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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70D551 it is the complementary color #8F2AAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70D551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #70D551 shade: #75D54C, #86E75F, #97F972, #A8FF85 and #B9FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70D551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #70D551 shade: #70D551, #5FC33E, #4EB12B, #3D9F18 and #2C8D05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #70D551 shade: #71D553, #94D553, #B8D553, #D5D053 and #D5AC53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #70D551 shade: #71D553, #53D557, #53D57A, #53D59E and #53D5C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #70D551 shade matches the following richer shades: #71D553, #68E741 and #5FF830

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #70D551 shade: #71D553, #7AC464, #84B375, #8DA187 and #969098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #70D551 shade: #B9D553, #96D553, #73D553, #53D555 and #53D578

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #70D551 shade: #48AC2A, #56CD32, #71D553, #8DDD74 and #A8E595

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #70D551 shade: #70D551, #53D5CF and #D553A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #70D551 shade: #70D551, #5373D5 and #D55373

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #70D551 shade: #70D551, #53D5CF, #B553D5 and #D55359

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #70D551 shade: #70D551, #53B5D5, #B553D5 and #D57353

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 62 / 16

HEX #70D551

RGB 112 213 81

HSL 105.91, 0.61%, 0.58%

LAB 77.06, -53.41, 54.76

 

Complementary color

CMYK 18 / 76 / 0 / 32

HEX #8F2AAE

RGB 143 42 174

HSL 285.91, 0.61%, 0.42%

LAB 38.81, 60.11, -49.96

 

CMYK 45 / 0 / 64 / 16

HEX #75D54C

RGB 117 213 76

HSL 102.04, 0.62%, 0.57%

LAB 77.22, -52.39, 57.09

 

CMYK 42 / 0 / 59 / 9

HEX #86E75F

RGB 134 231 95

HSL 102.79, 0.74%, 0.64%

LAB 83.47, -52.57, 56.19

 

CMYK 39 / 0 / 54 / 2

HEX #97F972

RGB 151 249 114

HSL 103.56, 0.92%, 0.71%

LAB 89.65, -52.63, 55.15

 

CMYK 34 / 0 / 48 / 0

HEX #A8FF85

RGB 168 255 133

HSL 102.79, 1%, 0.76%

LAB 92.37, -47.59, 49.88

 

CMYK 27 / 0 / 40 / 0

HEX #B9FF98

RGB 185 255 152

HSL 100.78, 1%, 0.8%

LAB 93.49, -39.65, 42.39

 

CMYK 47 / 0 / 62 / 16

HEX #70D551

RGB 112 213 81

HSL 105.91, 0.61%, 0.58%

LAB 77.06, -53.41, 54.76

 

CMYK 51 / 0 / 68 / 24

HEX #5FC33E

RGB 95 195 62

HSL 105.11, 0.53%, 0.5%

LAB 70.74, -53.08, 55.55

 

CMYK 56 / 0 / 76 / 31

HEX #4EB12B

RGB 78 177 43

HSL 104.33, 0.61%, 0.43%

LAB 64.35, -52.47, 55.89

 

CMYK 62 / 0 / 85 / 38

HEX #3D9F18

RGB 61 159 24

HSL 103.56, 0.74%, 0.36%

LAB 57.9, -51.44, 55.36

 

CMYK 69 / 0 / 96 / 45

HEX #2C8D05

RGB 44 141 5

HSL 102.79, 0.93%, 0.29%

LAB 51.38, -49.82, 53.39

 

CMYK 47 / 0 / 61 / 16

HEX #71D553

RGB 113 213 83

HSL 106.15, 0.61%, 0.58%

LAB 77.12, -52.92, 53.98

 

CMYK 31 / 0 / 61 / 16

HEX #94D553

RGB 148 213 83

HSL 90, 0.61%, 0.58%

LAB 78.76, -41.5, 56.26

 

CMYK 14 / 0 / 61 / 16

HEX #B8D553

RGB 184 213 83

HSL 73.38, 0.61%, 0.58%

LAB 80.96, -27.89, 59.32

 

CMYK 0 / 2 / 61 / 16

HEX #D5D053

RGB 213 208 83

HSL 57.69, 0.61%, 0.58%

LAB 81.77, -13.66, 60.83

 

CMYK 0 / 19 / 61 / 16

HEX #D5AC53

RGB 213 172 83

HSL 41.08, 0.61%, 0.58%

LAB 72.41, 4.98, 50.48

 

CMYK 47 / 0 / 61 / 16

HEX #71D553

RGB 113 213 83

HSL 106.15, 0.61%, 0.58%

LAB 77.12, -52.92, 53.98

 

CMYK 61 / 0 / 59 / 16

HEX #53D557

RGB 83 213 87

HSL 121.85, 0.61%, 0.58%

LAB 76.14, -60.23, 50.84

 

CMYK 61 / 0 / 43 / 16

HEX #53D57A

RGB 83 213 122

HSL 138, 0.61%, 0.58%

LAB 76.58, -55.33, 34.59

 

CMYK 61 / 0 / 26 / 16

HEX #53D59E

RGB 83 213 158

HSL 154.62, 0.61%, 0.58%

LAB 77.22, -48.5, 16.77

 

CMYK 61 / 0 / 9 / 16

HEX #53D5C1

RGB 83 213 193

HSL 170.77, 0.61%, 0.58%

LAB 78.04, -40.3, -0.72

 

CMYK 47 / 0 / 61 / 16

HEX #71D553

RGB 113 213 83

HSL 106.15, 0.61%, 0.58%

LAB 77.12, -52.92, 53.98

 

CMYK 55 / 0 / 72 / 9

HEX #68E741

RGB 104 231 65

HSL 105.9, 0.78%, 0.58%

LAB 82.1, -63.63, 66.26

 

CMYK 62 / 0 / 81 / 3

HEX #5FF830

RGB 95 248 48

HSL 105.9, 0.93%, 0.58%

LAB 86.89, -72.51, 75.93

 

CMYK 47 / 0 / 61 / 16

HEX #71D553

RGB 113 213 83

HSL 106.15, 0.61%, 0.58%

LAB 77.12, -52.92, 53.98

 

CMYK 38 / 0 / 49 / 23

HEX #7AC464

RGB 122 196 100

HSL 106.25, 0.45%, 0.58%

LAB 72.59, -41.15, 40.84

 

CMYK 26 / 0 / 35 / 30

HEX #84B375

RGB 132 179 117

HSL 105.48, 0.29%, 0.58%

LAB 68.34, -27.51, 26.77

 

CMYK 12 / 0 / 16 / 37

HEX #8DA187

RGB 141 161 135

HSL 106.15, 0.12%, 0.58%

LAB 64.08, -12.08, 11.21

 

CMYK 1 / 5 / 0 / 40

HEX #969098

RGB 150 144 152

HSL 285, 0.04%, 0.58%

LAB 60.51, 3.75, -3.44

 

CMYK 13 / 0 / 61 / 16

HEX #B9D553

RGB 185 213 83

HSL 72.92, 0.61%, 0.58%

LAB 81.03, -27.49, 59.41

 

CMYK 30 / 0 / 61 / 16

HEX #96D553

RGB 150 213 83

HSL 89.08, 0.61%, 0.58%

LAB 78.87, -40.78, 56.42

 

CMYK 46 / 0 / 61 / 16

HEX #73D553

RGB 115 213 83

HSL 105.23, 0.61%, 0.58%

LAB 77.2, -52.33, 54.09

 

CMYK 61 / 0 / 60 / 16

HEX #53D555

RGB 83 213 85

HSL 120.92, 0.61%, 0.58%

LAB 76.12, -60.46, 51.7

 

CMYK 61 / 0 / 44 / 16

HEX #53D578

RGB 83 213 120

HSL 137.08, 0.61%, 0.58%

LAB 76.55, -55.66, 35.56

 

CMYK 58 / 0 / 76 / 33

HEX #48AC2A

RGB 72 172 42

HSL 106.15, 0.61%, 0.42%

LAB 62.55, -52.28, 54.39

 

CMYK 58 / 0 / 76 / 20

HEX #56CD32

RGB 86 205 50

HSL 106.06, 0.61%, 0.5%

LAB 73.46, -60.02, 62.56

 

CMYK 47 / 0 / 61 / 16

HEX #71D553

RGB 113 213 83

HSL 106.15, 0.61%, 0.58%

LAB 77.12, -52.92, 53.98

 

CMYK 36 / 0 / 48 / 13

HEX #8DDD74

RGB 141 221 116

HSL 105.71, 0.61%, 0.66%

LAB 81.09, -43.82, 43.75

 

CMYK 27 / 0 / 35 / 10

HEX #A8E595

RGB 168 229 149

HSL 105.75, 0.61%, 0.74%

LAB 85.27, -33.97, 32.97

 

CMYK 47 / 0 / 62 / 16

HEX #70D551

RGB 112 213 81

HSL 105.91, 0.61%, 0.58%

LAB 77.06, -53.41, 54.76

 

CMYK 61 / 0 / 3 / 16

HEX #53D5CF

RGB 83 213 207

HSL 177.23, 0.61%, 0.58%

LAB 78.42, -36.65, -7.66

 

CMYK 0 / 61 / 22 / 16

HEX #D553A7

RGB 213 83 167

HSL 321.23, 0.61%, 0.58%

LAB 55.2, 59.86, -19.34

 

CMYK 47 / 0 / 62 / 16

HEX #70D551

RGB 112 213 81

HSL 105.91, 0.61%, 0.58%

LAB 77.06, -53.41, 54.76

 

CMYK 61 / 46 / 0 / 16

HEX #5373D5

RGB 83 115 213

HSL 225.23, 0.61%, 0.58%

LAB 50.58, 18.67, -54.01

 

CMYK 0 / 61 / 46 / 16

HEX #D55373

RGB 213 83 115

HSL 345.23, 0.61%, 0.58%

LAB 53.57, 53.77, 8.95

 

CMYK 47 / 0 / 62 / 16

HEX #70D551

RGB 112 213 81

HSL 105.91, 0.61%, 0.58%

LAB 77.06, -53.41, 54.76

 

CMYK 61 / 0 / 3 / 16

HEX #53D5CF

RGB 83 213 207

HSL 177.23, 0.61%, 0.58%

LAB 78.42, -36.65, -7.66

 

CMYK 15 / 61 / 0 / 16

HEX #B553D5

RGB 181 83 213

HSL 285.23, 0.61%, 0.58%

LAB 52.75, 59.17, -50.02

 

CMYK 0 / 61 / 58 / 16

HEX #D55359

RGB 213 83 89

HSL 357.23, 0.61%, 0.58%

LAB 53.01, 51.6, 23.6

 

CMYK 47 / 0 / 62 / 16

HEX #70D551

RGB 112 213 81

HSL 105.91, 0.61%, 0.58%

LAB 77.06, -53.41, 54.76

 

CMYK 61 / 15 / 0 / 16

HEX #53B5D5

RGB 83 181 213

HSL 194.77, 0.61%, 0.58%

LAB 69.25, -19.25, -24.74

 

CMYK 15 / 61 / 0 / 16

HEX #B553D5

RGB 181 83 213

HSL 285.23, 0.61%, 0.58%

LAB 52.75, 59.17, -50.02

 

CMYK 0 / 46 / 61 / 16

HEX #D57353

RGB 213 115 83

HSL 14.77, 0.61%, 0.58%

LAB 59, 35.54, 34.64

 

Description

Color code: HEX #70D551 | qconv.com Color code: HEX #70D551 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 213 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 213 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 62 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 62% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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