / 0 / 51 / 10

HEX #09E670

RGB 9 230 112

HSL 147.96, 0.92%, 0.47%

LAB 80.64, -71.14, 44.42

 

CMYK 96 / 63 / 0 / 10

HEX #0956E6

RGB 9 86 230

HSL 219.1, 0.92%, 0.47%

LAB 41.89, 36.14, -77.86

 

CMYK 0 / 91 / 96 / 10

HEX #E61409

RGB 230 20 9

HSL 2.99, 0.92%, 0.47%

LAB 48.69, 72.35, 59.93

 

CMYK 96 / 0 / 51 / 10

HEX #09E670

RGB 9 230 112

HSL 147.96, 0.92%, 0.47%

LAB 80.64, -71.14, 44.42

 

CMYK 53 / 96 / 0 / 10

HEX #6C09E6

RGB 108 9 230

HSL 266.88, 0.92%, 0.47%

LAB 36.17, 75.3, -87.1

 

CMYK 0 / 53 / 96 / 10

HEX #E66C09

RGB 230 108 9

HSL 26.88, 0.92%, 0.47%

LAB 59.5, 43.07, 66.13

 

CMYK 96 / 0 / 51 / 10

HEX #09E670

RGB 9 230 112

HSL 147.96, 0.92%, 0.47%

LAB 80.64, -71.14, 44.42

 

CMYK 96 / 63 / 0 / 10

HEX #0956E6

RGB 9 86 230

HSL 219.1, 0.92%, 0.47%

LAB 41.89, 36.14, -77.86

 

CMYK 0 / 96 / 43 / 10

HEX #E60982

RGB 230 9 130

HSL 327.15, 0.92%, 0.47%

LAB 50.25, 78.72, -4.5

 

CMYK 0 / 34 / 96 / 10

HEX #E69809

RGB 230 152 9

HSL 38.82, 0.92%, 0.47%

LAB 68.97, 20.29, 72.43

 

CMYK 96 / 0 / 51 / 10

HEX #09E670

RGB 9 230 112

HSL 147.96, 0.92%, 0.47%

LAB 80.64, -71.14, 44.42

 

CMYK 96 / 91 / 0 / 10

HEX #0914E6

RGB 9 20 230

HSL 237.01, 0.92%, 0.47%

LAB 30.09, 69.4, -97.4

 

CMYK 0 / 96 / 43 / 10

HEX #E60982

RGB 230 9 130

HSL 327.15, 0.92%, 0.47%

LAB 50.25, 78.72, -4.5

 

CMYK 0 / 5 / 96 / 10

HEX #E6DB09

RGB 230 219 9

HSL 57.01, 0.92%, 0.47%

LAB 85.76, -14.48, 84.52

 

Description

Color code: CMYK 96 / 0 / 51 / 10 | qconv.com Color code: CMYK 96 / 0 / 51 / 10 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 230 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 230 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 51 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 51% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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