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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D9F18 it is the complementary color #C260E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D9F18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D9F18 shade: #429F13, #53B126, #64C339, #75D54C and #86E75F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D9F18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D9F18 shade: #3D9F18, #2C8D05, #1B7B00, #0A6900 and #005700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D9F18 shade: #3DA018, #62A018, #86A018, #A09418 and #A07018

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D9F18 shade: #3DA018, #18A018, #18A03C, #18A061 and #18A085

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D9F18 shade matches the following richer shades: #3DA018 and #36AF09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D9F18 shade: #3DA018, #449127, #4B8236, #517344 and #586453

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D9F18 shade: #87A018, #63A018, #3EA018, #1AA018 and #18A03A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D9F18 shade: #22580D, #2F7C13, #3DA018, #4BC41D and #5CDF2B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D9F18 shade: #3D9F18, #18A094 and #A01875

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D9F18 shade: #3D9F18, #183EA0 and #A0183E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D9F18 shade: #3D9F18, #18A094, #7918A0 and #A01823

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D9F18 shade: #3D9F18, #1882A0, #7918A0 and #A03518

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 85 / 38

HEX #3D9F18

RGB 61 159 24

HSL 103.56, 0.74%, 0.36%

LAB 57.9, -51.44, 55.36

 

Complementary color

CMYK 16 / 58 / 0 / 9

HEX #C260E7

RGB 194 96 231

HSL 283.56, 0.74%, 0.64%

LAB 57.66, 59.85, -52.25

 

CMYK 58 / 0 / 88 / 38

HEX #429F13

RGB 66 159 19

HSL 99.86, 0.79%, 0.35%

LAB 58.04, -50.36, 56.72

 

CMYK 53 / 0 / 79 / 31

HEX #53B126

RGB 83 177 38

HSL 100.58, 0.65%, 0.42%

LAB 64.5, -51.4, 57.73

 

CMYK 49 / 0 / 71 / 24

HEX #64C339

RGB 100 195 57

HSL 101.3, 0.55%, 0.49%

LAB 70.9, -52.03, 57.7

 

CMYK 45 / 0 / 64 / 16

HEX #75D54C

RGB 117 213 76

HSL 102.04, 0.62%, 0.57%

LAB 77.22, -52.39, 57.09

 

CMYK 42 / 0 / 59 / 9

HEX #86E75F

RGB 134 231 95

HSL 102.79, 0.74%, 0.64%

LAB 83.47, -52.57, 56.19

 

CMYK 62 / 0 / 85 / 38

HEX #3D9F18

RGB 61 159 24

HSL 103.56, 0.74%, 0.36%

LAB 57.9, -51.44, 55.36

 

CMYK 69 / 0 / 96 / 45

HEX #2C8D05

RGB 44 141 5

HSL 102.79, 0.93%, 0.29%

LAB 51.38, -49.82, 53.39

 

CMYK 78 / 0 / 100 / 52

HEX #1B7B00

RGB 27 123 0

HSL 106.83, 1%, 0.24%

LAB 44.8, -47.28, 48.89

 

CMYK 90 / 0 / 100 / 59

HEX #0A6900

RGB 10 105 0

HSL 114.29, 1%, 0.21%

LAB 38.14, -43.84, 43.46

 

CMYK 100 / 0 / 100 / 66

HEX #005700

RGB 0 87 0

HSL 120, 1%, 0.17%

LAB 31.39, -39.37, 38

 

CMYK 62 / 0 / 85 / 37

HEX #3DA018

RGB 61 160 24

HSL 103.68, 0.74%, 0.36%

LAB 58.23, -51.79, 55.65

 

CMYK 39 / 0 / 85 / 37

HEX #62A018

RGB 98 160 24

HSL 87.35, 0.74%, 0.36%

LAB 59.71, -40.42, 57.54

 

CMYK 16 / 0 / 85 / 37

HEX #86A018

RGB 134 160 24

HSL 71.47, 0.74%, 0.36%

LAB 61.89, -26.13, 60.28

 

CMYK 0 / 7 / 85 / 37

HEX #A09418

RGB 160 148 24

HSL 54.71, 0.74%, 0.36%

LAB 60.53, -8.45, 59.97

 

CMYK 0 / 30 / 85 / 37

HEX #A07018

RGB 160 112 24

HSL 38.82, 0.74%, 0.36%

LAB 50.84, 11.55, 51.78

 

CMYK 62 / 0 / 85 / 37

HEX #3DA018

RGB 61 160 24

HSL 103.68, 0.74%, 0.36%

LAB 58.23, -51.79, 55.65

 

CMYK 85 / 0 / 85 / 37

HEX #18A018

RGB 24 160 24

HSL 120, 0.74%, 0.36%

LAB 57.46, -58.3, 54.68

 

CMYK 85 / 0 / 63 / 37

HEX #18A03C

RGB 24 160 60

HSL 135.88, 0.74%, 0.36%

LAB 57.71, -55.18, 41.61

 

CMYK 85 / 0 / 39 / 37

HEX #18A061

RGB 24 160 97

HSL 152.21, 0.74%, 0.36%

LAB 58.23, -49.11, 23.39

 

CMYK 85 / 0 / 17 / 37

HEX #18A085

RGB 24 160 133

HSL 168.09, 0.74%, 0.36%

LAB 59, -40.57, 4.44

 

CMYK 62 / 0 / 85 / 37

HEX #3DA018

RGB 61 160 24

HSL 103.68, 0.74%, 0.36%

LAB 58.23, -51.79, 55.65

 

CMYK 69 / 0 / 95 / 31

HEX #36AF09

RGB 54 175 9

HSL 103.73, 0.9%, 0.36%

LAB 62.9, -58.91, 62.36

 

CMYK 62 / 0 / 85 / 37

HEX #3DA018

RGB 61 160 24

HSL 103.68, 0.74%, 0.36%

LAB 58.23, -51.79, 55.65

 

CMYK 53 / 0 / 73 / 43

HEX #449127

RGB 68 145 39

HSL 103.58, 0.58%, 0.36%

LAB 53.63, -43.33, 46.5

 

CMYK 42 / 0 / 58 / 49

HEX #4B8236

RGB 75 130 54

HSL 103.42, 0.41%, 0.36%

LAB 49.16, -33.22, 34.98

 

CMYK 30 / 0 / 41 / 55

HEX #517344

RGB 81 115 68

HSL 103.4, 0.26%, 0.36%

LAB 44.84, -21.82, 22.2

 

CMYK 12 / 0 / 17 / 61

HEX #586453

RGB 88 100 83

HSL 102.35, 0.09%, 0.36%

LAB 40.92, -8.17, 8.11

 

CMYK 16 / 0 / 85 / 37

HEX #87A018

RGB 135 160 24

HSL 71.03, 0.74%, 0.36%

LAB 61.96, -25.7, 60.37

 

CMYK 38 / 0 / 85 / 37

HEX #63A018

RGB 99 160 24

HSL 86.91, 0.74%, 0.36%

LAB 59.76, -40.06, 57.6

 

CMYK 61 / 0 / 85 / 37

HEX #3EA018

RGB 62 160 24

HSL 103.24, 0.74%, 0.36%

LAB 58.26, -51.55, 55.69

 

CMYK 84 / 0 / 85 / 37

HEX #1AA018

RGB 26 160 24

HSL 119.12, 0.74%, 0.36%

LAB 57.49, -58.09, 54.71

 

CMYK 85 / 0 / 64 / 37

HEX #18A03A

RGB 24 160 58

HSL 135, 0.74%, 0.36%

LAB 57.69, -55.42, 42.5

 

CMYK 61 / 0 / 85 / 65

HEX #22580D

RGB 34 88 13

HSL 103.2, 0.74%, 0.2%

LAB 32.59, -32.35, 35.02

 

CMYK 62 / 0 / 85 / 51

HEX #2F7C13

RGB 47 124 19

HSL 104, 0.73%, 0.28%

LAB 45.73, -42.48, 45.51

 

CMYK 62 / 0 / 85 / 37

HEX #3DA018

RGB 61 160 24

HSL 103.68, 0.74%, 0.36%

LAB 58.23, -51.79, 55.65

 

CMYK 62 / 0 / 85 / 23

HEX #4BC41D

RGB 75 196 29

HSL 103.47, 0.74%, 0.44%

LAB 70.22, -60.68, 65.3

 

CMYK 59 / 0 / 81 / 13

HEX #5CDF2B

RGB 92 223 43

HSL 103.67, 0.74%, 0.52%

LAB 79.17, -65.17, 70.1

 

CMYK 62 / 0 / 85 / 38

HEX #3D9F18

RGB 61 159 24

HSL 103.56, 0.74%, 0.36%

LAB 57.9, -51.44, 55.36

 

CMYK 85 / 0 / 7 / 37

HEX #18A094

RGB 24 160 148

HSL 174.71, 0.74%, 0.36%

LAB 59.41, -36.36, -3.44

 

CMYK 0 / 85 / 27 / 37

HEX #A01875

RGB 160 24 117

HSL 318.97, 0.74%, 0.36%

LAB 36.76, 59.88, -18.17

 

CMYK 62 / 0 / 85 / 38

HEX #3D9F18

RGB 61 159 24

HSL 103.56, 0.74%, 0.36%

LAB 57.9, -51.44, 55.36

 

CMYK 85 / 61 / 0 / 37

HEX #183EA0

RGB 24 62 160

HSL 223.24, 0.74%, 0.36%

LAB 29.86, 25.45, -56.63

 

CMYK 0 / 85 / 61 / 37

HEX #A0183E

RGB 160 24 62

HSL 343.24, 0.74%, 0.36%

LAB 34.95, 54.68, 14.52

 

CMYK 62 / 0 / 85 / 38

HEX #3D9F18

RGB 61 159 24

HSL 103.56, 0.74%, 0.36%

LAB 57.9, -51.44, 55.36

 

CMYK 85 / 0 / 7 / 37

HEX #18A094

RGB 24 160 148

HSL 174.71, 0.74%, 0.36%

LAB 59.41, -36.36, -3.44

 

CMYK 24 / 85 / 0 / 37

HEX #7918A0

RGB 121 24 160

HSL 282.79, 0.74%, 0.36%

LAB 32.38, 58.97, -52.12

 

CMYK 0 / 85 / 78 / 37

HEX #A01823

RGB 160 24 35

HSL 355.15, 0.74%, 0.36%

LAB 34.49, 53.31, 31.1

 

CMYK 62 / 0 / 85 / 38

HEX #3D9F18

RGB 61 159 24

HSL 103.56, 0.74%, 0.36%

LAB 57.9, -51.44, 55.36

 

CMYK 85 / 19 / 0 / 37

HEX #1882A0

RGB 24 130 160

HSL 193.24, 0.74%, 0.36%

LAB 50.33, -17.5, -24.05

 

CMYK 24 / 85 / 0 / 37

HEX #7918A0

RGB 121 24 160

HSL 282.79, 0.74%, 0.36%

LAB 32.38, 58.97, -52.12

 

CMYK 0 / 67 / 85 / 37

HEX #A03518

RGB 160 53 24

HSL 12.79, 0.74%, 0.36%

LAB 38, 42.96, 40.58

 

Description

Color code: HEX #3D9F18 | qconv.com Color code: HEX #3D9F18 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 159 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 159 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 85 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 85% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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