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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #708EB4 it is the complementary color #8F714B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #708EB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #708EB4 shade: #758EAF, #86A0C2, #97B2D5, #A8C4E8 and #B9D6FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #708EB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #708EB4 shade: #708EB4, #5F7CA1, #4E6A8E, #3D587B and #2C4668

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #708EB4 shade: #6F8DB3, #6F7BB3, #766FB3, #886FB3 and #9B6FB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #708EB4 shade: #6F8DB3, #6F7BB3 and #6F6FB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #708EB4 shade matches the following richer shades: #6F8DB3, #5E8BC5, #4C89D7, #3A87E9 and #2885FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #708EB4 shade: #6F8DB3, #818FA2, #939290, #A5947E and #B6966C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #708EB4 shade: #6FB2B3, #6FA0B3, #6F8EB3, #6F7CB3 and #756FB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #708EB4 shade: #486488, #5678A3, #6F8DB3, #8AA3C2 and #A5B8D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #708EB4 shade: #708EB4, #A26FB3 and #A9B36F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #708EB4 shade: #708EB4, #B36F8E and #8EB36F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #708EB4 shade: #708EB4, #A26FB3, #B3956F and #80B36F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #708EB4 shade: #708EB4, #B36FB0, #B3956F and #6FB373

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 21 / 0 / 29

HEX #708EB4

RGB 112 142 180

HSL 213.53, 0.31%, 0.57%

LAB 58.12, -0.86, -23.27

 

Complementary color

CMYK 0 / 21 / 48 / 44

HEX #8F714B

RGB 143 113 75

HSL 33.53, 0.31%, 0.43%

LAB 49.69, 6.65, 25.54

 

CMYK 33 / 19 / 0 / 31

HEX #758EAF

RGB 117 142 175

HSL 214.14, 0.27%, 0.57%

LAB 58.25, -0.76, -20.2

 

CMYK 31 / 18 / 0 / 24

HEX #86A0C2

RGB 134 160 194

HSL 214, 0.33%, 0.64%

LAB 65.05, -0.99, -20.44

 

CMYK 29 / 16 / 0 / 16

HEX #97B2D5

RGB 151 178 213

HSL 213.87, 0.42%, 0.71%

LAB 71.71, -1.2, -20.69

 

CMYK 28 / 16 / 0 / 9

HEX #A8C4E8

RGB 168 196 232

HSL 213.75, 0.58%, 0.78%

LAB 78.25, -1.39, -20.96

 

CMYK 26 / 15 / 0 / 2

HEX #B9D6FB

RGB 185 214 251

HSL 213.64, 0.89%, 0.85%

LAB 84.68, -1.56, -21.25

 

CMYK 38 / 21 / 0 / 29

HEX #708EB4

RGB 112 142 180

HSL 213.53, 0.31%, 0.57%

LAB 58.12, -0.86, -23.27

 

CMYK 41 / 23 / 0 / 37

HEX #5F7CA1

RGB 95 124 161

HSL 213.64, 0.26%, 0.5%

LAB 51.18, -0.52, -23.11

 

CMYK 45 / 25 / 0 / 44

HEX #4E6A8E

RGB 78 106 142

HSL 213.75, 0.29%, 0.43%

LAB 44.06, -0.1, -22.98

 

CMYK 50 / 28 / 0 / 52

HEX #3D587B

RGB 61 88 123

HSL 213.87, 0.34%, 0.36%

LAB 36.75, 0.45, -22.9

 

CMYK 58 / 33 / 0 / 59

HEX #2C4668

RGB 44 70 104

HSL 214, 0.41%, 0.29%

LAB 29.2, 1.21, -22.87

 

CMYK 38 / 21 / 0 / 30

HEX #6F8DB3

RGB 111 141 179

HSL 213.53, 0.31%, 0.57%

LAB 57.74, -0.85, -23.3

 

CMYK 38 / 31 / 0 / 30

HEX #6F7BB3

RGB 111 123 179

HSL 229.41, 0.31%, 0.57%

LAB 52.73, 9.7, -31.04

 

CMYK 34 / 38 / 0 / 30

HEX #766FB3

RGB 118 111 179

HSL 246.18, 0.31%, 0.57%

LAB 50.07, 18.89, -35.17

 

CMYK 24 / 38 / 0 / 30

HEX #886FB3

RGB 136 111 179

HSL 262.06, 0.31%, 0.57%

LAB 51.68, 24.21, -32.53

 

CMYK 13 / 38 / 0 / 30

HEX #9B6FB3

RGB 155 111 179

HSL 278.82, 0.31%, 0.57%

LAB 53.59, 30.09, -29.4

 

CMYK 38 / 21 / 0 / 30

HEX #6F8DB3

RGB 111 141 179

HSL 213.53, 0.31%, 0.57%

LAB 57.74, -0.85, -23.3

 

CMYK 38 / 31 / 0 / 30

HEX #6F7BB3

RGB 111 123 179

HSL 229.41, 0.31%, 0.57%

LAB 52.73, 9.7, -31.04

 

CMYK 38 / 38 / 0 / 30

HEX #6F6FB3

RGB 111 111 179

HSL 240, 0.31%, 0.57%

LAB 49.5, 16.92, -36.1

 

CMYK 38 / 21 / 0 / 30

HEX #6F8DB3

RGB 111 141 179

HSL 213.53, 0.31%, 0.57%

LAB 57.74, -0.85, -23.3

 

CMYK 52 / 29 / 0 / 23

HEX #5E8BC5

RGB 94 139 197

HSL 213.79, 0.47%, 0.57%

LAB 56.95, 1.25, -34.8

 

CMYK 65 / 36 / 0 / 16

HEX #4C89D7

RGB 76 137 215

HSL 213.67, 0.63%, 0.57%

LAB 56.42, 4.71, -45.85

 

CMYK 75 / 42 / 0 / 9

HEX #3A87E9

RGB 58 135 233

HSL 213.6, 0.8%, 0.57%

LAB 56.2, 9.66, -56.31

 

CMYK 84 / 47 / 0 / 2

HEX #2885FA

RGB 40 133 250

HSL 213.43, 0.95%, 0.57%

LAB 56.22, 15.44, -65.73

 

CMYK 38 / 21 / 0 / 30

HEX #6F8DB3

RGB 111 141 179

HSL 213.53, 0.31%, 0.57%

LAB 57.74, -0.85, -23.3

 

CMYK 20 / 12 / 0 / 36

HEX #818FA2

RGB 129 143 162

HSL 214.55, 0.15%, 0.57%

LAB 58.9, -0.8, -11.72

 

CMYK 0 / 1 / 2 / 42

HEX #939290

RGB 147 146 144

HSL 40, 0.01%, 0.57%

LAB 60.58, -0.01, 1.18

 

CMYK 0 / 10 / 24 / 35

HEX #A5947E

RGB 165 148 126

HSL 33.85, 0.18%, 0.57%

LAB 62.24, 2.7, 13.94

 

CMYK 0 / 18 / 41 / 29

HEX #B6966C

RGB 182 150 108

HSL 34.05, 0.34%, 0.57%

LAB 64.03, 6.12, 26.63

 

CMYK 38 / 1 / 0 / 30

HEX #6FB2B3

RGB 111 178 179

HSL 180.88, 0.31%, 0.57%

LAB 68.37, -20.93, -7.24

 

CMYK 38 / 11 / 0 / 30

HEX #6FA0B3

RGB 111 160 179

HSL 196.76, 0.31%, 0.57%

LAB 63.16, -11.45, -15.04

 

CMYK 38 / 21 / 0 / 30

HEX #6F8EB3

RGB 111 142 179

HSL 212.65, 0.31%, 0.57%

LAB 58.02, -1.42, -22.86

 

CMYK 38 / 31 / 0 / 30

HEX #6F7CB3

RGB 111 124 179

HSL 228.53, 0.31%, 0.57%

LAB 53, 9.1, -30.62

 

CMYK 35 / 38 / 0 / 30

HEX #756FB3

RGB 117 111 179

HSL 245.29, 0.31%, 0.57%

LAB 49.98, 18.61, -35.3

 

CMYK 47 / 26 / 0 / 47

HEX #486488

RGB 72 100 136

HSL 213.75, 0.31%, 0.41%

LAB 41.64, 0.08, -23.16

 

CMYK 47 / 26 / 0 / 36

HEX #5678A3

RGB 86 120 163

HSL 213.51, 0.31%, 0.49%

LAB 49.56, 0.02, -26.81

 

CMYK 38 / 21 / 0 / 30

HEX #6F8DB3

RGB 111 141 179

HSL 213.53, 0.31%, 0.57%

LAB 57.74, -0.85, -23.3

 

CMYK 29 / 16 / 0 / 24

HEX #8AA3C2

RGB 138 163 194

HSL 213.21, 0.31%, 0.65%

LAB 66.13, -1.47, -18.76

 

CMYK 21 / 12 / 0 / 18

HEX #A5B8D0

RGB 165 184 208

HSL 213.49, 0.31%, 0.73%

LAB 74.08, -1.38, -14.28

 

CMYK 38 / 21 / 0 / 29

HEX #708EB4

RGB 112 142 180

HSL 213.53, 0.31%, 0.57%

LAB 58.12, -0.86, -23.27

 

CMYK 9 / 38 / 0 / 30

HEX #A26FB3

RGB 162 111 179

HSL 285, 0.31%, 0.57%

LAB 54.35, 32.3, -28.17

 

CMYK 6 / 0 / 38 / 30

HEX #A9B36F

RGB 169 179 111

HSL 68.82, 0.31%, 0.57%

LAB 70.75, -14.34, 33.56

 

CMYK 38 / 21 / 0 / 29

HEX #708EB4

RGB 112 142 180

HSL 213.53, 0.31%, 0.57%

LAB 58.12, -0.86, -23.27

 

CMYK 0 / 38 / 21 / 30

HEX #B36F8E

RGB 179 111 142

HSL 332.65, 0.31%, 0.57%

LAB 54.97, 31.29, -5.53

 

CMYK 21 / 0 / 38 / 30

HEX #8EB36F

RGB 142 179 111

HSL 92.65, 0.31%, 0.57%

LAB 68.85, -24.76, 30.73

 

CMYK 38 / 21 / 0 / 29

HEX #708EB4

RGB 112 142 180

HSL 213.53, 0.31%, 0.57%

LAB 58.12, -0.86, -23.27

 

CMYK 9 / 38 / 0 / 30

HEX #A26FB3

RGB 162 111 179

HSL 285, 0.31%, 0.57%

LAB 54.35, 32.3, -28.17

 

CMYK 0 / 17 / 38 / 30

HEX #B3956F

RGB 179 149 111

HSL 33.53, 0.31%, 0.57%

LAB 63.53, 5.78, 24.27

 

CMYK 28 / 0 / 38 / 30

HEX #80B36F

RGB 128 179 111

HSL 105, 0.31%, 0.57%

LAB 68, -29.82, 29.47

 

CMYK 38 / 21 / 0 / 29

HEX #708EB4

RGB 112 142 180

HSL 213.53, 0.31%, 0.57%

LAB 58.12, -0.86, -23.27

 

CMYK 0 / 38 / 2 / 30

HEX #B36FB0

RGB 179 111 176

HSL 302.65, 0.31%, 0.57%

LAB 56.17, 37.14, -23.46

 

CMYK 0 / 17 / 38 / 30

HEX #B3956F

RGB 179 149 111

HSL 33.53, 0.31%, 0.57%

LAB 63.53, 5.78, 24.27

 

CMYK 38 / 0 / 36 / 30

HEX #6FB373

RGB 111 179 115

HSL 123.53, 0.31%, 0.57%

LAB 67.17, -34.88, 26.08

 

Description

Color code: HEX #708EB4 | qconv.com Color code: HEX #708EB4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 142 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 142 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 21 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 21% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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