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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70BF73 it is the complementary color #8F408C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70BF73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #70BF73: #75BF6E, #86D181, #97E394, #A8F5A7 and #B9FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70BF73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #70BF73: #70BF73, #5FAD60, #4E9B4D, #3D893A and #2C7727

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 40 / 25

HEX #70BF73

RGB 112 191 115

HSL 122.28, 0.38%, 0.59%

LAB 70.83, -39.98, 30.91

 

Complementary color

CMYK 0 / 55 / 2 / 44

HEX #8F408C

RGB 143 64 140

HSL 302.28, 0.38%, 0.41%

LAB 40.25, 44.13, -27.21

 

CMYK 39 / 0 / 42 / 25

HEX #75BF6E

RGB 117 191 110

HSL 114.81, 0.39%, 0.59%

LAB 70.99, -39.19, 33.74

 

CMYK 36 / 0 / 38 / 18

HEX #86D181

RGB 134 209 129

HSL 116.25, 0.47%, 0.66%

LAB 77.43, -38.98, 32.52

 

CMYK 33 / 0 / 35 / 11

HEX #97E394

RGB 151 227 148

HSL 117.72, 0.59%, 0.74%

LAB 83.79, -38.76, 31.36

 

CMYK 31 / 0 / 32 / 4

HEX #A8F5A7

RGB 168 245 167

HSL 119.23, 0.8%, 0.81%

LAB 90.05, -38.52, 30.25

 

CMYK 27 / 0 / 27 / 0

HEX #B9FFBA

RGB 185 255 186

HSL 120.86, 1%, 0.86%

LAB 94.05, -34.66, 26.2

 

CMYK 41 / 0 / 40 / 25

HEX #70BF73

RGB 112 191 115

HSL 122.28, 0.38%, 0.59%

LAB 70.83, -39.98, 30.91

 

CMYK 45 / 0 / 45 / 32

HEX #5FAD60

RGB 95 173 96

HSL 120.77, 0.32%, 0.53%

LAB 64.29, -40.15, 32.2

 

CMYK 50 / 0 / 50 / 39

HEX #4E9B4D

RGB 78 155 77

HSL 119.23, 0.34%, 0.45%

LAB 57.65, -40.23, 33.54

 

CMYK 55 / 0 / 58 / 46

HEX #3D893A

RGB 61 137 58

HSL 117.72, 0.41%, 0.38%

LAB 50.91, -40.14, 34.88

 

CMYK 63 / 0 / 67 / 53

HEX #2C7727

RGB 44 119 39

HSL 116.25, 0.51%, 0.31%

LAB 44.05, -39.71, 36.09

 

CMYK 41 / 0 / 40 / 25

HEX #70BF73

RGB 112 191 115

HSL 122.28, 0.38%, 0.59%

LAB 70.83, -39.98, 30.91

 

CMYK 42 / 0 / 34 / 25

HEX #6EBE7E

RGB 110 190 126

HSL 132, 0.38%, 0.59%

LAB 70.63, -38.31, 24.85

 

CMYK 42 / 0 / 27 / 25

HEX #6EBE8B

RGB 110 190 139

HSL 141.75, 0.38%, 0.59%

LAB 70.88, -35.92, 18.24

 

CMYK 42 / 0 / 19 / 25

HEX #6EBE99

RGB 110 190 153

HSL 152.25, 0.38%, 0.59%

LAB 71.17, -33.09, 11.09

 

CMYK 42 / 0 / 13 / 25

HEX #6EBEA6

RGB 110 190 166

HSL 162, 0.38%, 0.59%

LAB 71.48, -30.24, 4.46

 

CMYK 41 / 0 / 40 / 25

HEX #70BF73

RGB 112 191 115

HSL 122.28, 0.38%, 0.59%

LAB 70.83, -39.98, 30.91

 

CMYK 41 / 0 / 40 / 5

HEX #8EF292

RGB 142 242 146

HSL 122.4, 0.79%, 0.75%

LAB 87.65, -48.31, 37.36

 

CMYK 42 / 0 / 39 / 85

HEX #162617

RGB 22 38 23

HSL 123.75, 0.27%, 0.12%

LAB 13.34, -10.75, 7.87

 

CMYK 42 / 0 / 39 / 65

HEX #345936

RGB 52 89 54

HSL 123.24, 0.26%, 0.28%

LAB 34.28, -21.52, 16.21

 

CMYK 41 / 0 / 40 / 45

HEX #528C54

RGB 82 140 84

HSL 122.07, 0.26%, 0.44%

LAB 53.16, -31.18, 24.11

 

CMYK 41 / 0 / 40 / 25

HEX #70BF73

RGB 112 191 115

HSL 122.28, 0.38%, 0.59%

LAB 70.83, -39.98, 30.91

 

CMYK 42 / 10 / 0 / 25

HEX #6EABBE

RGB 110 171 190

HSL 194.25, 0.38%, 0.59%

LAB 66.64, -14.69, -15.92

 

CMYK 0 / 42 / 27 / 25

HEX #BE6E8B

RGB 190 110 139

HSL 338.25, 0.38%, 0.59%

LAB 56.05, 35.35, -2.03

 

CMYK 41 / 0 / 40 / 25

HEX #70BF73

RGB 112 191 115

HSL 122.28, 0.38%, 0.59%

LAB 70.83, -39.98, 30.91

 

CMYK 41 / 42 / 0 / 25

HEX #716EBE

RGB 113 110 190

HSL 242.25, 0.38%, 0.59%

LAB 49.95, 21.22, -41.73

 

CMYK 0 / 41 / 42 / 25

HEX #BE716E

RGB 190 113 110

HSL 2.25, 0.38%, 0.59%

LAB 55.97, 30.04, 14.76

 

CMYK 41 / 0 / 40 / 25

HEX #70BF73

RGB 112 191 115

HSL 122.28, 0.38%, 0.59%

LAB 70.83, -39.98, 30.91

 

CMYK 42 / 10 / 0 / 25

HEX #6EABBE

RGB 110 171 190

HSL 194.25, 0.38%, 0.59%

LAB 66.64, -14.69, -15.92

 

CMYK 0 / 42 / 2 / 25

HEX #BE6EBB

RGB 190 110 187

HSL 302.25, 0.38%, 0.59%

LAB 57.74, 43.19, -27.25

 

CMYK 0 / 32 / 42 / 25

HEX #BE816E

RGB 190 129 110

HSL 14.25, 0.38%, 0.59%

LAB 59.68, 21.25, 19.85

 

CMYK 41 / 0 / 40 / 25

HEX #70BF73

RGB 112 191 115

HSL 122.28, 0.38%, 0.59%

LAB 70.83, -39.98, 30.91

 

CMYK 42 / 23 / 0 / 25

HEX #6E93BE

RGB 110 147 190

HSL 212.25, 0.38%, 0.59%

LAB 59.8, -1.48, -26.36

 

CMYK 0 / 42 / 2 / 25

HEX #BE6EBB

RGB 190 110 187

HSL 302.25, 0.38%, 0.59%

LAB 57.74, 43.19, -27.25

 

CMYK 0 / 19 / 42 / 25

HEX #BE996E

RGB 190 153 110

HSL 32.25, 0.38%, 0.59%

LAB 65.64, 8, 27.8

 

Description

Color code: HEX #70BF73 | qconv.com Color code: HEX #70BF73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 191 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 191 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 40 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 40% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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